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    Complete Book of Drawing Projects Step by Step
    Complete Book of Drawing Projects Step by Step
    Complete Book of Drawing Projects Step by Step
    Ebook208 pages1 hour

    Complete Book of Drawing Projects Step by Step

    By Barrington Barber

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    About this ebook

    Drawing is a very rewarding pastime, and with careful observation and plenty of practice you can produce works to be proud of. In this enjoyable book, artist and teacher Barrington Barber takes fifty subjects to draw, ranging from simple objects around the home to portraits, outdoor scenes and expansive landscapes. Each project is broken down into five steps, allowing you to follow the drawing process with ease. After every exercise is a page for you to try your own version of the subject, using the steps as a guide. This is an innovative and fun way to learn to draw, or to brush up on your skills.
    LanguageEnglish
    PublisherArcturus Publishing
    Release dateJul 29, 2016
    ISBN9781784285135
    Complete Book of Drawing Projects Step by Step
    Author

    Barrington Barber

    Born 1934, Barrington was educated at Hampton Grammar School and later Twickenham Art Schoo for which he received a National Diploma of Design. He then practised as an illustrator (Saxon Artist) and Graphic Designer, was Art Director at Ogilvie & Mather and S.H. Bensons, and was a lecturer in Graphic Design at Ealing Art School. Other credits include freelance work, designer, illustrator, animator and painter at Augustine Studios. He was awarded a one man exhibition in 2000 at St. Oswald Studios, and also exhibited in Putney in 2003 and Cork Street in 2004. He was Head of Art at St James's Independent Schools. He now paints, draws, writes about art, and enjoys sports, walking, philosophy and meditation.

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      Muy claro, y completo. Didáctico. Explica como encarar desde el modelo natural

    Book preview

    Complete Book of Drawing Projects Step by Step - Barrington Barber

    INTRODUCTION

    Drawing is a very rewarding pastime, and with careful looking and regular practice it is possible to create works that will please you and other people. In this book I have presented fifty subjects to draw, ranging from simple objects you can find in the home to outdoor scenes and landscapes. The projects are all broken down into five steps so that you can see how tone is applied at every stage of drawing. After each finished drawing is a blank page for you to make your own attempt, referring to my steps as you go. These projects are intended to build your confidence as a draughtsman, so that you feel comfortable handling the pencil and working across a range of subject matter. In time you will want to choose your own subjects, according to your interests and the objects you find around you – the world is full of things to draw. When it comes to drawing there is no substitute for practice, so pick up a pencil and get drawing!

    Barrington Barber

    DRAWING EXERCISES

    When you embark on your adventure as an artist, practising exercises in drawing techniques will really increase your abilities. The ones shown here will help to improve your observational skills and the way you use your drawing tool to describe what you see.

    You don’t need to spend a long time over these, but recurrent practice is very valuable for any artist. They are by no means the only exercises that are useful, but they are a straightforward way of getting you into the habit of drawing regularly.

    Don’t spend a lot of time trying to get them right – just practise as often as you can until you can do them quite swiftly without thinking too much about it.

    First try these squares of tonal shading, starting with a scribbly technique and following with vertical strokes, diagonal strokes and then horizontal strokes.

    Next try a set of squares of tone made by drawing multiple lines close together, first vertically, then overlaid horizontally. On top, draw diagonal lines both from the top left and the top right.

    Next comes a series of squares that go from the very darkest tone you can make to the lightest, gradually reducing the pressure on the pencil until by the last square you can hardly see the tone at all.

    Now draw a series of circles as near to the same size as you can manage, trying to make them perfectly circular – but don’t be too slow and careful here, because the idea is to see how well you can control the pencil at speed.

    Follow the previous exercise with a set of horizontal marks to keep the feel of drawing fast without thinking too much about it – first zig-zag, then wavy, loops, smudges and finally horizontal lines very close together. Remember that the aim is to work fluently, without any hesitation.

    Execute a series of simple geometric shapes that make you control the pencil more carefully: a circle, this time drawn deliberately and as slowly as you like; an equilateral triangle; a square; a square as a diamond; a five-pointed star, all in one line; and finally a six-pointed star in two overlapping triangles.

    Now tackle three-dimensional geometry with a cylinder (left), carefully shaded to look as if it is solid, and a square with shading to achieve the same effect of three dimensions.

    Draw spirals, quite tightly, working from the outside inwards, and then from the centre outwards. Do this quite carefully, but confidently. Follow that with three star shapes drawn all in one line, first a five-pointed star, then a seven-pointed star and finally one with nine points. Don’t worry if these come out distorted to start with – persevere and see how accurate you can be.

    Now for a more difficult test of your ability. Drawing ellipses is one of the hardest things that you will need to learn, because an ellipse is a continual curved line that gives the effect of a circle seen from the side view.

    First draw a series of ellipses all the same length vertically and in varying widths, from narrow to wide. Then repeat the exercise, this time with the long width horizontal.

    You can see from my three diagrams here that the correct ellipse shape (far left) is the same in each quarter, but in mirror image from side to side. Common errors are to make a sausage shape or draw pointed ends.

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