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    Stories written by an abolitionist American woman – Volume 2
    Stories written by an abolitionist American woman – Volume 2
    Stories written by an abolitionist American woman – Volume 2
    Ebook636 pages11 hours

    Stories written by an abolitionist American woman – Volume 2

    By Harriet Beecher Stowe

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    Harriet Elisabeth Beecher Stowe (/stoʊ/; June 14, 1811 – July 1, 1896) was an American author and abolitionist. She came from the Beecher family, a famous religious family, and became best known for her novel Uncle Tom's Cabin (1852), which depicts the harsh conditions experienced by enslaved African Americans. The book reached an audience of millions as a novel and play, and became influential in the United States and in Great Britain, energizing anti-slavery forces in the American North, while provoking widespread anger in the South. Stowe wrote 30 books, including novels, three travel memoirs, and collections of articles and letters. She was influential both for her writings and for her public stances and debates on social issues of the day.
    LanguageEnglish
    PublisherGreenbooks Editore
    Release dateJul 8, 2021
    ISBN9791259718921
    Stories written by an abolitionist American woman – Volume 2
    Author

    Harriet Beecher Stowe

    Harriet Beecher Stowe (1811–1896) was an abolitionist, writer, and teacher at Hartford Female Seminary. Stowe escaped the restrictions on women of the nineteenth century through her novel writing and antislavery activism. Stowe is best known for her depiction of African American life before the Civil War in Uncle Tom’s Cabin, which was extremely influential in both the United States and Britain.

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      Stories written by an abolitionist American woman – Volume 2 - Harriet Beecher Stowe

      HOUSEHOLD PAPERS AND STORIES

      PART I

      HOUSEHOLD PAPERS AND STORIES

      HOUSE AND HOME PAPERS

      I - THE RAVAGES OF A CARPET

      My dear, it's so cheap!

      These words were spoken by my wife, as she sat gracefully on a roll of Brussels carpet which was spread out in flowery lengths on the floor of Messrs. Ketchem & Co.

      It's so cheap!

      Milton says that the love of fame is the last infirmity of noble minds. I think he had not rightly considered the subject. I believe that last infirmity is the love of getting things cheap! Understand me, now. I don't mean the love of getting cheap things, by which one understands showy, trashy, ill-made, spurious articles, bearing certain apparent resemblances to better things. All really sensible people are quite superior to that sort of cheapness. But those fortunate accidents, which put within the power of a man things really good and valuable for half or a third of their value, what mortal virtue and resolution can withstand? My friend Brown has a genuine Murillo, the joy of his heart and the light of his eyes, but he never fails to tell you, as its crowning merit, how he bought it in South America for just nothing,--how it hung smoky and deserted in the back of a counting-room, and was thrown in as a makeweight to bind a bargain, and, upon being cleaned turned out a genuine Murillo; and then he takes out his cigar, and calls your attention to the points in it; he adjusts the curtain to let the sunlight fall just in the right spot; he takes you to this and the other point of view; and all this time you must confess that, in your mind as well as his, the consideration that he got all this beauty for ten dollars adds lustre to the painting. Brown has paintings there for which he paid his thousands, and, being well advised, they are worth the thousands he paid; but this ewe lamb that he got for nothing always gives him a secret exaltation in his own eyes. He seems to have credited to himself personally merit to the amount of what he should have paid for the picture. Then there is Mrs. Croesus, at the party yesterday evening, expatiating to my wife on the surprising cheapness of her point-lace set. Got for just nothing at all, my dear! and a circle of admiring listeners echoes the sound. Did you ever hear anything like it? I never heard of such a thing in my life; and away sails Mrs.

      Croesus as if she had a collar composed of all the cardinal virtues. In fact, she is

      buoyed up with a secret sense of merit, so that her satin slippers scarcely touch the carpet. Even I myself am fond of showing a first edition of Paradise Lost for which I gave a shilling in a London bookstall, and stating that I would not take a hundred dollars for it. Even I must confess there are points on which I am mortal.

      But all this while my wife sits on her roll of carpet, looking into my face for approbation, and Marianne and Jenny are pouring into my ear a running fire of How sweet! How lovely! Just like that one of Mrs. Tweedleum's!

      And she gave two dollars and seventy-five cents a yard for hers, and this is--

      My wife here put her hand to her mouth and pronounced the incredible sum in a whisper, with a species of sacred awe, common, as I have observed, to females in such interesting crises. In fact Mr. Ketchem, standing smiling and amiable by, remarked to me that really he hoped Mrs. Crowfield would not name generally what she gave for the article, for positively it was so far below the usual rate of prices that he might give offense to other customers; but this was the very last of the pattern, and they were anxious to close off the old stock, and we had always traded with them, and he had a great respect for my wife's father, who had always traded with their firm, and so, when there were any little bargains to be thrown in any one's way, why, he naturally, of course--And here Mr. Ketchem bowed gracefully over the yardstick to my wife, and I consented.

      Yes, I consented; but whenever I think of myself at that moment, I always am reminded, in a small way, of Adam taking the apple; and my wife, seated on that roll of carpet, has more than once suggested to my mind the classic image of Pandora opening her unlucky box. In fact, from the moment I had blandly assented to Mr. Ketchem's remarks, and said to my wife, with a gentle air of dignity, Well, my dear, since it suits you, I think you had better take it, there came a load on my prophetic soul which not all the fluttering and chattering of my delighted girls and the more placid complacency of my wife could entirely dissipate. I presaged I know not what of coming woe, and all I presaged came to pass.

      In order to know just what came to pass, I must give you a view of the house and home into which this carpet was introduced.

      My wife and I were somewhat advanced housekeepers, and our dwelling was first furnished by her father, in the old-fashioned jog-trot days when furniture was made with a view to its lasting from generation to generation. Everything was strong and comfortable,--heavy mahogany, guiltless of the modern device of veneering, and hewed out with a square solidity which had not an idea of change. It was, so to speak, a sort of granite foundation of the household structure. Then

      we commenced housekeeping with the full idea that our house was a thing to be lived in, and that furniture was made to be used. That most sensible of women, Mrs. Crowfield, agreed fully with me that in our house there was to be nothing too good for ourselves,--no room shut up in holiday attire to be enjoyed by strangers for three or four days in the year, while we lived in holes and corners; no best parlor from which we were to be excluded; no silver plate to be kept in the safe in the bank, and brought home only in case of a grand festival, while our daily meals were served with dingy Britannia. Strike a broad, plain average, I said to my wife; have everything abundant, serviceable, and give all our friends exactly what we have ourselves, no better and no worse; and my wife smiled approval on my sentiment.

      Smile? she did more than smile. My wife resembles one of those convex mirrors I have sometimes seen. Every idea I threw out, plain and simple, she reflected back upon me in a thousand little glitters and twinkles of her own; she made my crude conceptions come back to me in such perfectly dazzling performances that I hardly recognized them. My mind warms up when I think what a home that woman made of our house from the very first day she moved into it. The great, large, airy parlor, with its ample bow-window, when she had arranged it, seemed a perfect trap to catch sunbeams. There was none of that discouraging trimness and newness that often repel a man's bachelor friends after the first call, and make them feel, Oh, well, one cannot go in at Crowfield's now, unless one is dressed; one might put them out. The first thing our parlor said to any one was, that we were not people to be put out, that we were widespread, easy-going, and jolly folk. Even if Tom Brown brought in Ponto and his shooting-bag, there was nothing in that parlor to strike terror into man and dog; for it was written on the face of things that everybody there was to do just as he or she pleased. There were my books and my writing-table spread out with all its miscellaneous confusion of papers on one side of the fireplace, and there were my wife's great, ample sofa and work-table on the other; there I wrote my articles for the North American; and there she turned and ripped and altered her dresses; and there lay crochet and knitting and embroidery side by side with a weekly basket of family mending, and in neighborly contiguity with the last book of the season, which my wife turned over as she took her after-dinner lounge on the sofa. And in the bow-window were canaries always singing, and a great stand of plants always fresh and blooming, and ivy which grew and clambered and twined about the pictures. Best of all, there was in our parlor that household altar, the blazing wood fire, whose wholesome, hearty crackle is the truest household inspiration. I quite agree with one celebrated American author who holds that an open fireplace is an altar of patriotism. Would our Revolutionary fathers have gone barefooted and bleeding over snows to defend air-tight stoves and cooking-ranges? I trow not. It was the memory of the great open kitchen-fire, with its back log and fore stick of cord-wood, its roaring, hilarious voice of invitation, its dancing tongues of

      flame, that called to them through the snows of that dreadful winter to keep up their courage, that made their hearts warm and bright with a thousand reflected memories. Our neighbors said that it was delightful to sit by our fire,--but then, for their part, they could not afford it, wood was so ruinously dear, and all that. Most of these people could not, for the simple reason that they felt compelled, in order to maintain the family dignity, to keep up a parlor with great pomp and circumstance of upholstery, where they sat only on dress occasions, and of course the wood fire was out of the question.

      When children began to make their appearance in our establishment, my wife, like a well-conducted housekeeper, had the best of nursery arrangements,--a room all warmed, lighted, and ventilated, and abounding in every proper resource of amusement to the rising race; but it was astonishing to see how, notwithstanding this, the centripetal attraction drew every pair of little pattering feet to our parlor.

      My dear, why don't you take your blocks upstairs?

      I want to be where oo are, said with a piteous under lip, was generally a most convincing answer.

      Then, the small people could not be disabused of the idea that certain chief treasures of their own would be safer under papa's writing-table or mamma's sofa than in the safest closet of their domains. My writing-table was dockyard for Arthur's new ship, and stable for little Tom's pepper-and-salt-colored pony, and carriage-house for Charley's new wagon, while whole armies of paper dolls kept house in the recess behind mamma's sofa.

      And then, in due time, came the tribe of pets who followed the little ones and rejoiced in the blaze of the firelight. The boys had a splendid Newfoundland, which, knowing our weakness, we warned them with awful gravity was never to be a parlor dog; but somehow, what with little beggings and pleadings on the part of Arthur and Tom, and the piteous melancholy with which Rover would look through the window-panes when shut out from the blazing warmth into the dark, cold veranda, it at last came to pass that Rover gained a regular corner at the hearth, a regular status in every family convocation. And then came a little black- and-tan English terrier for the girls; and then a fleecy poodle, who established himself on the corner of my wife's sofa; and for each of these some little voice pleaded, and some little heart would be so near broken at any slight that my wife and I resigned ourselves to live in a menagerie, the more so as we were obliged to confess a lurking weakness towards these four-footed children ourselves.

      So we grew and flourished together,--children, dogs, birds, flowers, and all; and

      although my wife often, in paroxysms of housewifeliness to which the best of women are subject, would declare that we never were fit to be seen, yet I comforted her with the reflection that there were few people whose friends seemed to consider them better worth seeing, judging by the stream of visitors and loungers which was always setting towards our parlor. People seemed to find it good to be there; they said it was somehow home-like and pleasant, and that there was a kind of charm about it that made it easy to talk and easy to live; and as my girls and boys grew up, there seemed always to be some merry doing or other going on there. Arty and Tom brought home their college friends, who straightway took root there and seemed to fancy themselves a part of us. We had no reception-rooms apart, where the girls were to receive young gentlemen; all the courting and flirting that were to be done had for their arena the ample variety of surface presented by our parlor, which, with sofas and screens and lounges and recesses, and writing and work tables, disposed here and there, and the genuine laisser aller of the whole mènage, seemed, on the whole, to have offered ample advantages enough; for at the time I write of, two daughters were already established in marriage, while my youngest was busy, as yet, in performing that little domestic ballet of the cat with the mouse, in the case of a most submissive youth of the neighborhood.

      All this time our parlor furniture, though of that granitic formation I have indicated, began to show marks of that decay to which things sublunary are liable. I cannot say that I dislike this look in a room. Take a fine, ample, hospitable apartment, where all things, freely and generously used, softly and indefinably grow old together, there is a sort of mellow tone and keeping which pleases my eye. What if the seams of the great inviting armchair, where so many friends have sat and lounged, do grow white? What, in fact, if some easy couch has an undeniable hole worn in its friendly cover? I regard with tenderness even these mortal weaknesses of these servants and witnesses of our good times and social fellowship. No vulgar touch wore them; they may be called, rather, the marks and indentations which the glittering in and out of the tide of social happiness has worn in the rocks of our strand. I would no more disturb the gradual toning-down and aging of a well-used set of furniture by smart improvements than I would have a modern dauber paint in emendations in a fine old picture.

      So we men reason, but women do not always think as we do. There is a virulent demon of housekeeping not wholly cast out in the best of them, and which often breaks out in unguarded moments. In fact Miss Marianne, being on the lookout for furniture wherewith to begin a new establishment, and Jenny, who had accompanied her in her peregrinations, had more than once thrown out little disparaging remarks on the time-worn appearance of our establishment, suggesting comparison with those of more modern furnished rooms.

      It is positively scandalous, the way our furniture looks, I one day heard one of them declaring to her mother; and this old rag of a carpet!

      My feelings were hurt, not the less so that I knew that the large cloth which covered the middle of the floor, and which the women call a bocking, had been bought and nailed down there, after a solemn family council, as the best means of concealing the too evident darns which years of good cheer had made needful in our stanch old household friend, the three-ply carpet, made in those days when to be a three-ply was a pledge of continuance and service.

      Well, it was a joyous and bustling day when, after one of those domestic whirlwinds which the women are fond of denominating house-cleaning, the new Brussels carpet was at length brought in and nailed down, and its beauty praised from mouth to mouth. Our old friends called in and admired, and all seemed to be well, except that I had that light and delicate presage of changes to come which indefinitely brooded over me.

      The first premonitory symptom was the look of apprehensive suspicion with which the female senate regarded the genial sunbeams that had always glorified our bow-window.

      This house ought to have inside blinds, said Marianne, with all the confident decision of youth; this carpet will be ruined if that sun is allowed to come in like that.

      And that dirty little canary must really be hung in the kitchen, said Jenny; he always did make such a litter, scattering his seed chippings about; and he never takes his bath without flirting out some water. And, mamma, it appears to me it will never do to have the plants here. Plants are always either leaking through the pots upon the carpet, or scattering bits of blossoms and dead leaves, or some accident upsets or breaks a pot. It was no matter, you know, when we had the old carpet; but this we really want to have kept nice.

      Mamma stood her ground for the plants,--darlings of her heart for many a year,-- but temporized, and showed that disposition towards compromise which is most inviting to aggression.

      I confess I trembled; for, of all radicals on earth, none are to be compared to females that have once in hand a course of domestic innovation and reform. The sacred fire, the divine furor, burns in their bosoms; they become perfect Pythonesses, and every chair they sit on assumes the magic properties of the tripod. Hence the dismay that lodges in the bosoms of us males at the fateful

      spring and autumn seasons denominated house-cleaning. Who can say whither the awful gods, the prophetic fates, may drive our fair household divinities; what sins of ours may be brought to light; what indulgences and compliances, which uninspired woman has granted in her ordinary mortal hours, may be torn from us? He who has been allowed to keep a pair of pet slippers in a concealed corner, and by the fireside indulged with a chair which he might ad libitum fill with all sorts of pamphlets and miscellaneous literature, suddenly finds himself reformed out of knowledge, his pamphlets tucked away into pigeonholes and corners, and his slippers put in their place in the hall, with, perhaps, a brisk insinuation about the shocking dust and disorder that men will tolerate.

      The fact was, that the very first night after the advent of the new carpet I had a prophetic dream. Among our treasures of art was a little etching, by an English artist friend, the subject of which was the gambols of the household fairies in a baronial library after the household were in bed. The little people are represented in every attitude of frolic enjoyment. Some escalade the great armchair, and look down from its top as from a domestic Mont Blanc; some climb about the bellows; some scale the shaft of the shovel; while some, forming in magic ring, dance festively on the yet glowing hearth. Tiny troops promenade the writing-table. One perches himself quaintly on the top of the inkstand, and holds colloquy with another who sits cross-legged on a paper weight, while a companion looks down on them from the top of the sandbox. It was an ingenious little device, and gave me the idea, which I often expressed to my wife, that much of the peculiar feeling of security, composure, and enjoyment which seems to be the atmosphere of some rooms and houses came from the unsuspected presence of these little people, the household fairies, so that the belief in their existence became a solemn article of faith with me.

      Accordingly, that evening, after the installation of the carpet, when my wife and daughters had gone to bed, as I sat with my slippered feet before the last coals of the fire, I fell asleep in my chair, and, lo! my own parlor presented to my eye a scene of busy life. The little people in green were tripping to and fro, but in great confusion. Evidently something was wrong among them; for they were fussing and chattering with each other, as if preparatory to a general movement. In the region of the bow-window I observed a tribe of them standing with tiny valises and carpetbags in their hands, as though about to depart on a journey. On my writing-table another set stood around my inkstand and pen-rack, who, pointing to those on the floor, seemed to debate some question among themselves; while others of them appeared to be collecting and packing away in tiny trunks certain fairy treasures, preparatory to a general departure. When I looked at the social hearth, at my wife's sofa and work-basket, I saw similar appearances of dissatisfaction and confusion. It was evident that the household fairies were discussing the question of a general and simultaneous removal. I groaned in

      spirit, and, stretching out my hand, began a conciliatory address, when whisk went the whole scene from before my eyes, and I awaked to behold the form of my wife asking me if I were ill, or had had the nightmare, that I groaned so. I told her my dream, and we laughed at it together.

      We must give way to the girls a little, she said. It is natural, you know, that they should wish us to appear a little as other people do. The fact is, our parlor is somewhat dilapidated; think how many years we have lived in it without an article of new furniture.

      I hate new furniture, I remarked, in the bitterness of my soul. I hate anything new.

      My wife answered me discreetly, according to approved principles of diplomacy. I was right. She sympathized with me. At the same time, it was not necessary, she remarked, that we should keep a hole in our sofa-cover and armchair,--there would certainly be no harm in sending them to the upholsterer's to be new- covered; she didn't much mind, for her part, moving her plants to the south back room; and the bird would do well enough in the kitchen: I had often complained of him for singing vociferously when I was reading aloud.

      So our sofa went to the upholsterer's; but the upholsterer was struck with such horror at its clumsy, antiquated, unfashionable appearance that he felt bound to make representations to my wife and daughters: positively, it would be better for them to get a new one, of a tempting pattern which he showed them, than to try to do anything with that. With a stitch or so here and there it might do for a basement dining-room; but, for a parlor, he gave it as his disinterested opinion,-- he must say, if the case were his own, he should get, etc., etc. In short, we had a new sofa and new chairs, and the plants and the birds were banished, and some dark-green blinds were put up to exclude the sun from the parlor, and the blessed luminary was allowed there only at rare intervals, when my wife and daughters were out shopping, and I acted out my uncivilized male instincts by pulling up every shade and vivifying the apartment as in days of old.

      But this was not the worst of it. The new furniture and new carpet formed an opposition party in the room. I believe in my heart that for every little household fairy that went out with the dear old things there came in a tribe of discontented brownies with the new ones. These little wretches were always twitching at the gowns of my wife and daughters, jogging their elbows, and suggesting odious comparisons between the smart new articles and what remained of the old ones. They disparaged my writing-table in the corner; they disparaged the old-fashioned lounge in the other corner, which had been the maternal throne for years; they disparaged the work-table, the work-basket, with constant suggestions of how

      such things as these would look in certain well-kept parlors where new-fashioned furniture of the same sort as ours existed.

      We don't have any parlor, said Jenny one day. Our parlor has always been a sort of log cabin,--library, study, nursery, greenhouse, all combined. We never have had things like other people.

      Yes, and this open fire makes such a dust; and this carpet is one that shows every speck of dust; it keeps one always on the watch.

      I wonder why papa never had a study to himself; I'm sure I should think he would like it better than sitting here among us all. Now there's the great south room off the dining-room; if he would only move his things there and have his open fire, we could then close up the fireplace and put lounges in the recesses, and mamma could have her things in the nursery,--and then we should have a parlor fit to be seen.

      I overheard all this, though I pretended not to,--the little busy chits supposing me entirely buried in the recesses of a German book over which I was poring.

      There are certain crises in a man's life when the female element in his household asserts itself in dominant forms that seem to threaten to overwhelm him. The fair creatures, who in most matters have depended on his judgment, evidently look upon him at these seasons as only a forlorn, incapable male creature, to be cajoled and flattered and persuaded out of his native blindness and absurdity into the fairyland of their wishes.

      Of course, mamma, said the busy voices, men can't understand such things. What can men know of housekeeping, and how things ought to look? Papa never goes into company; he don't know and don't care how the world is doing, and don't see that nobody now is living as we do.

      Aha, my little mistresses, are you there? I thought; and I mentally resolved on opposing a great force of what our politicians call backbone to this pretty domestic conspiracy.

      When you get my writing-table out of this corner, my pretty dears, I'd thank you to let me know it.

      Thus spake I in my blindness, fool that I was. Jupiter might as soon keep awake when Juno came in best bib and tucker, and with the cestus of Venus, to get him to sleep. Poor Slender might as well hope to get the better of pretty Mistress Anne Page as one of us clumsy-footed men might endeavor to escape from the tangled

      labyrinth of female wiles.

      In short, in less than a year it was all done, without any quarrel, any noise, any violence,--done, I scarce knew when or how, but with the utmost deference to my wishes, the most amiable hopes that I would not put myself out, the most sincere protestations that, if I liked it better as it was, my goddesses would give up and acquiesce. In fact I seemed to do it of myself, constrained thereto by what the Emperor Napoleon has so happily called the logic of events,--that old, well-known logic by which the man who has once said A must say B, and he who has said B must say the whole alphabet. In a year we had a parlor with two lounges in decorous recesses, a fashionable sofa, and six chairs and a looking-glass, and a grate always shut up, and a hole in the floor which kept the parlor warm, and great, heavy curtains that kept out all the light that was not already excluded by the green shades.

      It was as proper and orderly a parlor as those of our most fashionable neighbors; and when our friends called, we took them stumbling into its darkened solitude, and opened a faint crack in one of the window-shades, and came down in our best clothes and talked with them there. Our old friends rebelled at this, and asked what they had done to be treated so, and complained so bitterly that gradually we let them into the secret that there was a great south room, which I had taken for my study, where we all sat; where the old carpet was down; where the sun shone in at the great window; where my wife's plants flourished, and the canary-bird sang, and my wife had her sofa in the corner, and the old brass andirons glistened, and the wood fire crackled,--in short, a room to which all the household fairies had emigrated.

      When they once had found that out, it was difficult to get any of them to sit in our parlor. I had purposely christened the new room my study, that I might stand on my rights as master of ceremonies there, though I opened wide arms of welcome to any who chose to come. So, then, it would often come to pass that, when we were sitting round the fire in my study of an evening, the girls would say,--

      Come, what do we always stay here for? Why don't we ever sit in the parlor?

      And then there would be manifested among guests and family friends a general unwillingness to move.

      Oh, hang it, girls! would Arthur say; the parlor is well enough, all right; let it stay as it is, and let a fellow stay where he can do as he pleases and feels at home; and to this view of the matter would respond divers of the nice young bachelors who were Arthur's and Tom's sworn friends.

      In fact nobody wanted to stay in our parlor now. It was a cold, correct, accomplished fact; the household fairies had left it,--and when the fairies leave a room, nobody ever feels at home in it. No pictures, curtains, no wealth of mirrors, no elegance of lounges, can in the least make up for their absence. They are a capricious little set; there are rooms where they will not stay, and rooms where they will; but no one can ever have a good time without them.

      II - HOMEKEEPING VERSUS HOUSEKEEPING

      I am a frank-hearted man, as perhaps you have by this time perceived, and you will not, therefore, be surprised to know that I read my last article on the carpet to my wife and the girls before I sent it to the Atlantic, and we had a hearty laugh over it together. My wife and the girls, in fact, felt that they could afford to laugh, for they had carried their point, their reproach among women was taken away, they had become like other folks. Like other folks they had a parlor, an undeniable best parlor, shut up and darkened, with all proper carpets, curtains, lounges, and marble-topped tables, too good for human nature's daily food; and being sustained by this consciousness, they cheerfully went on receiving their friends in the study, and having good times in the old free-and-easy way; for did not everybody know that this room was not their best? and if the furniture was old-fashioned and a little the worse for antiquity, was it not certain that they had better, which they could use if they would?

      And supposing we wanted to give a party, said Jenny, how nicely our parlor would light up! Not that we ever do give parties, but if we should,--and for a wedding-reception, you know.

      I felt the force of the necessity; it was evident that the four or five hundred extra which we had expended was no more than such solemn possibilities required.

      Now, papa thinks we have been foolish, said Marianne, and he has his own way of making a good story of it; but, after all, I desire to know if people are never to get a new carpet. Must we keep the old one till it actually wears to tatters?

      This is a specimen of the reductio ad absurdum which our fair antagonists of the other sex are fond of employing. They strip what we say of all delicate shadings and illusory phrases, and reduce it to some bare question of fact, with which they make a home-thrust at us.

      Yes, that's it; are people never to get a new carpet? echoed Jenny. My dears, I replied, "it is a fact that to introduce anything new into an

      apartment hallowed by many home associations, where all things have grown old

      together, requires as much care and adroitness as for an architect to restore an arch or niche in a fine old ruin. The fault of our carpet was that it was in another style from everything in our room, and made everything in it look dilapidated. Its colors, material, and air belonged to another manner of life, and were a constant plea for alterations; and you see it actually drove out and expelled the whole

      furniture of the room, and I am not sure yet that it may not entail on us the necessity of refurnishing the whole house."

      My dear! said my wife, in a tone of remonstrance; but Jane and Marianne laughed and colored.

      Confess, now, said I, looking at them; have you not had secret designs on the hall and stair carpet?

      Now, papa, how could you know it? I only said to Marianne that to have Brussels in the parlor and that old mean-looking ingrain carpet in the hall did not seem exactly the thing; and in fact you know, mamma, Messrs. Ketchem & Co. showed us such a lovely pattern, designed to harmonize with our parlor carpet.

      I know it, girls, said my wife; but you know I said at once that such an expense was not to be thought of.

      Now, girls, said I, let me tell you a story I heard once of a very sensible old New England minister, who lived, as our country ministers generally do, rather near to the bone, but still quite contentedly. It was in the days when knee-breeches and long stockings were worn, and this good man was offered a present of a very nice pair of black silk hose. He declined, saying he 'could not afford to wear them.'

      "'Not afford it?' said the friend; 'why, I give them to you.'

      "'Exactly; but it will cost me not less than two hundred dollars to take them, and I cannot do it.'

      "'How is that?'

      'Why, in the first place, I shall no sooner put them on than my wife will say, My dear, you must have a new pair of knee-breeches, and I shall get them. Then my wife will say, My dear, how shabby your coat is! You must have a new one, and I shall get a new coat. Then she will say, Now, my dear, that hat will never do, and then I shall have a new hat; and then I shall say, My dear, it will never do for me to be so fine and you to wear your old gown, and so my wife will get a new gown; and then the new gown will require a new shawl and a new bonnet; all of which we shall not feel the need of if I don't take this pair of silk stockings, for, as long as we don't see them, our old things seem very well suited to each other.'

      The girls laughed at this story, and I then added, in my most determined manner,--

      But I must warn you, girls, that I have compromised to the utmost extent of my power, and that I intend to plant myself on the old stair carpet in determined resistance. I have no mind to be forbidden the use of the front stairs, or condemned to get up into my bedroom by a private ladder, as I should be immediately if there were a new carpet down.

      Why, papa!

      Would it not be so? Can the sun shine in the parlor now for fear of fading the carpet? Can we keep a fire there for fear of making dust, or use the lounges and sofas for fear of wearing them out? If you got a new entry and stair carpet, as I said, I should have to be at the expense of another staircase to get up to our bedroom.

      Oh no, papa, said Jane innocently; there are very pretty druggets now for covering stair carpets, so that they can be used without hurting them.

      Put one over the old carpet, then, said I, and our acquaintance will never know but it is a new one.

      All the female senate laughed at this proposal, and said it sounded just like a man.

      Well, said I, standing up resolutely for my sex, a man's ideas on woman's matters may be worth some attention. I flatter myself that an intelligent, educated man doesn't think upon and observe with interest any particular subject for years of his life without gaining some ideas respecting it that are good for something; at all events, I have written another article for the 'Atlantic,' which I will read to you.

      Well, wait one minute, papa, till we get our work, said the girls, who, to say the truth, always exhibit a flattering interest in anything their papa writes, and who have the good taste never to interrupt his readings with any conversations in an undertone on cross-stitch and floss-silks, as the manner of some is. Hence the little feminine bustle of arranging all these matters beforehand. Jane, or Jenny, as I call her in my good-natured moods, put on a fresh clear stick of hickory, of that species denominated shagbark, which is full of most charming slivers, burning with such a clear flame, and emitting such a delicious perfume in burning, that I would not change it with the millionaire who kept up his fire with cinnamon.

      You must know, my dear Mr. Atlantic, and you, my confidential friends of the reading public, that there is a certain magic or spiritualism which I have the

      knack of in regard to these mine articles, in virtue of which my wife and daughters never hear or see the little personalities respecting them which form parts of my papers. By a peculiar arrangement which I have made with the elves of the inkstand and the familiar spirits of the quill, a sort of glamour falls on their eyes and ears when I am reading, or when they read the parts personal to themselves; otherwise their sense of feminine propriety would be shocked at the free way in which they and their most internal affairs are confidentially spoken of between me and you, O loving readers.

      Thus, in an undertone, I tell you that my little Jenny, as she is zealously and systematically arranging the fire, and trimly whisking every untidy particle of ashes from the hearth, shows in every movement of her little hands, in the cock of her head, in the knowing, observing glance of her eye, and in all her energetic movements, that her small person is endued and made up of the very expressed essence of housewifeliness,--she is the very attar, not of roses, but of housekeeping. Care-taking and thrift and neatness are a nature to her; she is as dainty and delicate in her person as a white cat, as everlastingly busy as a bee; and all the most needful faculties of time, weight, measure, and proportion ought to be fully developed in her skull, if there is any truth in phrenology. Besides all this, she has a sort of hard-grained little vein of common sense, against which my fanciful conceptions and poetical notions are apt to hit with just a little sharp grating, if they are not well put. In fact, this kind of woman needs carefully to be idealized in the process of education, or she will stiffen and dry, as she grows old, into a veritable household Pharisee, a sort of domestic tyrant. She needs to be trained in artistic values and artistic weights and measures, to study all the arts and sciences of the beautiful, and then she is charming. Most useful, most needful, these little women: they have the centripetal force which keeps all the domestic planets from gyrating and frisking in unseemly orbits, and, properly trained, they fill a house with the beauty of order, the harmony and consistency of proportion, the melody of things moving in time and tune, without violating the graceful appearance of ease which Art requires.

      So I had an eye to Jenny's education in my article which I unfolded and read, and which was entitled

      HOMEKEEPING VERSUS HOUSEKEEPING

      There are many women who know how to keep a house, but there are but few that know how to keep a home. To keep a house may seem a complicated affair, but it is a thing that may be learned; it lies in the region of the material; in the region of weight, measure, color, and the positive forces of life. To keep a home lies not merely in the sphere of all these, but it takes in the intellectual, the social, the spiritual, the immortal.

      * * * * *

      Here the hickory stick broke in two, and the two brands fell controversially out and apart on the hearth, scattering the ashes and coals, and calling for Jenny and the hearth-brush. Your wood fire has this foible, that it needs something to be done to it every five minutes; but, after all, these little interruptions of our bright-faced genius are like the piquant sallies of a clever friend,--they do not strike us as unreasonable.

      When Jenny had laid down her brush she said,--

      Seems to me, papa, you are beginning to soar into metaphysics.

      Everything in creation is metaphysical in its abstract terms, said I, with a look calculated to reduce her to a respectful condition. Everything has a subjective and an objective mode of presentation.

      There papa goes with subjective and objective! said Marianne. For my part, I never can remember which is which.

      I remember, said Jenny; it's what our old nurse used to call internal and out- ternal,--I always remember by that.

      Come, my dears, said my wife, let your father read; so I went on as follows:--

      * * * * *

      I remember in my bachelor days going with my boon companion, Bill Carberry, to look at the house to which he was in a few weeks to introduce his bride. Bill was a gallant, free-hearted, open-handed fellow, the life of our whole set, and we felt that natural aversion to losing him that bachelor friends would. How could we tell under what strange aspects he might look forth upon us, when once he had

      passed into that undiscovered country of matrimony? But Bill laughed to scorn our apprehensions.

      I'll tell you what, Chris, he said, as he sprang cheerily up the steps and unlocked the door of his future dwelling, do you know what I chose this house for? Because it's a social-looking house. Look there, now, he said, as he ushered me into a pair of parlors,--look at those long south windows, the sun lies there nearly all day long; see what a capital corner there is for a lounging-chair; fancy us, Chris, with our books or our paper, spread out loose and easy, and Sophie gliding in and out like a sunbeam. I'm getting poetical, you see. Then, did you ever see a better, wider, airier dining-room? What capital suppers and things we'll have there! the nicest times,--everything free and easy, you know,--just what I've always wanted a house for. I tell you, Chris, you and Tom Innis shall have latch- keys just like mine, and there is a capital chamber there at the head of the stairs, so that you can be free to come and go. And here now's the library,--fancy this full of books and engravings from the ceiling to the floor; here you shall come just as you please and ask no questions,--all the same as if it were your own, you know.

      And Sophie, what will she say to all this?

      Why, you know Sophie is a prime friend to both of you, and a capital girl to keep things going. Oh, Sophie'll make a house of this, you may depend!

      A day or two after, Bill dragged me stumbling over boxes and through straw and wrappings to show me the glories of the parlor furniture, with which he seemed pleased as a child with a new toy.

      Look here, he said; see these chairs, garnet-colored satin, with a pattern on each; well, the sofa's just like them, and the curtains to match, and the carpets made for the floor with centrepieces and borders. I never saw anything more magnificent in my life. Sophie's governor furnishes the house, and everything is to be A No. 1, and all that, you see. Messrs. Curtain & Collamore are coming to make the rooms up, and her mother is busy as a bee getting us in order.

      Why, Bill, said I, you are going to be lodged like a prince. I hope you'll be able to keep it up; but law business comes in rather slowly at first, old fellow.

      Well, you know it isn't the way I should furnish, if my capital was the one to cash the bills; but then, you see, Sophie's people do it, and let them,--a girl doesn't want to come down out of the style she has always lived in.

      I said nothing, but had an oppressive presentiment that social freedom would

      expire in that house, crushed under a weight of upholstery.

      But there came in due time the wedding and the wedding-reception, and we all went to see Bill in his new house, splendidly lighted up and complete from top to toe, and everybody said what a lucky fellow he was; but that was about the end of it, so far as our visiting was concerned. The running in, and dropping in, and keeping latch-keys, and making informal calls, that had been forespoken, seemed about as likely as if Bill had lodged in the Tuileries.

      Sophie, who had always been one of your snapping, sparkling, busy sort of girls, began at once to develop her womanhood and show her principles, and was as different from her former self as your careworn, mousing old cat is from your rollicking, frisky kitten. Not but that Sophie was a good girl. She had a capital heart, a good, true womanly one, and was loving and obliging; but still she was one of the desperately painstaking, conscientious sort of women whose very blood, as they grow older, is devoured with anxiety, and she came of a race of women in whom housekeeping was more than an art or a science,--it was, so to speak, a religion. Sophie's mother, aunts, and grandmothers, for nameless generations back, were known and celebrated housekeepers. They might have been genuine descendants of the inhabitants of that Hollandic town of Broeck, celebrated by Washington Irving, where the cows' tails are kept tied up with unsullied blue ribbons, and the ends of the fire-wood are painted white. He relates how a celebrated preacher, visiting this town, found it impossible to draw these housewives from their earthly views and employments, until he took to preaching on the neatness of the celestial city, the unsullied crystal of its walls and the polish of its golden pavement, when the faces of all the housewives were set Zionward at once.

      Now this solemn and earnest view of housekeeping is onerous enough when a poor girl first enters on the care of a moderately furnished house, where the articles are not too expensive to be reasonably renewed as time and use wear them; but it is infinitely worse when a cataract of splendid furniture is heaped upon her care,--when splendid crystals cut into her conscience, and mirrors reflect her duties, and moth and rust stand ever ready to devour and sully in every room and passageway.

      Sophie was solemnly warned and instructed by all the mothers and aunts,--she was warned of moths, warned of cockroaches, warned of flies, warned of dust; all the articles of furniture had their covers, made of cold Holland linen, in which they looked like bodies laid out,--even the curtain tassels had each its little shroud,--and bundles of receipts, and of rites and ceremonies necessary for the preservation and purification and care of all these articles, were stuffed into the poor girl's head, before guiltless of cares as the feathers that floated above it.

      Poor Bill found very soon that his house and furniture were to be kept at such an ideal point of perfection that he needed another house to live in,--for, poor fellow, he found the difference between having a house and a home. It was only a year or two after that my wife and I started our ménage on very different principles, and Bill would often drop in upon us, wistfully lingering in the cosy armchair between my writing-table and my wife's sofa, and saying with a sigh how confoundedly pleasant things looked there,--so pleasant to have a bright, open fire, and geraniums and roses and birds, and all that sort of thing, and to dare to stretch out one's legs and move without thinking what one was going to hit. Sophie is a good girl! he would say, and wants to have everything right, but you see they won't let her. They've loaded her with so many things that have to be kept in lavender that the poor girl is actually getting thin and losing her health; and then, you see, there's Aunt Zeruah, she mounts guard at our house, and keeps up such strict police regulations that a fellow can't do a thing. The parlors are splendid, but so lonesome and dismal!--not a ray of sunshine, in fact not a ray of light, except when a visitor is calling, and then they open a crack. They're afraid of flies, and yet, dear knows, they keep every looking-glass and picture-frame muffled to its throat from March to December. I'd like, for curiosity, to see what a fly would do in our parlors!

      Well, said I, can't you have some little family sitting-room where you can make yourselves cosy?

      "Not a bit of it. Sophie and Aunt Zeruah have fixed their throne up in our bedroom, and there they sit all day long, except at calling-hours, and then Sophie dresses herself and comes down. Aunt Zeruah insists upon it that the way is to put the whole house in order, and shut all the blinds, and sit in your bedroom, and then, she says, nothing gets out of place; and she tells poor Sophie the most hocus-pocus stories about her grandmothers and aunts, who always kept everything in their houses so that they could go and lay their hands on it in the darkest night. I'll bet they could in our house. From end to end it is kept looking as if we had shut it up and gone to Europe,--not a book, not a paper, not a glove, or any trace of a human being in sight; the piano shut tight, the bookcases shut and locked, the engravings locked up, all the drawers and closets locked. Why, if I want to take a fellow into the library, in the first place it smells like a vault, and I have to unbarricade windows, and unlock and rummage for half an hour before I can get at anything; and I know Aunt Zeruah is standing tiptoe at the door, ready to whip everything back and lock up again. A fellow can't be social, or take any comfort in showing his books and pictures that way. Then there's our great, light dining-room, with its sunny south windows,--Aunt Zeruah got us out of that early in April, because she said the flies would speck the frescoes and get into the china-closet, and we have been eating in a little dingy den, with a window looking

      out on a back alley, ever since; and Aunt Zeruah says that now the dining-room is always in perfect order, and that it is such a care off Sophie's mind that I ought to be willing to eat down cellar to the end of the chapter. Now, you see, Chris, my position is a delicate one, because Sophie's folks all agree that, if there is anything in creation that is ignorant and dreadful and mustn't be allowed his way anywhere, it's 'a man.' Why, you'd think, to hear Aunt Zeruah talk, that we were all like bulls in a china-shop, ready to toss and tear and rend, if we are not kept down cellar and chained; and she worries Sophie, and Sophie's mother comes in and worries, and if I try to get anything done differently Sophie cries, and says she don't know what to do, and so I give it up. Now, if I want to ask a few of our set in sociably to dinner, I can't have them where we eat down cellar,--oh, that would never do! Aunt Zeruah and Sophie's mother and the whole family would think the family honor was forever ruined and undone. We mustn't ask them unless we open the dining-room, and have out all the best china, and get the silver home from the bank; and if we do that, Aunt Zeruah doesn't sleep for a week beforehand, getting ready for it, and for a week after, getting things put away; and then she tells me that, in Sophie's delicate state, it really is abominable for me to increase her cares, and so I invite fellows to dine with me at Delmonico's, and then Sophie cries, and Sophie's mother says it doesn't look respectable for a family man to be dining at public places; but, hang it, a fellow wants a home somewhere!"

      My wife soothed the chafed spirit, and spake comfortably unto him, and told him that he knew there was the old lounging-chair always ready for him at our fireside. And you know, she said, our things are all so plain that we are never tempted to mount any guard over them; our carpets are nothing, and therefore we let the sun fade them, and live on the sunshine and the flowers.

      That's it, said Bill bitterly. Carpets fading,--that's Aunt Zeruah's monomania. These women think that the great object of houses is to keep out sunshine. What a fool I was when I gloated over the prospect of our sunny south windows! Why, man, there are three distinct sets of fortifications against the sunshine in those windows: first, outside blinds; then solid, folding, inside shutters; and, lastly, heavy, thick, lined damask curtains, which loop quite down to the floor. What's the use of my pictures, I desire to know? They are hung in that room, and it's a regular campaign to get light enough to see what they are.

      But, at all events, you can light them up with gas in the evening.

      "In the evening! Why, do you know my wife never wants to sit there in the evening? She says she has so much sewing to do that she and Aunt Zeruah must sit up in the bedroom, because it wouldn't do to bring work into the parlor. Didn't you know that? Don't you know there mustn't be such a thing as a bit of real

      work ever seen in a parlor? What if some threads should drop on the carpet? Aunt Zeruah would have to open all the fortifications next day, and search Jerusalem with candles to find them. No; in the evening the gas is lighted at half- cock, you know; and if I turn it up, and bring in my newspapers and spread about me, and pull down some books to read, I can feel the nervousness through the chamber floor. Aunt Zeruah looks in at eight, and at a quarter past, and at half past, and at nine, and at ten, to see if I am done, so that she may fold up the papers and put a book on them, and lock up the books in their cases. Nobody ever comes in to spend an evening. They used to try it when we were first married, but I believe the uninhabited appearance of our parlors discouraged them. Everybody has stopped coming now, and Aunt Zeruah says 'it is such a comfort, for now the rooms are always in order. How poor Mrs. Crowfield lives, with her house such a thoroughfare, she is sure she can't see. Sophie never would have strength for it; but then, to be sure, some folks ain't as particular as others. Sophie was brought up in a family of very particular housekeepers.'"

      My wife smiled, with that calm, easy, amused smile that has brightened up her sofa for so many years.

      Bill added bitterly,--

      "Of course, I couldn't say that I wished the whole set and system of housekeeping women at the--what-'s-his-name?--because Sophie would have cried for a week, and been utterly forlorn and disconsolate. I know it's not the poor girl's fault; I try sometimes to reason with her, but you can't reason with the whole of your wife's family, to the third and fourth generation backwards; but I'm sure it's hurting her health,--wearing her out. Why, you know Sophie used to be the life of our set; and now she really seems eaten up with care from morning to night, there are so many things in the house that something dreadful is happening to all the while, and the servants we get are so clumsy. Why, when I sit with Sophie and Aunt Zeruah, it's nothing but a constant string of complaints about the girls in the kitchen. We keep changing our servants all the time, and they break and destroy so that now we are turned out of the use of all our things. We not only eat in the basement, but all our pretty table-things are put away, and we have all the cracked plates and cracked tumblers and cracked teacups and old buck-handled knives that can be raised out of chaos. I could use these things and

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