About this ebook
Catching the Light is Suzanne Edgar’s fourth collection of poetry. In it, this ‘intelligent, inventive and gifted poet continues her daring discoveries and explorations’ (Les Murray) of both the light and the darker sides of life. When reviewing The Love Procession (2012), the late Peter Pierce praised Edgar&r
Suzanne Edgar
Suzanne Edgar is a versatile Canberra writer. She has published successful short fiction, essays, and literary criticism in addition to much well-received poetry. Suzanne was on the editorial staff of the Australian Dictionary of Biography, to which she has contributed fifty-three articles. Her poems have been included in Best Australian Poems, Black Inc., 2004, 2005, 2011, 2012, 2015. Her short fiction: Canberra Tales (with Seven Writers), Penguin, 1988, reprinted as The Division of Love, Penguin, 1995; Counting Backwards, UQP, 1991. Her poetry books: The Painted Lady (Indigo, 2006, reprinted 2007); The Love Procession, Ginninderra Press, 2012 (both books were short-listed for the ACT Writing & Publishing Awards); Still Life (Picaro Press, 2012).
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Book preview
Catching the Light - Suzanne Edgar
Catching the Light
Suzanee Edgar
Ginninderra PressCatching the Light
ISBN 978 1 76041 737 6
Copyright © text Suzanne Godwin Edgar 2019
Front cover photo: Peter Edgar
Author photo: Judith Crispin
All rights reserved. No part of this ebook may be reproduced, distributed or transmitted in any form or by any means without the prior written permission of the copyright holder. Requests for permission should be sent to the publisher at the address below.
First published 2019 by
Ginninderra Press
PO Box 3461 Port Adelaide 5015
www.ginninderrapress.com.au
Contents
This healing light
Where two walls meet
True minds
Watchers
For want of a spoon
Water sleekly falls
Notes
Acknowledgements
About the Author
For my father, Charles E. Blake Godwin
This healing light
Starshine: double vision
‘Then we came forth, to see again the stars’ – Dante, Inferno, Canto 139
When walking by the lake one wintry night
I paused at a bend in the path to watch the lights
from lamps along the bay’s farther shore:
I hadn’t seen them quite that way before,
like one of van Gogh’s painted starry nights.
Although our town is not a place he might
have dreamt: the lake, the quiet little bay,
here were the same reflected lights at play.
I pictured him working, alone beside the Rhône,
his stiff and spattered hands both chilled to the bone.
Saw cobalt, ultramarine and Prussian blues
as I stood there and stared, comparing views.
I've always loved his shining starlit nights
but never thought the real could be as bright.
Now I choose that path whenever I can
and pause, to honour that unhappy man.
His was a troubled life, he died too soon
yet still his brush has lit my scene: no moon
just water, lamps and stars; their sprinkled light
so festive on a frosty cloudless night.
Klimt in the courtyard: woman in gold
Glittering down the tree,
sunlight on the leaves
is a drift of yellow coins,
a work of art to see
as if the slender tree
were a woman dressed in gold
dazzling the soirée
with stylish artistry.
Compositions in a cold climate
A warm reddish glow
from letters on the novel’s spine
echoes tassels of a crimson throw
sprawled across the couch.
The daisies’ hot yellow
bursts from its blue vase
to meet a scene of autumn willows
within its frame on the wall.
Little brown jugs in a row
on the kitchen dresser shelf,
homely creatures, and slow,
amble along for milking.