Poetry & Place Anthology 2015
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About this ebook
A new anthology of international poetry collecting ideas and experiences of 'place' in a variety of forms, from free and structured verse to concrete poetry and haiku, each exploring our relationship with place via the personal, political and beyond.
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Poetry & Place Anthology 2015 - Close-Up Books
Poetry & Place
2015 Anthology
Edited by
Ashley Capes & Brooke Linford
Poetry & Place Anthology 2015
Copyright © 2016
Copyright of individual poems to respective authors.
Cover: www.indigoforest.weebly.com
Layout & Typset: Close-Up Books
All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means including photocopying, recording, or information storage and retrieval without permission in writing from the authors.
ISBN-978-0-9945289-2-6
Published by Close-Up Books
Melbourne, Australia
Thanks to the poets who made all of this possible.
Contents
Local Positioning System
First Morning in Venice
Commit to Your City
What if I Knew of the Upstairs Lounge?
Domestic
Dudgeon
Woman Crying in the Supermarket
The Sea is Emptying
Undersong
In the Lane Where I Live
Brohmon (Journey)
The Home Midwife
Mourning Morning
The Persistence of Memory
Taj Mahal
Brisbane
Rozelle Window on Two Consecutive Days
Parallel to Shore
Reclining Tree
An Afterlife of Stone
Field Church
Death in Nepal
Thoughts from Above
Tabula Rasa
Don’t Worry, I’ll Go
Fingal
Casglu Afalau / Apple Picking
Surface Tensions
Transience
Canal Life
My Inheritance
The Barn Roof
Sulfur
Solar Power
Monochromist
Tom Boy Poet
Running Away and Coming Back
The Woman on the Island
Tokyo
Now You Know it All Goes on Beyond You Don’t
Parts of the Furniture
The Heat
Petasus’ and Petal’s Next
Crossroads
Nullarbor at Night
A Different Dawn
Land of Corn
Inside Edward Hopper
Gone
Heat, Flies and Cane Toads
ICU
Distance Travelled Over Time Taken
Crossing the Harbour Bridge
A Passport
That I Might Love Differently
On Neruda’s Hill
Other People’s Houses
Stoplight Outside Hamburger Harry’s, 2:00 a.m.
The Woodland Chapel
Retreat
I’m More of an Amphetamines Girl, Myself
Another Take on Recycling
Leaving the Monaro
Only Decent Coffee in New York
Deep Cold Pockets
This City
Blue
42 Memories
The Flooded Field
Christmas Email
Do You Remember…
Ghost Town
Sell and Regret, But Sell
Mother Roux
On His Wedding Day
Grant's Picnic Ground, Sherbrooke Forest
The Smile of the Orange-Robed Monk
Local Positioning System
This corner is where the gutter backs up and the road floods.
It is dry now and everyone will forget until it rains again.
Keep going, up past where kittens popped out of the drain once, summer balls of fur and eyes, in front of the house where the piano teacher lived;
she said ‘you have the hands of a flautist,’ so the piano lessons didn’t go far.
This line of trees was lopped around when I was in high school,
see how the branches have been cut to make a canyon for the power lines to pass through. It’s all built up now: No. 32 is on the spot of the Paddock of One Sheep.
They’ve put a second storey on No. 29 and the hedge around No. 26 used to seem like something from a fairytale; things are taller when you are littler.
Turn right at the corner with the apartments. There was a girl who learned the violin, she lived in the one on the lower left. Mostly windows are blind eyes but at dusk
she’d put the light on, stage lighting her bowing. Exhibitionist. Maybe I was smarting from my piano teacher’s words, but I see her ghost in the window every time I pass.
It’s a long straight road next. In summer it is the best way to town because of the plane trees
The temperature drops 10 degrees instantly. And in autumn it rains itchy fluff
with the cockatoos up there ravaging the seed balls. No, that’s
not a cockatoo.
It’s a scrap of paper in the wind.
Jane Downing
First Morning in Venice
How easy to lose one’s point of origin,
the tourist at the next table reminds us.
Even once around the square
and you could be anyone anywhere,
one minute a temporary lagoon dweller
the next a misplaced fixture in time and space –
implausible spec in the eye of the camera.
She would be lost still, she claims,
were it not for the old man
who led her back … eventually …
through a succession of frescos,
across a fifteenth-century plaza,
somehow threading three floors
of hospital corridors
long ago inhabited by monks.
In one room they fixed his left leg,
in another his right eye, and there,
part of his heart. Returning him to life
time and again. Miracolo.
We listen like children intent on believing,
the walls of the hotel’s breakfast room
closing in. We dismiss the guide map,
cold cofee and half-eaten pastries -
hungry for a tale of our own.
Outside: fabled alleys, web of waterways,
arched bridges, rumoured hauntings,
refugee history, the anonymity
of carnival masks - all waiting
to waylay us from whatever task,
whatever path it is we think we’re on.
Jane Williams
Commit to Your City
Our mattress is bicoastal, our books
well traveled, all the dishes chipped.
The sofa is new, a commitment
to a bigger apartment, a lifestyle that affords
plants on sunny windowsills.
We see our new city through eyes
that have seen many cities, lived
in a few, sipped the water, sampled
the restaurants, survived the public
transportation, debated the merits
of parking lots and community pools.
Here, we see the bland light
of people passing one generation
to another, the same chance
at swing pushing and shop ownership.
We are confused by this,
attempt to acclimatize while mentally
arranging our apartment back
into a box, and writing down lists
of city names, wondering what
is strange there, what detail have we
forgotten about geography?
Caitlin Thomson
What if I Knew of the Upstairs Lounge?
My feet were in the same sneakers
that squeaked the St. Francis gym floor,
when I first stepped of the sidewalk
of Chartres in August of '75,
crossed Iberville Street, near
the wooden stairwell where men
once climbed sixteen steps through
a steel door to a space where
the simple was spoken freely: Did you
see that cute guy in the square? . . .
John's got a new boyfriend . . .
I