Hands-On Motion Graphics with Adobe After Effects CC: Develop your skills as a visual effects and motion graphics artist

Table of Contents

Hands-On Motion Graphics with Adobe After Effects CC

Why subscribe?

Packt.com

Contributors

About the author

About the reviewer

Packt is searching for authors like you

Preface

Who this book is for

What this book covers

To get the most out of this book

Download the color images

Conventions used

Get in touch

Reviews

I. Section 1: Text, Layers, Characters, Animation

1. Getting Started with After Effects

Technical requirements

Computer requirements

Exploring the interface

Resetting the layout

Saving your project

The project panel

Importing images

Preferences – Autosave

Creating compositions

The timelines and the toolbar

Bringing layers into your composition

Tool panel

Preview panel

Composition window

Effects panel

Introducing layer properties

Layer panel

The footage panel

The timeline panel

The timeline lifespan

Zooming into the timeline

Navigating in the timeline

Current time indicator

The workspace area

Trimming layers

Creating composition markers on your timeline

Animating a property

Animating scale

Solid layers and masking

Duplicating layers

Identifying and turning off your layers

Solo layers

Tagging your layers

Looking at transform properties

Rulers and guides

Editing masks

Editing your mask shape

Editing masks

Using the subtract-masking feature

Creating an animated slideshow

Summary

Questions

Further reading

2. Creating a Lower Third for a Television Show

Technical requirements

Animating a television lower third with precomps and null objects

Designing with storyboards

Editing masks and using precomps

Nesting precomps and using the pen tool

Animations, nulls, text, and rendering

Parenting and Null object animations

Parenting null animations

Parenting

Positioning a lower third

Creating a dark blue solid layer

The triangle pick whip

Color correction and adjusting masks

Adjusting colors

Adjusting masks

Creating text, easy easing key frames, and rendering

The type tool

The type fill

Adjusting the text

Rendering options

Summary

Questions

3. Using Shape Layers to Create an Animated Lyric Video

Using shape layers to create transitions and background graphics

Creating shape 1

Creating a new polystar shape layer

Creating a transition shape

Importing audio, text animation presets, and background graphics

Importing audio and creating composition markers

Text animators

Editing your text preset key frames

Creating an animated background shape

Summary

Questions

Further reading

4. Creating an Infographic with Character Animator

Technical requirements

Infographics

Text

Creating text on a path

Animated text

Editing and importing Illustrator files

Creating a new layer in Illustrator

The Eyedropper tool

Animation principles

Animating a monitor

Character animation types

Puppet Warp animation

Jointed animation

Adobe Character Animator

Altering Illustrator files

Character Animator interface

Animation timeline

Recording your performance

Adjusting character properties

Blending takes

Starting recording

Project settings

Exporting your animation

Importing PNG sequences

Adding the character to an infographic project

Completing your infographic

Summary

Questions

Further reading

5. Producing a Film Title Project Using Text Animator

Creating a film title

Setting up your project

Creating 3D-looking text with bevel emboss

Light animation

Using track mattes

Lens flares

Summary

Questions

Further reading

II. Section 2: Video, Visual Effects, Compositing

6. Animating Sports Graphics with Compositing Effects

Creating sports motion graphics

Setting up your project

Creating an environment

Using custom light effects

Animating flashing lights

Animating your sports logo

Adding a reflection

Creating camera movement

Creating another light shape

Animating the light glint

Add a vignette to the comp

Camera tracking a video

Compositing a logo in tracked footage

Bringing it all together

Summary

Questions

7. Developing a VFX Project Using the 3D Camera Tracker

Creating a VFX shot

Analyze footage

How to use the 3D camera tracker

Selecting and cutting out images

Quick Selection tool

Compositing our scene in After Effects

Summary

Questions

III. Section 3: Working with 2.5D, 3D

8. Creating a 2.5D Environment Camera Fly-Through

2.5D camera fly-through

3D layers

3D camera

Lights

Creating 3D environments

Animating the camera

Using the graph editor

Summary

Questions

9. Building a 3D C4D Lite Logo Project

C4D Lite 3D logo project

Creating a C4D layer in After Effects

C4D interface

Modeling a ribbon with sweep nurbs

Importing Illustrator files into C4D

Creating text in C4D

Creating an eye with sweep nurbs

Modeling a logo star

C4D materials

C4D lighting

Creating a camera in C4D

Rendering a C4D project from After Effects

Summary

Questions

Assessment

Chapter 1: Getting Started with After Effects

Chapter 2: Creating a Lower Third for a Television Show

Chapter 3: Using Shape Layers to Create an Animated Lyric Video

Chapter 4: Creating an Infographic with Character Animation

Chapter 5: Producing a Film Title Project Using Text Animator

Chapter 6: Animating Sports Graphics with Compositing Effects

Chapter 7: Developing a VFX Project Using the 3D Camera Tracker

Chapter 8: Creating a 2.5D Environment Camera Fly-Through

Chapter 9: Building a 3D c4d Lite Logo Project

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Index

Hands-On Motion Graphics with Adobe After Effects CC

Hands-On Motion Graphics with Adobe After Effects CC

Copyright © 2019 Packt Publishing

All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews.

Every effort has been made in the preparation of this book to ensure the accuracy of the information presented. However, the information contained in this book is sold without warranty, either express or implied. Neither the author, nor Packt Publishing or its dealers and distributors, will be held liable for any damages caused or alleged to have been caused directly or indirectly by this book.

Packt Publishing has endeavored to provide trademark information about all of the companies and products mentioned in this book by the appropriate use of capitals. However, Packt Publishing cannot guarantee the accuracy of this information.

Commissioning Editor: Vijin Boricha

Acquisition Editor: Prachi Bisht

Content Development Editor: Shubham Bhattacharya

Technical Editor: Sayali Thanekar

Copy Editor: Safis Editing

Project Coordinator: Nusaiba Ansari

Proofreader: Safis Editing

Indexer: Manju Arasan

Graphics: Jisha Chirayil

Production Coordinator: Aparna Bhagat

First published: April 2019

Production reference: 1240419

Published by Packt Publishing Ltd.

Livery Place

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Birmingham B3 2PB, UK.

ISBN 978-1-78934-515-5

www.packtpub.com

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Contributors

About the author

David Dodds is an artist with a lifelong love of learning and teaching, which led him to a teaching career at UCLA. He stays on the forefront of the motion graphics industry by working with companies and creating motion graphics for the entertainment industry. David teaches, mentors students, and lectures at various events in connection with the exciting motion graphics industry. He currently lives and works in Los Angeles.

I would like to thank my family and friends for their support. Especially my partner, Bradley Hankey, for believing in me and always encouraging me to follow all my many creative passions! I would also like to thank my colleagues at Packt Publishing and my students at UCLA; I learn so much from you all. Thank you for helping me become a better instructor!

About the reviewer

Luis Medrano started his career as a hand-drawn cartoon animator in 1995 in Panama City, Panama, later becoming a 3D and After Effects artist. In 2003, he moved to the United States, where his distinctive cinematic style earned him recognition in the competitive New York City television market as a design director and animator. His vast experience covers marketing, animation, broadcast production, virtual integration, and live television.​ A self-proclaimed animation scientist, he is currently writing his theories on Motion Orchestration™. Luis is the recipient of two Emmy awards and three Promax awards for his work in animation. He currently works as a CGI artist and consultant in the New York area.

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Preface

Welcome to this introduction to motion graphics with Adobe After Effects, your guide to motion graphics, the most exciting field in the world today. This book will provide readers with the knowledge and skills required to communicate effectively with After Effects and with the ability to create infographics through the use of feature film-level compositing tools. Other topics covered include editing, camera work, and lighting. You will learn how to create stunning visual effects and exciting animated 3D typography. This book will train readers in the concepts of motion design, examining a range of diverse issues, such as merging graphic design and animation with cinematic storytelling techniques.

Who this book is for

This book is targeted at students, professionals, YouTubers, and people who are interested in video editing, animation, and motion graphics. It is also designed for illustrators who would like to set their creations in motion. All these groups will really enjoy reading this book.

What this book covers

Chapter 1, Getting Started with After Effects, explains where the main tools and menus are to be found. The focus will be on shape and text layers, animating position, scale, rotation, opacity, and masks.

Chapter 2, Creating a Lower Third for a Television Show, talks about precomps. This is a very important part of After Effects. It helps you to create complex animations quickly. Once you understand this concept, we will create a lower third project with more complex layers.

Chapter 3, Using Shape Layers to Create an Animated Lyric Video, builds on the previous chapter in understanding more complex layers. We will also begin working with text animators. Text animators are more complex text tools that allow you to achieve detailed animation using text presets.

Chapter 4, Creating an Infographic with Character Animator, takes your text animation to a more advanced level and uses it to communicate. You will animate icons dynamically. Having an understanding of the graph editor will make your animations more realistic and professional. You will also learn about different tools for animating simple characters to use in your projects.

Chapter 5, Producing a Film Title Project Using Text Animator, explains how opening film titles are a great way to set a mood and communicate what the movie is about (according to Saul Bass, a graphic designer who pioneered motion graphics and contemporary film titles). In this chapter, we are going to create a dynamic film title opening sequence.

Chapter 6, Animating Sports Graphics with Compositing Effects, begins our work with video footage. Understanding how to edit video and add effects to footage is an important tool in After Effects. You will learn how to use tools commonly used in the entertainment industry to composite and track video.

Chapter 7, Developing a VFX Project Using the 3D Camera Tracker, gets more advanced with professional-level visual effects commonly used in the entertainment industry. Understanding how to separate objects from their background opens up a plethora of possibilities in special effects. We will also learn how to use the particle system.

Chapter 8, Creating a 2.5D Environment Camera Fly Through, takes your layers and puts them in the 3D space. After Effects has a powerful 3D workspace. Understanding how to animate in a 3D space opens up a lot of options in terms of creating dynamic videos. In this chapter, you will get up and running with all the 3D tools.

Chapter 9, Building a 3D C4D Lite Logo Project, teaches you how to model, light, and composite your 3D project in After Effects.

To get the most out of this book

Before beginning to use this book, you should have a working knowledge of your computer. You should know how to use the mouse and how to open, save, and close files.

After Effects CC is not included with this book. You need to purchase and install it. Some of the lessons in this book use Adobe Bridge, Photoshop, Illustrator, and Character Animator. You must install these programs from Adobe Creative Cloud.

To work through the projects in this book, you need to download the lesson files. The link is provided in the Technical requirements section of Chapter 2, Creating a Lower Third for a Television Show.

Download the color images

We also provide a PDF file that has color images of the screenshots/diagrams used in this book. You can download it here: https://www.packtpub.com/sites/default/files/downloads/9781789345155_ColorImages.pdf.

Conventions used

There are a number