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    Impurity
    Impurity
    Impurity
    Ebook140 pages1 hour

    Impurity

    By Larry Tremblay and Sheila Fischman

    ()

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    About this ebook

    Bestselling author Alice Livingstone is dead. She leaves her philosopher husband, Antoine, to deal with her legacy, towards which he feels increasingly estranged. Confronted with his wife’s much-reported disappearance, Antoine revisits their past relationship: open and liberal on the outside, but constrained and deviant on the inside. The news of the day (the death of JFK Jr., the self-immolation of a Buddhist monk), which plays on the television running in the novel’s background, gradually becomes significant in the lives of the protagonists – as revealed in Alice’s mysterious, posthumous last novel, A Pure Heart. Bit by bit, as we move closer to the novel’s centre, its narrators lose reliability; their discourses and pretenses become more and more confused, fragmentary, and misleading. Good intentions become corrupted and appearances prove to be deceiving. Impurity’s conclusion is as gripping as it
    is asphyxiating. After his masterpieces The Orange Grove and The Obese Christ, Larry Tremblay, one of Québec’s most accomplished novelists and playwrights of the last two decades, offers his readers a riveting mystery, a self-reflective enigma whose decoding places on trial the
    literary form itself.

    A playful and macabre narrative tour de force, Impurity weaves a fascinating web of interlocking narratives in an epistolary puzzle connecting forms with voices, and voices with revelations.

    LanguageEnglish
    PublisherTalonbooks
    Release dateMar 11, 2021
    ISBN9781772012958
    Impurity
    Author

    Larry Tremblay

    Larry Tremblay is a writer, director, actor and specialist in Kathakali, an elaborate dance theatre form which he has studied on numerous trips to India. He has published more than twenty books as a playwright, poet, novelist and essayist, and he is one of Quebec’s most-produced and translated playwrights (his plays have been translated into twelve languages). The publication of Talking Bodies (Talonbooks, 2001) brought together four of his plays in English translation. He played the role of Léo in his own play Le Déclic du destin in many festivals in Brazil and Argentina. The play received a new production in Paris in 1999 and was highly successful at the Festival Off in Avignon in 2000. Thanks to an uninterrupted succession of new plays (Anatomy Lesson, Ogre, The Dragonfly of Chicoutimi, Les Mains bleues, Téléroman, among others) in production during the ’90s, Tremblay’s work continues to achieve international recognition. His plays, premiered for the most part in Montreal, have also been produced, often in translation, in Italy, France, Belgium, Mexico, Columbia, Brazil, Argentina and Scotland. In 2001, Le Ventriloque had three separate productions in Paris, Brussels and Montreal; it has since been translated into numerous languages. More recently, Tremblay collaborated with Welsh Canadian composer John Metcalf on a new opera: A Chair in Love, a concert version of which premiered in Montreal in April 2005. In 2006 he was awarded the Canada Council Victor Martyn Lynch-Staunton Award for his contribution to the theatre. He was a finalist in 2008 and 2011 for the Siminovitch Prize. One of Quebec’s most versatile writers, Tremblay currently teaches acting at l’École supérieure de théâtre de l’Université du Québec à Montréal.

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      Book preview

      Impurity - Larry Tremblay

      She would like to believe in God, in the immortality of souls. She cannot. She lights a candle in the columbarium chapel. She doesn’t cry. Her tears have dried up. All that’s left to her are memories. The beautiful, radiant ones. And those that tear her apart. She doesn’t know how she was able to close her eyes for so long to what truly mattered. There were hints, however, details that could have awakened suspicions before it was too late. She also is to blame, that she knows.

      Nervous, she looks at her watch. Six o’clock. There, now he’s back from the college. He’s parking in front of the house, climbing the front steps, taking his key, opening the door, immediately sensing that there’s something different. It’s the silence. The silence that is born from absence, from emptiness. He takes a few steps, enters the living room. There is no more furniture, no carpet, no paintings on the walls except for one, which is now immense. His heart is beating faster. She’s certain that at that moment his heart is beating faster. On the floor, he sees a book. He bends down to pick it up. On the cover there is a reproduction of the same painting, a maelstrom of blotches that suddenly makes him afraid. He closes his eyes for a moment.

      Then he opens Impurity.

      A little icon of an open book.

      IMPURITY

      A NOVEL

      There are no remains yet. Journalists note with caution that the search is a rescue operation. But no one is fooled. You don’t rescue people whose plane has plunged into the ocean at two thousand metres per minute. You search for the carcass that acts as their underwater tomb.

      The disappearance of the Piper Saratoga – a poetic name for an airplane – is reported on July 16, 1999. The pilot was John F. Kennedy, Junior. His wife and his sister-in-law were with him as well.

      Unable to tear himself away from the television, Antoine follows all the coverage, zaps, looks at the same item ten times over. As he is on vacation, he can spend all his time living the event live. The CNN reporters encourage him to do it by showing non-stop the same images, the same archival photos that mark the milestones in John-John’s exemplary life. The prince of America is one of those who are crowned with a tragic destiny, as if beauty, wealth, glory, when fused in one individual, emerged directly from the thigh of fate.

      After a few days, Antoine has spent all his capital of sympathy for the victims and their families and friends. Zapping from one network to another, he compares the different ways of covering the event. This outrageous media coverage of death exposes the pathological state in which society maintains its members. The vulture in this story is also him, especially him, sitting comfortably, his hand lengthened by a TV remote. Sweating bullets, fused with the leather of his armchair, he is revelling in the bad luck of others. He is in this state of accepted intellectual sloth when he learns that after a five-day search, the Piper Saratoga has been found, and learns in the same news bulletin of the suicide of Félix Maltais.

      His death also makes the news.

      Félix, whom he hasn’t thought about for a good thirty years. He has immolated himself on a tiny island, scarcely a few trees. A rock, in fact. He set fire to the island. Waited for the flames to devour the spruce trees and, along with them, his body. The fire was extinguished on its own, leaving a ring of grey ash in the middle of a blue lake.

      They had once been very close. Life came between them. Antoine forgot him. Nothing simpler than to delete from our lives people who have mattered deeply to us. The news drags him out of his televisual lethargy. He pulls on his sandals, goes out to buy the papers. Walking rapidly, he has the impression that he is sowing the thoughts taking shape within him.

      Ever since the JFK Junior episode, along with the local and national papers he has been buying some American ones. He thinks it’s ridiculous to join in that binge of paper and ink where ads and stupidity chew up more and more space every day. He assigns himself the role of scavenger in this American tragedy that, after all, is none of his business. Why be so upset at the death of John-John? He’s behaving like a character in a novel by his wife.

      Back home, carrying his paper loot under his arm, he reminds himself that he’s on vacation and should be taking advantage of it. Since early summer, he has been feeling the need to repeat to himself that time is something he ought to take advantage of. In his pretty house in Outremont, time lingers around the furniture, paintings, photos like a melancholy tune.

      He opens the papers, skims them rapidly. The tragedy of the Piper Saratoga and its illustrious occupants is still in the headlines. As if God had blessed the media, a heaven-sent tragedy lands on them every summer to fill the blankness of vacations, occupy it with sensational headlines and pictures. Not long ago, remember, there was the providential death of Lady Di. As he is turning the pages a photo suddenly draws his attention: a Buddhist monk, in the lotus position, being burned alive amid tall flames. It’s a famous image, dating from 1963, of an act of protest against the war in Vietnam. Antoine is intrigued: a reproduction of that photo was found in Félix Maltais’s car. That was all. No letter. No explanations.

      Félix Maltais, 45, apparently wanted to imitate the monk Thích Quảng Đức with his suicidal act. An act to sensitize the world to the degeneration of the forests.

      If you want to save the trees, why commit suicide surrounded by spruces and not TV cameras? Antoine can’t help finding Félix’s act somewhat naive. A shot in the dark. He wonders, though, if his friend stayed imperturbable in the flames. If he’d breathed his last breath with his face convulsed in pain. If by leaving as a farewell letter the photo of the protesting monk he’d been sending him a sign after so many years.

      The phone rings, interrupting his questioning. A journalist wants to meet him. She intends to write a feature on his wife, Alice Livingston. Her last novel is to be published posthumously in the fall. Does he have any comments on his wife’s final work? Antoine hesitates before agreeing to her request. He has never liked the totally predictable plots, with a drop of suspense, that Alice generally churned out without too much stress every couple of years. Her books were anticipated by a readership won over in advance. Reviewers praised them mechanically with a purring of adjectives. She appeared on TV, ultimate accolade for a writer. But this whole circus never drove Antoine to think of his wife’s novels as literature. To him, Alice placed on the market supposedly cultural products. He conceded, of course, that she had qualities the absence of which he deplored in himself: rigour, discipline, determination, optimism. He admired her. She was happy, he thought, because she was perfectly in tune with the shallow and pointless world she lived in. On the day when she was getting ready to receive a prize, dazzling in a dress purchased for the occasion, hadn’t Alice told him that her writing was building the world of tomorrow? He had asked her how.

      Just read my novels carefully. Between the lines there is space and time. That’s where everything happens. That’s where the world is bursting out, emerging from the present.

      Antoine hadn’t wanted to antagonize her on this day when she would be receiving a prize. He had held back a laugh. Did his wife really believe what she was saying? Was she intoxicated to that point? But when he entered the reception hall on the arm of his celebrated wife, he could not prevent a quiver of pride from misting up the mirror of his thinking.

      In the end he agreed to meet the journalist the next day. She would come to his house. As he hung up he blamed himself for agreeing. He has nothing to say about the novel that had monopolized his wife’s final months. He would pocket her royalties, at least he’ll be able to say that.

      Antoine heard about the monk Thích Quảng Đức for the first time in 1971, when he started college. On the first day a student arrives late for class; he’d lost his way in the corridors. It’s Félix Maltais. He asks Antoine if he can borrow his notes. Why him and not someone else? Does he really look like a serious student meticulously taking down every word that falls from the professor’s sacrosanct mouth? That’s not the image Antoine has of himself, with his outrageously long hair. That day he has

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