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    Five Moral Pieces
    Five Moral Pieces
    Five Moral Pieces
    Ebook105 pages1 hour

    Five Moral Pieces

    By Umberto Eco

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    In this prescient essay collection, the acclaimed author of Foucault’s Pendulum examines the cultural trends and perils at the dawn of the 21st century.

    In the last decade of the 20th century, Umberto Eco saw an urgent need to embrace tolerance and multiculturalism in the face of our world’s ever-increasing interconnectivity. At a talk delivered during the first Gulf War, he points out the absurdity of armed conflict in a globalized economy where the flow of information is unstoppable and the enemy is always behind the lines. Elsewhere, he questions the influence of the news media and identifies its contribution to our collective disillusionment with politics.


    In a deeply personal essay, Eco recalls his boyhood experience of Italy’s liberation from fascism. He then analyzes the universal elements of fascism, including the “cult of tradition” and a “suspicion of intellectual life.” And finally, in an open letter to an Italian cardinal, Eco reflects on a question underlying all the reflections in the book: What does it mean to be moral or ethical when one doesn't believe in God?

    “At just 111 pages, Five Moral Pieces packs a philosophical wallop surprising in such a slender book. Or maybe not so surprising. Eco's prose here is beautiful.”—January Magazine
    LanguageEnglish
    PublisherOpen Road Integrated Media
    Release dateOct 1, 2002
    ISBN9780547564050
    Five Moral Pieces
    Author

    Umberto Eco

    Umberto Eco (1932–2016) was the author of numerous essay collections and seven novels, including The Name of the Rose, The Prague Cemetery, and Inventing the Enemy. He received Italy’s highest literary award, the Premio Strega; was named a Chevalier de la Légion d’Honneur by the French government; and was an honorary member of the American Academy of Arts and Letters.

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      Book preview

      Five Moral Pieces - Umberto Eco

      © 1997 RCS Libri S.p.A.

      Translation copyright © 2001 by Alastair McEwen

      All rights reserved. For information about permission to reproduce selections from this book, write to [email protected] or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.

      hmhbooks.com

      This is a translation of Cinque Scritti Moralt

      The Library of Congress has cataloged the print edition as follows:

      Eco, Umberto.

      [Cinque scritti morali. English]

      Five moral pieces/Umberto Eco; translated from the Italian by Alastair McEwen.—1st U.S. ed.

      p. cm.

      ISBN 0-15-100446-3

      ISBN 0-15-601325-8 (pbk.)

      I. Title.

      PQ4865.C6 C5613 2001

      854'.914—dc21 2001024312

      eISBN 978-0-547-56405-0

      v2.0620

      Introduction

      The essays collected here have two things in common. They are, first, occasional pieces: pieces that sprang from talks given at conferences, articles on current affairs. And, despite the variety of their themes, they are all ethical in nature, that is to say, they treat of what we ought to do, what we ought not to do, and what we must not do at any cost.

      Given their occasional nature, I should explain the circumstances in which they were written.

      Reflections on War was published in La Rivista dei libri, 1 April 1991, at the time of the Gulf War.

      When the Other Appears on the Scene is derived from an exchange of four letters with Cardinal Martini organized and published by Liberal magazine. The correspondence was then brought together in a slim volume, Che cosa crede chi non crede? (Rome: Atlantide Editoriale, 1996). My text is a reply to a question the cardinal had put to me: "What is the basis of the certainty and necessity for moral action of those who, in order to establish the absolute nature of an ethic, do not intend to appeal to metaphysical principles or transcendental values, or even to universally valid categorical imperatives?" For the background to the debate the reader is referred to the volume in question, which also contains notes and contributions by Emanuele Severino, Manlio Sgalambro, Eugenio Scalfari, Indro Montanelli, Vittorio Foa, and Claudio Martelli.

      On the Press was a paper presented in the course of a series of seminars organized by the Italian Senate (President Carlo Scognamiglio), before the members of the Senate and the editors of Italy’s biggest dailies, with whom a wide-ranging discussion then followed. The text was subsequently published, by the Senate itself, in Gli Incontri di studio a Palazzo Giustiniani: Stampa e mondo politico oggi (Rome: Tipografia del Senato, 1995), a volume that also contains the addresses given by Scognamiglio, Eugenio Scalfari, Giulio Anselmi, Francesco Tabladini, Silvano Boroli, Walter Veltroni, Salvatore Carruba, Darko Bratina, Livio Caputo, and Paolo Mieli.

      Ur-Fascism was a speech given in English at a symposium organized by the Italian and French departments of Columbia University, on 25 April 1995, in commemoration of the Liberation of Europe. It later appeared as Ur-Fascism in The New York Review of Books (22 June 1995) and was translated into Italian for the June-July 1995 number of La Rivista dei libri with the title "Totalitarismo fuzzy e Ur-Fascismo" (a version virtually the same as the one published here except for a few minor modifications). However, it should be borne in mind that the text was conceived for an audience of American students and the speech was given in the days when America was still shaken by outrage over the Oklahoma city bombing and by the discovery of the fact (by no means a secret) that extreme right-wing military organizations existed in America. The anti-Fascist theme, therefore, took on particular connotations in that context, and my historical observations were intended to stimulate reflection on current problems in various countries—the talk was then translated by newspapers and magazines into numerous other languages. Furthermore, the fact that the discourse was aimed at young Americans explains the presence of specific information on events that an Italian reader ought to know about already, such as the quotations from Roosevelt, the allusions to American anti-Fascism, and the emphasis on the encounter between Europeans and Americans at the time of the Liberation.

      Migration, Tolerance, and the Intolerable is a collage. The first section contains the first part of a talk given on 23 January 1997 on the opening of the conference organized by the city of Valencia regarding prospects for the third millennium. The second is a translation and readaptation of the introduction to the International Forum on Intolerance, organized in Paris by the Académie Universelle des Cultures on 26 and 27 March 1997. The third, titled Non chiediamoci per chi suona la campana, was published by La Repubblica on the occasion of the sentencing of former SS officer Erich Priebke, accused of war crimes and tried before the Rome Military Tribunal.

      Reflections on War

      This article considers War with a capital W, as in hot war waged with the explicit consensus of nations, in the form it has assumed in the contemporary world. Since I will be submitting this piece just as Allied troops enter Kuwait City, it is probable—provided there are no surprises—that when people read it they will all feel that the Gulf War has led to a satisfactory outcome, because it is in conformity with the goals for which it was begun. In this case any talk of the impossibility or uselessness of war would seem like a contradiction: no one would be prepared to maintain that an undertaking that leads to a desired result is either useless or impossible. Yet the following reflections must hold no matter how things turn out. Indeed, they must hold a fortiori were the war to make it possible to attain advantageous results, precisely because this would convince everyone that war is still, in certain cases, a reasonable alternative. While one is always duty-bound to deny this.

      Since the war began, we have heard or read various appeals criticizing intellectuals for not having adopted the proper stance with regard to this tragedy. Since the vocal majority that says or writes things like this is usually represented by intellectuals (in the strict sense of the term), one wonders about the makeup of the silent minority from whom a statement is required. Clearly the minority is composed of those who did not give a correct opinion on the matter when the time came to choose sides. Proof of this lies in the fact that, day after day, if someone puts forth an opinion contrary to the expectations of someone else, he or she is promptly labeled an intellectual traitor, a capitalist warmonger or a pro-Arab pacifist. The clash within the vocal majority as it emerged through the mass media ensured that each party deserved the other’s accusations. Supporters of the ineluctable necessity of the conflict appeared to be interventionists of the old school; the pacifists, largely incapable of eschewing the slogans and rituals of past decades, unfailingly deserved to be accused of wishing for the surrender of one side in order to reward the belligerence of the other. In a form of ritual exorcism, those who supported the conflict were obliged to begin by stating how cruel war is, while those who were against it had to begin by stating how cruel Saddam is.

      In each of these cases we have certainly witnessed a debate between professional intellectuals, but what we have not seen is the practice of the intellectual function. As we all know, intellectuals are a very nebulous thing as a category. But defining the intellectual function is a different matter. It consists of identifying critically what one considers a satisfactory approximation of one’s own concept of truth—and this can be done by anybody, even by social misfits who reflect on their own condition and express it in some way, while it may be betrayed by writers who react emotionally to events, without subjecting themselves to the purification of thought.

      This is why, as Vittorini put it, intellectuals must not play the piper to revolution. Not in order to shirk the

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