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    How Many Miles to Babylon
    How Many Miles to Babylon
    How Many Miles to Babylon
    Ebook131 pages1 hour

    How Many Miles to Babylon

    By Dorothy Davies

    ()

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    About this ebook

    ‘I want to be a writer.’ Words that come easy for a life that isn’t. Writing can be all consuming, all demanding, taking time away from normal interests, sport, TV, visiting, you name it, writing can interrupt it. Memories of making sandwiches from bread I baked the day before, packing a lunch to go on a day trip by coach... the act of making the sandwiches from home-made bread triggered a short story idea. I wrote it in my head all day... no notebook, left home in too much of a hurry, clutching the sandwiches, to think about it... Writing can get between you and work, if you’re not careful. The characters tend to ease their way into your thoughts, to demand your attention, to stand on the sidelines waving madly, sometimes with huge flags which say TAKE NOTICE OF US!

    If you’re already experiencing that, my sympathies. There’s no way out, I’m afraid. You’re hooked for life.

    Equally, welcome to the writing world. It’s a demanding profession/way of life but one that writers, on the whole, would not change for anything. The joy of translating an idea into a story or novel, of bringing people alive and letting them walk and talk their way through your pages, cannot be compared to any other way of life. Artists may think they have it pinned down with their easels, palates and paints, but a canvas is not a hefty tome of 100,000 words, is it? So let the painters gather on the hillside to capture the landscape, the sunset, the bowl of fruit and we, the writers, will gather in solitude behind our monitors and let our creations become our companions.

    This handbook is a small effort to try and help you on the way of making the idea become a profitable hobby or even a profitable life.

    So, what are you waiting for?

    Make haste, Babylon is calling...

    LanguageEnglish
    PublisherFiction4All
    Release dateMay 5, 2020
    How Many Miles to Babylon
    Author

    Dorothy Davies

    Dorothy Davies, writer, medium, editor, lives on the Isle of Wight in an old property which has its own resident ghosts. All this adds to her historical and horror writing.

    Read more from Dorothy Davies

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      Book preview

      How Many Miles to Babylon - Dorothy Davies

      Part One

      From a writer’s viewpoint

      ‘I want to be a writer.’ Words that come easy for a life that isn’t. Writing can be all consuming, all demanding, taking time away from normal interests, sport, TV, visiting, you name it, writing can interrupt it. Memories of making sandwiches from bread I baked the day before, packing a lunch to go on a day trip by coach… the act of making the sandwiches from home-made bread triggered a short story idea. I wrote it in my head all day… no notebook, left home in too much of a hurry, clutching the sandwiches, to think about it… Writing can get between you and work, if you’re not careful. The characters tend to ease their way into your thoughts, to demand your attention, to stand on the sidelines waving madly, sometimes with huge flags which say TAKE NOTICE OF US!

      If you’re already experiencing that, my sympathies. There’s no way out, I’m afraid. You’re hooked for life.

      Equally, welcome to the writing world. It’s a demanding profession/way of life but one that writers, on the whole, would not change for anything. The joy of translating an idea into a story or novel, of bringing people alive and letting them walk and talk their way through your pages, cannot be compared to any other way of life. Artists may think they have it pinned down with their easels, palates and paints, but a canvas is not a hefty tome of 100,000 words, is it? So let the painters gather on the hillside to capture the landscape, the sunset, the bowl of fruit and we, the writers, will gather in solitude behind our monitors and let our creations become our companions.

      This handbook is a small effort to try and help you on the way of making the idea become a profitable hobby or even a profitable life.

      So, what are you waiting for?

      Make haste, Babylon is calling…

      In the Beginning

      The first thing, always, to say to a wannabe writer is: it isn’t easy. It looks it, just throwing the words at the screen; see how they fall, arrange them into something resembling paragraphs, send it off and make a fortune.

      Come with me; let’s see where we can go with this. If I repeat myself, it’s in an effort to ensure the message gets through. There are a lot of highly talented writers out there who are failing at the first fence through simple lack of application to the craft and/or a huge ego that says, ‘I’m right, you’re wrong and if I want to litter my work with OTT language and sex scenes, I will - see you at the Awards Ceremony.’ Somehow I don’t think so…

      ***

      Writing is a craft that has to be learned.

      This book is meant to show you the pitfalls and help you make your MS acceptable to the first real reader you have, outside of your beta readers, that is. (You can discount family who should never be allowed to read your work until it is in print. Because… they all say it’s wonderful when it often isn’t and you get inflated ideas of how good it is and become bitterly disappointed when the editor sends it back only part read. It happens…)

      This advice is given by someone who has been writing all her life, been paid for it for the last 35 years and counting and who has been editing professionally for 20+ years.

      I have a whole stack of anthologies to my name and you should be aware that one of them, Comes the Night, was selected for Best Horror 4 by Ellen Datlow. It doesn’t come better than that. I knew what I was looking for when it came to quality work to put into any anthology I edited. I made up my mind that Thirteen Press titles were to be the best and worked at getting the standards to the point when sales were guaranteed by the sheer quality of YOUR work. You benefited from that as well as Thirteen Press and Horrified Press who hold the imprint.

      I’m not the sweet and sugary type, not going to tell people that with a few stories accepted they’re on their way to the big time, but equally I’m not the kind of editor who normally sends stories back without saying why. This upsets some people but that’s their ego getting in the way. They’re in the group who think they have nothing to learn when in fact all writers are learning all the time.

      I’m asking you to accept this book as me trying to push you in the right direction to have acceptances instead of rejections, to feel good about the writing, to know you can make it.

      If that’s all right with you, let’s get into the whole business of writing, shall we?

      ***

      So… what’s the secret of success and how do you go about getting there?

      The first thing is… accepting that writing is an apprenticeship that never ends. We all learn all the time, how to craft the story, create the characters, make every word count, write to tight word limits (stories and articles) find catchy/interesting/attention-grabbing titles, conjure scenarios that are believable (no logic slip-ups) have a story which holds the reader’s attention from beginning to end and all this done in a writing style that is entirely your own.

      The second thing is… none of this comes in a hurry. No artist ever created a masterpiece first time they picked up a brush, no composer wrote a symphony first time out. It’s practice and more practice. My first efforts at writing were rejected. I tried writing something for a correspondence course and had it torn to pieces. I almost gave up but something made me keep right on writing. Slowly but surely the rejections changed to acceptances; a good many of my stories appeared in fanzines, unpaid, a limited audience but acceptances for all that. It made the difference; it was the impetus I needed to keep on writing. When I began it was all typed, I worked on a Brother portable on the kitchen table for ages. When I wore that out, I bought an Adler, a solid piece of equipment that would withstand a bomb blast, I’m sure it would and on that I wrote my first to-be-published YA novel.

      It took eleven years for it to find a publisher. I’m telling you this is to emphasise that none of this comes in a hurry. After eleven years, umpteen retypes and a lot of abortive submissions to agents and publishers, an agent placed the book with Bodley Head. It was published - it sank like a stone. We’re going back before the age of the Internet so there was no marketing I could do. Bodley Head didn’t allocate money for publicity, advertisements and the like, so the poor little book slid into oblivion after all my efforts and all my years of trying.

      Bodley Head, though, said they were happy with it and did I have another book? I did. I outlined it, another YA book, starting in 495 AD and ending in 1995 AD, every chapter separate, every one linked to the one before and the one after, the theme, First Love. They said it couldn’t be done. So I did it. It was accepted, a development fee was paid for me to alter this and revise that, which I did. And it was dropped.

      Now comes something you need to think about when you’re writing. A book is never finished. I sent that novel to a critique agency and got back pages of advice on how to make it better.

      A book was accepted by one of the Big Names in the business and a critique company found goodness knows how many ways I could make it better. They were right, in every way they were right. They saw things a critical editor should have seen but didn’t. The revised book ‘Forever’ is online. Details at the end of this book if you’re interested…

      The third thing is… you must never stop thinking writing. When you’re reading, dissect the story, the grammar, the metaphors; the dialogue tags, ask yourself why the story is holding your attention, why haven’t you dropped the book in at the nearest charity shop or book exchange or deleted it from your Kindle or whatever? What’s making you read on? Criticise the story in your head; is it draggy here and there, could it have been paced better? (The ‘story arc’ theory comes in here.) Could the characters have been better delineated? Was the balance of narrative and dialogue about right? These days, when I write, I hear my daughter saying ‘don’t give me the description; I don’t care what colour dress she’s wearing, give me the story!’ This is valid in many instances; some writers do tend to rely overmuch on background and description. So, think writing. Observe people. How do

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