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Emerging Affinities – Possible Futures of Performative Arts
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This volume is a response to the growing need for new methodological approaches to the rapidly changing landscape of new forms of performative practices. The authors address a host of contemporary phenomena situated at the crossroads between science and fiction which employ various media and merge live participation with mediated hybrid experiences at both affective and cognitive level. All essays collected here move across disciplinary divisions in order to provide an account of these new tendencies, thus providing food for thought for a wide readership ranging from performative studies to the social sciences, philosophy and cultural studies.
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Titles in the series (100)
Dimensionen des Denkens: Der raumzeitliche Kollaps des Gegenwärtigen. Geistes- und naturwissenschaftliche Entwürfe – verifiziert an Martin Kusejs »Don Giovanni« Schauspielen heute: Die Bildung des Menschen in den performativen Künsten Rating: 0 out of 5 stars0 ratingsTheater der Nacktheit: Zum Bedeutungswandel entblößter Körper auf der Bühne seit 1900 Rating: 0 out of 5 stars0 ratingsTheater der Identität: Das Brünner deutsche Theater der Zwischenkriegszeit Rating: 0 out of 5 stars0 ratingsInterkulturelles Theater zu Beginn des 21. Jahrhunderts: Ästhetik – Politik – Postkolonialismus Rating: 0 out of 5 stars0 ratingsParadoxien des Zuschauens: Die Rolle des Publikums im zeitgenössischen Theater Rating: 0 out of 5 stars0 ratingsDie Freien Darstellenden Künste in Deutschland: Diskurse – Entwicklungen – Perspektiven Rating: 0 out of 5 stars0 ratingsVon der Weltseele zur Über-Marionette: Cechovs Traumtheater als avantgardistische Versuchsanordnung Rating: 0 out of 5 stars0 ratingsWie Absenz zur Präsenz entsteht: Botho Strauß inszeniert von Luc Bondy Rating: 0 out of 5 stars0 ratingsTheater und Schule: Ein Handbuch zur kulturellen Bildung Rating: 0 out of 5 stars0 ratingsIm Hörraum vor der Schaubühne: Theatersound von Hans Peter Kuhn für Robert Wilson und von Leigh Landy für Heiner Müller Rating: 0 out of 5 stars0 ratingsÖkonomie im Theater der Gegenwart: Ästhetik, Produktion, Institution Rating: 0 out of 5 stars0 ratingsZwischen den Kulturen – zwischen den Künsten: Medial-hybride Theaterinszenierungen in Québec Rating: 0 out of 5 stars0 ratingsSubjektermächtigung und Naturunterwerfung: Künstlerische Selbstverletzung im Zeichen von Kants Ästhetik des Erhabenen Rating: 0 out of 5 stars0 ratingsHandel, Handlung, Verhandlung: Theater und Ökonomie in der Frühen Neuzeit in Spanien Rating: 0 out of 5 stars0 ratingsDas Trauerspiel-Buch: Der Souverän – das Trauerspiel – Konstellationen – Ruinen Rating: 0 out of 5 stars0 ratingsTheater als Ort der Utopie: Zur Ästhetik von Ereignis und Präsenz Rating: 0 out of 5 stars0 ratingsTragödie als Bühnenform: Einar Schleefs Chor-Theater Rating: 0 out of 5 stars0 ratingsDer Schnitt durch den Raum: Atmosphärische Wahrnehmung in und außerhalb von Theaterräumen Rating: 0 out of 5 stars0 ratingsDas Drama des Prekären: Über die Wiederkehr der Ethik in Theater und Performance Rating: 0 out of 5 stars0 ratingsMit Leib und Körper: Zur Korporalität in der deutschsprachigen Gegenwartsdramatik Rating: 0 out of 5 stars0 ratingsTheaterfestivals: Geschichte und Kritik eines kulturellen Organisationsmodells Rating: 0 out of 5 stars0 ratingsDer kollektive Prozess des Theaters: Chorkörper – Probengemeinschaften – theatrale Kreativität Rating: 0 out of 5 stars0 ratingsSchauspieler außer sich: Exponiertheit und performative Kunst. Eine feminine Recherche Rating: 0 out of 5 stars0 ratingsDas Drama nach dem Drama: Verwandlungen dramatischer Formen in Deutschland seit 1945 Rating: 0 out of 5 stars0 ratingsPartizipation der Blicke: Szenerien des Sehens und Gesehenwerdens in Theater und Performance Rating: 0 out of 5 stars0 ratingsPolitisch Theater machen: Neue Artikulationsformen des Politischen in den darstellenden Künsten Rating: 0 out of 5 stars0 ratingsTheater und Fiktion: Spielräume des Fiktiven in Inszenierungen der Gegenwart Rating: 0 out of 5 stars0 ratingsKriegsbühnen: Theater im Ersten Weltkrieg. Berlin, Lissabon, Paris und Wien Rating: 0 out of 5 stars0 ratingsMythos Tragödie: Zur Aktualität und Geschichte einer theatralen Wirkungsweise Rating: 0 out of 5 stars0 ratings
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