Innovation on Tap: Stories of Entrepreneurship from the Cotton Gin to Broadway's Hamilton
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About this ebook
Innovation on Tap is the story of innovation in America told through the eyes of 25 entrepreneurs, from Eli Whitney and his cotton gin to Lin-Manuel Miranda and his Broadway smash, Hamilton.
The stories illustrate the sweep and impact of innovation. From razor blades, insurance, and baseball to smart cities, online running communities, and cybersecurity, innovators across three centuries gather in an imaginary barroom to discuss the essential themes of entrepreneurship--Mechanization, Mass Production, Consumerism, Digitization, and Sustainability--while emphasizing and reemphasizing the importance of community to their success.
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Innovation on Tap - Eric B. Schultz
PRAISE FOR INNOVATION ON TAP
One of the most unique and useful books on entrepreneurship I’ve ever read. Eric deftly guides us through a journey with history’s greatest entrepreneurs—their innovations, incredible obstacles, and the drama that fueled their historic impact. Every chapter and page offer modern entrepreneurs unique lessons and insights to succeed in their own ventures.
—CJ CORNELL, serial entrepreneur and author, The Age of Metapreneurship and The Startup Brain Trust
"Imagine the ability to eavesdrop on the banter of entrepreneurs across three centuries of American innovation as they chat at the bar, comparing notes of their successes and challenges. Innovation on Tap puts that opportunity at your fingertips with a well-researched, accessible, and fun read that makes these undervalued histories highly relevant to today’s entrepreneurs and innovators."
—GREG GALER, Ph.D., Executive Director, Boston Preservation Alliance and former Curator, Industrial History Center, Stonehill College
Schultz tells the sweeping story of American ingenuity over the centuries through the decisions and decisive actions of some of our greatest entrepreneurs. From razor blades to musicals, fiber bars to automobiles, national parks to cybersecurity, he skillfully blends history with an understanding of business and innovation to craft a must-read book.
—MATTHEW MOEN, Ph.D., President, Gettysburg Foundation and Distinguished Professor Emeritus, University of South Dakota
"In Innovation on Tap Eric Schultz paints an informative and inspiring panorama of the history of entrepreneurial achievement in America. The unique perspective provided in this book will be an invaluable guide forward for entrepreneurs and leaders of all kinds in navigating the busy intersection of entrepreneurship and innovation."
—DANIEL ISENBERG, former entrepreneur and professor at the Harvard Business School; author, Worthless, Impossible and Stupid: How Contrarian Entrepreneurs Create and Capture Extraordinary Value
Eric Schultz—accomplished innovator turned penetrating historian—deftly links foundational moments in business history to today’s challenges, while making legendary entrepreneurs feel as familiar as the folks at the corner bar. Open a cold one and enjoy these stories—you’ll want to start applying them right away.
—JON KLEIN, former President, CNN/US
By emphasizing sustainability as a theme of modern entrepreneurship, Eric Schultz has hit on one of the drivers of the global economy. From ensuring clean water and preserving public lands, to developing new renewable energy models and launching urban gardens, Eric tells powerful stories of entrepreneurs that will educate and inspire.
—JOHN MANDYCK, CEO, Urban Green Council; visiting scientist, T.H. Chan School of Public Health, Harvard University
"Eric Schultz is a talented CEO and entrepreneur who guided the growth and sale of Sensitech, an Ascent portfolio company. Whether you are a serial entrepreneur or just launching your first start-up, you will find important lessons and wisdom in the entertaining stories of innovation and community that Eric shares in Innovation on Tap."
—MATT FATES, General Partner, Ascent Venture Partners
"When Eric Schultz writes about the birth of jazz and Hamilton’s rise on Broadway, he reminds us that social and cultural innovation can transform the world every bit as much as the latest technological breakthrough."
—CRAIGIE ZILDJIAN, CEO, Avedis Zildjian Company, Cymbal makers since 1623
This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher and author are not engaged in rendering legal, accounting, or other professional services. Nothing herein shall create an attorney-client relationship, and nothing herein shall constitute legal advice or a solicitation to offer legal advice. If legal advice or other expert assistance is required, the services of a competent professional should be sought.
Published by Greenleaf Book Group Press
Austin, Texas
www.gbgpress.com
Copyright ©2019 Eric B. Schultz
All rights reserved.
Thank you for purchasing an authorized edition of this book and for complying with copyright law. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the copyright holder.
Distributed by Greenleaf Book Group
For ordering information or special discounts for bulk purchases, please contact Greenleaf Book Group at PO Box 91869, Austin, TX 78709, 512.891.6100.
Design and composition by Greenleaf Book Group
Cover design by Greenleaf Book Group
Publisher’s Cataloging-in-Publication data is available.
Print ISBN: 978-1-62634-663-5
eBook ISBN: 978-1-62634-664-2
Audiobook ISBN: 978-1-62634-699-4
Printed in the United States of America on acid-free paper
19 20 21 22 23 24 10 9 8 7 6 5 4 3 2 1
First Edition
To Steve Dodge (1945–2019)
Entrepreneur, Inspiration, Friend
CONTENTS
Preface: It All Started in a Bar
Introduction: Innovation on Tap
PART ONE—MECHANIZATION
1Eli Whitney
Accidental Entrepreneur
2Oliver Ames
Riding the Perfect Storm
3Against the Odds
Social Entrepreneurship in the Early Republic
PART TWO—MASS PRODUCTION
4King Gillette
Mass Production in an Age of Anxiety
5Mary Elizabeth Evans Sharpe
The Instinct to Do
6John Merrick
Building a Great Institution
7Willis Carrier
Mass Production Meets Consumerism
8Charles Buddy
Bolden
The Sound of Innovation
PART THREE—CONSUMERISM
9Elizabeth Arden
A Right to Be Beautiful
10J. K. Milliken
Community in a Model Village
11Alfred Sloan
America’s Most Successful Entrepreneur?
12Branch Rickey
Prophet or Profit?
PART FOUR—SUSTAINABILITY
13Stephen Mather
Machine in the Garden
14Emily Rochon
Giving Voice to the Environment
15Kate Cincotta
Creating Climate Entrepreneurs
16Viraj Puri
Plants Are Not Widgets
PART FIVE—DIGITIZATION
17Brenna Berman
Building a Smarter City
18Jean Brownhill
A Community of Trust
19Brent Grinna
Quietly Building an Amazing Network
20Jason Jacobs
A Cheerleader for Community
21Guy Filippelli
From Battlefield to Cybersecurity
22Meghan Winegrad
Intrapreneur to Entrepreneur
Conclusion: A Model for Innovation and Community
Lin-Manuel Miranda and Hamilton
Acknowledgments
Notes
Index
About the Author
Preface
IT ALL STARTED IN A BAR
It all started in a bar, like many good stories do. Or rather, a makeshift bar in the lobby of a venture capital firm in Boston, just as an after-work presentation by a group of start-up CEOs had concluded. Asked to profile their companies, these leaders stood before investors and peers and gave glowing accounts of their progress. Revenue growth would soon resemble a hockey stick. Product development was on schedule. The competition was a year behind. Prospects had never been rosier. Now, however, with the pressure off, standing in a circle and sipping drinks as the day wound down, their stories took on a different tone.
Several CEOs were racing the clock for new financing. One was threatened by a competitor who had appeared from nowhere three months earlier. Another had lost two of her star software developers to a rival, and a third feared he was about to lose his largest customer.
Around that time, I happened to be reading a biography of Eli Whitney (1765–1825), learning about some of the challenges he had faced launching a start-up two hundred years earlier to market his revolutionary cotton gin. Whitney had barely survived a shipwreck, smallpox, malaria, a devastating factory fire, the untimely death of his partner, the theft of his core technology, years of patent litigation, and a near nervous breakdown. Later, as he launched a second enterprise to manufacture muskets, he had weathered the embargo of 1807, the War of 1812, the Panic of 1819, and, throughout, a nation being fractured by slavery.
Wouldn’t it be interesting, I thought, if Eli Whitney could have joined us at the bar that evening, just so we might all compare notes? And maybe we could have invited someone like Alfred Sloan (1875–1966), the fabled CEO of General Motors, who lived midway in time between Whitney and today’s entrepreneurs. How had Sloan managed through World War I, the 1918 influenza pandemic, the Great Depression, and World War II? In what ways would entrepreneurs of different eras have framed the opportunities and obstacles encountered during their careers? Is there a consistent set of qualities that has contributed to entrepreneurial success in America? And most interesting of all, are these qualities still relevant to today’s entrepreneurs?
To answer these questions, I began to assemble just such a virtual barroom conversation between the living and the dead. The idea was to survey America’s entrepreneurs from the Revolution to the present, trying to determine if history might rhyme
in a way that would be meaningful to modern entrepreneurs. As I accumulated these fascinating stories—some gathered from historical archives and some from interviews over coffee—I was able to assemble a framework of six interrelated and roughly chronological themes that helped to shape entrepreneurial activity throughout America’s history. I was also able to identify a handful of strengths that seemed uncommonly common
among successful entrepreneurs, regardless of their backgrounds, personalities, industries, or eras.
The fun part, then, was introducing
these remarkable people to one another and watching what would happen as they met around our virtual bar. To be honest, I wasn’t sure myself. What developed, however, was an evening full of surprises, more than a few rounds of beverages consumed, and above all, the telling of some of the most extraordinary stories of entrepreneurship the world has ever known.
Introduction
INNOVATION ON TAP
Atalented and colorful collection of entrepreneurs drifted into the bar that evening. From top hats and corsets to hoodies and yoga pants, the crowd quickly grew in size and diversity. People welcomed one another, filled their glasses, and settled in for a night of talking shop and storytelling.
Someone mentioned an outbreak of yellow fever that had stalled the growth of his business. Another lamented the disruption and loss experienced during the Panic of 1893. Several complained about patent disputes. My first company barely survived the recession of 2008,
one of the younger entrepreneurs said, taking a long draught of his beer. I’m not sure how my current start-up would handle another downturn like that.
There was agreement around the room that innovation and competition were not for the faint of heart.
True, economic panics are bad,
a voice called out from across the tavern. Heads turned. The speaker, handsome and six feet tall, was all the more distinguished by his knee-length breeches and tailcoat. But having your invention stolen is worse, and losing your only factory to fire a curse.
The speaker, Eli Whitney, saw that he had caught the attention of his audience. Then there was getting infected with smallpox,
he added, and malaria, and that time I barely survived a shipwreck.
The entrepreneur paused momentarily, thinking just how green
he always felt on the open seas. All eyes were on him. Care to hear my story?
he asked.
There were nods as the room grew quiet with expectation. Fire, smallpox, shipwreck? If this first story lived up to its billing, it was going to be quite an evening.
If you could share a drink and stories with the most fascinating entrepreneurs in American history, who would you invite to your table? Eli Whitney would undoubtedly be welcome, and Alfred Sloan, too. Both were extraordinary entrepreneurs and among the most famous Americans of their time. But fame would not be the only criterion, and perhaps not an important factor at all. Guests might include other, less familiar individuals whose impact was more limited but whose success helped to solve a particular problem of their time or demonstrated a key aspect of entrepreneurship.
In fact, we might call on a bouncer to help narrow the huge field of successful entrepreneurs from American history, someone to check IDs at the door. He or she would need a discriminating eye and a clear definition to reliably spot a genuine entrepreneur. Given these requirements, one unusually capable person comes to mind.
In 1911, the Austrian economist Joseph Schumpeter (1883–1950) presented a revolutionary work in which he defined an entrepreneur as someone who brings to market a new combination that disrupts an economic flow. These new combinations
are what we today call innovations, and Schumpeter said they might be a new product, process, or method of production; the development of a new market or source of supply; or a new form of organization. Whatever their shape, innovations could generate a perennial gale of creative destruction
in which new products and processes replace old ones.
If we accept this definition, then the only measure of entrepreneurship—and the only way to get through our barroom door—is by delivering an innovation that disrupts an economic flow. And the fundamental sign of entrepreneurial success is the creation of new customers, an act that revitalizes the engine of capitalism. Just when a product’s growth begins to slow or a market becomes saturated, an entrepreneur can combine two or more ideas into something never before available and unleash a new wave of customer demand. These waves can form repeatedly and endlessly. Capitalism’s belief in perpetual economic growth,
the anthropologist Yuval Noah Harari writes, flies in the face of almost everything we know about the universe.
Yet, thanks to this profound insight from Schumpeter, the growth of a capitalist economy need never stop, so long as entrepreneurs keep it continuously fueled.
Schumpeter’s definition is especially helpful in separating entrepreneurship from the act of starting a business, which often says nothing about innovation. There have been countless enterprising individuals in America, from blacksmiths to dry cleaners to app makers, who have launched businesses designed to steal existing market share, perhaps through lower prices or more aggressive marketing, but failed to deliver any new combination. To paraphrase a famous Schumpeter quote, Launch as many new taxi companies as you want, but you will never create an Uber.
When we study entrepreneurs through the lens of their economic impact, our barroom conversation expands to include all sorts of interesting characters who don’t otherwise conform to the image of the fearless, dashing figure that dominates business narratives. Some of the entrepreneurs profiled in this book are accidental, for example; they were going about the business of making a living when they stumbled upon a new combination. Others are reluctant or unsure, requiring encouragement to engage in creative destruction.
Some are rich, some poor; some honest and some not so much; some well-educated and others unschooled. As long as their innovation disrupts an economic flow and creates new demand, they are welcome to join the conversation at the bar.
THE SIX THEMES OF ENTREPRENEURSHIP IN AMERICA
The stories that will unfold over the course of the evening reveal five distinct themes that intersect and build upon one another over time, and a sixth that runs alongside and throughout. The oldest of these themes is mechanization, the ability to automate processes that had been performed traditionally by hand. Next in time came mass production, a system of manufacture that enabled factories to produce thousands of the same item quickly and efficiently. Consumerism emerged in the early twentieth century to focus America’s business leaders away from what they were making to whom they were making it for. Sustainability, the concept of maintaining ecological balance, became a pressing concern in a twentieth-century culture where overconsumption and fossil fuels threatened the environment. Digitization also arose at mid-century, allowing for the capture and exchange of information in ways that improved the production of physical goods and created new virtual products and services. Running side by side with these five dominant themes, social and cultural entrepreneurship has inspired new business models designed to reshape our concept of community and the ways in which Americans live and work together.
MECHANIZATION
Mechanization gained momentum in the late eighteenth century and became a defining feature of America’s Industrial Revolution. The nation’s craftsmen became so good at producing uniform parts on specialized machinery—the underlying magic of mechanization—that the process became known globally as the American System of Manufacturing.
The ability to work with cams, pistons, ratchets, and escapements in 1800 was much like the ability today to write software, providing an ambitious young man of the nineteenth century an opportunity for wealth and fame. There is not a working boy of average ability in the New England States,
politician John K. Kane told the Franklin Institute in Philadelphia, who has not an idea of some mechanical invention or improvement . . ., by which, in good time, he hopes to better his position, or rise to fortune and social distinction.
The language of mechanization, like today’s common programming languages, provided a lingua franca by which America’s mechanics could communicate and collaborate across industries.
Two entrepreneurs in our virtual barroom epitomize the theme of mechanization. Eli Whitney, famous as the inventor of the cotton gin and later as a manufacturer of muskets, was known for more than a century after his death as the father of interchangeable parts.
He became expert at leveraging his personal network, weathered hard lessons along the way about how to match innovation to a profitable business model, and emerged as one of America’s first successful serial entrepreneurs. Whitney’s contemporary, Oliver Ames (1779–1863), rode America’s transportation revolution
in turnpikes, canals, and railroads to develop a business that would one day produce two-thirds of the world’s shovels. Ames might have become a prosperous village smithy like his father, but thanks to a formative experience in the renowned Springfield Armory working alongside some of the country’s finest craftsmen, he founded instead a mechanized business that achieved success on a global scale.
MASS PRODUCTION
Mechanization spread throughout the nineteenth century, prompting household-based activities such as textile manufacture to migrate to factories. With the adoption of coal and steam, the telegraph, and the railroad, America’s factory system expanded in the 1840s and 1850s, and even more dramatically after the Civil War. As the population grew and the American frontier spread westward, farms, towns, and cities became interconnected in a national transportation and communications network that formed the world’s first extensive mass market. By 1900, seventy-six million Americans occupied forty-five states and territories, the country stretching from sea to shining sea. This vast nation, the third most populous in the world, was stitched together by two hundred thousand miles of railroad, two hundred thousand miles of telegraph, and more than a million miles of telephone wires. To supply America’s growing demand, managers leveraged their skills in mechanization to create goods using mass production, the second important theme in America’s entrepreneurial history.
Increases in the speed of output,
writes business historian Alfred D. Chandler Jr. about this period in the nation’s development, were spectacular.
A skilled American clock maker might have been able to produce four wooden clock movements a year in 1800, and some 1,500 annually by 1820 in a small, mechanized factory. By the Civil War, however, a single factory, replacing wooden components with brass, could mass-produce 130,000 clocks per year. Likewise, a cigarette-making machine patented in 1881 could produce more than seventy thousand cigarettes every ten hours compared to three thousand per day for a highly skilled worker. Photographic negatives, soap, candy and foodstuffs, shoes, clothing, wooden products, musical instruments, wagons, and rubber goods came to be mass-produced in enormous quantities.
Boxing and canning also became automated so that laborers might load raw material into one end of a factory and not touch it again until a finished product was ready for transport at the other end. Mass production also touched America’s service industries, requiring them to organize people and processes to rapidly scale services for an expanding national audience.
The barroom entrepreneurs who exemplify this embrace of mass production and scale include King Camp Gillette (1855–1932), a traveling salesman for Crown Cork & Seal, a company that specialized in disposable bottle stoppers. Why don’t you try to think of something like the Crown cork, which, when once used, is thrown away, and the customer keeps coming back for more,
the firm’s president, William Painter, once challenged Gillette. In response, the entrepreneur founded a company designed to mass-produce razor blades from thin sheet steel, resulting in a game-changing business model.
Seated nearby in this virtual barroom is Mary Elizabeth Evans (1884–1985), who adopted mechanization in her home-based candy company and scaled it into a national brand so successful that competitors believed she was fronting a giant business trust.
Also present is African-American entrepreneur John Merrick (1859–1919), who built a personal network across racial lines, enabling him to launch and scale insurance products for a large, vulnerable, and underserved segment of the American population.
Another critical figure in the adoption of mass production was Willis Carrier (1876–1950), the force behind the development of modern air-conditioning. As industry after industry sought to leverage mechanization into high-speed mass production, managers required a standardized environment to produce standardized goods. It was impossible, for example, to consistently print magazines, bake bread, weave cloth, build furniture, or mold ceramics if the temperature and humidity in an automated factory fluctuated from hour to hour. Carrier’s air-conditioning company, built on the strength of his personal network and grown through an innovative business model that sold results, not hardware, became a pervasive innovation in a nation committed to high-speed, standardized manufacture. And, once managers and workers came to enjoy the benefits of working in air-conditioned factories and offices, they began to seek comfort air
in department stores, movie theaters, and their own homes. Carrier and his cofounders were happy to oblige, adapting their product and business model for an emerging consumer world.
CONSUMERISM
As America became expert at mass production, business leaders faced an entirely new problem. The dilemma of the nineteenth century had been how to create enough goods and services to meet a growing population. The crisis at the turn of the twentieth century became how to keep giant, automated factories from oversaturating their market with goods. The solution to this problem defines the third entrepreneurial theme, consumerism, a fundamental change in America from a land of sober and frugal citizens defined by what they produced, to a land of ravenous consumers defined by what they purchased.
This transition began in the closing decades of the nineteenth century and was solidly in place by the 1920s. The journalist Samuel Strauss captured this cultural revolution in an influential 1924 article, saying that the problem before us today is not how to produce the goods, but how to produce the customers.
Entrepreneurs in America who had become expert at mechanization and mass-producing goods and services now had to become expert at mass-producing demand.
Three of our barroom
entrepreneurs tell the story of the nation’s consumer revolution. Elizabeth Arden (1884–1966), a Canadian immigrant who moved to New York City in 1908, built a billion-dollar empire that redefined beauty for American women in such a fundamental way that she was described as a sociological and historical
phenomenon. Joseph Knowles Milliken (1875–1961) was interested in a different kind of beauty when he founded the country’s largest textile bleaching factory under one roof. Milliken’s successful business model involved the creation of new technologies, new consumer fashions, and a storybook worker’s village that provided fifty years of employee goodwill before his workforce revolted under stifling paternalism.
The giant of American consumerism is Alfred Sloan, credited with being a marketing genius so effective that Schumpeter considered General Motors’ innovations to be as significant to consumption as Ford’s assembly line had been in production. A GM executive believed Sloan’s leadership had turned the question Can I afford an automobile?
into Can I afford to be without an automobile?
By 1929, Sloan had integrated mechanization, mass production, and consumerism into a company that nearly bankrupted Henry Ford. When Sloan retired as chairman in 1956, GM had 52 percent of the US market and was one of the world’s most profitable, admired, and best-run companies, its annual revenues surpassing the GNP of half the world’s countries.
SUSTAINABILITY
The fourth entrepreneurial theme emerging from the stories of our barroom crowd is sustainability, the application of entrepreneurial tools to launch innovations that maintain ecological balance and help shift from carbon-intensive industries to renewable ones. By the 1930s, economists had begun building models that emphasized nonrenewable resource management, and in 1935 a British scientist coined the term ecosystem
to express the important relationship between living creatures and their environment.
For many Americans, however, the moment of awakening came in 1962 with the publishing of Rachel Carson’s book Silent Spring, which described the environmental damage resulting from pesticides. Others remember the creation of the Clean Air Act in 1963 and the first Earth Day, in 1970. For some, sustainability first became visible in Spokane, Washington, when Expo ’74 was staged; this smaller, pocket
world’s fair was the first in America to focus on the environment, with its mission to stimulate greater understanding of our environmental problems and their solutions.
Maurice Strong, executive director of the United Nations Environment Programme, spoke at the fair on United Nations Earth Day, saying, For the first time in history, man has the potential to usher in a new golden era for all of his species—or the potential to bring the human experiment to a miserable end.
Modern entrepreneurs face a world of global warming and regular warnings of a miserable end
while working to build business models that create sustainable growth. For example, Kate Cincotta (b. 1984) runs a US–based nonprofit that provides clean water and solar power for villages in Ghana while exporting a model for creating new female entrepreneurs. Emily Rochon (b. 1979) is an environmental advocate who helps to pave the way for sustainable business models focused on renewable energy. Viraj Puri (b. 1981) is the CEO of Gotham Greens, a pioneer in the urban agriculture movement. And the story of Stephen Tyng Mather (1867–1930), the founder of America’s National Park Service, is one of national transformation that spans two centuries. Mather viewed natural resources as something to be protected and preserved for future generations, not exploited for profit—work that goes on every day in the country’s national parks and remains a beacon to today’s sustainability entrepreneurs.
DIGITIZATION
By the mid-1950s, America’s fifth entrepreneurial theme, digitization, had begun to subtly shape the world. Defined as the conversion of text and other analog signals into a digital format that can be understood by computers and electronic devices, digitization became a headline in 1954 when General Electric installed the first business computer to process payroll and control manufacturing programs. In 1960, American Airlines digitized its flight reservation system, and later that decade US libraries began using Machine-Readable Cataloging records.
In 1976, the digital revolution leapt from business to home when Steve Jobs and Steve Wozniak incorporated Apple Computer. Four years later, Apple and its competitors had sold 724,000 personal computers, and in 1982, Time magazine named the PC its Person of the Year.
Today, digitization is pervasive, with global commerce dependent on digital information, nearly 80 percent of Americans owning a smartphone, and more than twenty billion items of all kinds connected to the Web.
The entrepreneurs in our virtual barroom who are focused on digitization reflect a rich set of experiences. Brenna Berman (b. 1976), former chief information officer for the City of Chicago, uses analytics to drive innovation and improve service delivery in a large urban setting. Jean Brownhill (b. 1977), the CEO of Sweeten, has networked skillfully to form a company that offers a trusted Web community in a residential- and commercial-renovation industry traditionally filled with distrust. Brent Grinna (b. 1981), the CEO of EverTrue, volunteered to help his alma mater solicit alumni donations and discovered an industry ripe for disruption. Much like Whitney two centuries earlier, Grinna has leveraged his college network at critical moments to create a successful fund-raising automation platform.
Jason Jacobs (b. 1976) turned his passion for running into one of the iPhone’s earliest apps, Runkeeper, forming a booming online community. Guy Filippelli (b. 1975) adapted machine learning tools designed to reduce casualties on the battlefield to create new business models that mitigate risk in the corporate world. And Meghan Winegrad’s (b. 1978) experience as an intrapreneur
emphasizes the power of community within large companies to inspire entrepreneurial thinking, spark digital innovation, and serve as a springboard to more traditional start-up initiatives.
SOCIAL AND CULTURAL ENTREPRENEURSHIP
Those five themes—mechanization, mass production, consumerism, sustainability, and digitization—have driven the dominant entrepreneurial narrative over three centuries in America. But there is an important missing piece to this story of national innovation, and not to include it would do a disservice to our barroom conversation. Social and cultural entrepreneurship has had a staggering impact on the country, running alongside and touching upon the other five themes. Here, we find stories that illustrate disruptive business models focused on social change, often representing opportunities for individuals who have been excluded from the pursuit of mainstream entrepreneurial activities. Social and cultural entrepreneurship is a reminder that the opportunity in America to bring new combinations
to market is pervasive and unbounded.
In the earliest period, when Eli Whitney was developing the art of mechanization, African-American entrepreneur Thomas Downing (1791–1866) founded an oyster restaurant in New York City that gained special status as the only oyster house to attract the aristocracy as well as ladies in the company of their husbands or chaperones.
Downing used his profits and fame to support the abolitionist movement, the cellar of his establishment becoming a safe haven for escaped slaves along the Underground Railroad. One such escaped slave, William Grimes (1784–1865), worked courageously to build a career in the North. Grimes published his life story in 1825, a tribute to his persistence but a lesson in how difficult entrepreneurial success can be without a welcoming and supportive community. A third entrepreneur of color in the early republic, James Forten (1766–1842), relied on assistance from the local Quaker community, employed a mixed-race workforce in his sail-making business, and became a leading spokesperson for African-American rights and one of the richest businessmen in Philadelphia.
Nearly a century later, as entrepreneurs developed mass production and began addressing the consumer revolution, Buddy Bolden (1877–1931) had a short but brilliant career, buoyed by a vibrant New Orleans music community and his own unmatched creativity, to help create American jazz. A half-century after Bolden, as American consumers assembled in huge parks to enjoy another iconic American creation, Wesley Branch Rickey (1881–1965) and a courageous Jackie Robinson (1919–1972) changed the face of baseball and, in the process, the face of America.
The final social and cultural entrepreneur in our virtual barroom is Lin-Manuel Miranda (b. 1980), whose creation of Hamilton provides a living example of how entrepreneurs leverage community to amplify their own talents and create brilliant innovations—not to mention some unforgettable music.
THREE ENTREPRENEURIAL LESSONS
Twenty-five entrepreneurs, three centuries, six major themes. From the cotton gin to Hamilton, entrepreneurs have adapted and prospered. Each of the stories told around our virtual barroom is different, shaped by time and circumstance. But taken together, these narratives offer three compelling lessons for modern entrepreneurs.
NURTURE AND LEVERAGE COMMUNITY
The one quality that successful entrepreneurs in America have shared over three centuries is the ability to access, nurture, and leverage community. No entrepreneur has all the tools necessary for success. Few entrepreneurs avoid a period in their careers when they are overwhelmed or a moment when they feel defeated. None of our barroom entrepreneurs was successful without the collaboration of friends, partners, and the wider community. Winners are those who become skillful at situating themselves in