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The Listener Aspires to the Condition of Music
The Listener Aspires to the Condition of Music
The Listener Aspires to the Condition of Music
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The Listener Aspires to the Condition of Music

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“They couple words and music as surely as Schubert and Irving Berlin. But Goldensohn’s poems aren’t song lyrics; rather, they are intense reflections on music as experienced, by ear and by mind. The essence of listening is his key topic. For the Bach cello suites, it’s the inviting conundrum of one voice being several. For Schumann’s Dichterliebe it’s the clarity and purity of the piano in contest with the “groping,” “searching,” “laboring,” “huffing” voice. Broader issues matter, too: Don Giovanni’s “comic murderous lust” and its absurd end, he and his “phallus errant cursing through the trap door and stage flames.” The people making the music enrich the experience: “The first violinist, all of him, follows his arm... The cellist grinds his teeth, clenches his face in spasms of control.” Blues and jazz are there with the classics: we hear Bessie Smith, “with the whole world’s sorrow in her voice” and see Thelonius Monk “doing a march time heavy footed non-dance dance.” Eros is often up front: “the girls forget themselves, skirts / above their breasts as they flash their white unsunned asses and the house is all meat, / shrieks and hair.” Mainly, we are led to open our ears wider and to abandon the filters that steer our hearing by custom. Immediacy is Goldensohn’s great gift in this brilliant collection.”
Lewis Spratlan, composer, Pulitzer Prize for his opera Life is a Dream

LanguageEnglish
PublisherFomite
Release dateMay 28, 2019
ISBN9781937677251
The Listener Aspires to the Condition of Music

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    Book preview

    The Listener Aspires to the Condition of Music - Barry Goldensohn

    The Listener Aspires to the Condition of Music

    The Listener Aspires to the Condition of Music

    Barry Goldensohn

    Illustrated by

    Douglas Kinsey

    Fomite Burlington, VT

    Contents

    On the Poems in The Listener Aspires to the Condition of Musi

    Untitled

    Untitled

    The Listener Aspires to the Condition of Music

    The String Quartet

    Untitled

    Time and the String Quartet Domesticate Eros

    Untitled

    Padre Antonio Vivaldi

    What Is the Condition of Music?

    Untitled

    The Religion of Art: 1 Feb 58

    Last Act: Don Giovanni

    Lulu (after Alban Berg)

    Carmens, The Audition

    Before Beethoven’s Creation of Music as Personal Expression

    Performance

    Lost Yellow Dress

    Thelonius Monk Dancing

    Funeral Beginning with Bach

    Gesualdo in Concert

    Dichterliebe, for Voice and Piano

    Untitled

    Desire

    Untitled

    Late Quartet

    Marching Band

    Untitled

    Lute and Virginal Outdoors

    Untitled

    Hearing Schubert’s Cello Quintet Again

    The Harmonium

    Choral Concert, St. Pancras Old Church

    David and Saul

    Burmese Temple Bell

    The Bells

    Untitled

    Rest

    Acknowledgments

    About the Author

    About the Artist

    Books By The Same Author

    On the Poems in The Listener Aspires to the Condition of Musi

    "They couple words and music as surely as Schubert and Irving Berlin.  But Goldensohn’s poems aren’t song lyrics; rather, they are intense reflections on music as experienced, by ear and by mind.  The essence of listening is his key topic.  For the Bach cello suites, it’s the inviting conundrum of one voice being several.  For Schumann’s Dichterliebe it’s the clarity and purity of the piano in contest with the groping, searching, laboring, huffing

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