The Listener Aspires to the Condition of Music
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“They couple words and music as surely as Schubert and Irving Berlin. But Goldensohn’s poems aren’t song lyrics; rather, they are intense reflections on music as experienced, by ear and by mind. The essence of listening is his key topic. For the Bach cello suites, it’s the inviting conundrum of one voice being several. For Schumann’s Dichterliebe it’s the clarity and purity of the piano in contest with the “groping,” “searching,” “laboring,” “huffing” voice. Broader issues matter, too: Don Giovanni’s “comic murderous lust” and its absurd end, he and his “phallus errant cursing through the trap door and stage flames.” The people making the music enrich the experience: “The first violinist, all of him, follows his arm... The cellist grinds his teeth, clenches his face in spasms of control.” Blues and jazz are there with the classics: we hear Bessie Smith, “with the whole world’s sorrow in her voice” and see Thelonius Monk “doing a march time heavy footed non-dance dance.” Eros is often up front: “the girls forget themselves, skirts / above their breasts as they flash their white unsunned asses and the house is all meat, / shrieks and hair.” Mainly, we are led to open our ears wider and to abandon the filters that steer our hearing by custom. Immediacy is Goldensohn’s great gift in this brilliant collection.”
Lewis Spratlan, composer, Pulitzer Prize for his opera Life is a Dream
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The Listener Aspires to the Condition of Music - Barry Goldensohn
The Listener Aspires to the Condition of Music
Barry Goldensohn
Illustrated by
Douglas Kinsey
Fomite Burlington, VTContents
On the Poems in The Listener Aspires to the Condition of Musi
Untitled
Untitled
The Listener Aspires to the Condition of Music
The String Quartet
Untitled
Time and the String Quartet Domesticate Eros
Untitled
Padre Antonio Vivaldi
What Is the Condition of Music?
Untitled
The Religion of Art: 1 Feb 58
Last Act: Don Giovanni
Lulu (after Alban Berg)
Carmens, The Audition
Before Beethoven’s Creation of Music as Personal Expression
Performance
Lost Yellow Dress
Thelonius Monk Dancing
Funeral Beginning with Bach
Gesualdo in Concert
Dichterliebe, for Voice and Piano
Untitled
Desire
Untitled
Late Quartet
Marching Band
Untitled
Lute and Virginal Outdoors
Untitled
Hearing Schubert’s Cello Quintet Again
The Harmonium
Choral Concert, St. Pancras Old Church
David and Saul
Burmese Temple Bell
The Bells
Untitled
Rest
Acknowledgments
About the Author
About the Artist
Books By The Same Author
On the Poems in The Listener Aspires to the Condition of Musi
"They couple words and music as surely as Schubert and Irving Berlin. But Goldensohn’s poems aren’t song lyrics; rather, they are intense reflections on music as experienced, by ear and by mind. The essence of listening is his key topic. For the Bach cello suites, it’s the inviting conundrum of one voice being several. For Schumann’s Dichterliebe it’s the clarity and purity of the piano in contest with the groping,
searching,
laboring,
huffing