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Dirigible Dreams: The Age of the Airship
Dirigible Dreams: The Age of the Airship
Dirigible Dreams: The Age of the Airship
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Dirigible Dreams: The Age of the Airship

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Here is the story of airships—manmade flying machines without wings—from their earliest beginnings to the modern era of blimps. In postcards and advertisements, the sleek, silver, cigar-shaped airships, or dirigibles, were the embodiment of futuristic visions of air travel. They immediately captivated the imaginations of people worldwide, but in less than fifty years dirigible became a byword for doomed futurism, an Icarian figure of industrial hubris. Dirigible Dreams looks back on this bygone era, when the future of exploration, commercial travel, and warfare largely involved the prospect of wingless flight. In Dirigible Dreams, C. Michael Hiam celebrates the legendary figures of this promising technology in the late nineteenth and early twentieth centuries—the pioneering aviator Alberto Santos-Dumont, the doomed polar explorers S. A. Andrée and Walter Wellman, and the great Prussian inventor and promoter Count Ferdinand von Zeppelin, among other pivotal figures—and recounts fascinating stories of exploration, transatlantic journeys, and floating armadas that rained death during World War I. While there were triumphs, such as the polar flight of the Norge, most of these tales are of disaster and woe, culminating in perhaps the most famous disaster of all time, the crash of the Hindenburg. This story of daring men and their flying machines, dreamers and adventurers who pushed modern technology to—and often beyond—its limitations, is an informative and exciting mix of history, technology, awe-inspiring exploits, and warfare that will captivate readers with its depiction of a lost golden age of air travel. Readable and authoritative, enlivened by colorful characters and nail-biting drama, Dirigible Dreams will appeal to a new generation of general readers and scholars interested in the origins of modern aviation.
LanguageEnglish
PublisherForeEdge
Release dateOct 7, 2014
ISBN9781611686975
Dirigible Dreams: The Age of the Airship

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  • Rating: 3 out of 5 stars
    3/5
    Between balloons and modern aviation, there was a time when airships were the up and coming thing. See, balloons were easy and reliable, but hostage to the wind - you went where Nature wanted you to go. Aircraft were small, persnickety, and downright dangerous. Airships, though, could carry passengers across an ocean in days instead of weeks, and represented luxury in the air the way ocean liners did on the water. Well, except they had a pretty storied history. The first efforts failed pretty miserably; a big bag of hydrogen attached to a frame requiring motors that did run very well, if at all, was recipe for explosions. Still, the military and exploration uses of controlled flight were so tempting, governments and companies kept sinking huge amounts of money into development - until a disaster would turn off interest in further work. Eventually, only the Germans were left producing Zeppelins - and everybody knows what happened to the Hindenburg, right?Hism's history is a good one. It's well written, and lends interesting insight into the people and times. For instance, I had no idea that several attempts were made to reach the North Pole with airships, including one venture that killed Roald Amundson. Dirigible Dreams is a nice introduction to this unique field.
  • Rating: 2 out of 5 stars
    2/5
    I received this book free through the Library Thing Early Reviewers program. Hiam details the history of rigid airships - or dirigibles - from their earliest innovation in that turn of the 20th century through World War II. Great Britain, France, Italy, the United States, and most of all Germany put a lot of effort into programs to build airships. Stories of airships used for Arctic exploration, warfare, and commercial travel are related. Mostly though, dirigibles seemed to be prone to crashing and/or blowing up. After 40 years of disaster, it's not a surprise that the airship era came to an end. They still seem pretty cool though. Hiam's writing is a bit dry, but the text is lit up by some engaging stories of dirigible dreams and nightmares.
  • Rating: 3 out of 5 stars
    3/5
    Many a splendid thing is ruined by politics. Details the inception and brief heyday of the Zeppelin encompassing its military, civilian, and polar exploratory uses and the numerous ensuing disasters. What an awkward, yet interesting branch of aviation history.
  • Rating: 3 out of 5 stars
    3/5
    The age of the airship was brief -- 25 years, 30 at the most -- and its heyday was even briefer: a few years around 1930 when the British R100 crossed the Atlantic to Canada; the Graf Zeppelin began her 9-year, million-mile career; and the Akron and Macon, single-engined fighter planes stowed in their onboard hangers, scouted for the US fleet. Soon enough, though, it began to unravel. Akron and Macon both crashed into the sea, Britain abandoned airships (and R100 was broken up for scrap) after the tragically overweight R101 plowed into a French hillside. The Graf Zeppelin lasted, and her stablemate Hindenburg put in a successful season of Atlantic crossings before the first flight of her second year of service ended in a fireball at Lakehurst. The Hindenburg disaster took Germany's airship program, and the Graf Zeppelin, down with it, but the day of the airship was already ending: brought to a close by faster, more economical airplanes.It's been several decades since Douglas Botting's The Great Airships last surveyed this story, and more than half-a-century since John Toland's The Great Dirigibles emerged as the standard introduction. Hiam tells the story for the 21st century, from the early experiments of Zeppelin and Santos-Dumont through the end of the dream in the late 1930s. The emphasis is as much on the quirky visionaries behind the airship as on the technology itself, but that seems as fitting as the title: The airship, in retrospect, was always a machine for dreamers.
  • Rating: 5 out of 5 stars
    5/5
    On the surface, C. Michael Hiam’s Dirigible Dreams: The Age of the Airship, is a well-written and structured history of a fascinating subject, but the reader will discover it is so much more by the time they finish the first chapter. Hiam is enraptured by his subject and readers will soon understand why as they read romantic descriptions of pioneering aeronauts and their passion for lighter-than-air travel. Hiam begins his narrative with Alberto Santos-Dumont’s early dirigible experiments in France before examining the work of Norwegians and Americans to create balloons with some measure of controllability in order to conquer the North Pole. From there, Hiam moves to Count Zeppelin and Germany’s work with rigid dirigibles prior to and during World War I and then the continuation of those designs in America following the war. Interestingly, the American efforts to create a rigid dirigible had brief success using helium, which, at the time, was produced largely in Texas. Following this, Haim chronicles the joint American-Norwegian-Italian mission that successfully flew a semi-rigid dirigible over the North Pole from Europe and then continued to North America as well as the ill-fated Italian mission that followed. Finally, Hiam examines the work of the Luftschiffbau following World War I, culminating in the Hindenberg disaster and the outbreak of World War II, which effectively killed the dirigible. Hiam’s narrative structure is perfectly suited to this chronicle of the dirigible dreams that filled people’s heads in the early twentieth century and the various setbacks that eventually dashed those dreams. By the end of the book, readers will feel a profound nostalgia for the Age of the Airship and a sense of loss for a technology that barely survives in the form of modern blimps.
  • Rating: 5 out of 5 stars
    5/5
    I was somewhat ambivalent when I picked up Dirigible Dreams: The Age of the Airship, by C. Michael Hiam. The cover illustration didn't appeal to me and a book on the history of dirigibles sounded like it could either be really interesting or really boring, depending on the skills of the author. But I had nothing to fear. Hiam is a wonderful guide to the history of dirigibles, a subject, and an era, that he not only seems to know a great deal about but also clearly loves. He is a compelling storyteller who sprinkles his story with good photos and illustrations.Hiam somewhat paradoxically begins his history with the event that effectively ended the dirigible era: the May 6, 1937 Hindenburg disaster. While it struck me as an odd place to start a history of airships, Hiam cleared up many misconceptions I had apparently held about that disaster and about the overall safety of dirigibles. Among other things, Hiam explained that not a single person had been killed or even seriously injured on any commercial dirigible flight prior to the Hindenburg disaster, something that he points out could not even remotely have been said about commercial airplane travel at the time. Hiam also explained that even the Hindenburg disaster was not as bad as I’d thought, with two-thirds of the people on board the Hindenburg surviving the disaster. Haim then went on to explain just how amazing dirigibles were in the late '30s, capable of quickly ferrying immense loads and large numbers of passengers over great distances and with the use of minimal fuel, something that airplanes could not come close to accomplishing for more than two more decades.Having pinpointed the end of the dirigible era, Hiam returns to the late 1800's, to the beginning of the era, to describe how it all started. Hiam spends the rest of his nicely illustrated book describing the many fits and starts of dirigible innovation, the innovators and eccentrics who played a role in that innovation, and the many roles dirigibles played -- some successfully and some less so -- during their brief tenure in the sky, from their use in world exploration, in shameless self-promotion, in war, in international politics and diplomacy, and in commercial travel. Hiam then returns to the Hindenburg disaster to close out his story, while leaving his readers hopeful that the story is not over yet.Though I knew little about dirigibles when I started Hiam's book, I learned a lot from Hiam's guided tour through dirigible history. Hiam tells an entertaining and thought-provoking story that is well worth reading. And he leaves me hoping that the story of dirigibles is not yet over and that our world can still find a role for them to play!
  • Rating: 5 out of 5 stars
    5/5
    An engagingly told history of powered lighter-than-air shifts, this book begins with the Hindenburg disaster, but then moves back some fifty years to trace the development of powered airships in Europe and North America. The author keeps things moving but is surprisingly comprehensive in his accounts of dirigibles used in World War I and their development after for military uses, dirigibles used to explore the Arctic Sea and ice-cap, and dirigibles used to transport passengers and freight, bringing his book full circle. A very enjoyable and profitable book.
  • Rating: 5 out of 5 stars
    5/5
    Elevate your mind to the misty clouds. That is the proposition of Author C. Michael Hiam in his Dirigible Dreams: The Age of the Airship. Like in a crime story that begins with the narration of the murder, Hiam grips his reader emotionally with an account from the fatal Zeppelin Frankfurt-New Jersey flight from the view point of a passenger who survived. This opens floodgates of nostalgia for a form of air travel that let you hear dog barking or a church bell ring, down below, while relaxing in your private cabin. Designed for the early riser, at dawn or during sundown, times optimizing atmospheric conditions, dirigible travel was, in 1901, the future of air transportation, exploration and warfare. The dashing figure of coffee magnate Brazilian Santos Dumont, soaked in the reading of Jules Verne, is one of the finest chapters of this book which photos render how hazardous his trips by air from the dining room of Maxim's to the Eiffel tower and back were, at the genesis of the Airship.Explorers of all nationalities choose dirigibility to assuage their thirst for ambition and national pride. From Umberto Nobile, Count Von Zeppelin to South Carolinian Air Admiral Moffett, they shared their common passion for air travel and their countries rivaling to be the first to fly on top of the world or trying to prepare it for war against Japan. Airships were the first in World War I 1914-1916 to bombard civilian population and could fly longer distances than any other aircraft. This nationalism had a double edge when they failed in reaching their goals. Mussolini was quick to disavow Nobile and strip him of his rank of General after a North Pole failure, which may have saved his life when you think that his other favorite aviator, Italo Balbo, was lost following Italian disasters in North Africa in World War II.
  • Rating: 3 out of 5 stars
    3/5
    Actually quite an interesting book about the quite short quest for dirigible (or steerable) balloons. Pretty much late 19th century through WWII and that's about it. Around 80 years of history. It is amazing how little the physics was understood and yet people kept building and getting in them. The book starts with the crash of the Hindenburg and then goes back and works its way back to that crash over 80 years since after the Hindenburg, dirigibles were basically dead. Those Goodyear things that fly around are pale imitations (although safer). The book is well researched and easy to read. Detailed but not overly technical. Some things that were surprizing were how many people thought it was a great idea to try to fly over the North Pole. From the doomed Andree expedition to other doomed flights. It was eventually done, but only after many crashes and after the Pole had already been conquered in a plane (although it is viewed now that he didn't actually make it, but that is another story). If you are interested in the history of a technology particularly around the turn of the 20th century, this is an enjoyable and informative read.
  • Rating: 5 out of 5 stars
    5/5
    It's always a delight to read one of these "little" history books, the kind that cover a small cross section of the past in brilliant detail.I for one have always been fascinated by 18th and early 19th-century technology - the "steampunk" or Jules Verne stuff if you will - from the telegraph to early submarines to steam locomotives to balloons and dirigibles. There's just something about the mechanical age and the hair-brained geniuses that created these marvels that delights me.They didn't have high-tech calculators and computers, didn't know a thing about aeronautical engineering, but that didn't stop them from building the most amazing, costly, and deadly contraptions that leaked, sank, blew up, just plain disappeared, or sometimes, worked.You just can't beat the image of these stoic gentlemen gliding above the treetops in their hydrogen filled deathtraps, sitting comfortably together in an asbestos-lined room enjoying their cigars... it makes me wonder if I wasn't born in the wrong century.The book is an utter joy to read, well-written, informative, and brief. Could use a map or two, unless you know where Spitsbergen is off the top of your head.Favorite Quote: "The Graf Zeppelin is more than just machinery, canvas, and aluminum," Drummond-Hay famously wrote upon reaching America, "It has a soul."
  • Rating: 3 out of 5 stars
    3/5
    I was pleased to receive this book for free through the Library Thing Early Reviewers program. Space flight has long been a major interest of mine -- and by extension, early aviation history. Nonetheless, I found this work to be something of a disappointment. Its focus, of course, is on the history of dirigibles, during the relatively short period that they were used (1897-1938), as means of transportation and of warfare. I found it bland in tone, and shy on technological details. My perspective is not shared by most reviewers here and at Amazon, and I cheerfully admit that perhaps I was not the optimal audience for the book. Given the great scarcity of books on the history of dirigibles, I would recommend the book to those with deep interests in the history of aviation, much more so than to the casual reader. The numerous photographs interspersed through the book are a nice plus. And I love the alliterative title!

Book preview

Dirigible Dreams - C. Michael Hiam

Index

INTRODUCTION

With plenty of Hindenburg tickets still available, ­Margaret G. Mather, an American in Europe wanting to return home, thought of buying one for New York. Although an experienced air traveler, she recalled her strange reluctance to make the purchase, but then she considered the alternative, which was to cross the Atlantic in increasingly luxurious steamers, whose lavish comfort and entertainment meant little to a sea-sick wretch like herself. She would fly. At a Frankfurt hotel she had her ticket and passport inspected, and then the luggage examination began, she said. It was courteous but very thorough; every inch of my bags was searched, every box opened. I had to pay for fifteen kilos overweight, and tried to argue that point, as I weigh twenty kilos less than the average man, but I was told ‘it is the rule.’ ¹

Mather and thirty-five other passengers, half the Hindenburg’s usual complement, took a bus from the hotel to the airport, and when she saw the great silver airship tethered to the ground, a wave of joy swept over her and, she remembered, Gone were all my doubts and reluctance; I felt all the elation and pleasure that had failed me until now. Retractable steps led her aboard, where on the lower deck she located her cabin, finding it very tiny but complete, with washstand and cupboards and a sloping window. The room also had a narrow but comfortable bed furnished with soft, light blankets and sheets of fine linen, the same material that lined the pearl-gray walls. Having explored her lodgings, she went upstairs to join the other passengers leaning over the lounge windows to watch the ascent. The ground crew had just released the ropes and, this being Germany in 1937, a brass band thumped out martial music while little boy Nazis scurried after the rising airship. It was an indescribable feeling of lightness and buoyancy, she recalled, a lift and pull upward, quite unlike an airplane.

The Hindenburg might have been the sturdiest airship ever built, but like all airships it bruised easily when earthbound, and so departures came at either sunrise or sunset, when winds were lightest. For this reason lift-off had taken place at sundown, May 3, and through the growing dusk the passengers strained to catch a glimpse of the Rhine somewhere below. Flashing beacons guided the dirigible from hill to hill as it passed over hamlets and villages gleaming jewel-like in the darkness, Mather said, before coming to Cologne and a spreading mass of lights that silhouetted the city’s famous cathedral. At 10 p.m. she and her fellow travelers sat down for a late supper of cold meats and salads.

Unattached passengers ate together at a long table and Mather, as the lone single woman aboard, found herself placed at Captain Max Pruss’s right elbow. She thought the captain both professional and genial, and the following day, May 4, he confided in her that because of the weather this was one of the worst trips he had ever made. Conditions outside may have been appalling, yet inside the airship Mather observed that one felt no motion, though the wind beat like waves against the sides of the ship. It was almost uncanny. Enjoying the chance to rest, she spent most of that day looking through my sloping window at the angry waves, whitening the sea so far below.

Living with others in close quarters allowed Mather to make acquaintances, acquaintances that at the end of any other airship voyage would likely have resulted in years of mutual correspondence, and perhaps hopes for a happy reunion. Among those she got to know included a red-faced man who drank and a gentle elderly couple from Hamburg who loved the Hindenburg and held tickets for a return flight. There was also a family aboard with a well-behaved girl and two boys that Mather liked to watch, the children obviously enjoying the trip so much. Among the other travelers heading to the United States were young American men happy to be going home, where, one of them told her, you could drink plain water and there’s no bother about passports. Mather also befriended a Long Island couple returning from a brief business trip but whom, to protect their privacy in death, she subsequently named only as Mr. and Mrs. ——.

On the afternoon of May 5, the second full day of flight, Newfoundland came abeam and the winds lessened. The airship flew low, as low as six or seven hundred feet, over gray waters speckled with white icebergs. A double rainbow completely encircled the ship. That night, Mather slept like a child. At dawn, with no more land in sight, bad weather returned, and in Germany, where every day of every flight of the Hindenburg made news, the Berlin papers reported the airship being twelve hours behind schedule. Whether Mather knew of this she did not say, but it’s unlikely she would have complained about additional time aloft. Indeed, when Boston suddenly appeared below on the morning of May 6, she turned to a fellow traveler and said of herself, It is ridiculous to feel so happy.

The vessels in the harbor saluted the flying leviathan with horns and whistles, and in the suburbs cars pulled to the curb and their occupants leapt out to look heavenward. Resembling bees buzzing a bear, diminutive airplanes flew close to the giant dirigible as it headed toward Providence, Rhode Island. Then, over Long Island Sound, an excited Yalie searched the landscape to the north for a glimpse of his alma mater, and to the south Mr. and Mrs. —— showed Mather the bay where they lived and explained that their son would drive to Lakehurst, New Jersey, to meet them at the air station. Next, the Hindenburg reached Manhattan, and like a tourist taking in the sights, passed over Fifth Avenue and Central Park before heading west. Lakehurst was only fifty miles distant, and the airship arrived within the hour. Mather, however, noted a line of black clouds and bright lightning in the near distance, and saw that no attempt was being made to land.

As if patiently awaiting its appointment with fate, the Hindenburg left Lakehurst and marked time by flying over the beaches and forests of New Jersey or making short sorties out to sea. Mather was also in no rush, and remembered that I was feeling foolish with happiness and didn’t really care how long this cruising lasted. The stewards served an early tea, followed at 6:30 p.m. by sandwiches because, the passengers learned, the atmospherics remained unsettled and the ship might have to linger in the air for an hour or so longer. Apparently a decision to land had then been made by Pruss in the control car, and all at once they were over Lakehurst again. In rapid succession the airship circled the mooring mast, speed and altitude were reduced, ropes were thrown down, and as she leaned out an open window in the dining salon, Mather said she heard the dull muffled sound of an explosion.

Almost instantly the ship lurched and I was hurled a distance of fifteen or twenty feet against an end wall, she said. Then the flames blew in, long tongues of flame, bright red and very beautiful. Amid the flames the passengers were thrown about by the continued lurching, cutting themselves against the sharp metal edges of the Bauhaus furniture. They were streaming with blood, she said of those around her, I saw a number of men leap from the windows, but I sat just where I had fallen, holding the lapels of my coat over my face, feeling the flames light on my back, my hat, my hair, trying to beat them out, watching the horrified faces of my companions as they leaped up and down. Mather was waiting for the inevitable crash but, as far as she could tell, there was none. She heard a loud voice in her direction: Come out lady! it said. She looked and saw that the zeppelin was on the ground and that two or three men were outside. Aren’t you coming? asked one of them. Accepting his suggestion, she left the airship and ran across earth scattered with burning framework. She had survived but her hands were singed.

Mather was among the first to be driven to the first aid station. She was in great pain yet her condition was hardly as dire as others. A terribly injured man was seated on a table next to me—most of his clothes and his hair had been burned off, she said, someone told me he was Captain Lehmann. A commander of many Hindenburg flights, this time Lehmann had been aboard as a training officer, and she could see it was him. During his infrequent appearances among the passengers he had worn a leather coat with fur lining, upturned collar, which partly hid his face, she remembered. He always looked alert but genial, with keen blue eyes. Now his face was grave and calm, and not a groan escaped him as he sat there, wetting his burns. The two shared some ointment, he murmuring danke schöne every time she passed the bottle. It was a strange, quiet interlude, she said, almost as though we were having tea together. I was impressed by his stoic calm, but only when I learned of his death the next day did I realize his heroism.

Terribly wounded people flowed in from all sides, Mather continued of her ordeal, and I could not bear the sights and sounds. I went outside and saw an ambulance draw up. I waited to see if any of my acquaintances were in it. To her horror, when the doors were opened she saw a pile of bodies. Two or three were lifted out, one remained. All I could see of him were his legs, burned and stiff like charred pieces of wood. She felt sick and went outside where the Hindenburg was still burning. I watched it with anguish. Even in the midst of human suffering and death I could not but regret the destruction of so beautiful a thing. I thought of the happiness it had given to me and to many others; of the icebergs and rainbows we had flown over; I thought of how gently it had landed.

Lakehurst, New Jersey, May 6, 1937.

Few catastrophes have been so perfectly captured on film as was the fiery destruction of the Hindenburg. As horrific as the images were, however, the fact remains that two-thirds of those aboard survived, including, of course, Margaret Mather. Equally remarkable: up until then not a single fatality or serious injury had ever been attributed to an airship while in revenue service—something that could hardly be said of the airplane, which by 1937 had killed too many passengers to count. And even when operating safely, no aircraft of the day could possibly have flown nonstop from southern Germany to North and South America as the Hindenburg had done with regularity, let alone with a full load of ­seventy-two passengers, forty crew members, tons of mail, and on occasion an automobile, a private plane, or an antelope on board. Additionally, it would not be until the late 1950s that passenger planes could be expected to reliably fly the Atlantic in one hop, something the Hindenburg had done with ease some two score years earlier. And should, by a miracle of forbearance, Captain Pruss have opted not to land at Lakehurst that terrible night, he would still have had food and fuel to reach his alternative landing site in Akron, Ohio; the airship mast at Dearborn, Michigan; or, in a stretch, possibly the dirigible base in Sunnyvale, California.

With the promise of airship travel still salient, therefore, no one thought immediately after the nightmare at Lakehurst that the airship was dead. To the contrary, the United States moved to guarantee delivery of the nonflammable gas helium to Germany for the Hindenburg’s sister ship, the second Graf Zeppelin, thus making a similar conflagration impossible. And yet, after the tragedy of May 6, 1937, not a single customer was taken up in an airship ever again, and by the start of World War II just two years later, the airship had become entirely extinct. Yes, puny blimps of the Goodyear Tire variety, holding at best six people, can occasionally be sighted bobbing in the skies above, but these balloons with motors are but quaint reminders of the beginning of man’s dirigible dreams, and not of their ultimate realization in gargantuan craft capable of fantastic feats of discovery, warfare, and commerce. Regrettably, the dirigible age came and went far too quickly—so quickly, in fact, that an infant at its advent would have been just a middle-aged man or woman at its conclusion—and arguably the dirigible remains one of the shortest-lived modes of transportation ever conceived. The brief epoch of the airship, however, was charged with incredible potential, it consumed nations and imaginations, and for an exciting period in aviation history it represented the future of human flight.

ONE

As enthusiastic supporters of the aeronaut’s experiments, Parisians welcomed his newest creation, Santos-Dumont Number 5, and early one quiet Saturday morning, July 13, 1901, No. 5 started off from the Parc d’Aérostation at Saint Cloud in the direction of the Eiffel Tower. At the controls stood the airship’s designer and sole occupant, Alberto ­Santos-Dumont, while the Scientific Commission of the Aéro Club watched from the ground. Santos-Dumont reached the tower, about three and a half miles distant, in ten minutes, and, cautiously circumventing the structure, set a course back to Saint Cloud. Having made good speed thus far and cruising safely over the chimney pots and steeples of Paris, he had minutes to spare, but then, in the homestretch, No. 5 faced stubborn headwinds that proved too much for its sixteen-horsepower motor. Knowing he would not be awarded the Deutsch Prize that day, a frustrated ­Santos-Dumont passed over the upturned heads of the Scientific Commission at an altitude of 660 feet, the thirty-minute time limit allotted for the sortie having long since elapsed.

Just at this moment, Santos-Dumont recalled of what happened next, my capricious motor stopped, and the airship, bereft of its power, drifted until it fell on the tallest chestnut tree in the park of M. Edmond de Rothschild.² Inhabitants and servants ran out of the villa toward the stricken No. 5, and there they saw Santos-Dumont marooned on high. Nearby lived the Princess Isabel, Comtesse d’Eu, exiled heir to the Brazilian throne, and she sent a champagne lunch up to her compatriot with an invitation to, after he got down, come tell her of his trip. When my story was over, he recalled, she said to me: ‘Your evolutions in the air made me think of the flight of our great birds of Brazil. I hope that you will succeed for the glory of our common country.’³

The Scientific Commission reassembled less than a month later, this time at 6:30 a.m., and its members again watched as Santos-­Dumont flew toward the Eiffel Tower in his quest for the Deutsch Prize, named for the petroleum magnate and aviation enthusiast, Henri Deutsch de la Meurthe, who promised 100,000 francs to the first person to fly from Saint Cloud to the Eiffel Tower and back. The Brazilian aeronaut reached his goal in nine minutes—sixty seconds faster than his previous attempt, although along the way No. 5 had begun a slow descent because hydrogen had started to leak out from somewhere in the ­ellipsoidal-shaped gasbag. Ordinarily, Santos-Dumont would have come to earth immediately, but to do so would have meant abandoning the prize, and therefore he took the risk of going on. Again he successfully rounded the tower, although now his gasbag had shrunk visibly and, with the fortifications of Paris near La Muette beneath him, the suspension wires holding the keel of the craft to the gasbag had begun to sag. Some of the wires caught the propeller. I saw the propeller cutting and tearing at the wires, he said. I stopped the motor instantly. Then, as a consequence, the airship was at once driven back toward the Tower by the wind, which was strong.

Santos-Dumont always dreaded the prospect of being dashed against the Eiffel Tower in one of his airships and falling, he fretted, to the ground like a stone, and so he frantically searched for a place to land. However, with No. 5 fast losing hydrogen, chances to do so appeared slim. The half-empty balloon, he said of the gasbag above him, fluttering its empty end as an elephant waves his trunk, caused the airship’s stem to point upward at an alarming angle. What I most feared, therefore, was that the unequal strain on the suspension wires would break them one by one and so precipitate me to the ground.

He thought he could fly clear of the building immediately in front of him, the Trocadéro Hotel, and settle his craft on the Seine embankment just beyond, but instead he descended to about a hundred feet and hit the hotel roof, rupturing the bag. This was the ‘terrific explosion,’ he said, described in the newspapers of the day. Santos-Dumont and his No. 5 tumbled into a deep courtyard, but before hitting the ground the keel of the craft, a sixty-feet-long framework of curved pine scantlings and aluminum joints, fortuitously wedged itself at a forty-five-degree angle between a side wall and scaffolding beneath. The Brazilian aeronaut, perched fifty feet from the ground and balancing precariously on his overturned basket, managed to climb onto an adjacent windowsill where, once again, he found himself marooned on high. After what seemed like tedious waiting, he said, I saw a rope being lowered to me from the roof above. I held to it and was hauled up, when I perceived my rescuers to be the brave firemen of Paris. From their station at Passy they had been watching the flight of the airship. They had seen my fall and immediately hastened to the spot. It had been a close call, and Santos-Dumont admitted as much. The remembrance of it, he said, sometimes haunts me in my dreams.

Before he began experimenting with dirigibles, Santos-Dumont had designed a balloon of the free-floating, rotund type and called it Brazil, after his native country. Compared to the other balloons then flying over Paris, Brazil was a speck of a thing, a scant twenty feet in diameter and, even when deflated, as light as a feather. Santos-Dumont, himself diminutive at five feet, five inches and—he claimed—110 pounds, used very thin but very strong Japanese silk to hold the balloon’s 4,104 cubic feet of hydrogen. He also did everything else he could to keep the Brazil extremely light. The varnished silk envelope weighed only thirty-one pounds, the balloon’s basket just thirteen pounds, the guide rope seventeen and a half pounds (yet was a hundred yards long), and the grappling iron a mere six and a half pounds. Despite the misgivings of experts, Santos-Dumont’s little balloon proved successful. The ‘Brazil’ was very handy in the air, easy to control, he said of his aerial runabout. It was easy to pack also, on descending; and the story that I carried it in a valise is true.

Alberto Santos-Dumont.

To reinflate the Brazil he would need hydrogen, a gas relatively simple to make and praised by aeronauts because of its natural buoyancy. Fifteen times lighter than air, when hydrogen is trapped inside a balloon it can lift impressive loads. The gas expands and contracts with changes in atmospheric pressure and air temperature, but at sea level and at sixty degrees Fahrenheit a cubic foot of hydrogen will lift a little more than an ounce. Under these conditions, therefore, to loft Santos-­Dumont’s 110 pounds required 1,760 cubic feet of hydrogen, meaning that his Brazil, with a capacity of 4,104 cubic feet, was more than adequate for the job. Hydrogen, of course, did have and still has one very severe drawback: its enormous explosive potential when mixed with oxygen. Many an unlucky aeronaut in Santos-Dumont’s day met a ghastly end—often luridly depicted in the illustrated newspapers—through hydrogen explosions. Although acutely aware of this danger, he, like all aeronauts, stuck with hydrogen because there was no better substitute, hot air having far less lifting force and requiring that a flame be kept on board, while the nonflammable helium was still decades away.

Santos-Dumont and his No. 5 rounding the Eiffel Tower, July 13, 1901.

No. 5 with its keel wedged in the courtyard and its gas bag in shreds.

Prior to his first flight in the Brazil, Santos-Dumont had made, by his estimate, about thirty ascents in other balloons, and the most memorable flights at night. One is alone in the black void, he rhapsodized of his nocturnal jaunts, in a murky limbo where one seems to float without weight, without a surrounding world, a soul freed from the weight of matter! There is a flash upward and a faint roar. It is a railway train, the locomotive’s fires, maybe, illuminating for a moment its smoke as it rises. Then, for safety, we throw out more ballast and rise through the black solitudes of the clouds into a soul-lifting burst of splendid starlight. There, alone in the constellations, we await the dawn!

The aerial explorer admitted that balloons were his obsession, and that he had the money to indulge in them. (The family plantation back in São Paulo had four million coffee trees and 9,000 laborers, not to mention factories, docks, ships, and 146 miles of private railroad line.) Some of these spherical balloons I rented, Santos-Dumont explained of his hobby. Others I had constructed for me. Of such I have owned at least six or eight.⁴ Still, even with his great wealth, it took Santos-­Dumont a long time before he could overcome his aversion to the costly honorarium⁵ demanded by Parisian aeronauts for even the shortest of ascents.

It was in a Rio bookshop one day in 1897, while he was buying things to read for his second sea voyage to France, that Santos-Dumont, aged twenty-five, came across an account of Andrée and the giant polar balloon. Intrigued, when he arrived in Paris the young man sought out the balloon’s builder, Henri Lachambre, and asked how much it would cost to be taken up. Lachambre, perhaps moved by the youthful Brazilian’s enthusiasm, quoted a reasonable price. At the appointed day and hour Lachambre’s colleague, Alexis Machuron (just returned from the Arctic after inflating the Swedish aeronaut Andrée’s balloon) gave the order Let go all! and instantly Machuron and his passenger were

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