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Errabundos / Wanderers
Errabundos / Wanderers
Errabundos / Wanderers
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Errabundos / Wanderers

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Errabundos, Wanderers is divided in four parts: Part 1 Sitios onricos, Oneiric Sites (Dream Images); part 2, Sitios visitados, Visited Sites, places she visited and worked at, like Somalia; part 3, Laos; Part 4, Adnde me llevas? Where Are You Taking Me? In the four parts, with varying degrees, she develops the themes of nature degradation, environment, hope, beauty, science. For instance, in the poem Medusas, the proliferation of jellyfish due to ocean warming.
LanguageEnglish
Release dateMay 23, 2012
ISBN9781466933033
Errabundos / Wanderers
Author

Maria Giovanna Tomsich

Maria Giovanna Tomsich was born in Fiume, Italy (until 1945, now Croatia). She immigrated to Canada in 1951. She worked as a lab assistant at the Western branch of the Connaught Laboratories for seven years while taking courses at the same time. After her BA, she changed direction by embarking on an MA in Spanish literature. Thanks to a teaching assistant scholarship, she pursued her PhD at Brown University (Providence, Rhode Island). Thanks to yet another scholarship granted by the Canada Council, she was able to conduct research for her doctoral thesis in Spain. All her publications deal with eighteenth-century topics. As in her previous poetry book, Poemario de Spanish bank, she composes her poems in Spanish language, which she uses most frequently, then she translates them in English. Readers interested in poetry may find it intriguing to see how she meets the challenge of poetic expressions in two so different languages.

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    Errabundos / Wanderers - Maria Giovanna Tomsich

    Copyright 2012 Maria Giovanna Tomsich.

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written prior permission of the author.

    ISBN: 978-1-4669-3302-6 (sc)

    ISBN: 978-1-4669-3304-0 (hc)

    ISBN: 978-1-4669-3303-3 (e)

    Library of Congress Control Number: 2012908699

    Trafford rev. 05/17/2012

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    North America & international

    toll-free: 1 888 232 4444 (USA & Canada)

    phone: 250 383 6864 ♦ fax: 812 355 4082

    Contents

    SITIOS ONIRICOS

    ONEIRIC SITES

    Errabundos

    Wanderers

    ¿Adónde vamos?

    Where are we going?

    Láminas de plata

    Silver Sheets

    Máquina de control

    Control Machinery

    Hélices

    Helixes

    Senda ocre

    Ocher Path

    Salto en el vacío

    Jump in the Void

    ¡No pidas ya!

    Do not ask anymore!

    No sé quién eras

    I Do Not Know Who You Were

    Paradero desconocido

    Unknown Site

    Relámpago

    Lightning

    Cuerpo ajeno

    Alien Body

    Deriva

    Anchored

    Celda

    Cell

    Fervor

    Fervor

    Medusas

    Jellyfish

    Vaciero

    Shepherd

    Espejos

    Mirrors

    SITIOS VISITADOS

    VISITED SITES

    Palabra exacta

    Precise Word

    Círculo vicioso

    Vicious Circle

    Chanchan

    Chanchan

    Las puertas de Tiahuanaco

    Tiahuanaco Gates

    II

    II

    Raiz

    Roots

    Deseos

    Wishes

    Colegio de San Gregorio

    Saint Gregory Seminary: Valladolid

    Oxido

    Oxid

    Desdén

    Contempt

    Torres de Altamira

    Altamira Towers

    Pompeya

    Pompeii

    Alta aldea

    Mountain Hamlet

    Gozo

    Joy

    Aguilucho

    Eagle Chick

    Rumbo a Koriolej

    On the Way to Koriolej

    Angeles

    Angels

    LAOS

    LAOS

    Luang Prabang

    Luang Prabang

    A la vera del gong

    By the Gong

    Escalera

    Stairway

    Mekong

    Mekong

    La cueva de Pak ou

    The Pak ou Cave

    Cueva de Tham Phum

    Tham Phum Cave

    Ban Chan

    Ban Chan

    Xien Laan, millones de elefantes

    Xien Laan, Millions of Elephants

    Pájaros

    Birds

    Recomponer

    Recompose

    Pensando en Huang He

    Thinking about Huang He

    ¿ADONDE ME LLEVAS?

    WHERE ARE YOU TAKING ME?

    ¿Adónde me llevas?

    Where Are You Taking Me?

    Angkor Wat

    Angkor Wat

    Jayavarman VII. Bayón

    Jayavarman VII. Bayón

    Peonias

    Peonies

    Corderos

    Lambs

    Amaranto

    Amaranth

    Noche nublada

    Cloudy Night

    Momento remoto

    Remote Moment

    Pabellón de Jim Pattison

    Jim Pattison Pavilion

    Maquinaria perniciosa

    Harmful Machinery.

    Enlace con Por tierras de España

    de Antonio Machado

    Link with Through Lands of Spain

    by Antonio Machado

    Birmania, Burma, Myanmar.

    Burma, Myanmar

    Crepúsculo

    Twilight

    Llanura de Bagán, Burma

    Plain of Bagan, Burma

    Mandaley

    Mandalay

    Flor de loto

    Lotus Flower

    Tradición

    Tradition

    Escape

    Escape

    Comentario

    Comment

    SITIOS ONIRICOS

    ONEIRIC SITES

    Errabundos

    Errabundos somos,

    del llano a la sierra

    trepamos. De pago en pago

    erramos, imanados

    por luz opalescente

    hacia inciertas metas.

    Wanderers

    Wanderers we are,

    from plane to mountain

    we climb. From site to site

    we wander, mesmerized

    by opalescent light

    toward uncertain goals.

    ¿Adónde vamos?

    Con tanto bagaje. ¿Adónde vamos?

    Reluciente y etérea la última

    telaraña de la tallada selva

    vamos a rasgar en la disminuida

    luz del sol poniente.

    Todo lo hemos hecho frágil,

    precario. ¿Adónde vamos?

    turulatos de la tecnología.

    hacia un baden emponzoñado vamos.

    Where are we going?

    With so much baggage. Where are we going?

    Shiny and ethereal the last

    cobweb in the gutted jungle

    we are going to tear

    by the diminished

    light of the setting sun.

    We have rendered everything fragile,

    precarious. Where are we going

    heads stuffed with technologies?

    toward a poisoned channel we are going.

    Láminas de plata

    No era Tasco. Aunque similar

    el sitio era vastísimo sin la catedral,

    descanso de ánimos abatidos

    por una labor ímproba

    que debía ser sí, abnegada,

    mas en el estro creador,

    libre. Nada de eso. Pesadas chapas

    de plata teníamos que sumergir

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