Imagination @ Work
By Alton Gansky
()
About this ebook
Alton L. Gansky is the author of 24 novels and 8 nonfiction works, as well as principle writer of 9 novels and 2 nonfiction books. He has been a Christie Award finalist (A Ship Possessed) and an Angel Award winner (Terminal Justice) and recently was awarded the ACFW award for best suspense/thriller for his work on Fallen Angel. He holds a BA and MA in biblical studies and Lit.D. He lives in central California with his wife.
Alton Gansky
Alton Gansky: Alton Gansky is the author of twenty published novels and six nonfiction works. A Christy Award finalist (for A Ship Possessed) and an Angel Award winner (for Terminal Justice), he is a frequent speaker at writer's conferences and other speaking engagements. Alton brings an eclectic background to his writing: he has been a firefighter, and he spent ten years in architecture and twenty-two years in pulpit ministry. He now writes full-time from his home in southern California where he lives with his wife.
Read more from Alton Gansky
60 People Who Shaped the Church: Learning from Sinners, Saints, Rogues, and Heroes Rating: 4 out of 5 stars4/5The Bell Messenger: A Novel Rating: 4 out of 5 stars4/5Before Another Dies Rating: 4 out of 5 stars4/5Invitation (Harbingers): Cycle One of the Harbingers Series Rating: 4 out of 5 stars4/5By My Hands Rating: 4 out of 5 stars4/5The Girl (Harbingers): Episode 4 Rating: 4 out of 5 stars4/530 Events That Shaped the Church: Learning from Scandal, Intrigue, War, and Revival Rating: 4 out of 5 stars4/5The Fog (Harbingers): Episode 8 Rating: 0 out of 5 stars0 ratingsThe Assault (Harbingers): Cycle Two of the Harbingers Series Rating: 5 out of 5 stars5/5Beneath the Ice Rating: 4 out of 5 stars4/5Finder's Fee Rating: 5 out of 5 stars5/5Through My Eyes Rating: 5 out of 5 stars5/5Dark Moon Rating: 0 out of 5 stars0 ratingsDigital Winter Rating: 3 out of 5 stars3/5Plot Line Rating: 4 out of 5 stars4/5Submerged Rating: 4 out of 5 stars4/5The Mayan Apocalypse Rating: 4 out of 5 stars4/5A Treasure Deep Rating: 4 out of 5 stars4/5Wounds: A Novel Rating: 4 out of 5 stars4/5Unspoken Rating: 0 out of 5 stars0 ratings
Related to Imagination @ Work
Related ebooks
Write Thinking: Psychology for the Productive Writer Rating: 0 out of 5 stars0 ratingsIndie Writer Companion Rating: 0 out of 5 stars0 ratingsCharacter: The Heartbeat of the Novel Rating: 0 out of 5 stars0 ratingsUse Your Dreams to Develop Your Next Book Creative Project, or Business Idea Rating: 0 out of 5 stars0 ratingsThe Indie Author Bestiary: Author Level Up, #7 Rating: 0 out of 5 stars0 ratingsSummary of Kurt Vonnegut & Suzanne McConnell's Pity the Reader Rating: 0 out of 5 stars0 ratingsThe 5 Author Freakouts: Overcoming Procrastination, Self Doubt, and Imposter Syndrome on the Writer's Journey Rating: 0 out of 5 stars0 ratingsThe Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully Rating: 0 out of 5 stars0 ratingsCall Me Unfixable: A Bryant Street Story Rating: 0 out of 5 stars0 ratingsThe Dreamer Theory. A Conceptual Revolution for Fiction Writing: The True Face of Stories, #1 Rating: 0 out of 5 stars0 ratingsThe Mentor Myth: What Native Analogs Can Learn From Native Digitals (And Vice Versa) Rating: 0 out of 5 stars0 ratingsCrimes Collide Vol. 1: A Mystery Short Story Series: Crimes Collide, #1 Rating: 0 out of 5 stars0 ratingsRed Letter Day Rating: 0 out of 5 stars0 ratingsThe Place of the Lion Rating: 0 out of 5 stars0 ratingsCricket in the Web: The 1949 Unsolved Murder that Unraveled Politics in New Mexico Rating: 4 out of 5 stars4/5Confessions of a 3-Day Novelist: How to Write an Entire Book in Just 72 Hours Rating: 1 out of 5 stars1/5Christianish: What If We're Not Really Following Jesus at All? Rating: 4 out of 5 stars4/5The Foundation of Plot: A Wait, Wait, Don't Query (Yet!) Book Rating: 0 out of 5 stars0 ratingsA Willingness to Act Rating: 0 out of 5 stars0 ratingsThe Gospel according to Science Fiction: From the Twilight Zone to the Final Frontier Rating: 4 out of 5 stars4/5The Case of the Simple Passage: A Pilgrim Hugh Incident Rating: 0 out of 5 stars0 ratingsWrite Fiction Like A Pro Rating: 0 out of 5 stars0 ratingsFundamental Four: How you can elevate your mindset and boost performance in life Rating: 0 out of 5 stars0 ratingsHow to Write Flash Fiction: Mojo Writers Guides, #4 Rating: 0 out of 5 stars0 ratingsGet It Write! Rating: 0 out of 5 stars0 ratingsSurviving the Transition: How Writers Can Thrive in the New World of Publishing Rating: 4 out of 5 stars4/5Ready, Set, Achieve!: A Guide to Taking Charge of Your Life Creating Balance, and Achieving Your Goals Rating: 0 out of 5 stars0 ratingsLike Your Friends: The Facebook Personality Bible Rating: 0 out of 5 stars0 ratingsMagical Mixups: And More Extremely Short Stories Rating: 0 out of 5 stars0 ratings
Composition & Creative Writing For You
The Emotion Thesaurus (Second Edition): A Writer's Guide to Character Expression Rating: 4 out of 5 stars4/5Zen in the Art of Writing Rating: 4 out of 5 stars4/5Pity the Reader: On Writing with Style Rating: 4 out of 5 stars4/5Writing to Learn: How to Write - and Think - Clearly About Any Subject at All Rating: 4 out of 5 stars4/5Writing Fiction: A Guide to Narrative Craft Rating: 4 out of 5 stars4/5Economical Writing, Third Edition: Thirty-Five Rules for Clear and Persuasive Prose Rating: 4 out of 5 stars4/5Verbal Judo, Second Edition: The Gentle Art of Persuasion Rating: 4 out of 5 stars4/5The Power of Writing It Down: A Simple Habit to Unlock Your Brain and Reimagine Your Life Rating: 4 out of 5 stars4/5The Elements of Style, Fourth Edition Rating: 5 out of 5 stars5/5Letters to a Young Poet Rating: 4 out of 5 stars4/5People, Places, Things: My Human Landmarks Rating: 5 out of 5 stars5/5The Craft of Research, Fourth Edition Rating: 4 out of 5 stars4/5Legal Writing in Plain English: A Text with Exercises Rating: 3 out of 5 stars3/5The Elements of Style: The Original Edition Rating: 4 out of 5 stars4/5Romancing the Beat: Story Structure for Romance Novels: How to Write Kissing Books, #1 Rating: 5 out of 5 stars5/5A Writer's Diary Rating: 4 out of 5 stars4/5How to Write a Mystery: A Handbook from Mystery Writers of America Rating: 5 out of 5 stars5/5The Mother Tongue: English and How it Got that Way Rating: 4 out of 5 stars4/5THE EMOTIONAL WOUND THESAURUS: A Writer's Guide to Psychological Trauma Rating: 5 out of 5 stars5/5The Only Writing Series You'll Ever Need - Grant Writing: A Complete Resource for Proposal Writers Rating: 5 out of 5 stars5/5The Tipping Point by Malcolm Gladwell - A Story Grid Masterwork Analysis Guide Rating: 5 out of 5 stars5/5How to Read Poetry Like a Professor: A Quippy and Sonorous Guide to Verse Rating: 4 out of 5 stars4/5Wordslut: A Feminist Guide to Taking Back the English Language Rating: 4 out of 5 stars4/5On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer Rating: 5 out of 5 stars5/5The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing Rating: 5 out of 5 stars5/5The Everything Writing Poetry Book: A Practical Guide To Style, Structure, Form, And Expression Rating: 5 out of 5 stars5/5
Reviews for Imagination @ Work
0 ratings0 reviews
Book preview
Imagination @ Work - Alton Gansky
About the Author
Alton L. Gansky is the author of 24 novels and 8 nonfiction works, as well as principle writer of 9 novels and 2 nonfiction books. He has been a Christie Award finalist (A Ship Possessed) and an Angel Award winner (Terminal Justice) and recently was awarded the ACFW award for best suspense/thriller for his work on Fallen Angel. He holds a BA and MA in biblical studies and Lit.D. He lives in central California with his wife.
In addition to his own writing, Alton Gansky has consulted and provided editing and writing services to several CBA publishers and written copy, video scripts, and other works for the general business market. Through Gansky Communications he has consulted with publishers and agents, as well as provided editing services. He is the go to guy
for co-writing having been selected by Penguin, Waterbrook, Broadman Holman, and other publishers to work with their top tier authors.
Gansky is in frequent demand at writer’s conferences having taught and keynoted in California, Arizona, New Mexico, North Carolina, Delaware, Washington, and Canada. He has also been guest lecturer on suspense writing at Taylor University in Indiana.
Drill Bits and Lamp Shades
Years ago Discover magazine ran an article about Amory Lovins (as told to Cal Fussman). Haven’t heard of him? Neither had I, but he’s made a name for himself by having innovative ideas about energy, oil, and the like. He’s a physicist, economist, inventor, automobile designer, and several other things to make mortals like me feel like a gross underachiever. In the article he discusses ways to deal with the world’s energy problems, but that’s not why I mention him. Although I found his thoughts interesting, I found his way of thinking even more so.
He made a point by describing a man who walks into a hardware store to buy a drill bit. Lovins asks, What does the man really want?
My knee-jerk response: Um, a drill bit? But no. The man wants a hole. Okay, that seems basic but how many of us think that way? Much of creativity, innovation, and artistic endeavor comes from asking the right question.
Maybe another example.
At the turn of the last century one of the first (maybe the very first) woman business consultants, Mary Parker Follet, was working with a company that made lamp shades. She asked something that at first stumped them. What business are you in?
Like me they went for the obvious, Um, lamp shades?
No, you’re in the light control business.
Seems too subtle to make a difference, but then the, well, light went on. You mean we can make window shades too?
The ideas began to flow. The failure to ask and properly answer this question almost doomed the railroads in the U.S. They had difficulty seeing that they were in the transportation business, not the railroad business which meant they missed out on many opportunities.
Now, what business are writers in? Are novelists in the fiction business? Are periodical writers just in the magazine business? Are editors in the word refining business? What about publishers? Are they just in the book business?
What about our man in the hardware store? He’s there to buy a bit, not because he likes the design and feel of the bit, but because he needs to bore a hole into something. What’s your real need; your real desire; your real goal? If everything worked perfectly, what would your creative business look like and how would you measure its success? The man with the drill bit measures his success by the holes he drills. Those holes are evidence of achievement. What is the writer’s proof of accomplishment?
These are questions I ask myself. Life changes us, the industry changes, readers change; therefore we need to be flexible. The answer to the question should never be chiseled in stone but allowed to adapt to our ever changing interests, skills, and world.
What business are you in?
I am in the communication business. I peddle ideas, sell concepts, and market thoughts.
Am I a novelist? Yes, but I write nonfiction as well. Am I then a writer of books? Sure, but I also write short pieces, blogs, articles, consult, and edit. Okay, then, that makes me a wordsmith. That, but I also lecture, give interviews, teach classes. You get the idea.
We need to think wider and deeper. What do we really want to achieve? I asked, What is your real goal?
Mine is this: I want to make people think. That’s it. Do I want to entertain? Of course, but entertainment isn’t the goal, it’s the means. I want people to say, Wow,
Great,
Gripping,
but most of all I want them to go, Hmm.
I feel most successful when I, through written or spoken words, reach into someone’s mind and tickle it with a new thought.
That’s how I measure success.
Are You a Breadcrumb Writer?
The world of writing is filled with advice. I have a few bookshelves filled with how-to
books. Each has something worthwhile to teach, but not one of them can tell me how my imagination works or how to funnel it into something tangible.
All creativity is rooted in the peculiarities of personality. The human stew of emotion, experience, and effort is a recipe unique to every individual. This is true for all artists including writers. At the Temple of Apollo in Delphi is an inscription in Greek that comes into English as, Know thyself.
Easy to say; difficult to do.
Writers need to know themselves. If we fill a room with writers we wouldn’t expect them all to look the same. Why do we expect them to think and work in the same way? Some writers must work in the morning, others can’t write when the sun is up. Some writers work slowly, others are speed demons. Is there a right way? (A write way?) Yes: the way that gets it done.
Perhaps the biggest difference among writers is the divide between outliners
and intuitive
writers. An intuitive writer doesn’t outline or outlines very little. Many of the famous authors you know write this way. I’m an intuitive writer—most of the time. I have outlined novels but prefer not to. Why? It’s not because it makes me or my work superior to others. Trust me, that’s not the case. I write this way because it is the way I’m wet-wired. It is the way my brain works. Intuitive writing (sometimes called discovery writing
) means I follow a trail of breadcrumbs left by my characters. Outliners place their own breadcrumbs. Nothing wrong in that. To balance a comment I made earlier, many of the famous authors you know outline their books, some extensively. Why? Because that is how they are wet-wired.
(I pause this chapter for a brief rant. Intuitive writers are NOT seat-of-the-pants
authors. I find the phrase demeaning. Okay, back to the point.)
Some avoid outlining and creating long character backgrounds because they think the work is too hard. Well, it is difficult, but any working intuitive writer will tell you that their process is no easier. In some ways, being an intuitive may be more difficult.
Dr. Joel Gregory, former professor of homiletics at Southwestern Seminary, preached a memorable sermon in which he said, I am often asked by my students, ‘Dr. Gregory, in preparing a sermon do I start with the contemporary human need and move to the biblical text, or do I begin with the biblical text and move to the contemporary human need?’ I tell them, it doesn’t matter where you start as long as you end in the Bible.
Should you outline or follow in the shadows of your characters. It doesn’t matter as long as you produce a well-written and well-plotted book.
Experiment. I believe every intuitive should try outlining. If you’re uncertain what works best for you, start with an outline. You’ll know soon enough.
Adverbs Done Right
I not only write, but I edit. That means that publishers hire me to do everything from touch-up to complete rewrites. I not only edit, but I review. I have a publisher client that sends proposals to me for evaluation. This means I see a lot of writing. Some of it is good; some, well, not so much. As I do this work I notice trends common to new writers. Mostly, I notice bad habits. One such habit has to do with adverbs.
If you’ve ever been to a writing conference, then you’ve probably heard this advice: Kill the adverbs. Eradicate them. Excise them. Evict the little buggers.
This is not new. William Strunk wrote in Elements of Style, Vigorous writing is concise. A sentence should contain no unnecessary words . . .
Almost every book written about writing says something similar. So why am I repeating it here? Because as often as we’re told not to use unnecessary adverbs, we are seldom shown how to use them correctly.
This came to mind while I was reading a bit of Annie Dillard’s The Writing Life. I came across this:
You make the path boldly and follow it fearfully.
First thought: What? A writer of her caliber knows better than to use adverbs like that, and to use two in such a short sentence . . . Wait a minute. I read the sentence again and that forced me to lift my judgment. Dillard had just schooled me.
Here’s the key with adverbs: If you can take them out and the sentences still stands, then you’ve done useful pruning. If the sentence deflates, then the adverbs belong.
In Writing Tools, Roy Peter Clark gives a comparison of bad adverb verses good adverb:
1. She smiled happily. (Ouch.)
2. She smiled sadly. (Now that says something.)
The first sentence is just silly; the second creates an engaging image.
Back to Dillard’s sentence. What happens if we take the adverbs out? We get this: You make the path and follow it.
Is that a good sentence? Sure, but it’s not as strong as, "You make the path boldly and follow it fearfully." In this case, the adverbs not only belong, they do the heavy lifting. Removing them hobbles the sentence, and lessens the impact.
Adverbs are not evil, but they are overused so question their role in your writing. If they bring something to the table, fine; if not, boot ‘em out.
Six Ways Writers Invest in Themselves
For some, writing is a career; for others it’s a hobby. Either way, one doesn’t become a great writer without a little investment. Sure, we put money into computers, software, red pens, and writing magazines, but we also need to invest in ourselves. Here are six of my favorite ways writers invest in themselves:
1. Buy books to help them grow in the craft.
This includes serious
books like Cheney’s Get the Words Right to lighter but still very useful fare such as Grammar Girl’s Quick and Dirty Tips for Better Writing by Mignon Fogarty.
2. Buy books in their genre.
Few things get the imagination motor running more than reading books in your genre. During a recent World Series, a reporter found Steven King sitting in the stands. King is a baseball fan. Those around him held hotdogs and drinks. King held a book. He was reading between plays. He went on to talk about how great the book was. People like King and Dean Koontz devour books.
3. Buy books not in their genre.
To keep your creativity and imagination from becoming ingrown, read books different from what you wright. If you specialize in fiction, then read some nonfiction. If you’re a book person, read magazines. If you write romance, read suspense. Doing this will exercise the mind and broaden your horizons.
4. Go to the movies.
Movies are acted short stories. Having a story play in front of your eyes will jumpstart your thinking. I have had many ideas come to me while watching a movie—ideas that had nothing to do with the flick. Being immersed in a creative medium helps me stay on my creative edge.
5. Nap.
Yup, I said nap. Creative thinking is hard work. Working at a computer tires the eyes. I prescribe the occasional nap. Several writers have told me they have a sofa or easy chair in their office just for this purpose. They don’t sleep the afternoon away, but a fifteen minute snooze revitalizes them.
6. Attend a writers conference.
Few things move a career along better than good writing classes led by experienced faculty, hanging with other writers, and getting away for awhile. It is a true investment.
Forecast: Brainstorm
brain·storm [bráyn stàwrm]
noun (plural brain·storms)
a sudden clever idea (informal)
While chatting with a friend online, I said, I thought about you while I was in the shower.
Granted, I could have started that conversation a little