Domino
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About this ebook
An assistant editor at a Manhattan university press, Laurie Morgan forged a future in the best way she knew how. She buried her tragic past and her father’s mysterious death so deeply it only returns in pieces of bad dreams. Then, out of the blue—and much to Laurie’s surprise—she’s invited to her childhood home in Colorado by her ailing, long-estranged grandmother, who banished Laurie and her mother twenty years ago and locked herself up in Morgan House along with every one of its secrets. Now, Laurie is being offered the key.
But once she arrives with her lover, Hillary, no one is eager to discuss the past—not her grandmother, the old woman’s suspicious live-in lawyer, her violently hostile nurse, or an old childhood friend. Maybe it’s for the best, though, because once Laurie discovers why she’s been called home, it’s already too late to run. For the hidden tragedies of twenty years ago didn’t happen to Laurie. They happened because of Laurie. And now she must accept the terrible burden of her family legacy—and pay the price.
With this novel of past sins, family secrets, and betrayal, New York Times–bestselling author Phyllis A. Whitney proves once again that she “is, and always will be, the Grand Master of her craft” (Barbara Michaels).
This ebook features an illustrated biography of Phyllis A. Whitney including rare images from the author’s estate.
Phyllis A. Whitney
Born in Yokohama, Japan, on September 9, 1903, Phyllis A. Whitney was a prolific author of award-winning adult and children’s fiction. Her sixty-year writing career and the publication of seventy-six books, which together sold over fifty million copies worldwide, established her as one of the most successful mystery and romantic suspense writers of the twentieth century and earned her the title “The Queen of the American Gothics.” Whitney resided in several places, including New Jersey. She traveled to every location mentioned in her books in order to better depict the settings of her stories. She earned the Mystery Writers of America Grand Master award in 1988, the Agatha in 1990, and the lifetime achievement award from the Society of Midland Authors in 1995. Whitney was working on her autobiography at the time of her passing at the age of 104.
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Domino - Phyllis A. Whitney
I
Because it was crucially necessary for me to escape New York, I had come to Connecticut as the one haven to which I could turn.
Sitting here on a bench in the peaceful little park that surrounded Dillon’s summer theater, I tried to let apprehension flow away from me. My setter, whose obvious name was Red, leaned at my knee watching ducks paddling in the pond, now and then tugging reproachfully at his leash.
I was grateful for maple branches overhead shielding me from bright June sunshine. Light was a part of what troubled me. It needn’t matter here. I could let the thing happen—if it must—and gain my release for a time. But this was no way to live for the rest of my life, and I had to find a way out. I must find a way.
Only a week ago in New York I’d heard them talking in the office of the university press where I worked as an assistant editor. It’s her husband’s death, you know. He was much older than Laurie, but it was a very close marriage, and she’s still devastated, even after two years.
The words warned me that my rising tensions had begun to show. There was no way to stop this, and I knew what the humiliating, frightening outcome would be, knew no way to avoid it. Doctors had never helped, and I was through with tranquilizers. Nor would I go to a psychiatrist.
After all, Peter Waldron, my husband, had been a psychiatrist and the author of several much consulted books on emotional disturbances. I could grow angry even now when I thought of how he had used me. My office friends knew nothing about the facts of my marriage, and their judgments were utterly false. Now at last something new was happening inside me. Some strength of will too long submerged, perhaps suppressed, was rising in me. I meant to let it rise.
In the warm June morning the park was quiet all around me, innocent and dreaming. Last night I’d come here alone to the summer theater to test myself. The lights and crowds had not disturbed me, and I’d been quite taken by the vital young actor who had played the lead. No one had noticed me, and that had been reassuring because it meant that I was doing nothing as yet to make myself conspicuous.
Yet this morning, when all about me was peaceful in the sunlight, the familiar tension was rising again and beginning to vibrate, almost in tune with the bees. When a dragonfly darted near me, I ducked nervously. In a little while that frightening top in my head would begin its spinning—faster and faster.
Well, let it come! Let it come, and for once face it through, I told myself.
The red setter whined plaintively and looked up at me, pleading until I gave in. All right, Red, have your fun.
I let him off his leash and he bounded joyfully away to investigate strange territory, as unaware as I that he was shortly to become a messenger of destiny. My thoughts turned inward, as they did too often nowadays.
It wasn’t, as they thought at the office, that I still missed Peter with the same sense of fright and loss that I’d felt at his death two years ago. I had married him when I was twenty-one, a few months after my mother had died, and we’d had five years together. Not very quiet years, as it proved. I had even turned up in one of Peter’s serious tomes. The woman in the case he had recorded had short brown hair and was small, while I was tall and piled my long fair hair on top of my head. Nevertheless, the disguise was thin, and it was me he was writing about. My aberration
that had so fascinated him was all there, and I’d recognized myself at once with a sense of deep hurt and betrayal. I had hated being examined in print in such meticulous detail by my own husband.
Yet I still missed him—most of all at night. I missed the comfort of arms to hold and protect me, and the pillow talks we used to have. How empty a bed could be when you slept alone.
My feelings toward Peter had always been ambivalent. He had been my protector, counselor, lover—even something of the father I couldn’t remember. And he had loved me in his own way, despite the fact that he was so much older and wiser than I, just as I had loved him in mine. Even though he hadn’t proved to be the source of all the answers I longed for, he was truly a nurturer. Just as my mother had been. And I was too much of a leaner.
How often I had wondered if everything might have been different if my professor father had lived. But he had died of pneumonia when I was two, and my mother must have suffered deeply, for she could never bear to talk about him. I had seen pictures of her when she was the young wife, Marybeth Morgan, and quite beautiful, with huge eyes, a tremulous mouth, and a lovely figure. Though in life I could only remember her fading, her giving up, and the way she stared at me sometimes with a despairing watchfulness. As though she waited in dread for something to surface in me. At least, through an inheritance my father had left her, there had been enough to live on, and we hadn’t suffered on that score.
Such memories had been surfacing more than ever lately. At the office my editor had said, For God’s sake, Laurie, you’re twanging like a harp. Take your two weeks and get away. See if you can get those nerves in hand and some color back in your face.
My aunt’s house in Connecticut had always been a storm port in need. I telephoned Ruth Thorne, and as always, she said, Come.
She had never protected or nurtured. She had never approved of the fearful way my gentle, sad mother raised me. Perhaps it was Ruth’s vinegar and spice that really fed my spirit when I needed it and grew tired of the diet of milk toast and hot lemonade my mother fed me so protectively.
At my aunt’s invitation, I packed a suitcase, shut up the house in Long Island that I’d shared with Peter, and put Red beside me in the front seat of Peter’s decorous blue sedan. Ruth took one look at me when I arrived and pushed me out of the house.
Get outdoors, get some exercise. Come back when you’re good and tired. And no picky eating. You’ll take what I put on the table or back to New York you go!
I laughed and hugged her and went out for a walk with Red at my heels. But not even her doses of vinegar caused the spinning in my head to subside.
I used to warn Peter when it started, when it might be coming on, and he would follow its progress as though I were indeed a bug on a slide. Afterward, shaken by what had happened, I would be quiet for a while. Until it began to build up all over again, winding like some terrible child’s top, forever spinning and reflecting a light that dazzled and frightened me. Peter had wanted to take me to a confrere who would hypnotize me, but I’d flatly refused. I needed to be cured of whatever disturbed me, threatening my very sanity, yet at the same time I had always been afraid to face whatever I might learn. Far deeper than the desire to know, there had been in me a fear of knowing. It was that fear that I must somehow find the courage to defeat. Fear in particular of that name which sometimes returned to haunt me. Noah. Who was Noah, and why did the sound of his name bring terror with it?
Now as I sat drowsing on my bench in this pleasant park, Red came bounding back to put his paws on my knees and look lovingly into my face. He seemed to sense my moods, and I sometimes felt that his utter devotion helped me more than Peter ever had. Red might coax me at times, but he never required anything more of me than the love I gave him back.
When I’d petted him sufficiently, he bounded away again, ears flopping, red plumes flying—straight for the open door of the theater, not far away. I called him back, but he paid no attention, so I got up, not hurrying particularly, never dreaming what awaited me, and went after him. The doors were open, so there must be someone inside.
The building was a converted barn, and a lobby had been partitioned off beyond the main entrance. Other doors opened into the theater itself, and of course it was through one of these that Red went rushing. I didn’t care for the idea of chasing him vainly through the seats of the orchestra section, but there was no help for it. At least it would give me some exercise, and I hoped we wouldn’t be disturbing anyone. This hope was dashed immediately. Up on the bare lighted stage the actors of the summer stock company sat around a long table, with blue-bound scripts before them. An electrician was testing lights, and on the table a large coffeepot offered sustenance. An undistinguished aluminum coffeepot—so prosaic an object to change one’s entire life.
Red of course made a great commotion as he galloped down the aisle, heading directly for the stage, sensing friendly humans. Humans were always friendly to Red. Up the steps he bounded, making his choice at once in the actor-director of the company. I slowed my steps, hating to be conspicuous. I didn’t belong here at all, interrupting a rehearsal, and dressed as I was, so much more formally than the actors on the stage in their jeans and shorts. My pale blue linen suit and wide-brimmed straw hat set me off as a city dweller. Though the hat wasn’t so much for fashion’s sake as because it shaded my face. As Peter had often pointed out, I was all too often given to hiding.
There could, however, be nothing inconspicuous about my approach in the wake of my uninhibited dog. It was as though I were the play and the actors the audience. They stared at me, some of them smiling, and the man whom I had seen in the lead role the night before stood up with a pat for Red and came to the edge of the stage to watch my approach.
Rescue is at hand,
he said over his shoulder to the company, and flashed me the brilliant smile I remembered from his performance last night.
I tried again to summon Red, who was by this time garnering so much attention that he had no time for me. Helpless to do anything but walk toward the stage, I could only look up at the man who waited for me.
At first glance I would never have called Hillary Lange my ideal for lead material in a play. He wasn’t handsome, though his rather rugged features added up to something not easily forgotten. His height barely topped that of his leading lady, but his body was sturdy and well muscled. His hair grew thick and brown above his forehead, and there was a dark flash to his eyes that could surprise with its intensity—so that one’s attention was compelled. When he moved, I had noted that it was with the grace of a dancer, or of some lithe, prowling creature that had never been wholly tamed. On stage I had recognized him as unique. He had presence, electricity. Something I didn’t know how to name. Perhaps it was that dark, half-threatening intensity that the female in me responded to, whether I liked it or not. Up there on the boards he certainly commanded—as he was commanding me now. I was just below him by this time, murmuring embarrassed apologies, when he stopped me.
Never mind all that. Will you help us out?
His words surprised me and I stood still, startled into my old impulse to flee any unfamiliar situation. His voice went on, its sonorous quality soothing, taking for granted my response.
One of our cast seems to have been delayed. Will you come up and help us out—read the part of Maggie for our next production?
Inside me the old voice was crying, No, no—I’d be frightened to death! I couldn’t possibly …
But my feet had better sense. They took me directly up the steps, and he came to give me a hand, bringing me to the empty place at the table next to his own. Standing beside him, I was aware of being tall and too thin, and somehow too pale and blond beside all his dark vitality.
Red jumped at me in joyous approval and I patted him down, clipped on his leash, and looped it around the leg of a chair at the back of the stage.
Stay,
I told him sternly, and for once he decided to obey.
Hillary Lange reached for my broad-brimmed hat with assurance and removed it. At once I could feel hairpins slipping, and a fair tendril fell over my nose. He laughed, lifting it back from my face with one finger—and it was as though some current had touched me.
Tell me your name,
he said.
I answered without hesitation, Laurie Morgan,
and wondered why I hadn’t said Waldron.
True, I no longer wore Peter’s ring, though I wasn’t sure why I’d wanted to put it aside since I didn’t think I would ever marry again. And now I had put aside his name as well. Yet I didn’t feel especially disloyal. I’d given Peter everything I could. He was gone, but I was alive, and I had to find a new way for myself.
Laurie Morgan,
Hillary Lange repeated, an odd note that was almost wonderment in his voice. As though in his quick way he already sensed something I would grope my way toward more slowly—that we were going to mean a great deal to one another.
He introduced me to the company and then handed me the blue-bound side for my speeches. It’s a very small part—you won’t have any trouble. It’s just that it’s a key role and we need it to go through the reading. Run through it yourself, if you like. We’ll give you time.
Nonchalantly he dropped my hat upon an empty chair and waited. Everyone else waited too, perhaps not as sure as their director that this amateur should be invited to participate.
I noted the name of the play and looked into the dark flash of his eyes. I’ve seen it in New York. I remember the part.
Somehow I thrust back a self-consciousness that wanted to envelope and smother me, and read my opening lines. Not too badly. Only a falter here and there. I was scared but I was doing it, and lightning hadn’t struck me down, nor was anyone roaring with laughter. With this new tension perhaps the other was fading a little.
Hillary’s eyes were upon me and I could tell that he was pleased, perhaps even a little surprised, and the tiny kernel of courage began to grow. I read on with more confidence.
The spotlights were still being turned off and on, as the stage crew experimented with them. They made me uneasy, as lights often did. But at least they weren’t being focused on the table—and they had nothing to do with me. I could hear my voice growing in strength with my growing assurance.
Then, without warning, one blinding beam of the big spot turned suddenly and fell directly upon me, fell also upon the chrome plating of the coffeepot, striking from its sides a silver dazzle. And I knew that the moment I always feared had come. My voice broke in the middle of a word, and my eyes stared. My body froze into a state that was almost catatonic, though I knew, as if from a distance, what was going on around me. Vaguely I heard voices raised in alarm, heard someone speaking my name. But there was nothing I could do except stare in utmost terror at that silver flash of light. Then the spot was turned off, in response to Hillary’s shouted command. I was aware of what was happening, but I couldn’t move. Red was alternately whining and barking wildly. Red knew.
Hillary came behind my chair and put his hands on my shoulders, shaking me gently. Someone whispered, and I heard him stop the whisper curtly. With the light turned off the nightmare broke its spell, releasing me, and I could look about in shame and dismay.
I was trembling and my body was bathed in sweat, but the spinning was gone, the tension released. The moment of frightful revelation had once more been postponed.
Hillary pulled back my chair and helped me up. We’ll take a break,
he told the others, and I went with him blindly to a side door that opened upon the June morning, leaving the whispering behind.
We sat on the grass beside the pond, not bothering with a bench. Inside the theater someone had released Red, and he came dashing out to frolic around us, making friends with Hillary at once. At least I had stopped shivering.
I’m sorry,
I said. I’m all right now. I really am,
but my voice broke as I spoke the words.
He was studying me with a sympathy that was as welcome as it was unexpected. I needed someone to cling to, if only for this passing moment.
Has this happened to you before?
he asked.
Not for a long time. I’m so awfully sorry—
Stop apologizing,
he told me. I shouldn’t have drawn you into something you didn’t want to do.
I liked his saying that. Usually men considered very little what I wanted, but were given to instructing me in what they thought I ought to do.
Do you know what causes it?
he went on.
No, not really. Yet it seems to happen when there are strong lights around. Perhaps they hypnotize me in some way. I’m not unconscious. I know what’s happening, but I just freeze.
I see,
he said quietly. I’d like to understand.
With complete naturalness he took my hand in his and held it gently.
You’re very pretty,
he said, and much too frightened. What can I do to help?
For the first time since Peter’s death I wanted to let myself go, to respond to a touch, to accept anything that might be offered. Hillary Lange was even more compelling up close than he was on a stage, and I felt all my resistance weakening.
Try to talk about it,
he said. Talking may help.
That was what Peter had always said, and sometimes I had tried. Now I tried again, haltingly, putting my few memories into words, finding it almost easier to talk to a stranger than to my husband.
Mostly, I remembered mountains. Not the gentle mountains of the eastern coastline, but the tall, fierce mountains of the West. Sometimes I could close my eyes and glimpse a rugged cone-shaped outline that stood up alone against the sky.
Over the years I’d had a strange half-waking dream in which I seemed to be on a horse riding wildly toward the high, dominant mountain, driven by the desperate knowledge that I must help someone. Someone I loved who was in terrible danger. In my dream I could feel a cold wind stinging my face, and hear the sound of hooves pounding after me in frightening pursuit. But I never followed through to any conclusion, and when I was fully awake the dream had no meaning.
All this I poured out in a tumble of words to Hillary Lange, and he listened gravely, considerately.
There was something more that I had never told anyone, and that I couldn’t put into words even now. I could almost remember the face of a young boy, perhaps a few years older than I. A face that could appear stubborn and rebellious, yet always kind when he looked at me. I had no name to attach to the memory, but only a sense of warmth and comfort. The memory of a time of frantic fear, when young arms had held me awkwardly, young hands had soothed me as they might have soothed a lost kitten.
Perhaps I’d never told Peter because he would have analyzed a precious feeling out of existence. He would have told me that I was looking for a protector and this was my sexual fantasy, my fantasy man. Whether that was true or not, I didn’t want to tell any of this to the stranger beside me. But there was something else that I could speak of.
I remember a mountain town with one main street and false fronts that made it look like a movie set. Except that these were the real thing. And there was a house. My grandmother’s house, I think. The house of my father’s mother.
Take me into your house,
Hillary said. I could sense the electric urgency in him, and knew that he had the actor’s ability to empathize, to almost become me.
But not even in response to so intense an interest could I open the door of that house.
I had tried before, at Peter’s instigation, but I could never force mind and memory beyond the closed door. Sometimes there were flashes that came without warning. Glimpses in my mind’s eye of an enormous shadowy room, of a flat box of some dark wood that sat on a table. A box I was forbidden to touch. Vaguely, too, I remembered my grandmother. Grandmother Persis of Morgan House. Her first husband’s name had been Morgan, like mine. The silver Morgans
of Jasper, Colorado. This I knew from my mother’s tales. But I couldn’t remember my grandfather—if I’d ever known him. And there had been another man. That man named Noah. But here my thoughts flinched away, not wanting to remember.
I went on aloud to Hillary. Something must have happened in that house when I was about eight years old. Something so terrible that it made me dangerously ill. Afterward my mother brought me home to the East, where she had grown up, and I was in a hospital for a long while. When I was well again, I couldn’t remember anything about that time in Colorado. What was more, my mother didn’t want me to remember. I never saw my grandmother again. So much is gone.
Gone except for those disturbing glimpses that came like flashes of light, and those times when the feeling of tension began to build and I grew horribly afraid. It was as though something in me knew that once I remembered I would be annihilated. My reason—everything—would go! Peter said that was ridiculous, but he could never convince me of anything else.
I spoke abruptly to Hillary. Let’s go back. Tell them to keep those lights off, and I’ll try again.
He looked approving. Good for you. I like courage. Come along then.
Courage? The thing Peter had always told me I had too little of? I stiffened my spine and my will, and went back with an inner quaking that I didn’t allow anyone to suspect. And I read my lines straight through, coming in properly on the cues. When the reading was over the actors crowded around me, and some of them even patted me demonstratively, as people were often given to doing. As though I were a child who had fallen and been hurt and was recovering, much to everyone’s relief. It was a role I was very tired of playing.
Hillary stood aside and said nothing, offered me no soothing words or pats, but there seemed something truly concerned in his watchfulness that reached me. When the company broke for lunch, he led Red and me out to his bright yellow car and drove us to Aunt Ruth’s. She came to the door with a raised eyebrow when I brought Hillary up the porch steps, but she greeted him guardedly and invited him in.
His refusal was graceful enough, and I expected him to vanish out of my life and never be seen again. Instead he held my hand for just a moment.
Will you have dinner with me tonight, Laurie? This is our night off at the theater.
It was my new self who answered, I’d love to.
Then I’ll pick you up around six-thirty. There’s a good place out on the highway.
I wondered if there was a tiny edge of triumph in the laughing look he turned on Aunt Ruth, as though he guessed that she didn’t wholly approve. Then he was gone, driving off in that yellow car, and I followed her inside.
That was fast,
she said. Where did you find him?
She knew very well about those spells I’d had most of my life, and I told her just what had happened, perhaps sounding a little pleased with myself.
Watch out with that one,
she said when I was through. He’s pretty overwhelming.
I know,
I said, and she let it go.
She had tried to bring me down to earth, but I was too keyed up, too newly intoxicated. I ran past her up the stairs to my room—the room that always waited for me. It wasn’t necessary—or possible—to explain to anyone about Hillary Lange. There was something I had glimpsed in him out there beside the pond when he had been concerned about me and trying to help. Like my mother, like Peter, Hillary Lange might be another nurturer.
And did I really want that?
Here we go again,
I said to Red, and he barked his approval. Red had liked Hillary too.
I tried to reassure myself. An interesting event had happened in my life, and I didn’t mean to turn away from it. I needn’t ever again be as dependent as I had in the past—of that I was sure—but I wanted a friend. Even as unlikely a friend as Hillary Lange, and I wasn’t going to let Aunt Ruth’s prejudice stop me.
Falling in love was something else. That wasn’t for me right now. I closed my eyes, determinedly foolish, and began to think about the coming dinner tonight.
II
In mid-July, Hillary’s dressing room backstage at the Dillon Theater was warm and close. The small fan turning listlessly on his makeup shelf didn’t help a great deal as I sat waiting for the curtain to ring down on the evening performance. The telegram that had brought me here lay folded in my purse, and I didn’t need to read it again until Hillary was with me.
What a lovely few weeks these had been. Nearly over now, leaving me still unsure of what lay ahead. From the first, Hillary had sensed the troubled ground on which I walked, sensed my readiness to draw back in the face of even the slightest coercion. So there had been no pressure on his part, but simply an alert waiting.
In a way that puzzled me. Why Laurie Morgan for Hillary Lange? He could have almost any woman he wanted. It was a little like Peter all over again, and I was by turns happy and doubtful, and still terribly unsure—of myself. I wasn’t ready for any irrevocable step, and he seemed to be willing to wait. Bit by bit he had drawn me out—discovering
me, as he put it. Mostly, wonderfully, we liked the same things. We liked Tennessee Williams and Paul Zindel and Neil Simon. We enjoyed the novels of Jorge Luis Borges—and Agatha Christie. We adored Alec Guinness and Paul Newman and the Marx Brothers, and we were in thorough agreement as to the excellence of Jean Stapleton and Maureen of the same name. We agreed about Laurence Olivier and argued over Richard Burton, finding it as much fun to argue as to agree. We were fervently for peace and wanted to do something about world hunger—though what, we weren’t entirely sure.
We were, I suppose, entirely self-absorbed. I managed a leave of absence from my job, and felt only a slight pang when it was so easily granted. Aunt Ruth was a good sport. Though she spoke her mind from time to time, she let me stay with her until Hillary’s season ended. This was to happen in a week or so because the stock company run had not been an unmitigated success and a summer play boasting name actors was coming to fill out the rest of July and August.
Occasionally, when Hillary had the time, we drove to a nearby stable, since we both loved horses and riding. A residue for me from the days when I’d visited my grandmother in Colorado and learned to ride by the time I was six. Hillary had done some work in Hollywood and ridden in a few cowboy pictures, among other things, so he was at home in a saddle.
Probably by this time he knew more about me than I did about him. I knew that his father, whom he’d loved, had walked out when he was quite young, though father and son had been reunited later. Other than that he told me very little. I sensed that he was a man who enjoyed possessing, but that it was hard for him to give himself away to another human being. In spite of his open manner there was a reserve in him, a privacy, that I respected. If he had to allow me time, I had to make the same gift to him. So to some extent we moved warily with each other. He could be moody at times, turning touchy and remote.
I knew that he remembered unhappiness and was afraid of total commitment, of marriage, of permanent ties. So we left each other free—and I liked that best too. Yet I sensed that with the season’s ending there must be a change. Either a strengthening of our relationship or its dissolving. I had a feeling of waiting, of marking time, of something about to happen. I was not entirely sure of what it was that I really wanted.
There was one trait of Hillary’s that disturbed me. He was, I discovered, capable of exploding into terrible rage. I saw this happen one morning when I was watching a rehearsal, and I knew that everyone on the stage was alarmed by him in that moment. He went off by himself afterward for a few hours of recovery and we left him alone. When I next saw him, he seemed himself again, but the explosion had frightened me. There was an uncertainty that lay behind my affection, and I knew that nothing was firmly settled between us yet.
Now as I sat in his dressing room, laughter rang out from the stage. The play was nearing its end, and in a little while the applause would sound. After the curtain calls Hillary would come rushing in, keyed to that high that actors reach after a good performance. The company and the players might not have been remarkably successful, but audiences came to see Hillary Lange, and the applause was for him, no matter what role he played.
Often I had the feeling that while Hillary was enormously talented, he had yet to find himself. He had written an unsuccessful play or two, tried his hand at directing—yet had always fallen back on acting for his bread and butter. Not so much because he was especially gifted as an actor, but because of that mesmerizing spell he could cast upon an audience, and that made him valuable in any play. He had only to be himself. Already I knew that he wanted a great deal more than that, but exactly what I had no idea, and perhaps he didn’t know either. Not yet.
Just once he had alarmed me by his talk of writing another play—about me. About amnesia. My sudden anger had surprised us both. I knew it stemmed from what Peter had done. I meant never to be anyone’s guinea pig again, and when he saw my reaction Hillary told me to forget it. Of course he would write nothing that might hurt and upset me. Yet a certain damage had been done, and I moved uneasily with him for a time after that. We weren’t quite sure of each other yet, and we both held back, sensing perhaps that this might be a greater commitment than any casual affair. A greater commitment than either of us was as yet ready to make.
One of the things that most disturbed me was a sense of his watching, observing, questioning. As though I were a puzzle he must unravel. Yet he was always gentle with me, never demanding. Actors were like that, I began to realize. It was necessary for them to study the raw material at hand. How else could they transfer reality to the make-believe world they inhabited? So I mustn’t mind his watching.
Then today everything had changed. The telegram had come. I had taken it to Aunt Ruth at once, and she had told me the one thing I’d never dreamed. During all these years she had felt duty-bound to report from time to time to my grandmother in Jasper, whether the old lady showed any interest in me or not. For a year or two there had been a lapse into silence, and then, a few weeks ago, Persis Morgan had written asking for my