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    Hows That? - A Little Book on Cricket for Boys and Beginners
    Hows That? - A Little Book on Cricket for Boys and Beginners
    Hows That? - A Little Book on Cricket for Boys and Beginners
    Ebook149 pages1 hour

    Hows That? - A Little Book on Cricket for Boys and Beginners

    By H. M. Herman

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    About this ebook

    This vintage book provides information on the essentials of cricket in the form of a comprehensive yet concise treatise. With explanations of the rules, instructions for proper play, and tips on mastering the game, this is a volume that will appeal to novices with a desire to learnt the ins and outs of the game. "How's That? - A Little Book On Cricket For Boys And Beginners" would make for a fantastic addition to any collection, and is not to be missed by collectors of vintage sporting literature. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction on the history of cricket.
    LanguageEnglish
    PublisherRamsay Press
    Release dateDec 21, 2016
    ISBN9781473347946
    Hows That? - A Little Book on Cricket for Boys and Beginners

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      Book preview

      Hows That? - A Little Book on Cricket for Boys and Beginners - H. M. Herman

      Catches.

      HOW’S THAT?

      FIRST WICKET

      BATTING: POSITION OR STANCE—WITH A WORD OR TWO ON KIT

      STANCE

      IT all depends on starting in the right way.

      They say that a good beginning makes a bad end. Well, that’s true. A good beginning for the batsman makes a bad end for the bowler. It is quite impossible, though, to lay down hard-and-fast rules on how a batsman should stand while waiting for the ball to come, because, what may be a good starting position for one fellow may tie another in knots. Each person has his own peculiarities that way.

      A great deal depends, of course, on your own make and build. A very tall chap may have to stoop a bit to get down to his bat. A little ’un will probably have to stand as upright as possible, to take full advantage of whatever height he has.

      Some fellows can get a good sight of the ball by only turning their heads slightly to the left and looking sideways. Others can’t see properly without facing the ball full with their eyes.

      How to put your feet is a knotty point. One chap may feel awkward and unbalanced with his feet close together; while another is more easy, and can move more quickly from a similar position. Again, feet apart may be meat to one and cold poison to another. There are certain main principles to follow, all the same.

      NOTE: If you are lucky enough to be a left-hander, you will have to reverse the positions given here. For instance, where it says left foot forward, that means right foot forward to you.

      Let us start at the top.

      HEAD

      The HEAD should be turned, as much as is natural to you, towards the bowler. He wants watching—especially his hand and wrist. Tuck the chin into the left shoulder, something like a boxer. The left shoulder and elbow must point up the pitch.

      As regards what direction you should face, you’ll have to find that out for yourself—that is, how far you can turn your head and still get a good sight of the ball.

      NOTE: You must be comfortable, and not feel stiff or awkward.

      ALSO NOTE: Your head should be over your bat, so that head and bat are in the same line as the direction in which the ball is coming.

      SHOULDER AND ELBOW

      LEFT SHOULDER and LEFT ELBOW forward, sticking out towards the bowler.

      WAIT FOR IT

      NOTE.—Left shoulder well forward

      NOTE: There is too much nowadays, especially in first-class cricket, of what is called the Two-eyed Stance. That is—facing the bowler with the body square and shoulders in line. It is practically impossible, from this position, to cut or off-drive—two of the best scoring shots in cricket, and the most beautiful to watch. What more stirring sight is there than to watch F. E. Woolley cut a short ball so that it flashes past point like a swallow skimming the ground? Or to see that leopard-like leap of W. R. Hammond as he slams the over-pitched one past mid-off? Don’t strokes like that thrill you? Don’t you wish you could do the same? It all looks so easy. But it isn’t. These chaps have only been able to do it after Practice and Practice to the nth degree. You can do it, too, on the same terms.

      As a defensive position the Two-eyed Stance has its points. One can keep a ball, coming in from leg, out of the wicket more easily; but a batsman’s job is, mainly, to score runs, not just to scratch about keeping his end up. There are a few chaps to whom this stance is natural, but not many. We had a case ourselves. A boy was making a fair number of runs in every match; but every time the bowler came up to bowl, he slewed himself round square. We tried hard at nets to get his left shoulder forward, with some success. His twenties and thirties became tens and fives, and, at last, a succession of blobs. So we let him have his own way. Back he went to his Two-eyed Stance, and at once started making runs again. He was terribly awkward and clumsy, apparently—but effective. These cases are very few and far between.

      No, there is no doubt whatever that the Left Shoulder Stance is by far the best in the vast majority of cases.

      FEET

      Now as to FEET. Footwork, as in boxing, is of the very greatest importance.

      REMEMBER: It is your feet that get you where you want to be—that is, where the ball is. The weight should be on both feet with the legs bent slightly at the knees. Then you will feel springy and able to move into action quickly.

      Whether you stand with feet together or apart is up to you. So long as you feel well balanced, and able to move in a hurry in any direction, it does not particularly matter. Legs too far apart, though, is not a Good Thing. You see, if you start from the centre of a circle (your right foot being the centre or pivot), it is an easy matter to lunge out at a particular point on the circumference of that circle. If, on the other hand, your left foot is already out at the edge of the circle, and you suddenly find, owing to the ball breaking unexpectedly, that you have to shift it hurriedly to another point on that edge, you’re going to find it jolly awkward to have to get there.

      NOTE: Don’t stand too far from your bat.

      REMEMBER: Head and bat should be in line with the ball. If you’re miles from your bat, it just can’t be in that line.

      KNEES

      NOTE: Do not bend the knees too much. It will make you awkward, and waste time straightening up. Some people like to have the feet apart—others together. Find out for yourself in what position you feel most comfortable, but—

      REMEMBER: You must be able to move quickly.

      NOTE: If your right foot is parallel with the crease, and the left foot at an angle of at least 45 degrees to it, pointing towards the bowler, you will not go far wrong. Besides, your left knee and foot won’t get in the light, if you have to bring your bat down somewhat rapidly in order to keep a Yorker out of your wicket.

      GUARD

      NOTE: When taking guard, make sure that the block and your right foot are well within the crease. Wicket-keepers nowadays are pretty smart. There is a note on the different guards at the end of the Second Wicket.

      HANDLE GRIP

      Do not grip the handle of the bat too far down. You will have no control over it if you do. Suppose you held a tennis-racket or golf-club down at the end of the handle—look pretty funny, wouldn’t you? About half-way up the handle is best.

      NOTE: The hands should be nearly, or actually, touching. Too far apart is a mistake. Once more it is a question of control. If the hands are near together, they have a better chance of working together. If they are far away from each other, they are apt to work independently. Your right hand may want to cut, while the left chooses to drive, then up trots the umpire to replace the bails. The left hand has the main grip. The right is a sort of direction controller. In a few leg strokes, however, the right sometimes takes

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