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    Embroidery on Greek Women's Chemises in the Metropolitan Museum of Art
    Embroidery on Greek Women's Chemises in the Metropolitan Museum of Art
    Embroidery on Greek Women's Chemises in the Metropolitan Museum of Art
    Ebook65 pages30 minutes

    Embroidery on Greek Women's Chemises in the Metropolitan Museum of Art

    By Linda Welters

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    This is a classic article on Greek embroidery, especially that found on women's chemises. The chemise is a basic garment worn by peasant women all over the Balkans for many centuries, as late as the twentieth century in some places. The article aims to illustrate and discuss the embroidery of nineteen chemises that could be found at the Metropolitan Museum if Art, New York, and was originally written as part of the author's doctoral dissertation. This volume is highly recommended for those with an interest in history of embroidery, and it would make for a worthy addition to collections of related literature. Contents include: “A History of Textiles and Weaving”, “Variables”, “Regional Embroidery Styles”, “Summary”, and “Appendix”. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of textile and weaving.
    LanguageEnglish
    PublisherRead Books Ltd.
    Release dateNov 11, 2011
    ISBN9781447491163
    Embroidery on Greek Women's Chemises in the Metropolitan Museum of Art

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      Book preview

      Embroidery on Greek Women's Chemises in the Metropolitan Museum of Art - Linda Welters

      EMBROIDERY ON GREEK WOMEN’S CHEMISES IN THE METROPOLITAN MUSEUM OF ART

      Introduction

      The Metropolitan Museum of Art has in its collections twenty-nine embroidered chemises worn by Greek women in the 18th, 19th and early 20th centuries as part of traditional costumes. This group of chemises is by far the largest collection in the United States and Canada (Welters, 1981, p. 24), and appears to rival better-known British collections (Johnstone, 1972). Many of the chemises are remarkable examples of the embroidery traditions they represent, and a few of them are quite rare. Overall, the collection is geographically diverse and makes a solid foundation upon which to discuss regional variations in Greek embroidery.

      It is the intent of this article to illustrate and discuss the embroidery of nineteen chemises from this collection. Information was gathered as part of the author’s doctoral dissertation. The research involved close examination of 78 chemises in collections in both the U.S. and Canada. In addition, study was done in numerous museums in Greece.

      The chemise is a basic garment worn by peasant women all over the Balkans for many centuries, as late as the twentieth century in some places. In Greek the word for this garment is poukamiso which is commonly translated as chemise, or shirt. It can best be described as an underdress as it was the first garment put on. It was always worn with other outer garments but certain parts would be visible, such as hems, sleeves and necklines. These visible parts were embellished with embroidery and sometimes finished with a needle lace edging in patterns traditional to each region. The women would generally have two types of chemises, a simple one for every day, and a more elaborate one for Sundays and festival days. Most of the chemises in the Metropolitan Museum’s collection are festival chemises.

      The embroidery on these chemises are particularly fine examples of folk art. In addition to embroidering clothing, Greek women worked similar motifs on certain household articles such as towels, cushion covers, bed covers and curtains. These embroideries were made as part of a woman’s dowry.

      In agrarian societies like pre-20th century Greece, embroidery on costumes and domestic textiles was a vehicle for a community aesthetic, just as woodcarving or metalwork was. The collective need for ornament in peasants’ lives took the form of embellishment of functional everyday objects. For us, these objects of folk art are records of the political, cultural, and economic influences on the different regions of Greece.

      These influences were many, making Greek embroidery a melting pot of Mediterranean heritage. Greece is located at the edge of Europe and at the threshold to the

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