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    The Novel of the Black Seal (Cryptofiction Classics - Weird Tales of Strange Creatures)
    The Novel of the Black Seal (Cryptofiction Classics - Weird Tales of Strange Creatures)
    The Novel of the Black Seal (Cryptofiction Classics - Weird Tales of Strange Creatures)
    Ebook62 pages43 minutes

    The Novel of the Black Seal (Cryptofiction Classics - Weird Tales of Strange Creatures)

    By Arthur Machen

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    This early work by Arthur Machen was originally published in 1895 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Novel of the Black Seal' is a short story of a professor who discovers markings on some Welsh limestone that correspond to characters found in ancient Babylon. Arthur Machen was born in Caerleon, Monmouthshire, Wales in 1863. At the age of eleven, he boarded at Hereford Cathedral School, where he received a comprehensive classical education. His first major success came in 1894, with the novella 'The Great God Pan'. Although widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, it has since garnered a reputation as a classic of horror; indeed, author Stephen King has called it “maybe the best [horror story] in the English language.” His legacy remains formidable; his work has influenced countless other artists, and is seen as setting the stage for – amongst other things – the Cthulhu horrors of H. P. Lovecraft. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
    LanguageEnglish
    PublisherRead Books Ltd.
    Release dateFeb 17, 2015
    ISBN9781473399365
    The Novel of the Black Seal (Cryptofiction Classics - Weird Tales of Strange Creatures)
    Author

    Arthur Machen

    Arthur Machen (1863–1947) was a Welsh author and actor best known for his fantasy and horror fiction. He grew up with intentions of becoming a doctor, but followed a boyhood passion of the supernatural and occult and started to write. In 1890, Machen began publishing short stories in literary magazines. Four years later, he released his breakthrough work, The Great God Pan. Decried upon initial publication for its depictions of sex and violence, the tale has since become a horror classic and has been hailed as “maybe the best [horror story] in the English language” by Stephen King. Machen continued to publish supernatural novels but spent time as actor in a traveling player company after his wife’s death. His literary career revived once more with the publication of his works The House of Souls and The Hill of Dreams. During World War I, Machen became a full-time journalist. Though he rallied for republications of his works, Machen’s literary career ultimately diminished, and he lived much of his life in poor finances. 

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      Book preview

      The Novel of the Black Seal (Cryptofiction Classics - Weird Tales of Strange Creatures) - Arthur Machen

      The Novel of the

      Black Seal

      By Arthur Machen

      A Cryptofiction Classic

      Copyright © 2013 Read Books Ltd.

      This book is copyright and may not be

      reproduced or copied in any way without

      the express permission of the publisher in writing

      British Library Cataloguing-in-Publication Data

      A catalogue record for this book is available

      from the British Library

      Introduction

      The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy. While the latter two continue to move towards the mainstream of literary tastes – as evidenced by reaction to modern series such as Neal Stephenson’s The Baroque Cycle and George R. R. Martin’s A Song of Ice and Fire – many readers have probably never even heard of cryptofiction. Odd, when one considers that some of the most famous authors in the Western tradition have dabbled in cryptofiction, and that even today works of cryptofiction frequently feature on bestseller lists.

      Cryptofiction takes its name from another, non-literary practice: cryptozoology. Cryptozoology is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Focused on the search for animals whose existence has not been established – who are literally kryptos, Greek for hidden – cryptozoology traces its roots to the work of the 19th-century Dutch zoologist Anthonie Cornelis Oudemans (1858-1943). Oudemans’ 1892 work, The Great Sea Serpent, was a collected study of global sea serpent sightings, which hypothesised that all these serpents might stem from a previously unknown species of giant seal.

      Around the same time that Oudemans’ work came to prominence, cryptozoology experienced its early crossovers with the fiction of the day. Following in the footsteps of Jules Verne’s famous Twenty Thousand Leagues Under the Sea (1870) – which featured a mysterious giant sea monster – the 1890s saw an explosion of cryptofictional short stories, such as Rudyard Kipling’s A Matter of Fact (1892) and H. G. Wells’ The Sea Raiders (1896). Into the 20th-century, Arthur Conan Doyle’s The Lost World (1912) centred on an expedition to a plateau of the Amazon basin where prehistoric animals continued to thrive, and Edgar Rice Burroughs’ The Land That Time Forgot (1924) picked up a similar theme, featuring not just dinosaurs but also Neanderthals. Less than a decade later, a prehistoric ape took centre stage in the 1933 film King Kong.

      The fifties witnessed what was probably the heyday of cryptozoology. It was in 1955 that Belgian-French zoologist Bernard Heuvelmans – known as the father of cryptozoology – published his On the Track of Unknown Animals, in which he both coined the field’s name and mapped out its intellectual boundaries. Four years later, Willy Ley’s popular Exotic Zoology (1959) was published, featuring discussion of the Yeti and sea serpents. To modern cryptozoology enthusiasts, these works are still seen as the subject’s defining texts.

      While the popularity of cryptozoology has surely waned since the fifties – perhaps mainly due to the the ongoing non-discovery of creatures such as Bigfoot, the Yeti, and the Loch Ness Monster – cryptofiction may well be more popular than ever. The towering cryptofiction text of the modern era is undoubtedly Michael Crichton’s 1990 novel, Jurassic Park. It was Crichton’s book which helped trigger a renaissance in cryptofiction, which saw the publication of works such as John Darnton’s Neanderthal (1996), Phillip Kerr’s Esau (1996), Frank E. Peretti’s Monster (2006), and Steve Alten’s Meg series. 2005 even saw a $207 million remake of the original cryptofiction movie, King Kong.

      Ultimately, then, despite its obscured and messy roots, the genre of cryptofiction may just be more alive than ever. One wonders why this is: perhaps it stems from an attempt to inject some mystery and wonder back into a natural world that is largely discovered and pacified; perhaps it has to do with modern readers being more sympathetic to creatures that at least have some vague basis in scientific fact. Whatever the reason, cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating.

      The Novel of the Black Seal

      by Arthur Machen

      Related by the Young Lady in

      Leicester Square

      PROLOGUE

      I see you are a determined rationalist, said the lady. Did you not hear me say that I have had experiences even more terrible? I too was once a sceptic, but after what I have known I can no longer affect to doubt.

      Madam, replied Mr. Phillipps, no one shall make me deny my faith. I will never believe, nor will I pretend to believe, that two and two make five, nor will I on any pretences admit the existence of two-sided triangles.

      You are a little hasty, rejoined the lady. But may I ask you if you ever heard the name of Professor Gregg, the authority on ethnology and kindred subjects?

      I have done much more than merely hear of Professor Gregg, said Phillipps. "I always regarded him as one of our most acute and dear-headed observers; and his last publication, the ‘Text-book of Ethnology,’ struck me as being quite admirable in its kind. Indeed, the book had but come into

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