Graffiti and Street Art: I think graffiti writing is a way of defining what our generation is like.
By Heinz Duthel
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About this ebook
"I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely."
In 1993 in Singapore, after several expensive cars were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing the car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six lashes of the cane, but the then President of Singapore Ong Teng Cheong agreed to reduce his caning sentence to four lashes.
Tony Blair signed a charter which stated: Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem. However, in the last couple of years the British graffiti scene has been struck by self-titled 'art terrorist' Banksy, who has revolutionized the style of UK graffiti (bringing to the forefront stencils to aid the speed of painting) as well as the content; making his work largely satirical of the sociological state of cities, or the political climate of war, often using monkeys and rats as motifs.
Heinz Duthel
Heinz Duthel www.duthel.info www.bestsellerindex.com
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Book preview
Graffiti and Street Art - Heinz Duthel
Table Of Contents
Chapter 1
Chapter 2
Chapter 3
Book illustration
Copyright
Chapter 1
The first segment of Piece by Piece lays out the fundamentals of San Francisco graffiti by documenting topics that laid the groundwork for artists today. Items covered are УCholoФ writing, the impact of PBS’s Style Wars (1983), and the development of San Francisco’s defined style. This segment includes not only San Francisco’s graffiti originals, but also commentary from noted New York writers such as Seen, Cope2, and Case2. It also covers the life and death of Dream One, an SF graffiti pioneer and a vocal figurehead in Bay Area urban welfare activism.
Chapter 2
The second segment elaborates on what it takes to establish credibility among the graffiti community, documents a shift from words to images, and tetcreats of how San Francisco developed graffiti styles yet to be seen in other parts of the world. This segment features works from writers such as KR and the horses of Reminisce, following writers and documenting their creative expression. Also featured here are Grey, Buter,