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Don't Smell the Floss: amazing short stories by matty byloos
Don't Smell the Floss: amazing short stories by matty byloos
Don't Smell the Floss: amazing short stories by matty byloos
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Don't Smell the Floss: amazing short stories by matty byloos

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Like pop songs that have overdosed on camera cleaning fluid and pills, Matty Byloos’s short stories are most definitely NOT traditional ideas on the subjects of love, daydreaming, and the psychological dramas that have become an unavoidable part of the human condition. Byloos, at first glance, appears to share too much; but the information is masked, skewed and filtered through a very weird, perverse universe of characters who play out human dramas underneath layers of oddity. Byloos’s characters are confused - they’re sad, they’re searching - but in those emotional states, they’re real, easily identifiable people. Byloos takes the reader behind the scenes of lives we might not normally think about (or even want to think about) but which are no less real despite their clandestine nature.
LanguageEnglish
Release dateOct 1, 2018
ISBN9781935904830
Don't Smell the Floss: amazing short stories by matty byloos

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    Book preview

    Don't Smell the Floss - Matty Byloos

    Title Page

    Don’t Smell the Floss

    a collection of short stories

    by Matty Byloos

    Write Bloody Publishing

    America’s Independent Press

    Long Beach, CA

    writebloody.com

    Copyright Information

    Copyright © Matty Byloos 2010

    No part of this book may be used or performed without written consent from the author, if living, except for critical articles or reviews.

    Byloos, Matty.

    1st digital edition.

    ISBN: 978-1-935904-83-0

    Interior Layout by Lea C. Deschenes

    Cover Designed by Paul Smith     smithers.carbonmade.com

    Proofread by Jennifer Roach

    Edited by Derrick Brown, shea M gauer, Saadia Byram, Michael Sarnowski and Keion Moradi

    Printed in Tennessee, USA

    Special thanks to Lightning Bolt Donor, Weston Renoud

    Write Bloody Publishing

    Long Beach, CA

    Support Independent Presses

    writebloody.com

    To contact the author, send an email to [email protected]

    Thanks

    THANKS

    In no special order, I wish to thank Derrick Brown; all the Editors of this book; Benjamin Weissman; Beyond Baroque, my old Monday Night Fiction Writing Crew and Fred Dewey; the Smalldoggies Family; Jon Furmanski; Michael Marcus; Casey McKinney and the Fanzine; Andrew Leland and the Believer; William Mitchell; my new Tuesday Fiction Writing Group that’s been super wonderful (Keion, Adam, Vilma, Claudia, Rhea, Drew, Ixchel, Ben, Chris, Justin, Liz, Chris and Cathy); my sister and parents; the Hammer Museum New American Writing Series; the Write Bloody Crew of Writers; Sam Stern; Julian Hoeber; Maggie Wells; Lesley Worton; Nate Collins; Kyle Holm; Adrew Ullrich; Leah Rico; all of my neighbors for letting me spy on them for the sake of good fiction material; Stephen Tourell; Tom Burkett; Alex Wagman; April Durham; Darcelle Bleau; Jenny Baxton; Victoria Morrow; Dennis Cooper; John Mandel; Neil Mooney; and anyone else who ever shared something with me that was skewed completely out of proportion and then recast as the words or experience of one of these ridiculous fictional characters….

    Dedication

    This book is dedicated to my sister, who is my BFFF.

    Part One

    Kittied to Death: Love Stories

    for a Contemporary Audience

    One Day, Letter From Ghost Leg

    I have a videotape. I watch this videotape over and over again, every night, by myself. I make coffee, which never comes out right. Achievement, as a concept, weighs on me incessantly. The coffee, too dark or not dark enough, thinned and hazy with nonfat milk, or turned pale-white with heavy cream; it’s never perfect. I have tried to find consistency in this drink, tried too hard at what has become the impossible, and I have failed miserably. Perseverance in the face of adversity can yield achievement. Beauty for its own sake, entirely. A perfect cup of coffee could signify a degree of over-achievement. I drink my bad coffee and watch my video tape.

    I have had this dream since I was eleven; every night, mostly, the same dream. It’s about becoming whole. I feel there’s an alien aspect to my body. I take steps to improve this in the dream, steps that any normal person would understand to be extreme. There is a persistent itch in the index finger of my right hand. I stare at the finger twitching uncontrollably, almost imperceptibly, for hours in my dream. I watch the finger for weeks at a time: I have lost countless jobs in this dream, in these dreams, because I spend all my time watching the finger. Then I hack it off. It is a wonderment how much effort it requires to do the banal: to scratch the itch, you might say—but there it is—the effort, and the release. It is done, the finger gone. With this solution in place, a mild collapse ensues. Eventually, even the most bland installment of a handshake with a stranger becomes my victory.

    Medical researchers have identified three groups within the larger community of people obsessed with amputation:

    1.) Pretenders use wheelchairs, crutches and other devices to make people think they are disabled.

    2.) Devotees are sexually attracted to people with amputations and disabled people, and will often search for them on the Internet.

    3.) Wannabees, who get the most attention, live for the removal of their healthy limbs.

    My world exists beneath a wet blanket of sorts, damp-muted, slightly hazy and mostly gone gray. It is morning. I pace the apartment, recounting the same dream from the night before, dragging my feet across the carpet, which is trying hard to still look chocolate brown. After years of weekly spills cleaned up with bleach, the rug looks more yellow or olive drab than chocolate, slowly entering the realm of brown camouflage. Between my toes a dampness—the echo of a spill that has not entirely dried. I fake-hobble around, clutching my right leg behind me like a pirate. The feeling of my curled foot in my hand. There is a stain in the rug in front of the bathroom that looks like a dead jellyfish, a blobby mass sunken into the carpet with entrails curling off in another direction. Today is not unlike any other day; there is always the opportunity for achievement, there is always pleasure to be found in the idea of asymmetry. Beauty for beauty’s sake: perhaps it is what the world needs. In the bathroom, I brush my teeth, rinse, spit, and towel off my tingling mouth. I stand in the mirror with my teeth clenched until I can hardly recognize myself anymore, cheeks hardened and white in the middle, small apples turned inside-out, eyes bulging, froggish. Several seconds go by. Maybe minutes. I ask the toothbrush why this has just happened. What could it mean to be a person alone, holding my breath in the mirror? I hear the toothbrush mumbling something incoherent. I never bother to clarify.

    Statistics and Hearsay Concerning Amputation

    Healthy people seeking amputations are nowhere near as rare as one might think. In May of 1998, a seventy-nine-year-old man from New York traveled to Mexico and paid $10,000 for a black-market leg amputation; he died of gangrene in a motel. In October of 1999, a mentally competent man in Milwaukee severed his arm with a homemade guillotine, and then threatened to sever it again if surgeons reattached it. That same month a legal investigator for the California State Bar, after being refused a hospital amputation, tied off her legs with tourniquets and began to pack them in ice, hoping that gangrene would set in, necessitating an amputation. She passed out and ultimately gave up. Now she says she will probably have to lie under a train, or shoot her legs off with a shotgun.

    Every morning, I drink my bad coffee, think about my dream from the night before, and replay in my head the dubious aspects of my childhood, which I believe to be directly responsible for my present condition, interjecting within this steady stream of mental images some of my fonder memories from my video. I sit, tentatively, on my couch in the living room. This morning is quiet, feels older, moves slower and less awkwardly. It is not gawky and reckless like other mornings; instead, it is more pubescent teenager in appearance. I notice the window to my left is open. The broken blinds near the top of the window frame always look like a bundle of tied-up sticks. To protect the room from the glare of the sun would be a miracle in their present condition. A miracle represents the opposite of achievement, and thus I deem it uninteresting. With a miracle, there is reward without effort, an impossible answer given with no time spent struggling with the question. The morning air is chilled, tinged with foggy haze, and moves past the window too fast. Occasionally, bits of fog appear in the room with me, blown in through the opening near the bottom of the window. They take shape, remain uncompromised in their clusters of frosted white, making it difficult to see from one side of the room to the other at times. Add to this, the steam from my coffee, far too creamy this morning, with more the pre-fab smell of Twinkies than the actual taste of coffee.

    I have thought through the circumstances of my childhood relentlessly. Perhaps I have been too hard on myself. I place numerous restrictions on my diet. I cleanse my liver with milk thistle and oil of clove; detoxify my spleen and kidneys with mixtures of honey, cayenne pepper, and apple vinegar; grind lime skins with raw garlic for my intestines. I conduct copious amounts of research on anesthesia and wound control. I take steps to educate myself in the field of occupational prosthetics at the local college. I go to great lengths to transfer my condition to a more socially viable and acceptable form, offering countless hours of volunteer work with the handicapped. I have had several uncomfortable conversations with psychologists and surgeons known to be specialists in the care of pre-surgical and post-operative transsexuals. Mine is not an aesthetic need; this visceral compunction towards functional asymmetry is who I am….

    A Clinical Definition of Apotemnophilia:

    From the Greek, literally meaning amputation love. Succinctly, apotemnophilia defines the condition of self-demand amputation, which is believed to be related to the eroticization of the stump and to overachievement despite a handicap. The apotemnophiliac obsession represents an idée fixe rather than a paranoid delusion. These persons, unlike paranoiacs, recognize that other people do not accept their own ideas concerning self-amputation. Symptoms are induced for the sake of becoming an amputee, and for the sake of erotic arousal, and seldom is self-injury repeated. The precise etiology of the condition is not known, and there is no agreed-upon method of treatment. —quoted and adapted from documents written by John Money, PhD

    A Possible Chronology of Responsible Events from Early and Late Childhood:

    —At birth: I am born with a moderately deformed right foot, which looks a bit like a knobby cluster of rotted oranges wrapped in soggy wet cardboard, and not like anything human. I see Polaroid images of the foot, images hidden in a small envelope in the bottom drawer of my father’s bureau when I am twelve, and cry. They are trophies of his disdain for me. The foot causes me to walk funny, slightly leaning to my left side and shuffling unevenly forward. My father yells at me for walking funny, until I undergo surgery to fix my deformity at age fourteen. There is no mention of the clubbed foot thereafter.

    —Domestic accident at three years old: When a boiling hot cast iron pot full of oatmeal capsizes from the stove, I am scalded on my right leg from the knee to the foot. It will take several months for this to heal, and I am rendered unable to walk (even poorly), for fourteen months.

    —Near age five: Mom lights up a second cigar with a tiki torch from the backyard while she is mowing the lawn, and while dipping the torch down to her mouth for the light, spills propane fuel from the torch onto her leg, which immediately catches fire. She suffers third-degree burns and is bed-ridden for eight months.

    —Ages six to seventeen: Mom begins answering all my calls, monitoring all my mail, and driving around in the car with the mom seatbelt arm on my chest at all times.

    —Age twelve: I have my first thought that it might be nicer if I were a girl, the impulse of which I understand immediately to be overwhelmingly forbidden by my father. I transfer any and all trans-gender fantasies to my idea of a healthy limb removal. I break my leg on purpose when I force-fall off a horse at a pony riding carnival attraction, and enjoy the acts of cast, crutches, and the modified means of mobility.

    —Age thirteen: My fascination with the apparatus of the guillotine as a machine of healing (and not of punishment) begins. I read many books on the subject, and attempt to make a miniature one of my own after a few months of research with small scraps of wood, a five-pound weight, and several razor blades. I only succeed in cutting off the most marginal amount of my left pinky finger, and feel dissatisfied with the process. Though the cut is small, I wear a band-aid with a tiny red bloodstain in the middle (shaped like a Peony flower) for months.

    —Age fifteen: I find my father’s shotgun in the laundry pantry inside the service porch, hidden behind several piles of clean old rags and a dust broom. I hold it, smell the raw wood of the stock, and aim it at my knee without pulling the trigger. I put it away, telling myself that I now know where it is when I need it.

    Slack space between knowing who I am and exactly what needs to be done next, and then finding the wherewithal to get there. Slack space, colored gray. Gray is an underexploited space; this I have decided. Gray, the color of my world, seen through tiny slits when I crunch down my eyelids. Gray stands for impossible things: skyscrapers, entire cities, comic book gloom, stench. I am taking a shower. Dunking my head beneath the faucet, smoke smell from my hair rushes out into the wet space with me, musty like old luggage: the smell of gray space. I look down at my right leg. I am thinking about my video from the last time I watched it. Last night, I bound up the limb six inches above the knee with surgical tape and cyclone fencing tie wire, numbing the reddening band of skin on both sides of the tourniquet with Novocain that I stole from the dentist’s office and several

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