Animal Ballistics
By Sarah Morgan
3/5
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About this ebook
Animal Ballistics destroys what proof you have about survival... Sarah Morgan’s words make one feel as if they should begin to live and love with an originality - a new species of the spirit. -Danny Sherrard “Cast Your Eyes Like Riverstones into the Exquisite Dark"
Sarah Morgan
USA Today bestselling author Sarah Morgan writes lively, sexy contemporary stories for Harlequin. Romantic Times has described her as 'a magician with words' and nominated her books for their Reviewer's Choice Awards and their 'Top Pick' slot. In 2012 Sarah received the prestigious RITA® Award from the Romance Writers of America. She lives near London with her family. Find out more at www.sararahmorgan.co
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Book preview
Animal Ballistics - Sarah Morgan
Title Page
Animal Ballistics
a collection of poetry
†
by Sarah Morgan
Write Bloody Publishing
America’s Independent Press
Long Beach, CA
writebloody.com
Copyright Information
Copyright © Sarah Morgan 2010
No part of this book may be used or performed without written consent from the author, if living, except for critical articles or reviews.
Morgan, Sarah.
1st digital edition.
ISBN: 978-1-935904-79-3.
Interior Layout by Lea C. Deschenes
Cover Designed by Brandon Lyon
Proofread by Jennifer Roach
Edited by Derrick Brown, Saadia Byram and Michael Sarnowski
Printed in Tennessee, USA
Write Bloody Publishing
Long Beach, CA
Support Independent Presses
writebloody.com
To contact the author, send an email to [email protected]
Dedication
for Gregory P. Silk
Special Thanks
Special Thanks
Shauna Morgan
Derrick Brown
Ross Hickerson
Chelsea Ellington
Sarah Octopus Haas
Anis Mogjani
Danny Sherrard
Mark Chaump
Paul Maziar
Lea Deschenes
Dan Leaman
Infusion Café Poets
Vox Ferus
Griswald
You never see animals going through the absurd and often horrible fooleries of magic and religion . . . Dogs do not ritually urinate in the hope of persuading heaven to do the same and send down rain. Asses do not bray a liturgy to cloudless skies. Nor do cats attempt, by abstinence from cat’s meat, to wheedle the feline spirits into benevolence. Only man behaves with such gratuitous folly. It is the price he has to pay for being intelligent but not, as yet, quite intelligent enough.
– Aldous Huxley
Train
A black umbrella opens in my chest.
How fast the landscape trickles by,
I’m trying to understand
what would break first if I jumped from this boxcar.
Through the window,
mountains of graffiti, rocks, and hunchback fences,
a three-wheeler,
yellow, red, and forgotten
among the rubble.
There is a man behind me,
a black Southern gent,
talking to someone he loves.
He’s started humming something now,
gentle as Georgia.
I want him to choke.
There is a foreigner to my left;
I don’t think he can read this.
If I knew any of that lover language,
I’d write . . . Are you reading this?
He smells like a fire pit of dehydrated embers,
like one or all of my ex-flames.
I want his euro-techno headphones to explode into him.
Diagonally—a stupid-beautiful young girl
in slender boots that I would use to ride horses.
I want her to get pregnant, lost, fat,
yellow then red then forgotten.
And then me—
among the heaps of pebble, web and gang names,
with a shirt reading Can i hold you?
Tears smuggling the luster from my cheeks—
turpentine to mahogany.
I only weep in profoundly public places
where no one dares ask.
If they did,
I’d swallow hard,
like a grade-school blow job,
like your first funeral.
I’d swallow hard and tell them to piss off
or
something pleasant,
as long as I could blow my snot
into their palm pilots.
You see,
there is a tiny retired maestro
inside my skin.
The grand orchestra plays on
with no regard for him.
He’s squatting on track six,
plucking other empty notes,
using playbills as toilet tissue.
My poor minor chord friend . . .
I’ve taken track seven again.
When I get to where I’m going
I’m sure I’ll pull out a quarter or two
from a phone booth in the Northwest,
looking for an answer,
finding only an abandoned G-clef.
I am dressed in layers of trains.
I showed up
with no pulse in my voice,
loose change,
stark naked.
My heart, calling from a phone booth
in the rain.
The Pickling
Blinking at the ceiling,
a sterile voice told me it just didn’t take.
There was still a pitter-patter.
The fleshy onion plummets to the stew below.
I wanted you then.
Before you ever thought money or war or women,
I laid on the examining bench
with all my useless hopes:
baseball cards in spokes,
teaching you music theory,
un-punishing you against time.
I put my hand to my womb
as if it were a garden hose running dry—
as if the perennials would never come again.
Why We are Different
You like peppers.
I do not.
The girl you love