Traditional Witchcraft and the Path to the Mysteries
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Melusine Draco
Mélusine Draco is an Initiate of traditional British Old Craft and originally trained in the magical arts of traditional British Old Craft with Bob and Mériém Clay-Egerton. She has been a magical and spiritual instructor for over 20 years with Arcanum and the Temple of Khem, and has had almost thirty books published. She now lives in Ireland near the Galtee Mountains.
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Traditional Witchcraft and the Path to the Mysteries - Melusine Draco
2013
Chapter One
Truth is Forty Shades of Grey (Sea)
Mystery: Phenomenon; circumstances or happening that cannot be explained; something obtuse or arcane; a truth divinely imparted; rites known only to the initiated; a sacrament.
[Chambers Concise Dictionary]
For the traditional British Old Craft witch the sea is one of the planet’s great eternal Mysteries. Life on Earth started in the sea, while in esoteric terms it represents death and Otherworld. In this salt water environment we are reminded that the teeming marine communities of the ocean and coastal waters are powered by sunlight, by the nutrients dissolved in their waters, and by the forces that keep that water in motion – wind, the rotation of the Earth, and tidally induced currents. These forces are the oceanic currents that carry great masses of water round the world; one being that great ‘river of the sea’ – the Gulf Stream – which starts its journey in the warm waters off Mexico, and ensures that the climate off Britain is much milder than that of other places in the world on a similar latitude – i.e. countries bordering the Gulf of Alaska and the Bering Sea. Thereby demonstrating the force of the element of water within Elemental Water, to use a magical analogy.
The energy of the sea both destroys and builds. Coastal erosion is a scene of constant battle between the land and the sea and yet the sediments created by the outflows of the great inland rivers serve to create tidal mudflats that eventually reclaim the land from the ocean. From water vapour drawn up into the clouds from the deep ocean and falling as rain on the mountain slopes, the streams join the rivers to begin the journey back to the sea. In its upper reaches the river eats away at the land, but in its lower reaches it uses the material from the mountains to create new land at the seashore. Out in the deep ocean, water vapour is drawn up into the clouds … as in magic there is the constant circular motion that echoes the saying: what goes around, comes around.
Witchcraft is not a religion yet it has a highly defined spiritual element to its practice. Traditional Witchcraft for the Seashore quoted the opening lines from Professor Barry Cunliffe’s deceptively mystical book, Facing the Ocean, which begins with a highly evocative visualisation that encapsulates in a single paragraph how our distant ancestors looked upon the sea, how it shaped their lives – and the mystery that permeates Old Craft even today:
To stand on a sea-washed promontory looking westwards at sunset over the Atlantic is to share a timeless human experience. We are in awe of the unchanging and unchangeable as all have been before us and all will be. Wonder is tempered with reassurance: it is an end, but we are content in the knowledge that the cycle will reproduce itself – the sun will reappear. The sea below creates different, more conflicting emotions. True, there is the comforting inevitability of the tides, but there is also an unpredictability of mood, the sea constantly changing, sometimes erupting in crescendos of brute force destroying and remoulding the land and claiming human life. The sea is a balancer of opposites. It gives and takes. It can destroy land and quickly build new; it sustains life and it can kill. Small wonder that through time communities have sought to explain these forces in terms of myth and have attempted to gain some puny influence over them through propitiation …
These mystic elements reflect the ‘Otherworldly’ aspects of the sea, but as novelist Nelson Demille comments: ‘There isn’t a single mystery in this world that doesn’t have a solution, if you live long enough to find it.’ Here we return to the observation that Old Craft learning is about 40 percent information and 60 percent intuition, but most importantly realising when intuition is telling us that we don’t have all the information. Needless to say, there is a lot of experience and know-how that lies in the back of what people call ‘intuition’, but age does have its benefits, and experience its inner knowledge.
From the esoteric perspective, the Mystery Path appears to have even more twists and turns, for although there are literally thousands of books on the subject of witchcraft, none offer up the secrets of the Mysteries, no matter what they claim. As Michael Howard reminded us in Traditional Witchcraft and the Pagan Revival: ‘As [Robert] Cochrane said (and few people understand what he meant) witchcraft is not pagan, but it does preserve elements of the pagan Mysteries.’ We are always conscious of this continuous cycle of destruction and re-creation, but at times it appears almost impossible to unravel the labyrinthine skein that leads to the heart of that which we seek. As What You Call Time explained at the beginning:
Anyone seriously exploring the realms of occultism will soon discover they are hard pressed to find a comprehensive textbook on the subject … Like smoke from the Abyss, curling tendrils of misinformation cloud the issue until the seeker chokes of the sulphurous fumes of their own research. Infernal demons hound and harry the unwary along a series of blind alleyways with conflicting directions and deliberately misleading instructions. Following the darkened maze, through endless sloping corridors to a distorted hall of mirrors, the seeker emerges into the light no wiser than when they began their quest.
We can also find that the old adage to be ‘all at sea’ i.e., wide of the mark, quite wrong – like a person in the open sea without a compass or chart – is often the position in which many witches find themselves when trying to discover the beginning of the Path to the Mysteries. Not only do they encounter confusion, but often also isolation because the very people with whom they’ve worked and trusted have turned their backs and walked away without explanation. Neither is it unusual to be asked to leave a coven or group following a request for further instruction on a deeper level. Those with genuine ability can also fall foul of other members with lesser ability but who wish to curry favour with the leader who, in turn, may feel undermined by such requests. Jealousy, spite and ‘bad-mouthing’ are prevalent in most elements of paganism, but it often means that the genuine seeker can spend the next ten years in ‘the wilderness’ because of what may be viewed as the short sightedness of others.
In reality, this is a natural progression within Old Craft, just as it is natural for animals in the wild to turn out this year’s young to fend for themselves once they reach maturity. There seems to be some internal safety mechanism that dictates promising ‘seekers’ should be cut loose before they become too complacent and safe within the comfy zone of the group. The Path to the Mysteries is long and hazardous, and often the group leader will wisely accept that they do not have the experience to guide that particular seeker any further and must therefore let them go. Even if they are excellent tutors, there may be a question of avoiding cutting a favourite student too much slack in allowing things to go unchecked that should be corrected, thereby hampering their ultimate Initiation into the Mysteries. It is often following these ‘wilderness’ years, however, that another esoteric saying comes into play: ‘When the student is ready, the teacher appears.’
At this point we also need to go into the uncharted waters of ‘Initiation’ in order to clarify what is meant by this in traditional British Old Craft. Initiation is a word rich in symbolism and meaning, and because it is a term that describes a personal experience, it goes without saying that the experience can be viewed on many different levels. When used in a modern sense, it is nearly always associated with the preparation for, and undergoing, a group participation initiatory ceremony or ritual as acceptance into that particular group or Tradition. For a traditional witch undergoing Initiation into the Mystery Tradition, it is a word associated with a solitary, life-changing (and often life-threatening) experience. It represents a true test that cannot be revised for – or cheated at – and is something that requires proper explanation and a considerable amount of correct preparation, by both student and teacher.
Within the magical or pagan community (and I use the terms very generally) the word ‘Initiation’ has been bandied about until it has become somewhat profaned. As Aleister Crowley points out, in ancient times, ‘a young man would go into the Temple to be initiated and he would know perfectly well that his life might depend on his proving himself worthy. Nowadays the candidate knows that his initiators will not murder him, and any ordeal proposed by them obviously appears a pure formality.’ Among many self-taught pagans ‘Initiation’ is often used to describe something that a true Initiate would refer to as a ‘rite of dedication’. And while a rite of dedication can be a very important and deeply moving experience, it should not be confused, or equated with, true Initiation into the Mysteries.
Initiation in the esoteric sense means recognition that a witch has reached a required level of Understanding, which indicates that they are ready to submit themselves to being seriously tested on the physical, magical and spiritual levels. In the good old days, however, it was often said that anyone undergoing mystical Initiation came through enlightened, insane or dead! And, to a certain extent, this remains a truism with some Old Craft contemporary rites – even today. So, while the outward emphasis may still be on the Initiate, the responsibilities for encouraging someone to undergo an important rite such as this, actually lies heavily on the shoulders of the teacher, or Elders, of the coven or order (together with the guidance of the ‘deities’ involved).
For those belonging to traditional British Old Craft, the general feeling in recent years concerning the modern trend for acquiring degrees, ranks and titles as fast as possible is that this has led to an overall lowering of standards. This compromising of the Old Ways now has resulted in self-styled ‘weekend course gurus’, who are far more interested in acquiring a dubious kind of kudos, offering instruction to totally unsuitable and ill-prepared people. This form of numbers game means the kudos is gained merely on the basis of having initiated X number of people regardless of whether the rites were either appropriate or successful. It should be glaringly obvious that in the long run these people are doing more harm than good, not only to the innocent students involved, but also to the meaning of the actual Mysteries themselves.
The aim of those still following the Old Ways within authentic traditional groups is to re-establish the true meaning of Initiation. By maintaining the necessary dedication and a true spirit of respect for what mystical training should be, they pride themselves on continuing to perpetuate the old-fashioned high standards when it comes to teaching and Initiation. Those decisions are not merely based on an individual student’s intellect, but also on an understanding of what really lies behind their interest in mysticism. Initiation into the Old Craft Mysteries is dangerous and littered with pitfalls, and that is why Old Craft teachers take the responsibility of ensuring the would-be Initiate doesn’t go mad or drop dead during the rite! We know from firsthand experience within our own Tradition, of those who have ‘lost it’ during the procedure, and so take every possible precaution to guide and protect prior to, during, and for some time after the event.
Few also realise the amount of dedication and sheer hard work that goes into a formal Initiation from the position of the teachers themselves. Firstly, there are the years of personal study and experimentation; the blood, sweat and tears that have been poured into the gaining of knowledge, wisdom and understanding of the Universal Mysteries. Contrary to popular belief, this is an ongoing thing, since no one but a fool would ever reach a point of thinking: ‘That’s it! I cannot learn any more’. As well as teaching, teachers are continuing to learn and always adding to their own store of that precious Knowledge, Wisdom and Understanding.
Secondly, there is a long period of preparation – often over many years – in readiness for shouldering the responsibility of guiding others along the path. This is a complex and often overlooked area, but a good teacher has to know that they are capable of dealing with any situation as it may arise, and dealing with it correctly on a personal, magical, mystical and practical level. Teachers also have to be capable of making difficult choices, and in some cases, even refusing instruction for Initiation, based on sound reasoning and magical laws. Needless to say, tact and diplomacy, coupled with magical abilities are prerequisites in such cases, especially when duty forces us to over-ride personal friendships.
Why Should we Bother with the Mysteries?
Whether we like the idea or not, our dead are always with us … but this does not mean we are perpetually haunted by the shades of deceased, wrinkly and cantankerous relatives. Neither does it mean that the newly deceased will be kept earth-bound, in a state of limbo, in case they are needed on matters of earthly importance by those left behind. Our ‘Ancestors’ represent our culture, traditions, heritage, lineage and antecedents; they trace the long, tortuous march of history that our predecessors have taken under