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    Chamber Music: The Poetry of Jan Zwicky
    Chamber Music: The Poetry of Jan Zwicky
    Chamber Music: The Poetry of Jan Zwicky
    Ebook126 pages2 hours

    Chamber Music: The Poetry of Jan Zwicky

    By Jan Zwicky

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    Arcing across thirty years and seven volumes, Jan Zwicky’s poetry has always been acutely musical (and sensitive to the silence out of which music comes). In the compositions in Chamber Music, the first anthology of Zwicky’s poems, one may perceive the attunement of her vocations: poet, philosopher, violinist. Her poetry both praises and relinquishes the earth, bearing witness to the fierce skies of the prairies and the freezing rain of the West Coast. Enacting the virtue of clarity prized and defended by her explicitly philosophical work, this poetry is both resonant and integrated. It is also formally diverse, ranging from the singular focus of the lyric ode to suites of variations and fugal structures, from polyphonic textures to the sprawling reach of narrative gestures. Throughout, one feels the deft hand of an adept using powerful metaphors to explore themes of colonial violence, environmental devastation, spiritual catastrophe, and transformation.

    Resisting Western philosophy’s exclusion of imagination from civic life, Zwicky’s poetry is noteworthy for the tension it achieves between the abstract and the personal, the general and the particular. Meditating repeatedly on themes of love and grief, this poetry is at once passionately committed to the lucidity of its utterances and the fidelity of its images.
    LanguageEnglish
    PublisherWilfrid Laurier University Press
    Release dateJan 13, 2015
    ISBN9781771121088
    Chamber Music: The Poetry of Jan Zwicky
    Author

    Jan Zwicky

    Jan Zwicky has published nine collections of poetry, including Songs for Relinquishing the Earth, which won the Governor General’s Award, and, most recently, Forge. Her books of philosophy include Lyric Philosophy, Wisdom & Metaphor, and Alkibiades’ Love. Zwicky grew up on the prairies, was educated at the Universities of Calgary and Toronto, and currently lives on the west coast of Canada.

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      Book preview

      Chamber Music - Jan Zwicky

      Chamber Music

      The Poetry of Jan Zwicky

      Chamber Music

      The Poetry of Jan Zwicky

      Selected

      with an

      introduction by

      Darren Bifford and Warren Heiti

      and an interview with

      Jan Zwicky

      Wilfrid Laurier University Press acknowledges the support of the Canada Council for the Arts for our publishing program. We acknowledge the financial support of the Government of Canada through the Canada Book Fund for our publishing activities.

      Library and Archives Canada Cataloguing in Publication

      Zwicky, Jan, 1955–

      [Poems. Selections]

      Chamber music : the poetry of Jan Zwicky / selected with an introduction by Darren Bifford and Warren Heiti.

      (Laurier poetry series)

      Includes bibliographical references.

      Issued in print and electronic formats.

      ISBN 978-1-77112-091-3 (pbk.). — ISBN 978-1-77112-092-0 (pdf).—

      ISBN 978-1-77112-108-8 (epub)

      I. Bifford, Darren J. (Darren John), 1977–, editor II. Heiti, Warren, 1979–, editor III. Title.

      IV. Series: Laurier poetry series

      PS8599.W53A6 2015                            C811’.54                            C2014-905281-2

                                                                                                                   C2014-905282-0

      Front-cover image by Robert V. Moody; labyrinth.zenfolio.com. Cover design and text design by Pam Woodland.

      © 2015 Wilfrid Laurier University Press

      Waterloo, Ontario, Canada

      www.wlupress.wlu.ca

      This book is printed on FSC recycled paper and is certified Ecologo. It is made from 100% post-consumer fibre, processed chlorine free, and manufactured using biogas energy.

      Printed in Canada

      Every reasonable effort has been made to acquire permission for copyright material used in this text, and to acknowledge all such indebtedness accurately. Any errors and omissions called to the publisher’s attention will be corrected in future printings.

      No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior written consent of the publisher or a licence from the Canadian Copyright Licensing Agency (Access Copyright). For an Access Copyright licence, visit http://www.accesscopyright.ca or call toll free to 1-800-893-5777.

      Table of Contents

      Foreword, Neil Besner

      Biographical Note

      Introduction

      Practising Bach

      Language Is Hands

      from Leaving Home

      from Seven Elegies: Robert William Zwicky (1927–1987)

      The Horse Pull

      Your Body

      K. 219, Adagio

      The Geology of Norway

      Brahms’ Clarinet Quintet in B Minor, Op. 115

      Cashion Bridge

      Bill Evans: Here’s That Rainy Day

      Beethoven: Op. 95

      Driving Northwest

      Prairie

      Epistemology

      One Version

      Robinson’s Crossing

      History

      Another Version

      Glenn Gould: Bach’s Italian Concerto, BWV 971

      Small song in praise of ears

      Small song for the voice of the nuthatch

      Small song: Prairie

      Small song to oneself

      Small song: Mozart

      Small song: Laundry

      from Music and Silence: Seven Variations

      Late Schubert

      Practising Bach

      Gemini

      If There Were Two Rivers

      From Distant Lands

      The Art of Fugue

      Schumann: Fantasie, Op. 17

      Autobiography

      Autumn Again

      An Abridgement of a Conversation with Jan Zwicky

      Acknowledgements

      Foreword

      The Laurier Poetry Series began in 2004 with the appearance of Before the First Word, a volume of Lorna Crozier’s poetry most ably edited by Winnipeg poet Catherine Hunter. Our hope was to bring contemporary Canadian poetry to its readers in a different way — by selecting thirty-five poems from across a poet’s career, and by asking the editor and the poet to write an engaging and accessible introduction and afterword, respectively. Crozier and Hunter set the bar very high.

      I admit that one ambition I had in mind then — I still do — was to match the reach of the New Canadian Library. I imagined, hoped that what that series has done, mostly for Canadian fiction, the Laurier series would do for Canadian poetry. I hoped that in the high school and university classroom, poets would be better served by a volume that represented their work more widely than the usual anthology, with one or at best a few poems from each poet. And I hoped that more readers, old and new, beyond the classroom, maybe outside of Canada, would find these volumes appealing.

      Ten years later, with the twentieth volume just gone to press — and with the very recent and happy experience of using ten of the Laurier volumes, including Crozier’s, in a fourth-year university class on contemporary Canadian poetry — a warm and vivid image arises in memory of poet Brian Henderson, then as now the Director of Wilfrid Laurier University Press, asking me over a beer on a hot June afternoon in 2002 in Toronto, at the Learneds, whether I might be interested in editing a series like this one. Then as now, I thought the idea was excellent. I didn’t know if it would fly, though Brian’s was, then as now, an inspired idea. A few more beers and an hour or so later, we agreed to give it a shot.

      Over this last (fast!) decade the dedicated group that Brian leads at WLUP — especially managing editor Rob Kohlmeier and his luminous team — have worked with an unimaginably wide range of poets and poetics. To what little I knew in 2004 about publishing, they have added their consummate and patient professionalism.

      What continues to inspire me about the Laurier Poetry Series, or LPS, has been its reception across the country. The love and art and passion and intimacy that twenty editors and twenty poets have brought to their volumes; the innumerable hours and conversations and meetings, the thousands of emails between and among poets and editors and Wilfrid Laurier; the generous reviews in the country’s journals; the reception in classrooms and beyond: all of this eloquently speaks to the joyful proliferation of poetry in Canada today — and tomorrow. What a tremendous wealth of poets and readers we have here! What vital riches!

      With each new volume, the Laurier Poetry Series hopes to continue to recognize the growing provenance of this wealth, the wide range of these riches. Our poets — and their readers — deserve nothing less.

      — Neil Besner

      General Editor

      Biographical Note

      Jan Zwicky has published nine collections of poetry, including Songs for Relinquishing the Earth (1996), which won the Governor General’s Award, Robinson’s Crossing (2004), which won the Dorothy Livesay Prize, and most recently Forge (2011), which was short-listed for the Griffin Prize. Her books of philosophy include Wisdom

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