At Lake Scugog: Poems
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This is an eagerly awaited collection of new poems from the author of Tom Thomson in Purgatory, which won the National Book Critics Circle Award and was hailed by the New York Times as a "snappy, entertaining book." A triumphant follow-up to that acclaimed debut, At Lake Scugog demonstrates why the San Francisco Chronicle has called Troy Jollimore "a new and exciting voice in American poetry."
Jollimore is a professional philosopher, and in witty and profound ways his formally playful poems dramatize philosophical subjects--especially the individual's relation to the larger world, and the permeable, constantly shifting border between "inner" and "outer." For instance, the speaker of "The Solipsist," suspecting that the entire world "lives inside of your skull," wonders "why / God would make ear and eye / to face outward, not in." And Tom Thomson--a character who also appeared in Jollimore’s first book--finds himself journeying like an astronaut through the far reaches of the space that fills his head, an experience that prompts him to ask that a doorbell be installed "on the inside," so that he can warn the world before "intruding on’t."
______
From At Lake Scugog:
LOBSTERS
Troy Jollimore
?
tend to cluster in prime numbers, sub-
oceanic bundles of bug consciousness
submerged in waking slumber, plunged in pits
of murk-black water. They have coalesced
out of the pitch and grime and salt suspended
within that atmospheric gloom. Their skin
is colorless below. But when exposed
to air, they start to radiate bright green,
then, soon, a siren red that wails: I’m dead.
The meat inside, though, is as white as teeth,
or the hard-boiled egg that comes to mind
when one cracks that crisp shell and digs beneath.
Caress the toothy claw-edge of its pincer
and you will know the single, simple thought
that populates its mind. The lobster trap is elegance
itself: one moving part: the thing that’s caught.
Troy Jollimore
Troy Jollimore is the author of two previous collections of poetry, At Lake Scugog (Princeton) and Tom Thomson in Purgatory, which won the National Book Critics Circle Award. His poems have appeared in the New Yorker, McSweeney's, the Believer, and other publications. He is a professor of philosophy at California State University, Chico.
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At Lake Scugog - Troy Jollimore
Acknowledgments
I BURN BAG
THE SOLIPSIST
Don’t be misled:
that sea-song you hear
when the shell’s at your ear?
It’s all in your head.
That primordial tide—
the slurp and salt-slosh
of the brain’s briny wash—
is on the inside.
Truth be told, the whole place,
everything that the eye
can take in, to the sky
and beyond into space,
lives inside of your skull.
When you set your sad head
down on Procrustes’ bed,
you lay down the whole
universe. You recline
on the pillow: the cosmos
grows dim. The soft ghost
in the squishy machine,
which the world is, retires.
Someday it will expire.
Then all will go silent
and dark. For the moment,
however, the blackness
is just temporary.
The planet you carry
will shortly swing back
from the far nether regions.
And life will continue—
but only within you.
Which raises a question
that comes up again and again,
as to why
God would make ear and eye
to face outward, not in?
AT LAKE SCUGOG
1
Where what I see comes to rest,
at the edge of the lake,
against what I think I see
and, up on the bank, who I am
maintains an uneasy truce
with who I fear I am,
while in the cabin’s shade, the gap between
the words I said
and those I remember saying
is just wide enough to contain
the remains that remain
of what I assumed I knew.
2
Out in the canoe, the person I thought you were
gingerly trades spots
with the person you are
and what I believe I believe
sits uncomfortably next to
what I believe.
When I promised I will always give
you what I want you to want,
you heard, or desired to hear,
something else. As, over and in the lake,
the cormorant and its image
traced paths through the sky.
REGRET
I’d like to take back my not saying to you
those things that, out of politeness, or caution,
I kept to myself. And, if I may—
though this might perhaps stretch the rules—I’d like
to take back your not saying some of the things
that you never said, like I love you
and "Won’t you
come home with me," or telling me, which
you in fact never did, perhaps in the newly
refurbished café at the Vancouver Art
Gallery as fresh drops of the downpour from which
we’d sought shelter glinted in your hair like jewels,
or windshields of cars as seen from a plane
that has just taken off or is just coming in
for a landing, when the sun is at just the right angle,
that try as you might, you could not imagine
a life without me. The passionate spark
that would have flared up in your eye as you said this—
if you had said this—I dream of it often.
I won’t take those back, those dreams, though I would,