New Worlds, New Civilizations
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That is the mission statement of Starfleet, the declaration taken to heart by every starship captain, a mandate that has carried us across countless frontiers. It has uncovered our eyes, expanded our understanding, enlightened our lives. It has opened the door of discovery to all of the citizens of the Federation. And in turn we, ourselves, have been discovered.
Join us now as we set off on our own journey. Hear your footseps ring out on the decks of a Borg ship, stand beside Klingon warriors as they welcome home their hero and new chancellor, feel the heat of the deadly firestorms of Bersalis III. You can travel the walkways of Starbase 11, experience the "reality" of the Q Continuum, and breathe the desert air of Vulcan. In New Worlds, New Civilizations, you can be the one to boldly go.
For more than three decades, viewers have enjoyed only fleeting glimpses of the myriad worlds imagined by the creators of Star Trek®, alien vistas and astonishing societies captured only for a few tantalizing seconds on-screen. With Michael Jan Friedman as your guide, and aided by a remarkable collection of talented artists, now you can embark on a visual odyssey through Star Trek's unique galaxy of new worlds and new civilizations.
Michael Jan Friedman
Michael Jan Friedman is the author of nearly sixty books of fiction and nonfiction, more than half of which bear the name Star Trek or some variation thereof. Ten of his titles have appeared on the New York Times bestseller list. He has also written for network and cable television, radio, and comic books, the Star Trek: Voyager® episode “Resistance” prominent among his credits. On those rare occasions when he visits the real world, Friedman lives on Long Island with his wife and two sons.
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New Worlds, New Civilizations - Michael Jan Friedman
FOR DE FOREST KELLEY
Contents
A Letter From The Editors
Part 1: Fire
Vulcan: Tempered by the Forge
Cardassia: the Glories of the Hebitians
Ashes, Ashes: Bersallis Iii
Klingon: Empire a Warrior’S Path
The Hunted: Sakari & Hirogen
Part 2: Water
A Dry Day On Ferenginar
Danula Ii: the Footfalls of Tradition
The Specter Ok: Jamestown Badlands
Trill: Aversion
Part 3: Air
An Enigma Wrapped in a Puzzle: Guardian of Forever
Paradox of Virtue: Romulan Right of Statement
Bajor: a Walk in the Path of the Emissary
Beyond Horizons: Q Continuum
Part 4: Earth
The Borg: the Heart of Darkness
Janus Vi: Mother’s Day
Starbase 11: 225 Years of Service
Second Chances: Tribbles
At Times of Peril: Earth
Acknowledgments
About the Artists
A LETTER FROM THE EDITORS
For five long years we have felt the dogs of war tearing away at our way of life. We have sacrificed scores of our finest and too many of our innocents. Yet, we have held fast to one truth: We are citizens of a great community. We were not dominated from without. We chose, as sovereign worlds, as free people, to join the Federation. We have defined the ideals that have shaped our Federation.
What better way, then, to celebrate the end of the war with the Dominion than to look at these worlds, these civilizations, that make up the United Federation of Planets, both to reflect and to look beyond.
Realizing that we could not hope to cover all of them, the task laid before the editors of this work was to choose. But how could we choose? There are so many life-forms, places, and things, and they are all, each in their own way, important. Then, we were reminded of an archaic Earth belief. Fire, water, air, and earth were once considered to be the essential elements of the universe. Balance among them was deemed
or thought
to be essential. Once that balance was achieved, harmony would flow throughout the universe. So, in the spirit of that belief, we set out to choose our elements.
We sent out correspondents. Material was culled from both the Federation News and the Starfleet News Division. We even delved into the logs of Captain Kathryn Janeway of the U.S.S. Voyager, transmitted from the distant Delta Quadrant.
Our next challenge was to decide how to visually represent these elements.
We could have sent out scores of holographers and the results laid before you would have been as pretty as any travelogue. But we wanted to see past the surface, look beyond the empirical. We wanted to see what no holoimager could show us: the intangible insights that come from experiencing these worlds and knowing their life-forms. To do this, we felt you needed the mortal touch, you needed beings whose lives and works have been shaped by living in the Federation. Artists were chosen and given rein to present their interpretations of these life-forms and places as reflections of fire, water, air, and earth. If what you see here does not seem entirely realistic, know that it does represent the reality of our galaxy, at its most elemental archaic level.
It is easy to get caught up in any celebration. However, this is a good time to remind ourselves of what we have been trying to preserve. Not just the Federation, not just our lives, not just our freedom—it is the right to travel freely among the stars, to seek out new lives, to forge new alliances, to expand our federation of worlds. And we must remember that these seemingly intangible ideals are not just our birthright, but the inalienable right of the inhabitants of every world and every civilization we have encountered and have yet to encounter.
VULCAN
TEMPERED BY THE FORGE
It’s hot…
Hotter than any place that supports life has a right to be.
Standing at the cracked red foot of Mount Seleya, wrapped in the finest thermolytic garments the twenty-fourth century has to offer, I still sweat so profusely that the moisture clouds my vision. I’m barely able to discern the outline of the mountain through my stinging eyes. Intellectually, I know the suit is minimizing my body’s need to perspire, keeping me from drying up like a pressed flower. Emotionally, it’s of little comfort.
Fire and ice: Even those who come prepared to cope with the arid heat of Vulcan’s day can forget how cold the Forge gets at night, when the sun dips below the Kurat Mountain Range. At such times, desert travelers without shelter must fend off the biting wind racing in from the T’Kala Sea.
Here I am on one of the least habitable M class planets in the Federation on one of the most fiery days of its year, a parched and hapless human raised in what I now realize is the relatively balmy comfort of Earth’s southern Arizona desert. For the first time in my life I understand the casual, if overused, phrase, Hot as Vulcan.
My native guide, Tavis, a retired master an impressive 220 years old, regards my discomfort with what I now recognize as wry Vulcan humor, though I know he would certainly deny the characterization if I were rude enough to mention it. His sole protection from the blazing star overhead is a simple white robe made of nothing more sophisticated than native plant fibers.
Surak, revered as the father of modem Vulcan culture, worked out the basic tenets of his rigorously logical philosophy two thousand years ago as he trekked across the desert west of Seleya, a monotonously flat plane of sun-baked rock and sand that stretches for three hundred kilometers. Humans call it the Forge; even Vulcans will admit the logic of the metaphor. Maybe it’s because so many of their children undergo a strenuous rite of passage on these sands, the desert tempering them, forging them into adulthood as their distant ancestors forged metal spears in the blazing heat.
Visitors to the Forge are frequently surprised that a region with so little surface water can support humanoid life (inset). But its proximity to the Great T’Kala Sea, where the planet’s native life-forms are believed to have originated, may be the key reason that Vulcans hold the Forge in such reverence. It is a desert wilderness with links to a past that extends beyond living memory.
When I first approached the Vulcan Consulate about crossing the Forge on foot they regarded me with skepticism. I insisted that my Arizona childhood had prepared me for the climate, but they suggested
that I be accompanied by a Vulcan master of desert survival. I had casually assumed that with just a little technological boost, I could make a trek of the entire desert, end to end. Five days, tops. My hosts proposed
that I start at the halfway point, the foothills of Mount Seleya.
As our hovercraft lifted off from the capital city, ShariKahr, I found myself captivated by the view. The complex, intertwining pattern of narrow streets at the center of the old city testifies to the Vulcans’ longstanding preoccupation with mathematics and logic. As the city expanded, later architects, honoring the work of their predecessors, created intricate new designs in geometric harmony with those of the past. An ancient aqueduct system, one of the few relics predating the Time of Awakening,
draws precious water into the city from deep aquifers fed by desert hot springs some thirty kilometers to the south. Seeing it from this vantage, I was struck by the realization that ShariKahr is much more than home to eight million Vulcans—it’s a continually evolving work of mathematical art.
As the city dwindled behind us, I was drawn to the unnerving image of T’Khut, Vulcan’s airless sister world, dominating half my field of vision. Most humans never entirely adjust to the sight of its huge disk, ruddy and mottled by the planet’s rich mineralogical diversity. T’Khut seems to watch over Vulcan like an ominous, omniscient eye, and it always seems so perilously, impossibly close. My mind flashed on the nightmarish thought that it could drop out of the sky at any moment and roll over Vulcan, flattening everything in its path. In reality, T’Khut’s orbit is implacably stable. Mated by gravity, the two worlds are locked in a perpetual dance of tidal forces that stimulate the almost ceaseless volcanic activity common to both of them.
Only with effort did I force my eyes away to focus on the twin ochre cones of Mount Seleya that were slowly growing on the horizon. One of Vulcan’s most striking and sacred geological formations, at first glance this barren outcroppings of sun-hardened sandstone gives no hint of the spiritual significance it holds for the people of this world. But as the lighting and the viewing angle became just right, I experienced a delightful epiphany: Mount Seleya’s unusual outline mimics the customary split-fingered hand gesture used by Vulcans in greeting and parting.
Tradition holds that The Kurat Temple Complex at the base of the mountain was erected by Vulcan mystics over eight thousand years ago. The seemingly endless steps carved into the steep mountain slopes lead almost to the summit, where ancient ceremonies seldom witnessed by off-worlders are still performed.
To my disappointment, our hovercraft got no closer to the temple, silently vectoring off to an isolated bluff on a different slope of the Kurat mountain range. When I questioned our pilot about the course change, he responded simply, Our presence would be disruptive.
I took this as a diplomatic way of telling me, "Your presence would be disruptive."
We set down on a sunny rock terrace that is seemingly devoid of life, until the pungent, spicy fragrance of favinit invaded my nostrils. Its prolific, spiky petals extend from a slender yellow stalk that can rise as high as three meters. Most off-worlders find the fragrance produced in full bloom intense, to put it mildly. To my human senses, they reeked. But the pungent odor released by the billowing, translucent blossoms is typical of the flora found in the higher deserts, and a wide variety of popular spices are derived from the leaves of the favinit and other native plants. In the spring, fields of the fertile succulent cover tens of kilometers in the Surak province. Favinit roots sometimes burrow twenty meters below the desert caliche in their search for elusive water.
Earth and sky seem about to collide as Vulcan’s sister world, T’Khut, rolls ominously toward the zenith above a terrain of astonishing contrasts. Ancient footpaths and bridges carved by volcanic forces and pre-Reform Vulcans are unique to this part of the Forge. Priestesses from a nearby temple see to the ritual fires of the ancient sites that dot the landscapes.
My pilot had already started walking toward a cave opening I hadn’t noticed. Forgetting where I was, I ran to catch up, and immediately started to lose my breath in the hot, thin atmosphere. The pilot looked back, arching an inquiring eyebrow. I mustered as much dignity as possible as I forced my ragged breathing closer to normalcy. Before he could comment, I changed the subject. Where are we going?
He resumed his climb. To find your guide,
he replied.
As we reached the cave entrance, I once again suspected the oft-denied Vulcan humor was at work. The interior of the cave was an ancient dwelling, so simple and primitive I found it hard to accept that anyone could still be living there. As my eyes adjusted to the dark, I began to make out the features of the oldest Vulcan I’ve ever seen sitting cross-legged on the red dirt floor.
A pair of surprisingly lively eyes looked up at me from a face lined and weathered by two centuries of desert sun. Tavis had spent all of his 220 years on Vulcan. He’d never once left his homeworld, not even for a brief visit to T’Khut or one of the orbital stations. Vulcan is more than enough to occupy a single lifetime,
he told me. I had trouble believing him. The galaxy is rich with worlds whose diversity and stunning beauty boggle the imagination. How could anyone not want to leave his native planet and explore at least part of the galaxy? Tavis simply pointed to his head and responded, rather mysteriously, All exploration begins and ends here.
The Vulcan Consulate had chosen Tavis to guide me across the Forge. He’d crossed it himself more than a dozen times, and in his orderly Vulcan mind he could visualize every meter of the terrain with photographic precision.
We struck out at dawn.
The Forge is a rocky, hardscrabble desert plain, with a scattering of sand dunes and a few spiny succulents sprouting here and there. Its southern edge is bordered by a sprawling system of mazelike slot canyons. Their exposed rock strata display an enchanting array of muted pastel colors, from rich, golden brown to sulfurous yellow. We head north, away from the canyons, toward the Great T’Kala Sea, which marks the Forge’s northern border.
By mid-morning the intense sunlight feels as hard as the stony ground. Crossing over a small dune, we discover a jumbled pile of chalky white sticks. I come to the realization they aren’t sticks, but bones. Tavis identifies