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    Necroscope
    Necroscope
    Necroscope
    Ebook560 pages10 hours

    Necroscope

    By Brian Lumley

    4/5

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    About this ebook

    An instant classic, Brian Lumley's astonishing feat of imagination spawned a universe which Lumley has explored and expanded through more that a baker's dozen of novels and novellas.

    Millions of copies of Necroscope and its successors are in print in a dozen languages throughout the world. Nominated for the British Fantasy Award, Necroscope has inspired everything from comic books and graphic novels to sculptures and soundtracks.

    This new edition of Necroscope uses the author's preferred text and includes a special introduction by Brian Lumley, telling how the Necroscope saga came to be. It also includes chapter ornaments by Hugo-Award-Winning artist Bob Eggleton, long identified with Lumley's blood-sucking monsters.

    As a classic, Necroscope rightfully claims a place in the Orb trade paperback list, for scholars of the field and the dedicated Lumley collector. And also for all the people who have read more than one mass market copy of the book to tatters.

    Harry Keogh is the man who can talk to the dead, the man for whom every grave willingly gives up its secrets, the one man who knows how to travel effortlessly through time and space to destroy the vampires that threaten all humanity.

    In Necroscope, Harry is startled to discover that he is not the only person with unusual mental powers--Britain and the Soviet Union both maintain super-secret, psychically-powered espionage organizations. But Harry is the only person who knows about Thibor Ferenczy, a vampire long buried in the mountains of Romania--still horribly alive, in undeath--and Thibor's insane "offspring," Boris Dragosani, who rips information from the souls of the dead in a terrible, ever-lasting form of torture.

    Somehow, Harry must convince Britain's E-Branch that only by working together can they locate and destroy Dragosani and his army of demonic warriors--before the half-vampire succeeds in taking over the world!

    At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    LanguageEnglish
    PublisherMacmillan Publishers
    Release dateSep 1, 2009
    ISBN9781466817708
    Necroscope
    Author

    Brian Lumley

    Brian Lumley is a Grand Master of Horror and a winner of the British Fantasy Award. His many novels, including Necroscope, have been published in more than thirteen countries around the world. He lives in England with his wife, Barbara Ann.

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    Reviews for Necroscope

    4/5

    35 ratings14 reviews

    What our readers think

    Readers find this title to be a fantastic and amazing book. It is not just for horror readers, but also for fans of science fiction and great writing. The concept of a character who becomes friends with the dead is loved by readers. The book is highly recommended for its special and fantastic read.

    What did you think?

    Tap to rate

    Review must be at least 10 words

    • 4/5
      Love the concept of a character who becomes friends with the teaming dead.
    • 5/5
      I love the Necroscope series of books have read the whole series once before and about to start a reread of it. Definitely reccomend for horror and science fiction...or just plain great writing.
    • 5/5
      Amazing book, not just for horror readers. This book is very special.
    • 5/5
      A great deal of fun. One of the earliest entries into the " fantasy spy" genre that's quite popular now. A fantastic Read from my youth.
    • 5/5
      In an age of vampires who are more prised for six packs than the size of their fangs its refreshing to have a book like Necroscope which treats the idea of vampires as something which should be feared. The first in what is now quite an extensive series of books, Necroscope is a great read for anyone who enjoys a good horror novel and doesn't mind a bit of cloak and dagger. A great book, a bit comic book-ish in my opinion which is probably why I loved it.
    • 5/5
      This is a re-re-read for me. I've read Necroscope a couple of times over now, and I always find it an immensely entertaining book. Lumley's details in the book are so fine, it's hard not to find yourself entirely immersed in the story. It's hard to imagine how much Lumley packs into this book: cold war confrontations between England and Russia; ESPionage involving psychics of varying levels; vampires; time travel; teleportation; zombies (of a sort); political intrigue; family secrets. Of course, you have to like horror novels as well, because Necroscope definitely is not for the faint-of-heart reader.The plot of the book is your basic good vs evil, which eventually comes to a head with the confrontation between Harry Keogh, Necroscope, and Boris Dragosani, Necromancer. The differences between these two characters really creates the tension in the book. We follow the concurrent running stories of Harry Keogh growing up and Boris Dragosani as a young man, as they both come into their own with their powers. Dragosani, the necromancer, steals secrets from the dead by defiling their bodies in the most gruesome manner, while Harry Keogh, the necroscope, simply speaks to the dead, and befriends them. In Lumley's world, the dead simply carry on as a mind/conscious after death. The genius' of the world continue thinking their amazing thoughts, creating and composing and building, all in their mind but entirely alone. That is, until Harry comes along and discovers his ability to actually speak to the dead, and they are eternally grateful for this fact. So grateful, in fact, that they won't necessarily lay still in their graves when Harry's life is in danger.As if Dragosani isn't dangerous enough, he also discovers (or is discovered by) Thibor Ferenczy, an ancient vampire, or wamphyr. In Lumley's world, the vampires are actually parasitic creatures who bond with humans and can reproduce once in their lifetime. Ferenczy teaches Dragosani the necromancer technique and eventually bestows on him the "gift" of becoming a wamphyri.In all honesty, the book is a little slow to start off. There is so much back story to all the characters involved, that Lumley has to explain quite a bit before the story really begins to pick up, but once that happens, hold on! It's a roller coaster ride of a book, right up to the very last page. Lumley has created some very memorable characters in his cast, and his use of time travel and teleportation are extremely clever. I can't give details as that will be too spoilerific, but he does handle the time travel very well (after the fact, it has left me in mind of Tim Powers' use of time travel in The Anubis Gates). If you are a fan of action packed stories, and don't mind a little blood and gore on the way, Necroscope would definitely be for you. However, if you're a little bit on the squeamish side, I'd highly recommend avoiding Necroscope at all costs!
    • 3/5
      The cold war. I remember that. You'd think the book would have more resonance considering there have been stories of Soviet spies in the news this week, but um...no. Those pesky Russians. What have they been up to? The action in this book is drawn out and slow, and there was so much background on the two main rival necromancers that at times I just wanted to say "move along little dogies, you're dragging the story down." And Lumley's love affair with the exclamation point started to get to me really early in the book. It! really! did! I dunno - maybe the series gets better, but I doubt I'll bother to find out.
    • 4/5
      Meet Harry Keogh. Not your average man by any means. All Powerful Soul is more like it - not even man. Lumley brings Keogh and his future rival Dragonsai along from when Harry was a adolescent, and dragonsai an young man in the USSR's ESPionage unit that was just beginning. They both grow in thier powers and abilities, Harry by inherited gifts from his mother, Boris by having them bestowed upon his by a power hungry vampire. A perfect horror thriller, with excellent promise of much more to come.
    • 2/5
      This book was recommended highly from a friend, but I can't figure out from what perspective. The story line seemed to move very slowly, but there were more twists and new outrageous ideas every few paragraphs. There were way too many different aspects of mythology mixed together too quickly, with sexual tensions, relationships, and political themes. It was an overwhelming and unenjoyable read.
    • 2/5
      I have several friends who love this series, and being a fan of the occult, I thought I would. Being a fan of political intrigue, I thought I would like it. No...no...not really. The one character that I found to be engaging was not developed at all (Harry) and I was disappointed by that. The plot idea was very engaging, but the writer missed the followthrough in the actual production of the work. The characters seem to be undeveloped, overdramatic and stilted. The descriptions are long, drawn-out and redundant. Just about everything in these books seems to be wolf-like, monstrous, bat-like or demonic. Where's a thesaurus when you need one? And the editing left something to be desired. It has been a long time since I have seen to many typos in a book!I gave this two stars because I was able to slog my way through to the finish...something I was not able to do with book 2--and being someone who reads everything from comic books to classic literature, I can count on one hand the number of books I have not finished in the last 20 years. Apologies to my friends who love him, and to Lumley himself--just not for me!
    • 5/5
      Imaginative and unpredictable.Two words any reader wants to see. Lumley delivers a great piece of horror fiction with Necroscope. It's a slow builder, carefully building a detailed history of the two main characters, the adversaries with paranormal powers. The central plot tells the story of a personal fight between good and evil, saturated with plot twists, foreboding menace and originality. The surrounding influences for the plot are all well described, a factor which no doubt encouraged Lumley to continue the Necroscope series. Necroscope cleverly entwines science and legend to create a book which will demand your attention to the very end - and what a finale. It is a standalone story and a real treat which is in no way dated.
    • 4/5
      Back in the day I went through a vampire phase brought on by Anne Rice’s books. Thankfully the harlequin romance of vampire series wasn’t out yet (yeah, I’m looking at you Stephanie Meyers). I’m not a soppy sort of girl so wouldn’t have been attracted to that series even if it were out. Instead I got sucked up into the world of Harry Keogh and the espers. I bet I’m practically the only woman who read and enjoyed this series. Honestly I have only read the first five before getting bored, but I did like them and so am reading them over again.In this imagining vampires are parasitical organisms as old as humanity itself. They have, in fact, evolved along with us and are completely dependent on us for pretty much their higher life support. Oh sure, without a host a vampire can exist, but it cannot thrive. It’s all very biological, but in turn for acting as host the human is rewarded with long life, weird ‘super powers’ and amped emotions and responses.But vampires are still evil and must be stopped. This involves two rival government organizations dedicated to the pursuit of supernatural powers to further the ends of their own governments. Chiefly Russia and Britain take this stuff seriously and Harry is discovered and recruited by the British organization. Because of a massive evil presence in the form of Boris Dragosani, he wages war on the Russian ESP headquarters.But this is only the end of the book. What leads up to it is much more interesting. Harry’s ability to speak to the dead and to allow them to speak through him gives him enormous talent beyond his natural scope. In Lumley’s world the dead exist as pure mind and once a genius always a genius and their work continues long after death. Theories and formulas never dreamed of in living humanity are a dime a dozen in dead humanity and Harry learns to harness the metaphysical powers of the Mobius strip to literally jump through time and space. Very handy.Another interesting aspect of the book is the relationship between Dragosani and Thibor Ferenczy aka The Old Thing in the Ground. Thibor is an ancient vampire who has been rendered helpless by men centuries ago. He’s chained and imprisoned in the ground physically, but his psychic presence can still wander among men. It finds Dragosani and further corrupts him. I won’t give the game away, but it does not end well. Am continuing on with Necroscope II and the rest of the five I own because the story is different. It’s not romantic. It’s visceral, brutal, esoteric and just weird. If you are tired of teenaged vampires lounging to death of ennui or sword wielding vampire slayers trying not to become enslaved by the very thing they battle, give Lumley’s Necroscope series a try.
    • 5/5
      The first in a great series...Really good!
    • 5/5
      My first Lumley book ever, and I thought it was great. Vampires, metaphysics, time travel, you name it -- it all shows up here. As the book opens, the soon-to-be head of Britain's E-Branch (E for ESP) is in his office, and gets a visit from some kind of "ethereal" being. The visitor lays out a story (the contents of the book) which ultimately deals with the forces of good vs the forces of evil. The story it tells breaks down into two camps: 1) that of Harry Keogh, who as a child has very strange talents and gets advice and help from dead people and 2) Dragosani, a member of the Soviet E-Branch who has the strange ability to glean the secret thoughts from dead people. Dragosani is originally from Wallachia, where he returns now and then to commune with one Thibor Ferency, a vampire being who was chained under the earth centuries ago. His goal is to harness the vampire's powers & dominate the world. Harry Keogh's mission: to ensure that these powers are never put into practice.For a horror novel, the writing is first rate and I really got into the main characters enough to where I had trouble putting the book down. I would very highly recommend this novel (for its FQ = fun quotient) to horror readers. It's a great way to pass the day.

    Book preview

    Necroscope - Brian Lumley

    PROLOGUE

    The hotel was big and rather famous, ostentatious if not downright flamboyant, within easy walking distance of Whitehall, and … not entirely what it seemed to be. Its top floor was totally given over to a company of international entrepreneurs, which was the sum total of the hotel manager’s knowledge about it. The occupants of that unknown upper region had their own elevator at the rear of the building, private stairs also at the rear and entirely closed off from the hotel itself, even their own fire escape. Indeed they—they being the only identification one might reasonably apply in such circumstances—owned the top floor, and so fell entirely outside the hotel’s sphere of control and operation. Except that from the outside looking in, few would suspect that the building in toto was anything other than what it purported to be; which was exactly the guise or aspect—or lack of such—which they wished to convey.

    As for the international entrepreneurs—whatever such creatures might be—they were not. In fact they were a branch of Government, or more properly a subsidiary body. Government supported them in the way a tree supports a small creeper, but their roots were wholly separate. And similarly, because they were a very tiny parasite, the vast bulk of the tree was totally unaware of their presence. As is the case with so many experimental, unproven projects, their funding was of a low priority, came out of petty cash. The upkeep of their offices was therefore far and away top of the list where costing was concerned, but that was unavoidable.

    For unlike other projects, the nature of this one demanded a very low profile indeed. Its presence in the event of discovery would be an acute embarrassment; it would doubtless be viewed with suspicion and scorn, if not disbelief and downright hostility; it would be seen as a totally unnecessary expenditure, a needless burden on the taxpayer, a complete waste of public money. Nor would there be any justifying it; the benefits or fruits of its being remained as yet entirely conjectural and the mildest frost would certainly put paid to them. The same principles apply to any such organization or service: it must (a) be seen to be effective while paradoxically (b) maintaining its cloak of invisibility, its anonymity. Ergo: to expose such a body is to kill it …

    Another way to dispose of this sort of hybrid would be, quite simply, to tear up its roots and deny it had ever existed. Or wait for them to be torn up by some outside agency and then fail to replant them.

    Three days ago there had occurred just such an uprooting. A major tendril had been broken, whose principal function it had been to bind the vine to its host body, providing stability. In short, the head of the branch had suffered a heart attack and died on his way home. He had had a bad heart for years, so that wasn’t strange in itself—but then something else had happened to throw a different light on the matter, something Alec Kyle didn’t want to dwell on right now.

    For now, on this Monday morning of an especially chilly January, Kyle, the next in line, must assess the damage and feasibility of repairs; and if such repairs were at all possible, then he must make his first groping attempt to pull the thing back together. The project’s foundations had always been a little shaky but now, lacking positive direction and leadership, the whole show might well fall apart in very short order. Like a sandcastle when the tide comes in.

    These were the thoughts in Kyle’s head as he stepped from the slushy pavement through swinging glass doors into a tiny foyer, shook damp snow from his overcoat and turned the collar down. It was not that he personally had any doubt as to the validity of the project—in fact the opposite applied: Kyle believed the branch to be all-important—but how to defend his position in the face of all that scepticism from above? Scepticism, yes. Old Gormley had been able to pull it off, with all his friends in high places, his old school tie image, his authority and enthusiasm and sheer get-up-and-go, but men such as Keenan Gormley were few and far between. Even fewer now.

    And this afternoon at four o’clock Kyle would be called upon to defend his position, the validity of his branch’s being, its very existence. Oh, they’d been quick off the mark, right enough, and Kyle believed he knew why. This was it, the crunch. With nothing to show for five years’ work, the project was to be terminated. No matter what arguments he produced, he’d be shouted down. Old Gormley had been able to shout louder than all of them put together; he’d had the clout, the back-up; but Alec Kyle—who was he? In his mind’s eye, he could picture the afternoon’s inquisition right now:

    Yes, Minister, I’m Alec Kyle. My function in the Branch? Well, apart from being second in command to Sir Keenan, I was—I mean I am—er, that is to say, I prognosticate … I beg your pardon? Ah, it means I foresee the future, sir. Er, no, I have to admit that I probably couldn’t give you the winner of the 3:30 at Goodwood tomorrow. My awareness generally isn’t that specific. But—

    But it would be hopeless! A hundred years ago they wouldn’t accept hypnotism. Only fifteen years ago they were still laughing at acupuncture. So how could Kyle hope to convince them in respect of the branch and its work? And yet, on the other hand, coming through all the despondency and sense of personal loss, there was this other thing. Kyle knew it for what it was: his talent, telling him that all was not lost, that somehow he would convince them, that the branch would go on. Which was why he was here: to go through Keenan Gormley’s things, prepare some sort of case for the branch, continue fighting its cause. And again Kyle found himself wondering about his strange talent, his ability to glimpse the future.

    For the fact was that last night he had dreamed that the answer lay right here, in this building, amongst Gormley’s papers. Or perhaps dreamed was the wrong word for it: Kyle’s revelations—his glimpses of things which had not yet happened, future occurrences—invariably came in those misty moments between true sleep and coming awake, immediately prior to full conscious awareness. The clamour of his alarm clock could do it, set the process in motion, or even the first crack of sunlight through his bedroom window. That’s what it had been this morning: the grey light of another grey day invading his room, getting under his eyelids, impressing upon his idly drifting mind the fact that another day was about to be born.

    And with it had been born a vision. But again, glimpse might be a better word for it, for that was all Kyle’s talent had ever permitted: the merest glimpse. Knowing this—and knowing that it would only occur once and then be gone forever—he had fastened upon it, absorbed it. He dared not miss a thing. Everything he had ever seen in this way had always proved to be vitally important.

    And on this occasion:

    He had seen himself seated at Keenan Gormley’s desk, going through his papers one by one. The top right-hand desk drawer was open; the papers and files on the desk in front of him had come from there. Gormley’s massive security filing cabinet stood as yet undisturbed against the wall of his office; its three keys were lying on top of the desk where Kyle had tossed them. Each key would open a tiny drawer in the cabinet, and each drawer had its own combination lock. Kyle knew the combinations and yet had not bothered to open the cabinet. No, for that which he sought was right here, in these documents from the drawer.

    As if realization of that fact had galvanized the image of himself where it sat in Gormley’s chair, Kyle had then seen himself pause abruptly as he came to a certain file. It was a yellow file, which meant that it concerned a prospective member of the organization. Someone on the books, as it were. Someone Gormley had had his beady eye on. Perhaps someone with a real talent.

    As that thought dawned, so Kyle took a step towards himself where he sat. Then, dramatically, as was always the case, his alter-image at the desk had looked up, stared at him, and held up the file so that he could read the name on the cover. The name was Harry Keogh.

    That was all. That had been the point where Kyle had started awake. As to what the thing had meant or was supposed to signify—who could say? Kyle had long since given up trying to predict the meaning of these glimpses, other than the fact that they had meaning. But in any case, if something could be said to have brought him here today, it would have to be that brief and as yet inexplicable dream before waking.

    As yet it was still fairly early in the morning. Kyle had beaten the first rush of heavy traffic in London’s streets by just a few minutes. For the next hour or more all would be chaos out there, but in here it was quiet as the proverbial tomb. The rest of the admin team (all three of them, including the typist!) had been given today and tomorrow off out of respect for the dead man, so the offices upstairs would be completely empty.

    In the tiny foyer Kyle had pressed the button for the elevator, which now arrived and opened its doors. He entered and as the doors closed behind him he took out his pass-card, sliding it easily and smoothly through the sensor slot. The elevator jerked but made no upward movement. Its doors opened, waited for a long moment, closed again. Kyle frowned, glanced at his card and silently cursed. It had run out yesterday! Normally Gormley would have renewed its validity on the branch computer; now Kyle would have to do it himself. Fortunately he had Gormley’s card with him, along with the rest of his office-related effects. Using the ex-Head of Branch’s pass-card, he coerced the elevator into carrying him to the top floor, going through a similar procedure to let himself into the main suite of offices.

    The silence inside was almost deafening. High up above the level of the street, with soundproofed floors to shut out hotel noises from below and double-glazed, tinted windows for additional privacy, the place seemed set in a sort of vacuum. The feeling crept in that if you listened to that silence long enough, it would become hard to breathe. It was especially so in Gormley’s room, where someone had been thoughtful enough to draw the blinds at the windows. But the blinds had jammed only a little more than halfway shut, so that now, with bands of light coming in through the green-tinted windows, the entire office seemed decorated in a horizontal, submarine pinstripe. It made this once familiar room strangely alien, and it was suddenly very odd and unreal not to have the Old Man here …

    Kyle stood in the doorway, staring into the office for long moments before entering. Then, closing the door behind him, he stepped to the center of the room. Several hidden scanners had already picked him up and identified him, in the outer offices as well as in here, but a monitor screen in the wall close to Gormley’s desk wasn’t satisfied. It beeped and printed up:

    SIR KEENAN GORMLEY IS NOT AVAILABLE AT PRESENT. THIS IS A SECURE AREA. PLEASE IDENTIFY YOURSELF IN YOUR NORMAL SPEAKING VOICE, OR LEAVE IMMEDIATELY. IF YOU FAIL TO LEAVE OR IDENTIFY YOURSELF, A TEN SECOND WARNING WILL BE GIVEN, FOLLOWING WHICH THE DOOR AND WINDOWS WILL LOCK AUTOMATICALLY … REPEAT: THIS IS A SECURE AREA.

    Feeling irrationally aggressive towards the cold, unthinking machine, and not a little perverse, Kyle said nothing but waited. After a count of three the screen wiped itself clean and printed up:

    TEN SECOND WARNING COMMENCES NOW … TEN … NINE … EIGHT … SEVEN … SIX …

    Alec Kyle, said Kyle grudgingly, not wishing to be locked in.

    The machine recognized his voice pattern, stopped counting, commenced a new routine:

    GOOD MORNING, MR. KYLE …

    SIR KEENAN GORMLEY IS NOT—

    I know, said Kyle. He’s dead. He stepped to the desk keyboard and punched in the current security override; to which the machine replied:

    DO NOT FORGET TO RESET BEFORE YOU LEAVE

    —and switched itself off.

    Kyle sat down at the desk. Funny world, he thought. And, funny bloody outfit! Robots and romantics. Super science and the supernatural. Telemetry and telepathy. Computerized probability patterns and precognition. Gadgets and ghosts!

    He reached into a pocket for his cigarettes and lighter, came out with both items and also the keys to Gormley’s security cabinet. Without thinking, he tossed the keys on to an empty corner of the desk. Then he paused and stared at them lying there, forming a pattern—the pattern from this morning’s glimpse into the future. Very well, let’s go from there.

    He tried the drawers of the desk. Locked. He took out Gormley’s notebook from the inside pocket of his overcoat, checked the code. It was OPEN SESAME.

    Unable to suppress a chuckle, Kyle punched OPEN SESAME into the desk keyboard and tried again. The top right-hand drawer slid open at a touch. Inside, papers, documents, files …

    And here comes the funny bit, he thought.

    He took out the papers and placed them in front of him on the desk. Leaving the drawer open (his glimpse again), he began to check through the documents, placing each one back in the drawer in its turn. He knew that by now his talent shouldn’t really surprise him any more, but it always did—and so he gave a small involuntary start as he arrived at the yellow file. The name on the cover was, of course, Harry Keogh.

    Harry Keogh. Apart from Kyle’s dream, that name had only ever come up once before: in an ESP game he had used to play with Keenan Gormley. As for this file: he had never seen it before in his life (his conscious life, anyway) and yet here he sat staring at it, exactly as in his dream. It was a very creepy feeling. And—

    In the dream he had held the file up to himself. Now the thought set the act in motion. Feeling foolish—not understanding why he did it, but at the same time feeling his skin charged with alien energy—he held up the file to the empty room, as if to a ghost from his own recent past. And just as a thought had triggered the action, now the action triggered something else—something away and beyond all of Alec Kyle’s previous experience or knowledge.

    God almighty! Gadgets and ghosts!

    The room had been comfortably warm just a moment ago. Centrally heated, the offices were never cold. Or should not be. But now, in a matter of seconds, the temperature had plunged. Kyle knew it, could feel it, but at the same time he retained enough of instinctive reasoning to wonder if perhaps his own body temperature had also taken a tumble. If so, it wouldn’t be hard to explain. This must be what shock felt like. No wonder people shivered!

    Jesus Christ! he whispered, his breath pluming in the suddenly frigid air. The file fell from his twitching fingers, slapped down on the desk. The sound of its falling—that and what he saw—galvanized Kyle into an almost spastic reaction of motion. He jerked back in his chair, causing its legs to ride through the pile of the carpet, tilting it backwards until it slammed against the window sill and rebounded.

    The—apparition?—the thing, where it stood halfway between the door and the desk, hadn’t moved. At first Kyle had thought (and had dreaded the thought) that it could only be himself he saw standing there, somehow projected forward from the dream. But now he saw that it was someone— something—else. Not once did it enter his mind to question the reality of what he was seeing, and not for a moment did he consider it to be anything other than supernatural. How could it be anything else? The scanners where they constantly swept the room, the entire suite of offices, had detected nothing. Entirely independent, if they had picked up anything at all intruder buzzers would be going off right now, and getting louder by the minute until someone sat up and took notice. But the alarms were silent. Ergo, there was nothing here to scan—and yet Kyle saw it.

    It, he, was a man—a youth, anyway—naked as a baby, standing there facing Kyle, looking directly at him. But his feet weren’t quite touching the carpeted floor and the bars of green light from the windows penetrated into his flesh as if it had no substance at all. Damn it—it had no substance at all! But the thing stared at him, and Kyle knew that it saw him. And in the back of his mind he asked himself: Is it friendly, or—?

    Inching his chair forward again, his eyes spied something in the back of the open drawer. A Browning 9 mm automatic. He’d known Gormley carried a weapon but hadn’t known about this one. But would the gun be loaded, and if it was would it be any good against this?

    No, said the naked apparition with a slow, almost imperceptible shake of its head. No it wouldn’t. Which was all the more surprising because its lips didn’t move by the smallest fraction of an inch!

    Jesus Christ! Kyle gasped again, out loud this time, as he once more gave an involuntary start away from the desk. And then, controlling himself, to himself, he said:

    You … you read my mind!

    The apparition smiled a thin smile. We all have our talents, Alec. You have yours and I have mine.

    Kyle’s lower jaw, already agape, now fell open. He wondered which would be easier: to simply think at the thing or to talk to it.

    Just talk to me, said the other. I think that will be easier for both of us.

    Kyle gulped, tried to say something, gulped again and finally gasped out: But who … what … what the hell are you?

    Who I am doesn’t matter. What I have been and will be does. Now listen, I’ve a lot to tell you and it’s all rather important. It will take some time, hours maybe. Do you need anything before I begin?

    Kyle stared hard at the … whatever it was. He stared at it, jerked his eyes away from it, peered at it out of the corner of his eye. It was still there. He surrendered to instinct backed up by at least two of his five senses, those of sight and hearing. The thing seemed rational; it existed; it wanted to talk to him. Why him and why now? Doubtless he’d shortly be finding out. But—God damn!—he wanted to talk to it, too. He had a real live ghost here, or a real dead one!

    Need anything? he shakily repeated the other’s question.

    You were going to light a cigarette, the apparition pointed out. You might also like to take your coat off, get yourself a coffee. It shrugged. If you do these things first, then we can get on with it.

    The central heating had come on, turning itself up a notch to compensate for the sudden fall in temperature. Kyle carefully stood up, took off his overcoat and folded it over the back of his chair. Coffee, he said. Yes—er, I’ll just be a moment.

    He walked round the desk and past his visitor. It turned to watch him leave the room, a pale shadow of a thing floating there, skinny, insubstantial as a snowflake, a puff of smoke. And yet … oh, yes, there was a power in it, Kyle was thankful it didn’t follow him …

    He put two five-pence pieces in the coffee machine in the main office, fumbling the coins into the slot, and headed for the gents’ toilet before the machine could deliver. He quickly relieved himself, picked up his steaming paper cup of coffee on the way back to Gormley’s office. The thing was still there, waiting for him. He carefully walked round it, seated himself again at the desk.

    And as he lit a cigarette he looked at his visitor more closely, in greater detail. This was something he had to get fixed in his mind.

    Taking into account the fact that its feet weren’t quite touching the floor, it must be about five-ten in height. If its flesh was real instead of milky mist, it—or he—would weigh maybe nine stone. Everything about him was vaguely luminous, as if shining with some faint inner light, so Kyle couldn’t be sure about colouring. His hair, an untidy mop, seemed sandy. Faint and irregular marks on his high cheeks and forehead might be freckles. He would be, oh, maybe twenty-five years old; he had looked younger at first but that effect was wearing off now.

    His eyes were interesting. They looked at Kyle and yet seemed to look right through him, as if he were the ghost and not the other way about. They were blue, those eyes—that startlingly colourless blue which always looks so unnatural, so that you think the owner must be wearing lenses. But more than that, there was that in those eyes which said they knew more than any twenty-five-year-old had any right knowing. The wisdom of ages seemed locked in them, the knowledge of centuries lay just beneath the faintly blue film which covered them.

    Apart from that, his features were fine, like porcelain and seemingly equally fragile; his hands were slim, tapering; his shoulders drooped a little; his skin in general, apart from the freckles of his face, was pale and unblemished. But for the eyes, you probably wouldn’t look at him twice on the street. He was just … a young man. Or a young ghost. Or maybe a very old one.

    No, said the object of Kyle’s scrutiny, his lips immobile, "I’m not any kind of ghost. Not in the classic sense of the word, anyway. But now, since you obviously accept me, can we begin?"

    Begin? Er, of course! Kyle suddenly felt like laughing, hysterical as a schoolgirl. He controlled it with an effort.

    Are you sure you’re ready?

    Yes, yes. Go right ahead. But—er—can I record this? For posterity or whatever, you know? There’s a tape recorder here, and I—

    The machine won’t hear me, said the other, shaking his head again. "Sorry, but I’m only speaking to you—directly to you. I thought you understood that? But … take notes if you wish."

    Notes, yes… Kyle scrabbled in the desk drawers, found paper and a pencil. Fine, I’m ready.

    The other slowly nodded. The story I have to tell is … strange. But working in an organization such as yours, you shouldn’t find it too unbelievable. If you do … there’ll be plenty for you to do afterwards; the truth of the things I’m going to tell you will come out then. As to any doubts you may have about the future of your branch—put them aside. Your work will go on, and it will go from strength to strength. Gormley was the head, but he’s dead. Now you will be head—for a little while. You’ll be up to it, I assure you. Anyway, nothing that Gormley knew has been lost; indeed, much has been gained. As for the Opposition—they’ve suffered losses from which they may never recover. At least, they’re about to.

    As the apparition spoke, so Kyle’s eyes opened even wider and he sat up straighter and straighter. It (he, dammit!) knew about the branch. About Gormley. About the Opposition, which was branch parlance for the Russian outfit. And what was this about them suffering heavy losses? Kyle knew nothing of that! Where did this—being—get its information? And just how much did it know anyway?

    I know more than you can possibly imagine, said the other, smiling wanly. And what I don’t know I can get to know—almost anything.

    See, said Kyle defensively, it’s not that I doubt any of this—or even my sanity, for that matter—it’s just that I’m trying to adjust, and—

    I understand, the other cut him off. But, please, do your adjusting as we go, if you can. In what I’m about to tell you, time zones may overlap a little, so you’ll need to adjust to that, too. But I’ll keep it as chronologically sound as I can. The important thing is the information itself. And its implications.

    I’m not sure I quite under—

    I know, I know. So just sit there and listen, and then maybe you will understand.

    CHAPTER ONE

    Moscow, May 1971.

    Central in a densely wooded tract of land not far out of the city—where the Serpukhov road passed through a saddle between low hills and gazed for a moment across the tops of close-grown pines towards Podolsk, which showed as a hazy smudge on the southern horizon, brightly pricked here and there with the first lights of evening—stood a house or mansion of debased heritage and mixed architectural antecedents. Several of its wings were of modern brick upon old stone foundations, while others were of cheap breeze blocks roughly painted over in green and grey, almost as if to camouflage their ill-matching construction. Bedded at their bases in steeply gabled end walls, twin towers or minarets decayed as rotten fangs and gaunt as watchtowers—whose sagging buttresses and parapets and flaking spiral decorations detracted nothing from a sense of dereliction—raised broken bulbous domes high over the tallest trees, their boarded windows glooming like hooded eyes.

    The layout of the outbuildings, many of which had been recently re-roofed with modern red brick tiles, might well suggest a farm or farming community, though no crops, farm animals or machines were anywhere in evidence. The high all-encompassing perimeter wall—which from its massy structure, reinforced abutments and broad breast walls might likewise be a relic of feudal times—showed similar signs of recent repair work, where heavy grey concrete blocks had replaced crumbling stone and ancient brick. To east and west where streams ran deep and gurgling over black boulders, flowing between steep banks which formed them into natural moats, old stone bridges supporting lead roofs green with moss and age tunnelled into and through the walls, their dark mouths muzzled with steel-latticed gates.

    All in all grim and foreboding. As if the merest glimpse of the place from the highway would not be sufficient warning in itself, a sign at the T-junction where a cobbled track wound away from the road and into the woods declared that this entire area was Property of the State, patrolled and protected, and that all trespassers would be prosecuted. Motorists were not permitted to stop under any circumstances; walking in the woods was strictly forbidden; hunting and fishing likewise. Penalties would be, without exception, severe.

    But for all that the place seemed deserted and lost in its own miasma of desolation, as evening grew into night and a mist came up from the streams to turn the ground to milk, so lights flickered into life behind the curtained ground-floor windows, telling a different story. In the woods, on the approach roads to the covered bridges, large black saloon cars might also appear abandoned where they blocked the way—except for the dull orange glowing of hot cigarette tips within, and the smoke curling from partly wound-down windows. It was the same inside the grounds: squat, silent shapes which might just represent men, standing in the shadowed places, their dark grey overcoats as like as uniforms, faces hidden under the brims of felt hats, shoulders robotically square …

    In an inner courtyard of the main building, an ambulance—or maybe a hearse—stood with its back doors open, white-overalled attendants waiting and the driver seated uncomfortably at the high steering-wheel. One of the attendants played with a steel loading roller, spinning it on well-lubricated bearings at the rear end of the long, somehow sinister vehicle. Nearby, in an open-ended barnlike structure with a sagging canvas roof, a helicopter’s dull paintwork and square glass windows gleamed darkly in shadow, its fuselage bearing the insignia of the Supreme Soviet. In one of the towers, leaning carefully on a low parapet wall, a figure with Army night-sight binoculars scanned the land about, particularly the open area between the perimeter wall and the central cluster. Projecting above his shoulder, the ugly blue metal snout of a specially adapted Kalashnikov rifle was limned faintly against a horizon growing steadily darker.

    Inside the main building, modern soundproof partition walls now divided what had once been a vast hall into fairly large rooms, serviced by a central corridor lit with a row of fluorescent tubes strung along a high ceiling. Each room had a padlocked door and all the doors were fitted with tiny grille windows with sliding covers on the inside, and with small red lights which, when blinking, signified No Entry—Not to be Disturbed. One of these lights, halfway down the corridor on the left, was blinking even now. Leaning against the wall to one side of the door with the blinking light, a tall, hard-faced KGB operative cradled a submachine gun in his arms. For the moment relaxed, he was ready to spring to attention—or into action—at a moment’s notice. The merest hint of the door opening, the sudden cessation of the red light’s blinking, and he would snap up straighter than a lamppost. For while none of the men in that room was his real master, nevertheless one of them was as powerful as anyone in the highest ranks of the KGB, perhaps one of the ten most powerful men in Russia.

    There were other men in the room beyond the door, which in fact was not one room but two, with an interconnecting door of their own. In the smaller room, three men sat in armchairs, smoking, their hooded eyes fixed on the partition wall, of which a large central section, floor to ceiling, was a one-way viewscreen. The floor was carpeted; a small wheeled table within easy reach supported an ashtray, glasses, and a bottle of high-class slivovitz; all was silent except for the breathing of the three and the faint electric whirr of the air-conditioning. Subdued lighting in a false ceiling was soothing to their eyes.

    The man in the middle was in his mid-sixties, those to right and left perhaps fifteen years younger. His protégés, each of them knew the other for a rival. The man in the middle knew it, too. He had planned it that way. It was called survival of the fittest; only one of them would survive to take his place, when eventually that day came. By then the other would have been removed—perhaps politically, but more likely in some other, still more devious fashion. The years between would be their proving ground. Yes, survival of the fittest.

    Completely grey at the temples, but with a broad contrasting central stripe of jet-black hair swept back from his high, much-wrinkled brow, the senior man sipped his brandy, motioned with his cigarette. The man on his left passed the ashtray; half of the hot ash found its target, the rest fell to the floor. In a moment or two the carpet began to smoulder and a curl of acrid smoke rose up. The flanking men sat still, deliberately ignoring the burning. They knew how the older man hated fussers and fidgets. But at last their boss sniffed, glanced down at the floor from beneath bushy black eyebrows, ground his shoe into the carpet, to and fro, until the smouldering patch was extinguished.

    Beyond the screen, preparations of a sort had been in progress. In the Western World it might be said that a man had been psyching himself up. His method had been simple … startlingly simple in the light of what was about to occur; he had cleansed himself. He had stripped naked and bathed, minutely and laboriously soaping and scrubbing every square inch of his body. He had shaved himself, removing all surface hair from his person with the exception of the close-cropped hair of his head. He had defecated before and after his bath, on the second occasion doubly ensuring his cleanliness by washing his parts again in hot water and towelling himself dry. And then, still completely naked, he had rested.

    His method of resting would have seemed macabre in the extreme to anyone not in the know, but it was all part of the preparations. He had gone to sit beside the second occupant of the room where he lay upon a not quite horizontal table or trolley with a fluted aluminum surface, and had lain his head on his folded arms where he rested them upon the other’s abdomen. Then he had closed his eyes and, apparently, had slept for some fifteen minutes. There was nothing erotic in it, nothing remotely homosexual. The man on the trolley was also naked, much older than the first, flabby, wrinkled, and bald but for a fringe of grey hair at his temples. He was also very dead; but even in death his pallid, puffy face, thin mouth and dense grey inward-slanting eyebrows were cruel.

    All of this the three on the other side of the screen had watched, and all had been accomplished with a sort of clinical detachment and with no outward indication of awareness from the—performer?—that they were there at all. He had simply forgotten their presence; his work was all-engrossing, too important to admit of outside agencies or interferences.

    But now he stirred, lifted his head, blinked his eyes twice and slowly stood up. All was now in order, the inquiry could commence.

    The three watchers leaned forward a little in their armchairs, automatically controlled their breathing, centred all their attention on the naked man. It was as if they feared to disturb something, and this despite the fact that their observation cell was completely insulated, soundproof as a vacuum.

    Now the naked man turned the trolley carrying the corpse until its lower end, where the clay-cold feet projected a little way and made a V, overhung the lip of the bath. He drew forward a second, more conventional trolley-table and opened the leather case which lay upon it, displaying scalpels, scissors, saws—a whole range of razor-sharp surgical instruments.

    In the observation cell, the man in the centre allowed himself a grim smile which his subordinates missed as they eased back fractionally in their chairs, satisfied now that they were about to see nothing more spectacular than a rather bizarre autopsy. Their boss could barely contain the chuckle rising from his chest, the tremor of ghoulish amusement welling in his stocky body, as he anticipated the shock they had coming to them. He had seen all of this before, but they had not. And this, too, would serve as a test of sorts.

    Now the naked man took up a long chromium-plated rod, needle sharp at one end and bedded in a wooden handle at the other, and without pause leaned over the corpse, placed the point of the needle in the crater of the swollen belly’s navel and applied his weight to the handle. The rod slid home in dead flesh and the distended gut vented gasses accumulated in the four days since death had occurred, hissing up into the naked man’s face.

    Audio! snapped the observer in the middle, causing the men flanking him to start in their chairs. His gruff voice was so deep in its range as to be little more than a series of glottal gurgles as he continued: Quickly, I want to listen! And he waggled a stubby finger at a speaker on the wall.

    Gulping audibly, the man on his right stood up, stepped to the speaker, pressed a button marked Receive. There was momentary static, then a clear hiss fading away as the belly of the corpse in the other room slowly settled down in folds of fat. But while yet the gas escaped, instead of drawing back, the naked man lowered his face, closed his eyes and inhaled deeply, filling his lungs!

    With his eyes glued to the one-way screen, fumbling and clumsy, the official found his chair again and seated himself heavily. His mouth, like that of his opposite number, had fallen open; both men now perched themselves on the front edges of their chairs, their backs ramrod straight, hands gripping the wooden arm rests. A cigarette, forgotten, toppled into the ashtray on the table to send up fresh streamers of perfumed smoke. Only the watcher in the middle seemed unmoved, and he was as much interested in the expressions on the faces of his subordinates as he was in the weird ritual taking place beyond the screen.

    The naked man had straightened up, stood erect again over the deflated corpse. He had one hand on the dead man’s thigh, the other on his chest, palms flat down. His eyes were open again, round as saucers, but his colour had visibly changed. The normal, healthy pink of a young, recently scrubbed body had entirely disappeared; his grey was uniform with that of the dead flesh he touched. He was literally grey as death. He held his breath, seeming to savour the very taste of death, and his cheeks appeared to be slowly caving in. Then—

    He snatched back his hands from the corpse, expelled foul gas in a whoosh, rocked back on his heels. For a moment it seemed he must crash over backwards, but then he rocked forward again. And again, with great care, he lowered his hands to the body. Gaunt and grey as stone, he stroked the flesh, his fingers trembling as they moved with butterfly lightness from head to toe and back again. Still there was nothing erotic in it, but the left-hand man of the trio of watchers was moved to whisper:

    "Is he a necrophile? What is this, Comrade General?"

    Be quiet and learn something, the man in the middle growled. "You know where you are, don’t you? Nothing should surprise you here. As for what this is—what he is—you will see soon enough. This I will tell you: to my knowledge there are only three men like him in all the USSR. One is a Mongol from the Altai region, a tribal witch-doctor, almost dead of syphilis and useless to us. Another is hopelessly mad and scheduled for corrective lobotomy, following which he too will be … beyond our reach. That leaves only this one and his is an instinctive art, hard to teach. Which makes him sui generis. That’s Latin, a dead language. Most appropriate. So now shut up! You are watching a unique talent."

    Now, beyond the one-way window, the unique talent of the naked man became galvanic. As if jerked on the strings of some mad, unseen puppet master, his burst of sudden, unexpected motion was so erratic as to be almost spastic. His right arm and hand flailed towards his case of instruments, almost tumbling it from its table. His hand, shaped by his spasm into a grey claw, swept aloft as if conducting some esoteric concerto—but instead of a baton it held a glittering, crescent-shaped scalpel.

    All three observers were now craning forward, eyes huge and mouths agape; but while the faces of the two on the outside were fixed in a sort of involuntary rictus of denial—prepared to wince or even exclaim at what they now suspected was to come—that of their superior was shaped only of knowledge and morbid expectancy.

    With a precision denying the seemingly eccentric or at best random movements of the rest of his limbs—which now fluttered and twitched like those of a dead frog, electrically coerced into a pseudo-life of their own—the arm and hand of the naked man swept down and sliced open the corpse from just below the ribcage, through the navel and down to the mass of wiry grey pubic hair. Two more apparently random but absolutely exact slashes, following so rapidly as almost to be a part of the first movement, and the cadaver’s belly was marked with a great I with extended top and bottom bars.

    Without pause, the hideously automatic author of this awful surgery now blindly tossed away his blade across the room, dug his hands into the central incision up to his wrists and laid back the flaps of the dead man’s abdomen like a pair of cupboard doors. Cold, the exposed guts did not smoke; no blood flowed as such; but when the naked man took away his hands they glistened a dull red, as if fresh painted.

    To perform this opening of the body had required an effort of almost Herculean strength—visible in the sudden bulging of muscles across the naked man’s shoulders, at the sides of his ribcage and in his upper arms—for all the tissues fastening down the protective outer layers of the stomach must be torn at once. Also, it had been done with a fierce snarl, clearly audible over the radio link, which had drawn back his lips from clenched teeth and caused the sinews of his neck to stand out in sharp relief.

    But now, with his subject’s viscera entirely exposed, again a strange stillness came over him. Greyer than before, if that were at all possible, he once more straightened up, rocked back on his heels, let his red hands fall to his sides. And rocking forward again, his neutral blue eyes turned down and began a slow, minute examination of the corpse’s innards.

    In the other room the man on the left sat gulping continuously, his hands clawing at the arms of his chair, his face gleaming with fine perspiration. The one on the right had turned the colour of slate, shaking from head to toe, rapidly panting to compensate for a heart which now raced in his chest. But between them ex-Army General Gregor Borowitz, now head of the highly secret Agency for the Development of Paranormal Espionage, was utterly engrossed, his leonine head forward, his heavily jowled face full of awe as he absorbed each and every detail and nuance of the performance, ignoring as best he might the discomfort of his juniors where they flanked him. On the rim of his consciousness a thought formed: he wondered if the others would be sick, and which one would throw up first. And where he would throw up.

    On the floor under the table stood a metal wastebin containing a few crumpled scraps of paper and dead cigarette ends. Without taking his eyes from the one-way screen, Borowitz reached down, lifted the wastebin up between his knees and placed it centrally on the table before him. He thought: Let them fight it out between them. In any case, and whichever one let the down side, his vomiting would doubtless elicit a response in the other.

    As if reading his mind, the man on the right panted, Comrade General, I do not think that I—

    Be still! Borowitz lashed out with his foot, catching the other’s ankle. Watch—if you can. If you can’t, then be quiet and let me!

    The naked man’s back was bowed now, bringing his face to within inches of the corpse’s exposed organs and entrails. Left and right his eyes darted, up and down, as if they sought something hidden there. His nostrils were wide, sniffing suspiciously. His brow, hitherto smooth, was now furrowed in a fantastic frown. He resembled in his attitude nothing so much as a great naked bloodhound intent upon tracking its prey.

    Then … a sly grin tugged at his grey lips, the gleam of revelation—of a secret discovered, or about to be discovered—shone in his eyes. It was as if he said, "Yes, something is in here, something is trying to hide!"

    And now he threw back his head and laughed—laughed out loud, however briefly—before returning to a more frantic scrutiny. But no, it wasn’t enough, the hidden thing would not be exposed. It shrank down out of sight, and glee turned to rage on the instant!

    Panting furiously, his grey face trembling in the grip of unimaginable emotions, the naked man snatched up a slim tool whose sharpness shone in mirror brightness. In something of an ordered manner at first, he commenced to cut out the various organs, pipes and bladders; but as his work progressed so it grew ever more vicious, and indiscriminate, until the guts as they were partially or almost wholly detached hung out of the body over the edge of the fluted metal table in grotesque lumpy rags, flaps and tatters. And still it was not enough, still the hunted thing eluded him.

    He gave a shriek which passed through the speaker into the other room like chalk sliding on a blackboard, like a shovel grating in cold ashes, and grimacing hideously began to hack off the dangling gobbets and hurl them all about. He smeared them down his body, held them to his ear and listened to them. He scattered them wide, tossed them over his hunched shoulders, hurled them into the bath, the sink. Gore spattered everywhere; and again his cry of frustration, of weird anguish, ripped through the

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