The Clyde Mystery a Study in Forgeries and Folklore
By Andrew Lang
()
Andrew Lang
Andrew Lang (1844–1912) was a Scottish scholar and writer, best known for his folklore and mythological tales. After college, he moved to London and began working as a journalist. He began collecting fairytales and folklore stories for his first collection, The Blue Fairy Book. The Fairy Books contained hundreds of pages of folklore stories, which Lang edited while his wife helped translate. Receiving acclaim, the books totaled in 427 stories combined in twelve collections. Lang also produced his own original writing, including novels, literary criticism, and poetry, but his work did not attain the same literary recognition.
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The Clyde Mystery a Study in Forgeries and Folklore - Andrew Lang
The Clyde Mystery, by Andrew Lang
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Title: The Clyde Mystery
a Study in Forgeries and Folklore
Author: Andrew Lang
Release Date: March 25, 2007 [eBook #20902]
Language: English
Character set encoding: ISO-646-US (US-ASCII)
***START OF THE PROJECT GUTENBERG EBOOK THE CLYDE MYSTERY***
Transcribed from the 1885 Macmillan and Co. edition by David Price, email [email protected]
The Clyde Mystery
A Study in Forgeries and Folklore
By
Andrew Lang, M.A. Oxford
Hon. Fellow of Merton College, LL.D. St. Andrews
D.Litt. Oxford, D.C.L. Durham
Glasgow
James MacLehose and Sons
Publishers to the University
1905
glasgow: printed at the university press by
robert maclehose and co. ltd.
PREFACE
The author would scarcely have penned this little specimen of what Scott called antiquarian old womanries,
but for the interest which he takes in the universally diffused archaic patterns on rocks and stones, which offer a singular proof of the identity of the working of the human mind. Anthropology and folklore are the natural companions and aids of prehistoric and proto-historic archaeology, and suggest remarks which may not be valueless, whatever view we may take of the disputed objects from the Clyde sites.
While only an open verdict on these objects is at present within the competence of science, the author, speaking for himself, must record his private opinion that, as a rule, they are ancient though anomalous. He cannot pretend to certainty as to whether the upper parts of the marine structures were throughout built of stone, as in Dr. Munro’s theory, which is used as the fundamental assumption in this book; or whether they were of wood, as in the hypothesis of Mr. Donnelly, illustrated by him in the Glasgow Evening Times (Sept. 11, 1905). The point seems unessential. The author learns from Mr. Donnelly that experiments in shaping piles with an ancient stone axe have been made by Mr. Joseph Downes, of Irvine, as by Monsieur Hippolyte Müller in France, with similar results, a fact which should have been mentioned in the book. It appears too, that a fragment of fallow deer horn at Dumbuck, mentioned by Dr. Munro, turned out to be "a decayed humerus of the Bos Longifrons," and therefore no evidence as to date, as post-Roman.
Mr. Donnelly also protests that his records of his excavations were exceptionally complete,
and that he took daily notes and sketches of all features and finds with measurements.
I must mention these facts, as, in the book, I say that Mr. Donnelly kept no minute and hourly dated log book of his explorations, with full details as to the precise positions of the objects discovered.
If in any respect I have misconceived the facts and arguments, I trust that the fault will be ascribed to nothing worse than human fallibility.
I have to thank Mr. Donnelly for permission to photograph some objects from Dumbuck and for much information.
To Dr. Munro, apart from his most valuable books of crannog lore, I owe his kind attention to my private inquiries, and hope that I successfully represent his position and arguments. It is quite undeniable that the disputed objects are most anomalous as far as our present knowledge goes, and I do not think that science can give more than all I plead for, an open verdict. Dr. Ricardo Severe generously permitted me to reproduce a few (by no means the most singular) of his designs and photographs of the disputed Portuguese objects. A serious illness has prevented him from making a visit recently to the scene of the discoveries (see his paper in Portugalia, vol. ii., part 1). I trust that Dr. de Vasconcellos, from whom I have not yet heard, will pardon the reproduction of three or four figures from his Religiões, an important work on prehistoric Portugal.
To Dr. Joseph Anderson, of the National Museum, I owe much gratitude for information, and for his great kindness in superintending the photographing of some objects now in that Museum.
Dr. David Murray obliged me by much information as to the early navigation of the Clyde, and the alterations made in the bed of the river. To Mr. David Boyle, Ontario, I owe the knowledge of Red Indian magic stones parallel to the perforated and inscribed stone from Tappock.
As I have quoted from Dr. Munro the humorous tale of the palaeolithic designs which deceived M. Lartet and Mr. Christie, I ought to observe that, in L’Anthropologie, August, 1905, a reviewer of Dr. Munro’s book, Prof. Boule, expresses some doubt as to the authenticity of the historiette.
ILLUSTRATIONS
1. Inscribed Stone, Langbank.
2. Grotesque Face on Stone, Langbank.
3. Late Celtic Comb, Langbank.
4. Bronze Brooch, Langbank.
5. Churinga Irula, Wooden Bull-roarers, Arunta Tribe.
6. Churinga Nanja, Inscribed Sacred Stone, Arunta.
7. Sacred Stone Uninscribed, Arunta.
8. Collection of Arunta Sacred Stones.
9, 10. Inscribed Perforated Stone from Tappock. Age of Iron.
11. Perforated and Inscribed Stone from Dunbuie.
12, 13. Perforated Inscribed Stones from Ontario, Canada.
14. Perforated Inscribed Stones from Portugal, Neolithic.
15. Perforated Inscribed Stones from Portugal, Neolithic.
16. Perforated Cup and Duct
Stone, Portugal, Neolithic.
17, 18. Large Slate Spear-head, Dumbuck.
19. Stone Figurine of Woman, Dumbuck.
20, 21. Cup and Duct Stones, Portuguese, Dolmen Site, Villa d’Aguiar.
22. Stone Figurine of Woman, Portuguese, Dolmen Site, Villa d’Aguiar.
23. Heart-shaped Stone, Villa d’Aguiar.
24. Cupped Stone, Villa d’Aguiar.
25. Stone Pendant, Men in Boat, Scottish.
Figures 1-4 from Transactions, with permission of Glasgow Archaeological Society. Figures 5-8, Spencer and Gillen, Native Tribes of Central Australia; with permission of Messrs. Macmillan and Co. 9-11. With permission of Scottish Society of Antiquaries. 12-13. Bulletin of Board of Education of Ontario. 14-16. Religiões, etc., L. de Vasconcellos. 17-19. With permission of Mr. W. H. Donnelly. 20-24. With permission of Sr. Ricardo Severo. 25. With permission of Scottish Society of Antiquarians.
I—THE CLYDE MYSTERY
The reader who desires to be hopelessly perplexed, may desert the contemplation of the Fiscal Question, and turn his eyes upon The Mystery of the Clyde. Popular
this puzzle cannot be, for there is no demmed demp disagreeable body
in the Mystery. No such object was found in Clyde, near Dumbarton, but a set of odd and inexpensive looking, yet profoundly enigmatic scraps of stone, bone, slate, horn and so forth, were discovered and now repose in a glass case at the National Museum in Queen Street, Edinburgh.
There, as in the Morgue, lies awaiting explanation the corpus delicti of the Clyde Mystery. We stare at it and ask what are these slate spear heads engraved with rude ornament, and certainly never meant to be used as lethal weapons
? What are these many-shaped perforated plaques of slate, shale, and schist, scratched with some of the old mysterious patterns that, in almost every part of the world, remain inscribed on slabs and faces of rock? Who incised similar patterns on the oyster-shells, some old and local, some fresh—and American! Why did any one scratch them? What is the meaning, if meaning there be, of the broken figurines or stone dolls
? They have been styled totems
by persons who do not know the meaning of the word totem,
which merely denotes the natural object,—usually a plant or animal,—after which sets of kinsfolk are named among certain savage tribes. Let us call the little figures figurines,
for that commits us to nothing.
Then there are grotesque human heads, carved in stone; bits of sandstone, marked with patterns, and so forth. Mixed with these are the common rude appliances, quern stones for grinding grain; stone hammers, stone polishers, cut antlers of deer, pointed bones, such as rude peoples did actually use, in early Britain, and may have retained into the early middle ages, say 400-700 a.d.
This mixed set of objects, plus the sites in which they were found, and a huge canoe, 35 feet long, is the material part of the Clyde Mystery. The querns and canoe and stone-polishers, and bones, and horns are commonly found, we say, in dwellings of about 400-700 a.d. The peculiar and enigmatic things are not elsewhere known to Scottish antiquaries. How did the two sets of objects come to be all mixed up together, in an old hill fort, at Dunbuie on Clyde; and among the wooden foundations of two mysterious structures, excavated in the mud of the Clyde estuary at Dumbuck and Langbank, near Dumbarton? They were dug up between 1896 and 1902.
This is the question which has been debated, mainly in newspaper controversy, for nearly ten years. A most rambling controversy it has been, casting its feelers as far as central Australia, in space, and as far back as, say, 1200 b.c. in time.
Either the disputed objects at the Museum are actual relics of life lived in the Clyde basin many centuries ago; or the discoverers and excavators of the old sites are dogged by a forger who dumps down
false relics of kinds unknown to Scottish antiquaries; or some of the unfamiliar objects are really old, while others are jocose imitations of these, or—there is some other