The Invention of the Sewing Machine

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Grace Rogers Cooper

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Title: The Invention of the Sewing Machine

Author: Grace Rogers Cooper

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Language: English

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SMITHSONIAN INSTITUTION

UNITED STATES NATIONAL MUSEUM

BULLETIN 254

WASHINGTON, D.C.

1968

THE SMITHSONIAN INSTITUTION PRESS

The Invention

Of the Sewing Machine

Grace Rogers Cooper

CURATOR OF TEXTILES

Museum of History and Technology

SMITHSONIAN INSTITUTION · WASHINGTON, · D.C. 1968

Publications of the United States National Museum

The scholarly and scientific publications of the United States National Museum include two series, Proceedings of the United States National Museum and United States National Museum Bulletin.

In these series, the Museum publishes original articles and monographs dealing with the collections and work of its constituent museums—The Museum of Natural History and the Museum of History and Technology—setting forth newly acquired facts in the fields of anthropology, biology, history, geology, and technology. Copies of each publication are distributed to libraries, to cultural and scientific organizations, and to specialists and others interested in the different subjects.

The Proceedings, begun in 1878, are intended for the publication, in separate form, of shorter papers from the Museum of Natural History. These are gathered in volumes, octavo in size, with the publication date of each paper recorded in the table of contents of the volume.

In the Bulletin series, the first of which was issued in 1875, appear longer, separate publications consisting of monographs (occasionally in several parts) and volumes in which are collected works on related subjects. Bulletins are either octavo or quarto in size, depending on the needs of the presentation. Since 1902 papers relating to the botanical collections of the Museum of Natural History have been published in the Bulletin series under the heading Contributions from the United States National Herbarium and, since 1959, in Bulletins titled Contributions from the Museum of History and Technology, have been gathered shorter papers relating to the collections and research of that Museum.

This work forms volume 254 of the Bulletin series.

Frank A. Taylor

Director, United States National Museum

For sale by Superintendent of Documents, U.S. Government Printing Office

Washington, D.C. 20402—Price $2.75

Contents

Preface

It had no instrument panel with push-button controls. It was not operated electronically or jet-propelled. But to many 19th-century people the sewing machine was probably as awe-inspiring as a space capsule is to their 20th-century descendants. It was expensive, but, considering the work it could do and the time it could save, the cost was more than justified. The sewing machine became the first widely advertised consumer appliance, pioneered installment buying and patent pooling, and revolutionized the ready-made clothing industry. It also weathered the protests of those who feared the new machine was a threat to their livelihood.

The practical sewing machine is not the result of one man’s genius, but rather the culmination of a century of thought, work, trials, failures, and partial successes of a long list of inventors. History is too quick to credit one or two men for an important invention and to forget the work that preceded and prodded each man to contribute his share. It is no discredit to Howe to state that he did not invent the sewing machine. Howe’s work with the sewing machine was important, and he did patent certain improvements, but his work was one step along the way. It is for the reader to decide whether it was the turning point.

Since the sewing machine has been considered by some as one of the most important inventions of 19th-century America, of equal importance to this story of the invention is the history of the sewing machine’s development into a practical, popular commodity. Since many new companies blossomed overnight to manufacture this very salable item, a catalog list of more than one hundred and fifty of these 19th-century companies is included in this study. Still, the list is probably incomplete. Many of the companies remained in business a very short time or kept their activities a secret to avoid payment of royalties to patent holders. Evidence of these companies is difficult to find. It is hoped that additional information will come to light as a result of this initial attempt to list and date known companies. The dating of individual machines based on their serial numbers is also a difficult task. Individual company records of this type have not survived; however, using the commercial machines in the patent collection, for which we know one limiting date—the date the machine was deposited at the patent office—and using the records that have survived, an estimated date based on the serial number can be established for many of the better known machines.

Acknowledgments

I am greatly indebted to the late Dr. Frederick Lewton, whose interest in the history of the sewing machine initiated the collecting of information about it for the Smithsonian Institution’s Division of Textiles archives and whose out-of-print booklet A Servant in the House prompted the writing of this work. I would also like to thank Mr. Bogart Thompson of the Singer Manufacturing Company for his cooperation in arranging for the gift of an excellent collection of 19th-century sewing machines to the Smithsonian and for allowing me to use the Singer historical files. Acknowledgment is also made of the cooperation extended by The Henry Ford Museum and Greenfield Village for permitting me to study their collection of old sewing machines.

Grace Rogers Cooper

Chapter One

Figure 1.—After almost a century of attempts to invent a machine that would sew, the practical sewing machine evolved in the mid-19th century. This elegant, carpeted salesroom of the 1870s, with fashionable ladies and gentlemen scanning the latest model sewing machines, reflects the pinnacle reached by the new industry in just a few decades. This example, one of many of its type, is the Wheeler and Wilson sewing-machine offices and salesroom, No. 44 Fourteenth Street, Union Square, New York City. From The Daily Graphic, New York City, December 29, 1874. (Smithsonian photo 48091-A.)

Early Efforts

To 1800

For thousands of years, the only means of stitching two pieces of fabric together had been with a common needle and a length of thread. The thread might be of silk, flax, wool, sinew, or other fibrous material. The needle, whether of bone, silver, bronze, steel, or some other metal, was always the same in design—a thin shaft with a point at one end and a hole or eye for receiving the thread at the other end. Simple as it was, the common needle (fig. 2) with its thread-carrying eye had been an ingenious improvement over the sharp bone, stick, or other object used to pierce a hole through which a lacing then had to be passed.[1] In addition to utilitarian stitching for such things as the making of garments and household furnishings, the needle was also used for decorative stitching, commonly called embroidery. And it was for this purpose that the needle, the seemingly perfect tool that defied improvement, was first altered for ease of stitching and to increase production.

One of the forms that the needle took in the process of adaptation was that of the fine steel hook. Called an aguja in Spain, the hook was used in making a type of lace known as punto de aguja. During the 17th century after the introduction of chainstitch embroideries from India, this hook was used to produce chainstitch designs on a net ground.[2] The stitch and the fine hook to make it were especially adaptable to this work. By the 18th century the hook had been reduced to needle size and inserted into a handle, and was used to chainstitch-embroider woven fabrics.[3] In France the hook was called a crochet and was sharpened to a point for easy entry into the fabric (fig. 3). For stitching, the fabric was held taut on a drum-shaped frame. The hooked needle pierced the fabric, caught the thread from below the surface and pulled a loop to the top. The needle reentered the fabric a stitch-length from the first entry and caught the thread again, pulling a second loop through the first to which it became enchained. This method of embroidery permitted for the first time the use of a continuous length of thread. At this time the chainstitch was used exclusively for decorative embroidery, and from the French name for drum—the shape of the frame that held the fabric—the worked fabric came to be called tambour embroidery. The crochet[4] or small hooked needle soon became known as a tambour needle.

Figure 2.—Primitive needle. Bronze. Egyptian (Roman period, 30 B.C.-A.D. 642). (Smithsonian photo 1379-A.)

In 1755 a new type of needle was invented for producing embroidery stitches. This needle had to pass completely through the fabric two times (a through-and-through motion) for every stitch. The inventor was Charles F. Weisenthal, a German mechanic living in London who was granted British patent 701 for a two-pointed needle (fig. 4). The invention was described in the patent as follows:

The muslin, being put into a frame, is to be worked with a needle that has two points, one at the head, and the other point as a common needle, which is to be worked by holding it with the fingers in the middle, so as not to require turning.

It might be argued that Weisenthal had invented the eye-pointed needle, since he was the first inventor to put a point at the end of the needle having the eye. But, since his specifically stated use required the needle to have two points and to be passed completely through the fabric, Weisenthal had no intention of utilizing the very important advantage that the eye-pointed needle provided, that of not requiring the passage of the needle through the fabric as in hand sewing.

While no records can be found to establish that Weisenthal’s patent was put to any commercial use during the inventor’s lifetime, the two-pointed needle with eye at midpoint appeared in several 19th-century sewing-machine inventions.

The earliest of the known mechanical sewing devices produced a chain or tambour stitch, but by an entirely different principle than that used with either needle just described. Although the idea was incorporated into a patent, the machine was entirely overlooked for almost a century as the patent itself was classed under wearing apparel. It was entitled An Entire New Method of Making and Completing Shoes, Boots, Splatterdashes, Clogs, and Other Articles, by Means of Tools and Machines also Invented by Me for that Purpose, and of Certain Compositions of the Nature of Japan or Varnish, which will be very advantageous in many useful Applications. This portentously titled British patent 1,764 was issued to an English cabinetmaker, Thomas Saint, on July 17, 1790. Along with accounts of several processes for making various varnish compositions, the patent contains descriptions of three separate machines; the second of these was for stitching, quilting, or sewing. Though far from practical, the machine incorporated several features common to a modern sewing machine. It had a horizontal cloth plate or table, an overhanging arm carrying a straight needle, and a continuous supply of thread from a spool. The motion was derived from the rotation of a hand crank on a shaft, which activated cams that produced all the actions of the machine.

One cam operated the forked needle (fig. 5) that pushed the thread through a hole made by a preceding thrust of the awl. The thread was caught by a looper and detained so that it then became enchained in the next loop of thread. The patent described thread tighteners above and below the work and an adjustment to vary the stitches for different kinds of material. Other than the British patent records, no contemporary reference to Saint’s machine has ever been found. The stitching-machine contents of this patent was happened on by accident in 1873.[5] Using the patent description, a Newton Wilson of London attempted to build a model of Saint’s machine in 1874.[6] Wilson found, however, that it was necessary to modify the construction before the machine would stitch at all.

Figure 3.—Tambour needle and frame, showing the method of forming the chainstitch, from the Diderot Encyclopedia of 1763, vol. II, Plates Brodeur, plate II. (Smithsonian photo 43995-C.)

This raised the question whether Saint had built even one machine. Nevertheless, the germ of an idea was there, and had the inventor followed through the sewing machine might have been classed an 18th-century rather than a 19th-century contribution.

Figure 4.—Weisenthal’s two-pointed needle, 1755.

Figure 5.—Saint’s sewing machine, 1790. (Smithsonian photo 42490-A.)

1800-1820

There is no doubt that the successful late-18th-century improvements in spinning and weaving methods, resulting in increased production of fabrics, had a great effect in spurring inventors to ideas of stitching by machinery. Several efforts were made during the first two decades of the 19th century to produce such machines.

On February 14, 1804, a French patent was issued to Thomas Stone and James Henderson for a new mechanical principle designed to replace handwork in joining the edges of all kinds of flexible material, and particularly applicable to the manufacture of clothing.[7] The machine used a common needle and made an overcast stitch in the same manner as hand sewing. A pair of jaws or pincers, imitating the action of the fingers, alternately seized and released the needle on each side of the fabric. The pincers were attached to a pair of arms arranged to be moved backward and forward by any suitable mechanism.[8] This machine was capable of making curved or angular as well as straight seams, but it was limited to carrying a short length of thread, necessitating frequent rethreading. The machine may have had some limited use, but it was not commercially successful.

On May 30 of the same year John Duncan, a Glasgow manufacturer, was granted British patent 2,769 for a new and improved method of tambouring, or raising flowers, figures or other ornaments upon muslins, lawns and other cottons, cloths, or stuffs. This machine made the chainstitch, using not one but many hooked needles that operated simultaneously. The needles, attached to a bar or carrier, were pushed through the vertically held fabric from the upper right side, which in this case was also the outer side. After passing through it, they were supplied with thread from spools by means of peculiarly formed hooks or thread carriers. The thread was twisted around the needle above the hook, so as to be caught by it, and drawn through to the outer surface. The shaft of the needle was grooved on the hook side and fitted with a slider. This slider closed upon the retraction of the needle from the fabric, holding the thread in place and preventing the hook from catching. The fabric was stretched between two rollers set in an upright frame capable of sliding vertically in a second frame arranged to have longitudinal motion. The combination of these two motions was sufficient to produce any required design. The principle developed by Duncan was used on embroidery machines, in a modified form, for many years. Of several early attempts, his was the first to realize any form of success.

Figure 6.—Chapman’s sewing machine, first eye-pointed needle, 1807. (Smithsonian photo 33299-K.)

A type of rope-stitching machine, which might be considered unimportant to this study, must be included because of its use of the eye-pointed needle, the needle that was to play a most important part in the later development of a practical sewing machine. The earliest reference to the use of a needle with an eye not being required to be passed completely through the fabric it was stitching is found in a machine invented by Edward Walter Chapman, for which he and William Chapman were granted British patent 3,078 on October 30, 1807. The machine (fig.