Millet Masterpieces in Colour Series
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Millet Masterpieces in Colour Series - Percy Moore Turner
The Project Gutenberg eBook, Millet, by Percy Moore Turner
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: Millet
Masterpieces in Colour Series
Author: Percy Moore Turner
Release Date: June 30, 2013 [eBook #43068]
Language: English
Character set encoding: UTF-8
***START OF THE PROJECT GUTENBERG EBOOK MILLET***
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Millet
MASTERPIECES IN COLOR
MASTERPIECES
IN COLOUR
EDITED BY - -
T. LEMAN HARE
MILLET
1814-1875
PLATE I.—THE WOOD-CUTTER. Frontispiece
(In the Louvre)
An instance of Millet in a less pessimistic mood than we generally find him. The wood-cutter, pursuing his vocation on a warm sunny day, full of life and vigour, brings before us the joyous side of peasant life. We feel that he is happy and contented, and if his lot is somewhat hard, he has none of those distracting ambitions which mar the enjoyment in life to all who fall a prey to them. The wood in the background is a good example of Millet’s powers in this direction.
Millet
BY PERCY M. TURNER
ILLUSTRATED WITH EIGHT
REPRODUCTIONS IN COLOUR
IN SEMPITERNUM.
LONDON: T. C. & E. C. JACK
NEW YORK: FREDERICK A. STOKES CO.
CONTENTS
LIST OF ILLUSTRATIONS
I
INTRODUCTION
AMONGST the great painters of peasant life the name of Jean François Millet stands out prominently. A long interval elapsed betwixt the death of Adrian van Ostade and the birth of Millet, unbroken by a single name, with the solitary exception of Chardin, of a painter who grasped the profundity of peasant life. In Holland and Flanders in the sixteenth and seventeenth centuries we find many painters who, whilst living the humblest lives themselves, saw in their surroundings such material for treatment as has handed their names down to posterity. It is only quite recently that one of the greatest of all, Pieter Brueghel the Elder, has come to occupy his proper position in the world of art. Formerly he was looked upon as an eccentric painter, whose subjects were