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Wildwood
Wildwood
Wildwood
Ebook524 pages8 hours

Wildwood

Rating: 3.5 out of 5 stars

3.5/5

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  • Adventure

  • Courage

  • Family

  • Friendship

  • Survival

  • Power of Friendship

  • Chosen One

  • Mentor

  • Quest

  • Prophecy

  • Talking Animals

  • Power of Love

  • Found Family

  • Secret Society

  • Lost World

  • Magic

  • Nature

  • Betrayal

  • Loyalty

  • Fantasy

About this ebook

For fans of the Chronicles of Narnia comes the first book in the Wildwood Chronicles, the New York Times bestselling fantasy adventure series by Colin Meloy, lead singer of the Decemberists, and Carson Ellis, acclaimed illustrator of The Mysterious Benedict Society.

Wildwood captivates readers with the wonder and thrill of a secret world within the landscape of a modern city. It feels at once firmly steeped in the classics of children's literature and completely fresh. The story is told from multiple points of view, and the book features more than eighty illustrations, including six full-color plates, making this an absolutely gorgeous object.

In Wildwood, Prue and her friend Curtis uncover a secret world in the midst of violent upheaval—a world full of warring creatures, peaceable mystics, and powerful figures with the darkest intentions. And what begins as a rescue mission becomes something much greater as the two friends find themselves entwined in a struggle for the very freedom of this wilderness. A wilderness the locals call Wildwood.

The bestselling trilogy from Colin Meloy and Carson Ellis consists of Wildwood, Under Wildwood, and Wildwood Imperium.

LanguageEnglish
PublisherHarperCollins
Release dateAug 30, 2011
ISBN9780062093530
Author

Colin Meloy

Colin Meloy is the author of The Whiz Mob and the Grenadine Kid and the New York Times bestselling Wildwood Chronicles as well as two picture books, The Golden Thread: A Song for Pete Seeger and Everyone’s Awake. He is also the singer and songwriter for the indie rock band the Decemberists. Colin lives in Oregon with his wife and frequent collaborator, illustrator Carson Ellis, and their sons.

Read more from Colin Meloy

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Reviews for Wildwood

Rating: 3.7058823529411766 out of 5 stars
3.5/5

68 ratings57 reviews

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  • Rating: 3 out of 5 stars
    3/5
    Originally posted on A Reader of Fictions.

    I finally finished! I had been so looking forward to a nice swift read. I mean, middle grade novels go so quickly. Not this one, mostly because I don't really think it's a middle grade novel at all, despite the publishers marketing of it to ages 8 . This book has been on my radar for ages because of my Decemberists obsession. My blog's name is even a paraphrase of a line from one of their songs. For those who don't know, Colin Meloy is the lead singer. While, I did like the book, I definitely prefer his music.

    First, I must address my assertion that this does not strike me as a book for the average eight year old. While I am sure that some enterprising eight year olds might appreciate Wildwood, most would be exceedingly confused. Meloy uses eloquent, occasionally old-fashioned language, and I suspect that the book would be abandoned for lack of understanding. Few kids commit to books if a dictionary is required for comprehension. Some reviewers found the language overblown and thought it read as though Meloy had closely befriended a thesaurus during the novel's construction. I felt that it had a natural flow, but do still think it will scare away many readers. I just don't think a kids' book would use the word 'apocryphal' in the first couple of chapters without any explanation. There is also quite a bit of violence and animal death that might scar younger readers.

    The plotting struck me as a cross between the cult classic Labyrinth and The Lion, the Witch and the Wardrobe. The book opens with the theft of a much younger sibling from the daughter who spends a lot of time babysitting. Unlike Jennifer Connelly's character, Prue loves her baby brother and was not being particularly inattentive. A murder of crows swoops down and absconds with him before she can do anything, taking him off to the evil leader in the forest.

    Prue wants to head after him immediately, but in an oddly rational move decides to wait for the morning, pretending to her parents that her brother is there and asleep. She ventures out early the next morning, leaves a note saying she and Mac, her brother, have gone for another bike ride, and sets off into the creepy forest (the Impassable Wilderness). She gains a companion in Curtis, the nerdy kid in class who won't stop drawing superheroes even though, at 12, he should be beyong that now. Curtis follows her, even when she orders him not to. This was a bit awkward, as there seemed little reason for him to be so concerned with accompanying her, other than perhaps desperation for friendship with someone.

    Once in Wildwood, the two kids become embroiled in the political drama of this hidden world. The borders of the forest are supposed to prevent entry, but these kids are special, of course. Curtis and Prue are separated, when Curtis is captured by coyote soldiers. Prue continues on alone, now needing to rescue both her brother and classmate. As in Narnia, an evil ruler attempts to take over via nefarious plan. Also like Narnia, there are humans and talking, clothes-wearing animals living in company. At least there's no allegory in this one!

    Sadly, the characters did not enliven the story either. They do an awful lot of monologuing and info-dumping. On top of that, people and animals lack depth. I just no so little even about Curtis and Prue, who I should know best. I know what they like to draw and how they react in crises. Did they have no other interests? There's a large cast and, while I was fairly entertained, I didn't care about any creature, human or otherwise.

    What really ticked me off were the parents. First off, I find it highly suspect that, even when things were normal, Prue, age 12, spent all day watching her brother, and, not babysitting at home, but pulling him along in a red wagon behind her bike. Would parents really allow there baby to be out all day? Then, later, Prue does return for a little bit, and, when she says she's going back, they don't stop her or even try to go with her. What the hell is that? This isn't like Narnia where you've hardly missed any time. Parenting job #1: Do everything you can to protect your child. I just could not handle any of this.

    Nothing felt especially original to me, but Wildwood was still entertaining. Given its length, though, only the most determined will likely make it through. I will be listening to the next one on audio, as it's narrated by Colin himself, and I hope for a bit more verve and innovation.
  • Rating: 4 out of 5 stars
    4/5
    See full review @ The Indigo Quill

    Are you a forest dweller at heart? Do you love adventure, unexpectedly personified animals, and The Decemberists? Wildwood is definitely your jam. If you don't know, the author is the lead singer of the indie folk rock band, The Decemberists whose lyrics are unique, whimsical, and storytell through folklore and actual historical events. They are definitely worth checking out if you haven't, and if you enjoy something in a complete league of its own, then you'll also enjoy Wildwood.

    Everyone in town knows that the Impassable Wilderness is off limits. No one needs to ask questions, it's just common knowledge. And everyone respects that unspoken rule, until Prue's baby brother is taken into the forest by a murder of crows. Yes, that's right, the little black winged beasties are baby snatchers! Prue's friend Curtis joins in the search to retrieve Prue's brother and they are faced with the most unexpected things: the world as they know it is not quite what it seems. Animals can walk, talk, and even run their own government in this whimsical tale of furry high-society. There are many things to love about this book.

    Colin Meloy's ability to use sophisticated language doesn't fail in this book. Not only is the cover designed in an amazing woodsy design by his partner in crime, Carson Ellis, but the entirety of the book has a folksy tone to it that will seem fresh and magical, like an impassable wilderness all of its own. The possibilities are endless.

    I, personally, do not mind long books. However, I can see how this one could seem long and drawn out to a middle grader. It moves kind of slowly for someone who gravitates toward fast-paced books with a lot of action and movement. So if you're looking for a book to just get through, this may not be the book for you. If you're looking for a book where you can take your time, sit back, and enjoy the journey, then this is definitely worth checking out.
  • Rating: 4 out of 5 stars
    4/5
    A grand book that takes place in our lovely NW Portland. I live by the wildwood trail and often when hiking I get to imagine the great divide, southwood, northwood, etc. This book has many similarities to Narnia but is very different too. The talking animals, the magical land, the split between good and evil are all very much comparable to Narnia. However, the characters in this book are very different. I did like this book, but I wan't totally engaged with it at all times like I have been with other novels like it. I can compare it with a novel similar in length and reading level, "The Mysterious Benedict Society," which I found to be a more gripping read. USE: entertainment; storytime
  • Rating: 3 out of 5 stars
    3/5
    I picked this book up on the author's name alone. I'm a big Decemberists fan so there was no way I couldn't grab it. I have to say though that I was a bit disappointed.

    Firstly I don't know who this book was truly made for. At 560 pages it's not a small book. Much too long for young children as well as quite dark and violent in places. For older children I don't think it is quite realistic in terms of characters or fantastical enough in setting. The lead character listens to vinyl and does yoga and is pretty much a hipster child. It just doesn't work. And for adults it's too cliche. This book reads like so many others before it. It's compared a lot to the Narnia books and I can see that and it's not a good comparison. The Narnia books were fine when I was young but this is not a homage it's a rip-off. Aslan has been replaced by Mother Nature.

    This book really dragged for me. It would have been much better at half the size. If all the volumes in this trilogy are the same size I can't see many sticking it all the way through.

    I think Colin Meloy does far better as a songwriter. He tells marvelous stories in them whilst keeping them short and sharp. I wouldn't say don't read it but don't do it just for the Decemberists.
  • Rating: 2 out of 5 stars
    2/5
    Promising first work. Mr. Melot should have been sent back to the editing table at least one more time. And someone should have taken away his thesaurus. It is one thing to use a challenging vocabulary and quite another to use the words correctly.
  • Rating: 1 out of 5 stars
    1/5
    Ugh, I HATED this book. But at least it was really long. Now, there are two possible things coloring my reaction - 1. It's set in Portland, so I REALLY wanted this book to be awesome and 2. I listened to the audio version of this book and the reader, Amanda Plumber, has THE WORST voice, interpretation of phrasing, sound effects, she should seriously be banned from reading books aloud. Even for free. This book was convoluted, violent, and long. The girl's parents were useless - when they find out their baby is gone, they're like, "Oh well, that's too bad." And when the girl insists on going back into the forest they're like, "No don't. You're going anyway? OK." I do not think this is a very accurate or believable portrayal of parents. I have no interest in pursuing the other books in the series. Maybe the author develops his skill, but he had 9 million pages to do that in this book, so he used up all his chances in my mind.
  • Rating: 5 out of 5 stars
    5/5
    I had a patron looking for this book and decided that her enthusiasm for it was enough to make me request it through ILL. I'm glad I did because it was truly fantastic. I liked the two main characters (a girl and a boy) who have very Narnia like adventures and troubles. I liked the supporting cast of good and bad guys and I really liked how this story was both about rescuing the little brother and how important friendships are -- even when you don't realize it. And one of the things I liked best was how outspoken the girl was. She didn't have any problems talking back, when it was necessary, and strong female characters are always, always good.
  • Rating: 4 out of 5 stars
    4/5
    An epic tale of Prue, the twelve year old girl from St. Johns whose brother has been flown away by a murder of crows. Prue follows them into the forbidden forest across the river known as Wildwood. The mysterious forest unveils a wide array of anthropomorphic animals, political intrigue and oppression, war and redemption of character.This is a great book as a choice for strong 4th grade readers and up. It could work as an ongoing read aloud or as a book for some sort of book report. It poses many questions about the use of force in conflict, loyalty and perseverance. A great book for discussion with fellow readers.
  • Rating: 3 out of 5 stars
    3/5
    This is an interesting book given that the author is also the lead singer of the Decemberists. I think fans would have definitely bought this book. In the story, Pru and her friend Curtis set off to find Pru’s missing baby brother. They are two 7th graders on an adventure through a magical, fantasy world. This world parallels Portland, OR and the adventure takes place in the Impassable Wilderness the locals call Wildwood. Pru and Mac were “gifted” to their parents by some black magic. As a result, Mac is supposed to be the sacrifice. Pru is a precocious 12 year old who vows to bring back her brother. Alliances have to be forged and battles need to be won. Readers will look forward to the pivotal moment when the sacrifice is about to occur.This book is 541 pages long, which is quite lengthy for a middle school book. Some of the vocabulary is better suited to high school students. Pru is very stereotypically Portland. I think that most middle school readers would not see the connection. I think those details are for YA and adult readers. There are definitely many elements of traditional folk tales in this story. The setting is Portland, OR in an alternate world. The illustrations are fun and whimsical and will appeal to readers of all ages. This story is geared to readers who like fantasy. The plot drags a little bit and the motifs are a little overplayed. I think that middle school readers may give up if this is not their favorite genre. I think it might do better in a high school/YA library based on reading level. There is nothing controversial in the story that would need a specific maturity. There are not really any curriculum tie-ins besides suggesting it to individual readers. This book has been compared to Tolkien and Narnia and I think that is accurate. This is the first book of a planned trilogy.
  • Rating: 2 out of 5 stars
    2/5
    I found this book a bit of a slog, to be honest. I guess I found it to be a rip-off of "The Chronicles of Narnia" in many places. I think my favorite part about it was using my Justin Bieber bookmark (this book is written by the lead singer of the Decemberists.)
  • Rating: 4 out of 5 stars
    4/5
    A lovely book. I love that it is written to challenge young readers. Abstract ideas, corrupt governments, power struggles and family problems all taking place in a beautiful fantasy world. It's something that kids cannot only relate to, but learn from. Loved it.
  • Rating: 2 out of 5 stars
    2/5
    It was an OK read. Not particularly engrossing and far to political and advanced for being a junior fiction novel. The idea of the novel, having a secret magical land hidden inside the local forest, is fantastic and I expected a lot more than what I got out of it. The characters didn't blow me away and the plot felt a bit thin. I felt like there was too much talk of politics and not enough actual story to keep me wanting to read more.
  • Rating: 4 out of 5 stars
    4/5
    I was excited to see a book out by Colin Meloy because I've long been a big fan of the Decemberists. A song is like a poem- it's short, so its stories and ideas are distilled. A book's ideas are stretched out, and the prose could be a bit heavy and took a while to get into. I think the tipping point where I really went at it was about half way through- that's when I started to become really eager to know how things would sort themselves out. Now I've got to get ahold of the next book in the series.
  • Rating: 4 out of 5 stars
    4/5
    This book is like reading a Decemberists song and I mean that in the best possible way. A wild adventure of talking animals, woodland bandits, and an evil Dowager Governess hell bent on destroying everyone in her path, it is a classic in the making. A great read for kids of all ages.
  • Rating: 4 out of 5 stars
    4/5
    A charming tale of two children's adventures in the Impassable Wilderness that lies across the river from their otherwise recognisably modern home. When Prue's baby brother is kidnapped by crows, she journeys into the Wilderness to get him back, followed by her classmate Curtis. The two are separated almost immediately, treating us to two separate explorations of different parts of the Wildwood (as its residents call it) and providing a slow reveal of the bloody politics and black magic that are rapidly tearing apart the apparently serene / idyllic society.Impossible to avoid comparisons with Narnia - high jinks with talking animals (there is a moment early on where Curtis was clearly paying the price for not having read The Lion, The Witch and The Wardrobe), although there are darker moments as personal costs and moral dilemma come to the fore, and the emphasis is on personal responsibility rather than religion. A well-paced (if rather long) read, and beautifully illustrated in both monochrome and colour (although I was annoyed to find the colour plates in my edition are not placed relative to the part of the story they show - so almost every one is a plot spoiler!). I won't hasten to read the sequel, but I'd happily recommend it for children - they may struggle to finish it unless they are avid readers, but the writing is great and would benefit from being read aloud.
  • Rating: 5 out of 5 stars
    5/5
    Much more substantive than The Girl Who Circumnavigated Fairyland.... I was surprised to read that people---human and animal---died in battles, but this is a serious book, albeit a most enjoyable read. It is not light reading; the book is, in fact, bulky and it might be nice if the three parts could be physically split with the entire work in a slipcase!Two children, Prue and Curtis, each about twelve-years-old, try to rescue Prue's year-old brother, who has been carried off by crows, and do much better than the adults around them. I was especially disappointed in the behavior of Prue's parents. This is yet another young adult book in which the children do better than the adults.The writing is intelligent and even the descriptive bits (usually my least favorite part of stories) are interesting. The children are smart and knowledgeable. Curtis, for example, likes Kurasawa. There are different government structures and social organizations---this is a detailed world. Except for a baby being carried off by crows, the book starts out very realistically. Not all questions are answered by the end of the book, but the primary story is resolved.A favorite quote:"My dear Prue, we are the inheritors of a wonderful world, a beautiful world, full of life and mystery, goodness and pain. But likewise are we children of an indifferent universe. We break our own hearts imposing our moral order on what is, by nature, a wide web of chaos. it is a hopeless task." [p. 380]
  • Rating: 3 out of 5 stars
    3/5
    Prue is a smart, unique girl from Portland who often takes her baby brother Mac around town and to the park with her. One day, her brother gets kidnapped by crows, and Prue chases them down into the Impassable Forrest, a place where no one is supposed to go. Her classmate Curtis follows her there, but they get separated after being found by talking coyotes. Curtis gets captured by the coyotes and taken to Alexandria, a former ruler and the one who is in charge of the dogs. Prue escapes capture, and finds help from a mailman who cannot believe how she was able to get into Wildwood. There is woods magic that only allows those who are from Wildwood to enter inside. Prue, determined to find her brother gets help from talking birds and other citizens of the different colonies within Wildwood. Curtis discovers that Alexandria has Mac, and he no longer wants to be a part of her army, which he had become a captain of. Angry, Alexandria throws him in prison where he meets the “Bandits”, a group of Robin Hood style criminals. He becomes a member of this group, and they escape and plan to fight Alexandria’s colony. By this time, Prue has found out that her parents who were infertile for a long time, promised Alexandria their second born child in exchange for helping them become pregnant, which they soon were with Prue. Prue’s army meets up with Curtis’s army and they all fight against coyotes and Alexandria. They are triumphant and Prue gets her baby brother back.I think one of the best themes from this book was the theme of being true to yourself. Curtis was offered the opportunity to be the captain of an army and the second in command of a colony, but he turned it all down to save Prue’s brother. He understood right from wrong, and found a place where he could be true to himself with the Bandits.
  • Rating: 4 out of 5 stars
    4/5
    The thing that will draw you into this enormous book are Carson Ellis's gorgeous illustrations. However, if you like sprawling fantasy books like Lord of the Rings, the story will keep you reading.Prue McKeel is an ordinary kid living in Portland. She rides her bike, does her homework, and watches after her little brother Mac. Then one day, out of nowhere, a murder of crows swoops down and kidnaps Mac, carrying him off to the vast stretch of forest known to Portlanders as The Impassable Wilderness. Determined to get Mac back, Prue and her friend Curtis venture into the forest, and find a world of magic, talking animals, and betrayal known as Wildwood. There, they get caught up in a struggle for power that threatens every living thing there.Meloy crafts the fantasy element out of his talking animals and flashes of magic, but he grounds the basic narrative in bureaucratic parody. There are ineffective governors, lazy diplomats, and silly laws that shrewd readers will recognize as a gentle satire. What the story lacks is a basic point to all of this rigmarole. Perhaps its because this is first part in a trilogy, but I kept waiting to find out what the theme was, what I could learn from the characters. This is not the first time someone has mocked the adult world in a fantasy way (Phantom Toolbooth, anyone?), but Meloy does not entirely successfully explain how the Impassable Wilderness came to be the way it is by the time Prue and Curtis get there.This is definitely a book for your more advanced readers. There are some scenes of violent battles, but nothing too gory. This novel is long, full of conspiracy plots and twists, and SAT words galore. Honestly, it probably could have been 200 pages shorter, but kids who get drawn into the story won't care. Prue is an engaging character (if you can stand how much of a hipster she is), as are some of the inhabitants of Wildwood. With some additional series, this may be a solid entry into the fantasy canon.For ages 10 and up.
  • Rating: 3 out of 5 stars
    3/5
    I started reading this book, becoming engaged, until I came to the talking animals. Oh the talking animals. Even as a kid I had little patience for talking animals. There is a lot to like about this book- the two main characters are likable,overall the book is warmly realized with amazing detail. There was a lot that irritated me- the aforementioned talking animals, the slightly hipster wordiness, the length- it probably could have benefited from some editing. Overall it felt like it was written by a very talented creative writing student. The drawings are exquisite- they are the the best part of the book for me. I'm not sure if kids- the intended audience- have been as interested as the adults who have come into the library- the author is in a very popular local band.
  • Rating: 4 out of 5 stars
    4/5
    When eleven year-old Prue takes her baby brother Mac to run some errands in their hometown of Portland, OR, crows sweep in and kidnap Mac, taking him to the “Impassable Wood” at the edge of the Willamette River. Drawing on many classic normal-girl-ventures-into-extraordinary-world stories like The Wizard of Oz and Jim Henson’s Labyrinth, The Decemberists singer and songwriter Colin Meloy (with help from his wife, illustrator Carson Ellis), creates a enjoyable, if not terribly original world within Wildwood. Brave Prue decides to rescue her brother and is subsequently followed by classmate, Curtis, who offers his help in saving baby Mac. Not soon after they enter the Wood, Curtis is captured by talking coyotes in military uniform, and taken to the mysterious, beautiful and potentially dangerous Dowager Governess, Alexandra. Prue continues on her adventure with a ride from postman Richard and is taken to South Wood to get help finding her brother. She encounters many roadblocks in her search for Mac, meets Bandits, mystics and a bird prince named Owl Rex. Her parents prove to be basically useless, which isn’t surprising for this sort of tale of fantasy, but it’s disappointing nonetheless. How can two dopes create such an empowered kid? Hopefully one day, Meloy will explain this phenomenon.Colin Meloy’s whimsical work in The Decemberists make his move to writing children’s book a natural one, although one might hope that he’ll create a novelisation about a young man battling his mortal enemy in the belly of a whale.
  • Rating: 4 out of 5 stars
    4/5
    My husband and I are currently listening to the audio of this novel. We are close to finishing. The story is about a young girl named Prue who looses her baby brother to a flock of birds. She sets out on an adventure with her friend Curtis to find him. They enter a world just on the outskirts of the city called Wildwood. They come to find out Wildwood is a completely different world, filled with various creatures and awful government.
  • Rating: 4 out of 5 stars
    4/5
    Mythic to a large degree this is an interesting read. Prue goes after her brother who has been kidnapped by crows into the Wildwood where no-one goes in Portland, but she finds that she can go, and her friend Curtis comes with her, they both find that everything is not as they assumed and that things will never be as they were before.The illustrations added to the enjoyment. And while I enjoyed it I'm not sure where it's supposed to go, it's a bit long for a kid's book and a little childish for an adult. Still I'm looking forward to the next one
  • Rating: 3 out of 5 stars
    3/5
    Pru's life was fairly normal until the day her baby brother Mac was kidnapped by a murder of crows and taken into the impassable Wilderness. Now she is going to go where no one ever goes with tag-along classmate Curtis as support. But even more unexpected for them are the factions of talking animals, political movements and so on in the three countries nestled within what has always been supposed to be an empty forest. Swept up by the current events, Pru just hopes she'll find Mac before anything else can happen.Here is my broken record: I pick things up and I put them down. But then, later on, as though it was all a clever ruse, I buy them anyway. I know you know that I do it, because it comes up regularly. So does the notion of me buying a bookIt's hard to explain, now, weeks and books after I finished it, quite what was so enjoyable about it. Yes, I know I need to be writing these immediately, but reading is quite often easier than writing is for time and thought's sake. Lame? I know that, too.But both Pru and Curtis are believable and interesting characters to follow as they are pulled into the chaos of the wilderness. Meloy keeps the book from getting fluffy but also from being too political. He throws in a lot of the old darkness, in a way the realistic darkness, into the works--the battles, and there are a few, are not gruesome but not injury-free fluff. There is death, there is violence, there are gross points that lend some weight to the text. It's not just a cutesy little story with a pair of kids scampering about the forest with the help of bunnies and robins. This is an engaging story, well-written and thorough in its carriage and explanations. It is not off-putting to me that this is the beginning of a new series--although I do hope it is a short one. Also, even though there are lead-ins to the next book, I would be contented to see it remain alone.Well, mostly content because I read so many other things. Were I to reread Wildwood, I am sure that I would impatiently tap my foot at not having another story to follow it up.
  • Rating: 4 out of 5 stars
    4/5
    when this book came into the store, I knew it was a must-read. Colin Meloy is one of my favorite storytellers (via song), so I knew that any tale he wove on page would be just as beautiful. I am six chapter in, and I am loving the adventure. it really feels like a modern-day Chronicles of Narnia. I’ve seen Wildwood questioned as a kid’s fiction book - ‘Meloy uses his thesaurus too heavily’ was one particular criticism I’ve read online. I think it’s fantastic. more children should be reading challenging and engaging stories like Wildwood. if some of the words cause them to pick up a dictionary (who am I fooling? visit dictionary.com), then that’s a good thing. let’s not forget a bibliophile’s criticism that the digital age (is that what they’re still calling it) has severely hampered the young generation’s vocabulary. Meloy gives us a space to revel in it and our own imagination at the same time.
  • Rating: 3 out of 5 stars
    3/5
    This book ended up being slower going for me than I would have liked. Toward the middle I started getting bored, and I feel like it dragged on for 100 pages too long.

    Wildwood is the story of Prue McKeel, a 12-year-old girl living in Portland with her parents and brother. In Prue's version of Portland, there is a forested area known as the Impassible Wilderness, and Prue was told to never go there, and for the most part she obliged.

    That is, until the day her brother is taken by crows and led into the Impassible Wilderness, causing Prue to have to follow them. What results is Prue discovering the Impassible Wilderness is its own country known as Wildwood, and she will have to make friends with a menagerie of people and talking animals to save her brother.

    Along the way, her friend Curtis follows her in and gets caught up in his own adventure, almost becoming the enemy.

    Hoo boy. I figured since this was a middle grade level novel, I would breeze right through it since it's lower fare than I'm used to (Last time I read a middle grade novel was about 20 years ago). As it turns out, the pacing ended up being so slow for me that I had to put is down at times and read something else. I get that it's fantasy and fantasy books need world building, but there were parts later in the book (party scenes, downtime scenes, etc.) that needed to be cut short. It also took far too long to get to the final fight scenes, and I felt like the entire last chapter needed to go.

    It you like fantasy, especially books like A Series of Unfortunate Events and Chronicles of Narnia, give this book a shot. I think the exposition of these kinds of books just makes them drag for me.
  • Rating: 3 out of 5 stars
    3/5
    Bought this for my niece and then I started reading it myself, go figure.

    Enjoyable. Loved the illustrations, and the storyline moved along. But this read more like a very familiar mashup of some of my favorite childhood stories rather than its own standout. As I was reading, I was thinking of Witch and the Wardrobe (without the symbolism), Robin Hood, Brer Rabbit and so on.

    Reasons this book is easily spotted as a hipster-magnet, or at least a book born of two hipsters:
    1) It's set in Portland.
    2) The main character, Prue, is a preteen, but she knows how to change her own bicycle wheel. Psssshhh.
    3) The language is often too large for the subject
    4) The adjective I'd use to describe the book = whimsical

    I feel bad writing it, but when I think of this book, "cute" comes to mind. Probably not the best compliment. I don't think this would have made it without the illustrations by Meloy's wife, Carson Ellis. Well done, Ellis. If I was OK with defacing books (which sadly, I'm not), I would tear out a few of the plates and frame them.

    PS. Did anyone else notice all of the typos? I could definately tell where the publisher was skimping on costs. Yikes.
  • Rating: 4 out of 5 stars
    4/5
    In this massive chunk of a book, seventh-grader Prue is astonished and frightened when her baby brother Mac is kidnapped by a murder of crows, who take him into the heart of the "Impassible Wilderness." When she heads into the wilderness to rescue Mac, one of her classmates, Curtis, follows. Adventures ensue.The book owes a considerable debt to Narnia, with its talking animals, White Witch-like figure, and a Stone Table -- er, Plinth -- as a place of ritual. Perhaps that's why I found it slightly stale; what may have been meant as homage came off as repetition. I also never really connected with the main characters, and the secondary characters were generally very flat. I might have pardoned much of this if the book had been shorter, but the length of the book was problematic for me, too. J.K. Rowling, you know I love you. I don't begrudge the Harry Potter books their length (well, maybe a few pages of the Endless Camping in Deathly Hallows), but you opened the door for authors of juvenile fantasy to inflict mercilessly long books upon the reading public.I don't see myself reading additional books in this series. One redeeming factor: though there were a few hints of things that might crop up in upcoming books, the loose ends were generally tied off neatly (sometimes a bit too neatly, but I'm trying to avoid blatant spoilers, so that's all I'll say about that). If you're looking for a recently published middle-grade book with fantasy in a woodland setting, let me recommend instead Breadcrumbs by Anne Ursu, one of my favorite books from last year.
  • Rating: 4 out of 5 stars
    4/5
    While charming and very Narnia-esque, nothing in this book really stood out for me. (Colin Meloy's strength as a songwriter is writing songs that could very well be traditional folk songs; it works better in music than in fiction.) I admit to zoning out a lot during the battle scenes. But I'm not really the target audience - as Baby's First Fat Fantasy Novel, this would have blown my mind as a ten-year-old. I'll definitely be foisting it on kids who've run out of Narnia.
  • Rating: 3 out of 5 stars
    3/5
    For the most part, I enjoyed this story of the "Impassible Wilderness," a fantasy world on the outskirts of Portland, Oregon. When Prue's baby brother is stolen by a murder of crows, Prue sets off after him into the wilderness, followed by Curtis, a boy from school. There follows a tale of political intrigue, adventure, and loyalty. At several points the story lagged, and I found myself becoming frustrated or impatient. The middle part of the book is told in alternating sections about Curtis and about Prue. This device can build suspense, but it only works when both characters' adventures are equally interesting. One of the stories lagged while the other continued at a steady pace, and I found myself becoming frustrated with the author for insisting on writing more than was necessary on one story in order to keep the two stories the same length.I also was disappointed in the character of the Governess. When she first appears she's an evil and powerful figure luring a young boy away with tasty treats. Sound familiar? Sigh. Despite the apparent similarity, though, she can't hold a candle to Jadis, and ultimately she was a rather unsatisfying character. I was sorry I didn't like it more. This was potentially a 5 star story, but it was considerably longer than it needed to be for the actual content, and the author didn't do nearly as much as could have been done with some of the plot elements. It appears he's holding back some of the story's potential for a sequel, but if the story doesn't speed up he'll lose readers before he gets there.
  • Rating: 3 out of 5 stars
    3/5
    Pages: 541Release Date: August 30th, 2011Date Read: 2011, September 21st-28thReceived: OwnRating: 3/5 starsRecommended to: 11+Summary -The day Mac was kidnapped started out as a good, normal day. But when the murder of crows descended and Prue watched as they lifted her baby brother off the ground, her day went from good to bad. And then from bad to worse when they disappeared into the Impassable Wilderness, a place where no one ever goes. Prue can't possible tell her parents what has happened - she can't quite believe it herself! - so she knows immediately that she must venture into the Impassable Wilderness to find her brother, never suspecting what new friends and ugly terrors might lay in those woods.My thoughts -As Colin Meloy is a favorite singer/songwriter of mine, I was naturally ecstatic when I discovered he was coming out with a book. Colin's stories in his songs have never been anything but fantastical, and I've always wanted him to write a book. I got my wish - but things didn't end up quite as 5-star-he's-a-genius as I'd hoped.For the record, I enjoyed myself. There were many scenes that had me riveted and were quite original and/or funny. However...For one, the descriptions were lengthy. Too lengthy, in my opinion. At first they were beautiful and everything was perfect; but then he just kept going with them, a lot about plants and trees, and I'm thinking, "It's the Impassable Wilderness. There are tons of plants. Plants everywhere. And there are pictures, too, that show tons of greenery. So, does he really need to keep describing?"So the beginning was great. The middle was slow. All the plant details and lots of getting from on place to another. More details. Then, the end. It was a fun end, well-crafted, and had a great battle. A few secrets were let out and it was all a great hurrah! (Well, besides that lame end to Curtis's story. I hope he's in the second one to make up for that?)Character notes -Prue and Curtis were, seriously, great characters. I loved them, and found that I connected with them. I noticed a small glitch in Prue (she started out as an indifferent teenager and suddenly became a grateful and super loving and protective older sister), but I could only enjoy her company throughout the novel. She was quite a catch and very willing to do the right thing, as was Curtis.While Meloy's descriptions sometimes got out of hand, they were never more enjoyable than when he was describing characters. The humans, the land animals, the birds... It wasn't hard to picture them at all, with all their differences and strange clothes and/or funny character handles.Story notes -This story is bizarre, with a fascinating air of originality and a dark undertone. It had the feel I'd wanted, but was a bit slower than I'd hoped. I very mournfully contemplated giving it a break about twice. (I'd have picked it up again later...) But I'm glad i finished it all the way through. It could have been cut down at least fifty pages, and I wish the battle scenes had been more personal, instead of a lot of general action, but it was so fun nonetheless.In many ways it reminded me of the Chronicles of Narnia, what with the talking animals, one character being deceived by a witch, and a magic forest, but it was also very much it's own story. I was able to appreciate it, even when I was disappointed that I didn't fall madly in love.Summing it up -Descriptive - great, good, and bad. I definitely enjoyed myself and would like to read Meloy's next book in the Wildwood trilogy - although this time I probably won't spend $17.00 on it; I'll go buy his CD's instead.For the parents -Violence and excessive drinking among the coyotes. Parents may want to take a look at the violence for themselves, because not every 11-year-old likes scary witches. 11+

Book preview

Wildwood - Colin Meloy

Part One

CHAPTER 1

A Murder of Crows

How five crows managed to lift a twenty-pound baby boy into the air was beyond Prue, but that was certainly the least of her worries. In fact, if she were to list her worries right then and there as she sat spellbound on the park bench and watched her little brother, Mac, carried aloft in the talons of these five black crows, puzzling out just how this feat was being done would likely come in dead last. First on the list: Her baby brother, her responsibility, was being abducted by birds. A close second: What did they plan on doing with him?

And it had been such a nice day.

True, it had been a little gray when Prue woke up that morning, but what September day in Portland wasn’t? She had drawn up the blinds in her bedroom and had paused for a moment, taking in the sight of the tree branches outside her window, framed as they were by a sky of dusty white-gray. It was Saturday, and the smell of coffee and breakfast was drifting up from downstairs. Her parents would be in their normal Saturday positions: Dad with his nose in the paper, occasionally hefting a lukewarm mug of coffee to his lips; Mom peering through tortoiseshell bifocals at the woolly mass of a knitting project of unknown determination. Her brother, all of one year old, would be sitting in his high chair, exploring the farthest frontiers of unintelligible babble: Doose! Doose! Sure enough, her vision was proven correct when she came downstairs to the nook off the kitchen. Her father mumbled a greeting, her mother’s eyes smiled from above her glasses, and her brother shrieked, Pooo! Prue made herself a bowl of granola. I’ve got bacon on, darling, said her mother, returning her attention to the amoeba of yarn in her hands (was it a sweater? A tea cozy? A noose?).

Mother, Prue had said, now pouring rice milk over her cereal, I told you. I’m a vegetarian. Ergo: no bacon. She had read that word, ergo, in a novel she’d been reading. That was the first time she had used it. She wasn’t sure if she’d used it right, but it felt good. She sat down at the kitchen table and winked at Mac. Her father briefly peered over the top of his paper to give her a smile.

What’s on the docket today? said her father. Remember, you’re watching Mac.

Mmmm, I dunno, Prue responded. Figured we’d hang around somewhere. Rough up some old ladies. Maybe stick up a hardware store. Pawn the loot. Beats going to a crafts fair.

Her father snorted.

Don’t forget to drop off the library books. They’re in the basket by the front door, said her mother, her knitting needles clacking. We should be back for dinner, but you know how long these things can run.

Gotcha, said Prue.

Mac shouted, Pooooo! wildly brandished a spoon, and sneezed.

And we think your brother might have a cold, said her father. So make sure he’s bundled up, whatever you do.

(The crows lifted her brother higher into the overcast sky, and suddenly Prue enumerated another worry: But he might have a cold!)

That had been their morning. Truly, an unremarkable one. Prue finished her granola, skimmed the comics, helped her dad ink in a few gimmes in his crossword puzzle, and was off to hook up the red Radio Flyer wagon to the back of her single-speed bicycle. An even coat of gray remained in the sky, but it didn’t seem to threaten rain, so Prue stuffed Mac into a lined corduroy jumper, wrapped him in a stratum of quilted chintz, and placed him, still babbling, into the wagon. She loosed one arm from this cocoon of clothing and handed him his favorite toy: a wooden snake. He shook it appreciatively.

Prue slipped her black flats into the toe clips and pedaled the bike into motion. The wagon bounced noisily behind her, Mac shrieking happily with every jolt. They tore through the neighborhood of tidy clapboard houses, Prue nearly upsetting Mac’s wagon with every hurdled curb and missed rain puddle. The bike tires gave a satisfied shhhhhh as they carved the wet pavement.

The morning flew by, giving way to a warm afternoon. After several random errands (a pair of Levis, not quite the right color, needed returning; the recent arrivals bin at Vinyl Resting Place required perusing; a plate of veggie tostadas was messily shared at the taqueria), she found herself whiling time outside the coffee shop on the main street while Mac quietly napped in the red wagon. She sipped steamed milk and watched through the window as the café employees awkwardly installed a secondhand elk head trophy on the wall. Traffic hummed on Lombard Street, the first intrusions of the neighborhood’s polite rush hour. A few passersby cooed at the sleeping baby in the wagon and Prue flashed them sarcastic smiles, a little annoyed to be someone’s picture of sibling camaraderie. She doodled mindlessly in her sketchbook: the leaf-clogged gutter drain in front of the café, a hazy sketch of Mac’s quiet face with extra attention paid to the little dribble of snot emerging from his left nostril. The afternoon began to fade. Mac, waking, shook her from her trance. Right, she said, putting her brother on her knee while he rubbed the sleep from his eyes. Let’s keep moving. Library? Mac pouted, uncomprehending.

Library it is, said Prue.

She skidded to a halt in front of the St. Johns branch library and vaulted from her bike seat. Don’t go anywhere, she said to Mac as she grabbed the short stack of books from the wagon. She jogged into the foyer and stood before the book return slot, shuffling the books in her hand. She stopped at one, The Sibley Guide to Birds, and sighed. She’d had it for nearly three months now, braving overdue notices and threatening notes from librarians before she’d finally consented to return it. Prue mournfully flipped through the pages of the book. She’d spent hours copying the beautiful illustrations of the birds into her sketchbook, whispering their fantastic, exotic names like quiet incantations: the western tanager. The whip-poor-will. Vaux’s swift. The names conjured the images of lofty climes and faraway places, of quiet prairie dawns and misty treetop aeries. Her gaze drifted from the book to the darkness of the return slot and back. She winced, muttered, Oh well, and shoved the book into the opening of her peacoat. She would brave the librarians’ wrath for one more week.

Outside, an old woman had stopped in front of the wagon and was busy searching around for its owner, her brow furrowed. Mac was contentedly chewing on the head of his wooden snake. Prue rolled her eyes, took a deep breath, and threw open the doors of the library. When the woman saw Prue, she began to wave a knobby finger in her direction, stammering, E-excuse me, miss! This is very unsafe! To leave a child! Alone! Do his parents know how he is being cared for?

What, him? asked Prue as she climbed back on to the bike. Poor thing, doesn’t have parents. I found him in the free book pile. She smiled widely and pushed the bike away from the curb back onto the street.

The playground was empty when they arrived, and Prue unrolled Mac from his swaddling and set him alongside the unhitched Radio Flyer. He was just beginning to walk and relished the opportunity to practice his balancing. He gurgled and smiled and carefully waddled beside the wagon, pushing it slowly across the playground’s asphalt. Knock yourself out, said Prue, and she pulled the copy of The Sibley Guide to Birds from her coat, opening it to a dog-eared page about meadowlarks. The shadows against the blacktop were growing longer as the late afternoon gave way to early evening.

That was when she first noticed the crows.

At first there were just a few, wheeling in concentric circles against the overcast sky. They caught Prue’s attention, darting about in her periphery, and she glanced up at them. Corvus brachyrhynchos; she’d just been reading about them the night before. Even from a distance, Prue was astounded by their size and the power of their every wing stroke. A few more flew into the group and there were now several, wheeling and diving above the quiet playground. A flock? thought Prue. A swarm? She flipped through the pages of Sibley to the back where there was an index of fanciful terms for the grouping of birds: a sedge of herons, a fall of woodcock, and: a murder of crows. She shivered. Looking back up, she was startled to see that this murder of crows had grown considerably. There were now dozens of birds, each of the blackest pitch, piercing cold empty holes in the widening sky. She looked over at Mac. He was now yards away, blithely toddling along the blacktop. She felt unnerved. Hey, Mac! she called. Where ya going?

There was a sudden rush of wind, and she looked up in the sky and was horrified to see that the group of crows had grown twentyfold. The individual birds were now indiscernible from the mass, and the murder coalesced into a single, convulsive shape, blotting out the flat light of the afternoon sun. The shape swung and bowed in the air, and the noise of their beating wings and screeching cries became almost deafening. Prue cast about, seeing if anyone else was witnessing this bizarre event, but she was terrified to find that she was alone.

And then the crows dove.

Their cry became a single, unified scream as the cloud of crows feinted skyward before diving at a ferocious speed toward her baby brother. Mac gave a terrific squeal as the first crow reached him, snagging the hood of his jumper in a quick flourish of a talon. A second took hold of a sleeve, a third grabbing the shoulder. A fourth, a fifth touched down, until the swarm surrounded and obscured the view of his body in a sea of flashing, feathery blackness. And then, with seemingly perfect ease, Mac was lifted from the ground and into the air.

Prue was paralyzed with shock and disbelief: How were they doing this? She found that her legs felt like they were made of cement, her mouth empty of anything that might draw forth words or a sound. Her entire placid, predictable life now seemed to hinge on this one single event, everything she’d ever felt or believed coming into terrible relief. Nothing her parents had told her, nothing she’d ever learned in school, could possibly have prepared her for this thing that was happening. Or, really, what was to follow.

LET MY BROTHER GO!

Waking from her reverie, Prue found she was standing on top of the bench, shaking her fist at the crows like an ineffectual comic-book bystander, cursing some supervillain for the theft of a purse. The crows were quickly gaining altitude; they now topped the highest branches of the poplars. Mac could barely be seen amid the black, winged swarm. Prue jumped down from the bench and grabbed a rock from the pavement. Taking quick aim, she threw the rock as hard as she could but groaned to see it fall well short of its target. The crows were completely unfazed. They were now well above the tallest trees in the neighborhood and climbing, the highest flyers growing hazy in the low-hanging clouds. The dark mass moved in an almost lazy pattern, stalling in motion before suddenly breaking in one direction and the next. Suddenly, the curtain of their bodies parted and Prue could see the distant beige shape of Mac, his cord jumper pulled into a grotesque rag-doll shape by the crows’ talons. She could see one crow had a claw tangled in the fine down of his hair. Now the swarm seemed to split in two groups: One stayed surrounding the few crows who were carrying Mac while the other dove away and skirted the treetops. Suddenly, two of the crows let go of Mac’s jumper, and the remaining birds scrambled to keep hold. Prue shrieked as she saw her brother slip from their claws and plummet. But before Mac even neared the ground, the second group of crows deftly flew in and he was caught, lost again into the cloud of squawking birds. The two groups reunited, wheeled in the air once more, and suddenly, violently, shot westward, away from the playground.

Determined to do something, Prue dashed to her bike, jumped on, and gave pursuit. Unencumbered by Mac’s red wagon, the bike quickly gained speed and Prue darted out into the street. Two cars skidded to a stop in front of her as she crossed the intersection in front of the library; somebody yelled, Watch it! from the sidewalk. Prue did not dare take her eyes off the swimming, spinning crows in the distance.

Her legs a blue blur over the pedals, Prue blew the stop sign at Richmond and Ivanhoe, inciting an angered holler from a bystander. She then skidded through the turn southward on Willamette. The crows, unhampered by the neighborhood’s grid of houses, lawns, streets, and stoplights, made quick time over the landscape, and Prue commanded her legs to pedal faster to keep pace. In the chase, she could swear that the crows were toying with her, cutting back toward her, diving low and skirting the roofs of the houses, only to carve a great arc and, with a push of speed, dart back to the west. In these moments Prue could catch a glimpse of her captive brother, swinging in the clutches of his captors, and then he would disappear again, lost in the whirlwind of feathers.

I’m coming for you, Mac! she yelled. Tears streamed down Prue’s cheeks, but she couldn’t tell if she’d cried them or if they were a product of the cold fall air that whipped at her face as she rode. Her heart was beating madly in her chest, but her emotions were staid; she still couldn’t quite believe this was all happening. Her only thought was to retrieve her brother. She swore that she would never let him out of her sight again.

The air was alive with car horns as Prue zigzagged through the steady traffic of St. Johns. A garbage truck, executing a slow, traffic-stalling Y-turn in the middle of Willamette Street, blocked the road, and Prue was forced to hop the curb and barrel down the sidewalk. A group of pedestrians screamed and dove out of her way. Sorry! Prue shouted. In an angular motion, the crows doubled back, causing Prue to lay on the brakes, and then dove low in an almost single file and flew straight toward her. She screamed and ducked as the crows flew over her head, their feathers nicking her scalp. She heard a distinct gurgle and a call, Pooooo! from Mac as they passed, and he was gone again, the crows back on their journey westward. Prue pedaled the bike to speed and bunny-hopped the wheels of the bike back onto the black pavement of the street, grimacing as she absorbed the bump with her arms. Seeing an opportunity, she took a hard right onto a side street that wound through a new development of identically whitewashed duplexes. The ground began to gently slope and she was gathering speed, the bike clattering and shaking beneath her. And then, suddenly, the street came to an abrupt end.

She had arrived at the bluff.

Here at the eastern side of the Willamette River was a natural border between the tight-knit community of St. Johns and the riverbank, a three-mile length of cliff simply called the bluff. Prue let out a cry and jammed on the brakes, nearly sending herself vaulting the handlebars and over the edge. The crows had cleared the precipice and were funneling skyward like a shivering black twister cloud, framed by the rising smoke from the many smelters and smokestacks of the Industrial Wastes, a veritable no-man’s-land on the other side of the river, long ago claimed by the local industrial barons and transformed into a forbidding landscape of smoke and steel. Just beyond the Wastes, through the haze, lay a rolling expanse of deeply forested hills, stretching out as far as the eye could see. The color drained from Prue’s face.

No, she whispered.

In the flash of an instant and without a sound, the funnel of crows crested the far side of the river and disappeared in a long, thin column into the darkness of these woods. Her brother had been taken into the Impassable Wilderness.

CHAPTER 2

One City’s Impassable Wilderness

As long as Prue could remember, every map she had ever seen of Portland and the surrounding countryside had been blotted with a large, dark green patch in the center, stretching like a growth of moss from the northwest corner to the southwest, and labeled with the mysterious initials I.W. She hadn’t thought to ask about it until one night, before Mac was born, when she was sitting with her parents in the living room. Her dad had brought home a new atlas and they were lying in the recliner together, leafing through the pages and tracing their fingers over boundary lines and sounding out the exotic place names of far-flung countries. When they arrived at a map of Oregon, Prue pointed to the small, inset map of Portland on the page and asked the question that had always confounded her: What’s the I.W.?

Nothing, honey, had been her father’s reply. He flipped back to the map of Russia they had been looking at moments before. With his finger, he traced a circle over the wide northeastern part of the country where the letters of the word Siberia obscured the map. There were no city names here; no network of wandering yellow lines demarking highways and roads. Only vast puddles all shades of green and white and the occasional squiggly blue line linking the myriad remote lakes that peppered the landscape. There are places in the world where people just don’t end up living. Maybe it’s too cold or there are too many trees or the mountains are too steep to climb. But whatever the reason, no one has thought to build a road there and without roads, there are no houses and without houses, no cities. He flipped back to the map of Portland and tapped his finger against the spot where I.W. was written. It stands for ‘Impassable Wilderness.’ And that’s just what it is.

Why doesn’t anyone live there? asked Prue.

All the reasons why no one lives up in those parts of Russia. When the settlers first came to the area and started to build Portland, no one wanted to build their houses there: The forest was too deep and the hills were too steep. And since there were no houses there, no one thought to build a road. And without roads and houses, the place just sort of stayed that way: empty of people. The place, over time, just became more overgrown and more inhospitable. And so, he said, it was named the Impassable Wilderness and everybody knew to steer clear. Her father dismissively wiped his hand across the map and brought it up to gently pinch Prue’s chin between his thumb and finger. Bringing her face close to his, he said, "And I don’t ever, ever want you to go in there. He playfully moved her head back and forth and smiled. You hear me, kid?"

Prue made a face and yanked her chin free. Yeah, I hear you. They both looked back at the atlas, and Prue laid her head against her father’s chest.

I’m serious, said her father. She could feel his chest tighten under her cheek.

So Prue knew not to go near this Impassable Wilderness, and she only once bothered her parents with questions about it again. But she couldn’t ignore it. While the downtown continued to sprout towering condominium buildings, and newly minted terra-cotta outlet malls bloomed beside the highway in the suburbs, it baffled Prue that such an impressive swath of land should go unclaimed, untouched, undeveloped, right on the edge of the city. And yet, no adult ever seemed to comment on it or mention it in conversation. It seemed to not even exist in most people’s minds.

The only place that the Impassable Wilderness would crop up was among the kids at Prue’s school, where she was a seventh grader. There was an apocryphal tale told by the older students about a man—so-and-so’s uncle, maybe—who had wandered into the I.W. by mistake and had disappeared for years and years. His family, over time, forgot about him and continued on with their lives until one day, out of the blue, he reappeared on their doorstep. He didn’t seem to have any memory of the intervening years, saying only that he’d been lost in the woods for a time and that he was terribly hungry. Prue had been suspicious of the story from her first hearing; the identity of this man seemed to change from telling to telling. It was someone’s father in one version, a wayward cousin in another. Also, the details shifted in each telling. A visiting high school kid told a group of Prue’s rapt classmates that the individual (in this version, the kid’s older brother) had returned from his weird sojourn in the Impassable Wilderness aged beyond belief, with a great white beard that stretched down to his tattered shoes.

Regardless of the questionable truth of these stories, it became clear to Prue that most of her classmates had had similar conversations with their parents as she had had with her father. The subject of the Wilderness filtered into their play surreptitiously: What once was a lake of poisonous lava around the four-square court was now the Impassable Wilderness, and woe betide anyone who missed a bounce and was forced to scurry after the red rubber ball into those wilds. In games of tag, you were no longer tagged It, but rather designated the Wild Coyote of the I.W., and it was your job to scamper around after your fleeing classmates, barking and growling.

It was the specter of these coyotes that made Prue ask her parents a second time about the Impassable Wilderness. She had been awakened one night in a fright by the unmistakable sound of baying dogs. Sitting up in bed, she could hear that Mac, then four months old, had awoken as well and was being quietly shushed by their parents as he wailed and whimpered in the next room. The dogs’ baying was a distant echo, but it was bone-shivering nonetheless. It was a tuneless melody of violence and chaos and as it grew, more dogs in the neighborhood took up the cry. Prue noticed then that the distant barking was different from the barking of the neighborhood dogs; it was more shrill, more disordered and angry. She threw her blanket aside and walked into her parents’ room. The scene was eerie: Mac had quieted a little at this point, and he was being rocked in his mother’s arms while their parents stood at the window, staring unblinking out over the town at the distant western horizon, their faces pale and frightened.

What’s that sound? asked Prue, walking to the side of her parents. The lights of St. Johns spread out before them, an array of flickering stars that stopped at the river and dissolved into blackness.

Her parents started when she spoke, and her father said, Just some old dogs howling.

But farther away? asked Prue. That doesn’t sound like dogs.

Prue saw her parents share a glance, and her mother said, In the woods, darling, there are some pretty wild animals. That’s probably a pack of coyotes, wishing they could tear into someone’s garbage somewhere. Best not to worry about it. She smiled.

The baying eventually stopped and the neighborhood dogs calmed, and Prue’s parents walked her back into her room and tucked her into bed. That had been the last time the Impassable Wilderness had come up, but it hadn’t put Prue’s curiosity to rest. She couldn’t help feeling a little troubled; her parents, normally two founts of strength and confidence, seemed strangely shaken by the noises. They seemed as leery of the place as Prue was.

And so one can imagine Prue’s horror when she witnessed the black plume of crows disappear, her baby brother in tow, into the darkness of this Impassable Wilderness.

The afternoon had faded nearly completely, the sun dipping down low behind the hills of the Wilderness, and Prue stood transfixed, slack-jawed, on the edge of the bluff. A train engine trundled by below her and rolled across the Railroad Bridge, passing low over the brick and metal buildings of the Industrial Wastes. A breeze had picked up, and Prue shivered beneath her peacoat. She was staring at the little break in the tree line where the crows had disappeared.

It started to rain.

Prue felt like someone had bored a hole in her stomach the size of a basketball. Her brother was gone, literally captured by birds and carried to a remote, untouchable wilderness, and who knew what they would do to him there. And it was all her fault. The light changed from deep blue to dark gray, and the streetlights slowly, one by one, began to click on. Night had fallen. Prue knew her vigil was hopeless. Mac would not be returning. Prue slowly turned her bike around and began walking it back up the street. How would she tell her parents? They would be devastated beyond belief. Prue would be punished. She’d been grounded before for staying out late on school nights, riding her bike around the neighborhood, but this punishment was certain to be like nothing she’d ever experienced. She’d lost Mac, her parents’ only son. Her brother. If a week of no television was the standard punishment for missing a couple curfews, she couldn’t imagine what it was for losing baby brothers. She walked for several blocks, in a trance. She found that she was choking back tears as, in her mind’s eye, she witnessed anew the crows’ disappearance into the woods.

Get a grip, Prue! she said aloud, wiping tears from her cheeks. Think this through!

She took a deep breath and began assembling her options in her mind, weighing each one’s pros and cons. Going to the police was out; they’d undoubtedly think she was crazy. She didn’t know what police did with crazy people who came into the station ranting about murders of crows and abducted one-year-olds, but she had her suspicions: She’d be carried off in an armored van and thrown into some faraway asylum’s subterranean cell, where she’d live out the rest of her days listening to the lamenting of her fellow inmates and trying hopelessly to convince the passing janitor that she was not crazy and that she was falsely imprisoned there. The thought of rushing home to tell her parents terrified her; their hearts would be irretrievably broken. They had waited so long for Mac to come along. She didn’t know the whole story, but understood that they’d wanted to have a second child sooner, but it just hadn’t come about. They had been so happy when they found out about Mac. They had positively beamed; the entire house had felt alive and light. No, she couldn’t be the one to break this terrible news to them. She could run away—this was a legitimate option. She could jump on one of those trains going over the Railroad Bridge and split town and travel from city to city, doing odd jobs and telling fortunes for a living—maybe she’d even meet a little golden retriever on the road who’d become her closest companion, and they’d ramble the country together, a couple of gypsies on the run, and she’d never have to face her parents or think about her dear, departed brother again.

Prue stopped in the middle of the sidewalk and shook her head dolefully.

What are you thinking? She reprimanded herself. You’re out of your mind! She took a deep breath and kept walking, pushing her bike along. A chill came over her as she realized her only option.

She had to go after him.

She had to go into the Impassable Wilderness and find him. It seemed like an insurmountable task, but she had no choice. The rain had grown heavy and was pelting down on the sidewalks and the streets, making huge puddles, and the puddles became choked with flotillas of dead leaves. Prue devised her plan, carefully gauging the dangers of such an adventure. The chill of evening was draping over the rain-swept neighborhood streets; it would be unsafe to attempt the trip in the dead of night. I’ll go tomorrow, she thought, unaware that she was mumbling some of the words aloud. Tomorrow morning, first thing. Mom and Dad won’t even have to know. But how to keep them from finding out? Her heart sank as she arrived at the scene of Mac’s abduction: the playground. The play structure was abandoned in the sheeting rain, and Mac’s little red wagon sat on the asphalt, a heap of soggy blanket sitting inside, collecting water. That’s it! said Prue, and she ran over to the wagon. Kneeling down on the wet pavement, she started to mold the sopping blanket into the form of a swaddled baby. Standing back, she studied it. Plausible, she said. She had started to attach the wagon to the back axle of her bike when she heard a voice call:

Hey, Prue!

Prue stiffened and looked over her shoulder. Standing on the sidewalk next to the playground was a boy, incognito in a matching rain slicker and pants. He pulled the hood back on his slicker and smiled. It’s me, Curtis! he shouted, and waved.

Curtis was one of Prue’s classmates. He lived with his parents and his two sisters just down the street from Prue. Their desks at school were two rows apart. Curtis was constantly getting in trouble with their teacher for spending school time drawing pictures of superheroes in various scrapes with their archenemies. His drawing obsession also tended to get him in trouble with his classmates, since most kids had abandoned superhero drawing years before, if they hadn’t abandoned drawing altogether. Most kids devoted their drawing talent to sketching band logos on the paper-bag covering of their textbooks; Prue was one of the only kids who’d transitioned away from her superhero- and fairy-tale-inspired renderings to drawings of birds and plants. Her classmates looked askance at her, but at least they didn’t bother her. Curtis, for clinging to his bygone art form, was shunned.

Hey, Curtis, said Prue, as nonchalantly as possible. What are you doing?

He put his hood back on. I was just out for a walk. I like walking in the rain. Less people around. He took his glasses off and pulled a corner of his shirt from beneath his slicker to clean them. Curtis’s round face was topped by a mass of curly black hair that sprang from beneath his slicker hood like little coils of steel wool. Why were you talking to yourself?

Prue froze. What?

You were talking to yourself. Just back there. He pointed in the direction of the bluff as he squinted and put his glasses back on. I was sort of following you, I guess. I meant to get your attention earlier, but you looked so . . . distracted.

I wasn’t, was all Prue could think to say.

You were talking to yourself and walking and then stopping and shaking your head and doing all sorts of weird things, he said. And why were you standing on the bluff for so long? Just staring into space?

Prue got serious. She walked her bike over to Curtis and pointed a finger in his face. Listen to me, Curtis, she said, commanding her most intimidating tone. I’ve got a lot on my mind. I don’t need you bothering me right now, okay?

To her relief, Curtis appeared to be easily intimidated. He threw up his hands and said, Okay! Okay! I was just curious is all.

Well, don’t be, she said. Just forget everything you saw, all right? She started to push her bike away toward home. As she straddled the bike seat and put her feet in the toe clips, she turned to Curtis and said, "I’m not crazy." And she rode off.

CHAPTER 3

To Cross a Bridge

It was nearing seven o’clock as Prue approached her house, and she could see the light on in the living room and the silhouette of her mother’s head, bowed over her knitting. Her father was nowhere in sight as she crept around the side of the house, moving slowly so as not to disturb the pea gravel of the walk. The soggy blanket in the wagon made a convincing slumbering one-year-old but definitely wouldn’t withstand close inspection, so Prue held her breath in hope that she wouldn’t encounter an inquisitive parent. Her hopes were dashed as she rounded the back corner of the house and saw her dad fumbling with the garbage and recycling bins. The following day was garbage day; it had always been her father’s task to wrestle the bins curbside. Seeing Prue, he wiped hands together and said, Hey, kiddo! The porch light spread a hazy glow across the darkened lawn.

Hi, Dad, said Prue. Her heart was racing as she slowly walked the bike over to the side of the house and rested it against the wall.

Her dad smiled. You guys were out late. We were starting to wonder about you. You missed dinner, by the way.

We stopped at Proper Eats on the way in, said Prue, shared a stir-fry. She stepped awkwardly sideways so as to stand between her dad and the wagon. She was painfully aware of her every movement as she tried to feign nonchalance. How was your day, Dad?

Oh, fine, he said. Fairly hectic. He paused. Get it? Craft fair? Fairly hectic? Prue let out a loud, high-pitched laugh. She immediately second-guessed the reaction; usually she groaned at her father’s terrible puns. Her father seemed to notice the inconsistency as well. He cocked an eyebrow and asked, How’s Mac?

He’s great! Prue sputtered, maybe too quickly. He’s sleeping!

Really? That’s early for him.

Um, we had a really . . . active day. He ran around a lot. Seemed pretty tuckered out, and so after we had food I just wrapped him up in his blanket and he fell asleep. She smiled and gestured at the wagon behind her. Just like that.

Hmm, said her father. Well, get him inside and into his jammies. He might be down for the count. He sighed, looked back at the recycling bins, and began dragging them along the side of the house toward the street.

Prue let out a breath of relief. Turning around, she carefully scooped the wet blanket out of the wagon and walked into the house, bouncing and shushing the bundle as she went.

The back door let into the kitchen, and Prue walked as softly as she could across the cork flooring. She had almost made it to the stairs when her mother called from the living room, Prue? Is that you?

Prue stopped and pressed the wet blanket against her chest. Yes, Mother?

You guys missed dinner. How’s Mac?

Good. He’s sleeping. We ate on the way home.

Sleeping? she asked, and Prue could imagine her bespectacled face turning to look at the clock on the mantel. Oh. I guess get him—

In jammies, Prue finished for her. I’m on it.

She tore upstairs, skipping every other step, and rushed into her room, dumping the soaked blanket in her dirty clothes hamper. She then walked out into the hall and headed into Mac’s room. She grabbed one of his

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