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Sabriel
Sabriel
Sabriel
Ebook476 pages6 hoursThe Old Kingdom

Sabriel

Rating: 4 out of 5 stars

4/5

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  • Magic

  • Adventure

  • Necromancy

  • Death

  • Survival

  • Necromancer

  • Chosen One

  • Power of Love

  • Reluctant Hero

  • Magical Artifact

  • Prophecy

  • Hero's Journey

  • Magical School

  • Ancient Evil

  • Necromancer Protagonist

  • Fantasy

  • Family

  • Fear

  • Friendship

  • Responsibility

About this ebook

Game of Thrones fans will love the New York Times bestselling Abhorsen series. Sabriel, the first installment in the trilogy, launched critically acclaimed author Garth Nix onto the fantasy scene as a rising star.

Dark Secrets, Deep Love, and Dangerous Magic

Sent to a boarding school in Ancelstierre as a young child, Sabriel has had little experience with the random power of Free Magic or the Dead who refuse to stay dead in the Old Kingdom. But during her final semester, her father, the Abhorsen, goes missing, and Sabriel knows she must enter the Old Kingdom to find him. She soon finds companions in Mogget, a cat whose aloof manner barely conceals its malevolent spirit, and Touchstone, a young Charter Mage long imprisoned by magic, now free in body but still trapped by painful memories.

As the three travel deep into the Old Kingdom, threats mount on all sides. And every step brings them closer to a battle that will pit them against the true forces of life and death—and bring Sabriel face-to-face with her own destiny.

Sabriel is a winner, a fantasy that reads like realism. Here is a world with the same solidity and four-dimensional authority as our own, created with invention, clarity and intelligence.” —Philip Pullman, author of His Dark Materials trilogy

LanguageEnglish
PublisherHarperCollins
Release dateOct 6, 2009
ISBN9780061975134
Author

Garth Nix

Garth Nix is an award-winning and New York Times bestselling author whose beloved Old Kingdom fantasy series begins with Sabriel. His many other novels include Shade’s Children and A Confusion of Princes, and he has written such children’s series as The Seventh Tower and the Keys to the Kingdom, as well as co-writing TroubleTwisters and Have Sword, Will Travel with Sean Williams. His work has been translated into forty-two languages and has sold more than seven million copies. 

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Reviews for Sabriel

Rating: 4.159363631964945 out of 5 stars
4/5

4,336 ratings205 reviews

What our readers think

Readers find this title excellent. Garth Nix writes the world in such a way that you cannot help but feel pulled into it. The story moves in a fast pace that never becomes tedious for the reader. It is a great story that drives the plot along really well and pulls you into the world's beautiful fusion of magic and technology.

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  • Rating: 5 out of 5 stars
    5/5

    Feb 8, 2018

    Sabriel Sabriel by Garth Nix Sabriel Is a good fantasy book that explores a world of magic and necromancy, Sabriel is a girl who is pushed into a place that she is not ready yet, she accepts the role so she can find her father and save the Old Kingdom, Sabriel is my first Garth Nix book.
  • Rating: 5 out of 5 stars
    5/5

    Mar 31, 2013

    This book snagged me in and didn't let me know until the rest of the series was devoured by my brain.

    The worlds (yes, two different lands seperated by an intimidating wall) Nix created are livly and diverse, creating a place for you to enjoyably emerse yourself in. The action and adventure never really cease, as Sabriel explores the Old Kingdom - a place she's heard many stories about from her father but had yet to set foot in herself. Armed with some shaky but useful skills to keep the dead DEAD, she goes off to find her father with the undead trailing her, and the Charter on her side...

    If you like strong female charachers, epic battles, fast-paced storyline, and feel like a new twist on the fantasy and magic genre, this book needs to be read by you!
  • Rating: 4 out of 5 stars
    4/5

    Sep 28, 2010

    A weird and creepy katabasis story in a land where the dead walk and shadows threaten the living.
  • Rating: 5 out of 5 stars
    5/5

    Jun 17, 2009

    This book is about Sabriel, an adventurous girl who for many years lived outside the walls of the Old Kingdom away from the power of free magic. But now her father, Mage Abhorsen is missing and Sabriel needs to return to the world of free magic to rescue him. She finds companions along the way such as Mogget and Touchstone who are powerful creatures of the magical world. With danger on all sides they only have each other to trust and must travel deep inside the Old Kingdom to a place battle which will put them in situations of life and death. Sabriel will be bought face to face with her own concealed destiny. This is the only way to find her beloved father. The best thing about the book is that there are small events that gradually build up into the complication and also that the book is based purely upon magic and fantasy will take you into a new mysterious world. I didn’t like the way that at some parts the book dragged along which made it boring as there weren’t any sparks and sudden events which would make the reader more enthusiastic. You might like the book if you also enjoyed fantasy books or you have adored the series of Garth Nix as this is the first book of the series. A good place to read this book would be in a quite and peaceful surrounding so you can use your imagination to take yourself into the book. So you can be creative and involve yourself in what you are reading. If this book was a film I think that Angelina Jolie would be Sabriel, Touchstone would be Will Smith, Mogget would be Sarah Kingston and the father would be Ross Ferrell. If it had a soundtrack it would be Everlasting World.
  • Rating: 2 out of 5 stars
    2/5

    Aug 5, 2019

    Ein wenig Magie kann excellent sein, 90% sind zuviel des Guten.
  • Rating: 4 out of 5 stars
    4/5

    Feb 27, 2025

    Exciting romp into a world of intrigue and danger! A fun read fun read that kept me wanting more!
  • Rating: 4 out of 5 stars
    4/5

    Nov 6, 2023

    Great story, drives the plot a long really well and pulls you into the world's beautiful fusion of magic and technology.
  • Rating: 5 out of 5 stars
    5/5

    Jun 8, 2020

    Sabriel by Garth Nix.

    Sabriel Is a good fantasy book that explores a world of magic and necromancy, Sabriel is a girl who is pushed into a place that she is not ready yet, she accepts the role so she can find her father and save the Old Kingdom, Sabriel is my first Garth Nix book
  • Rating: 5 out of 5 stars
    5/5

    Mar 16, 2020

    When I first picked up the first book in this trilogy, I was only mildly interested. By the time I was done, I considered this one of the top fantasy series I'd ever read.
  • Rating: 5 out of 5 stars
    5/5

    Dec 31, 2019

    From beginning to end, this story moves in a fast pace that never becomes tedious for the reader. I enjoyed it
  • Rating: 5 out of 5 stars
    5/5

    Feb 8, 2025

    Interesting take on the rules of magic, the trouble with zombies, and the interplay between science and the supernatural. Also a great adventure yarn and coming of age story...I look forward to reading the remaining books.
  • Rating: 3 out of 5 stars
    3/5

    May 28, 2025

    This novel, the first in a series, is quite well written and congenial enough, but it’s not really my kind of fantasy. Nix’s more recent series about the left-handed booksellers, which I’ve read already, is not really my kind of fantasy either, but it suits me a bit better than this one.

    Both series seem aimed at teenage girls, but I’m a 71-year-old man. And this series is set in a world assailed by the semi-living dead, a scenario that lacks appeal to me. It seems like horror fiction, a genre I try to avoid.

    Nevertheless, I wouldn’t call it a bad book; I may even read it again someday; but I won’t rush to buy the next in the series.
  • Rating: 3 out of 5 stars
    3/5

    Jul 26, 2025

    Unfortunately, this left me quite cold. I was hoping for a really good gripping start to an adventure series. Some of the concepts in this are good and I did like the characters. However, I didn’t really find myself engaging with it. I don’t think I’ll be reading any more of the old kingdom series.
  • Rating: 2 out of 5 stars
    2/5

    May 18, 2025

    The things I do for Orilium..... Wow I was so freaking bored. I might just be unhauling this whole series and I'm kind of sad. I had high hopes for Garth Nix. This really bummed me out because I have PTSD from binging a series of unfortunate events like that was terrible and now anytime I hear that Audiobook narrator I think that I'm back in ASOUE.
  • Rating: 5 out of 5 stars
    5/5

    Mar 11, 2025

    Solid, well-conceived, pacy, action-packed fantasy adventure. Good world-building, and the magic is interesting with lots of horror overtones. Engaging characters, and it doesn't avoid either sex or death, keeping it grounded and giving the adventure a real cost. Honestly found the writing a bit clumsy, though, making it a bit of a chore at first, and my eyes began to slide over sentences. It's not badly written, just a bit heavy and plodding when it clearly has ambitions to be more.
  • Rating: 3 out of 5 stars
    3/5

    Mar 9, 2025

    SIGH. It's basically pointless to shout, "OMG where are the women?" Or make comments about how apparently Sabriel wasn't allowed to have feelings, even in her own inner monologue, until the love interest shows up...and then she's suddenly all feelings all the time. Or critique the dubious pacing of the action plot and romantic subplot. ESPECIALLY for a book published 21 years ago.

    Still, given how thin on the ground female-driven action adventure novels are, this one still counts as a qualified win.
  • Rating: 3 out of 5 stars
    3/5

    Jun 26, 2024

    Some of the writing in this book gets pretty cringey and I accidentally switched into craft mode where I wanted to highlight everywhere that took me back out of the story. But then I realized that not only would Garth Nix not care about my feedback, but it's already been published and is too late for edits.
    The romance/sexual tension in this is pretty horrible and clumsy and kinda made me hate both parties involved. But that might also be because I'm a bitter old woman and tend to hate most romance stories.
    That said though, the magic system and history of the Abhorsen was cool enough to carry me to the end of the story. I'm undecided about the ending [minor/vague spoiler?] and keep going back and forth about whether the main character should have died. I'm not sure that I'm driven to find and read the rest of the series, but if one landed in my lap I'd certainly read it.
  • Rating: 3 out of 5 stars
    3/5

    Jun 2, 2022

    Sabriel is a professionally assembled and competently constructed commercial product of contemporary fantasy that strictly adheres to all accepted writing conventions.
  • Rating: 4 out of 5 stars
    4/5

    Dec 8, 2022

    Good fantasy YA novel.
  • Rating: 2 out of 5 stars
    2/5

    Nov 20, 2022

    The book tells the story of Sabriel, the daughter of Abhorson. She received her father's necromancy tool, meaning he was either dead or alive. In an attempt to find her father, Sabriel leaves school. The adventure that follows is the story of her battle against the evil greater dead as the new Abhorson.

    This was a book I read in middle school. Sabriel was a decent fantasy novel. As far as the second book goes, I can't remember if I read it or not.

    The story relies heavily on an underdeveloped magic system. In my understanding, it involves speaking certain words that follow strict rules but are never fully explained to the audience.

    The most frustrating part is that there’s no build to the magic, it’s just there.

    I really wish I had liked Sabriel more than I actually did. I felt no connection with Sabriel since her emotions were rarely expressed, instead there was a massive amount of description about many other things that caused me to yawn endlessly. Her love interest is - well, not interesting. He was flat and dull.

    Between the magic mayhem and the bland-to-non-existent-love, I never formed an emotional connection to any of the main characters or the plot.

    It felt like I was being dragged on a journey rather than eagerly plunging into a new series.

    I don’t see myself continue this series.
  • Rating: 5 out of 5 stars
    5/5

    Apr 14, 2022

    The audio version is read by Tim Curry. 'nough said. I didn't expect to like a book about a necromancer, and aside from the constant thoughts about the Dead (you can hear the capitals in his voice), it was an excellent story. Harry Potter fans might enjoy this. The characters are good, and the setting intriguing.
  • Rating: 2 out of 5 stars
    2/5

    Oct 22, 2016

    Intriguing concept, fantastic world building, amazing writing, great characters, I could go on and list more good things about this book, but I guess I should get to explaining why the low rating. Well, it's as simple as, I wasn't drawn in or very excited reading this book. Loved some of the aspects of this story so much, but it just laid flat on the pages for me. The more I learned about the world the more anxious I became for what's to come, it fell flat for me again. Sabriel seems okay, but that's just it, okay. Don't know why, but I just didn't connect with the story, it didn't excite me or kept me interested. I just couldn't wait to finish it already, which I did, which is plus for the book, I wasn't so bored that I DNF'ed it.

    I know that this is one of those books loved by many, which was why I expected to love it. I kept hearing how great it was so I eventually grabbed up the Kindle book when it was on sale. So disappointed I didn't like it, no fault of anybody's, it was obviously well written, it's Garth Nix, so. It just shows how it goes sometimes I guess. Not every book always translate the same to everyone.
  • Rating: 4 out of 5 stars
    4/5

    Jan 24, 2022

    In form this is a classic fantasy novel. A young woman heads across the Wall to her country of origin to find her Father. Her Father was the Abhorsen, a mage who specialized in returning undead to being dead. He's missing and things are a mess in the Old Kingdom. I liked the world, the writing and the characters, though there really are only two of them. The magic system has a great magical feel to it without being the usual super-powered mess and Nix's take on death is interesting.
  • Rating: 4 out of 5 stars
    4/5

    Dec 30, 2021

    I read this when I was younger but remembered almost nothing so Im rereading and then reading the rest of the series (which I have not read before) just cause I guess. Good fantasy story but a bit dense to get through, especially at first. Hands are gross.
  • Rating: 4 out of 5 stars
    4/5

    Aug 11, 2016

    Ok. Took me a while to "get into" the world, but this was really quite enjoyable. I really enjoyed the character building and - while I still don't really feel *part* of the Abhorsen world, I look forward to the rest of the trilogy.
  • Rating: 5 out of 5 stars
    5/5

    Aug 7, 2016

    Does the walker chose the path, or the path the walker?
  • Rating: 4 out of 5 stars
    4/5

    Mar 27, 2023

    A good example of this genre. While I don't read young adult fantasy, I was lent this book and found it well written and set in a believable world with a plot that was absorbing. I thought it had a bit of the Ancient Greek epics influences showing through which is always a good thing.
  • Rating: 5 out of 5 stars
    5/5

    Oct 31, 2023

    Highly recommend this book for YA dark fantasy that's not too horror-oriented. The audiobook is particularly excellent as it's read by Tim Curry and truly capitalizes on the creepiness of the text.
  • Rating: 3 out of 5 stars
    3/5

    Oct 18, 2023

    Generally, the quality I like most in fantasy (and science-fiction) novels is rigid world/magic-building and then telling a story within the constraints of these constructs (hence my enthusiasm about everything that Brandon Sanderson writes). Garth Nix clearly does not write this way. A lot of the magic stays vague throughout the book, and at some points Nix says: "Oh, by the way, the magic conveniently works this way, and it always did". To me, this is a pretty jarring plot-device. The most unapologetic example of this was that Mogget and Sabriel cannot talk about some of the essential background, but all of a sudden this is no longer the case on open water. Then, without finishing the conversation they cannot talk about it again because they approach the land, but nobody even suggests rowing back a distance so they can finish telling each other very valuable information.

    On the other hand, this makes for a book that is very different from most fantasy I read, which was kind of refreshing! Additionally, Nix writes his characters and the story well, and I liked that he almost entirely stayed away from excessive romantic escapades involving the main characters while their world was on fire. During my read, I had quite a few annoyances, but at the end I realized I quite liked the book and wouldn't mind reading the sequels, which was kind of strange.
  • Rating: 2 out of 5 stars
    2/5

    Oct 11, 2024

    Intriguing concept, fantastic world building, amazing writing, great characters, I could go on and list more good things about this book, but I guess I should get to explaining why the low rating. Well, it's as simple as, I wasn't drawn in or very excited reading this book. Loved some of the aspects of this story so much, but it just laid flat on the pages for me. The more I learned about the world the more anxious I became for what's to come, it fell flat for me again. Sabriel seems okay, but that's just it, okay. Don't know why, but I just didn't connect with the story, it didn't excite me or kept me interested. I just couldn't wait to finish it already, which I did, which is plus for the book, I wasn't so bored that I DNF'ed it.

    I know that this is one of those books loved by many, which was why I expected to love it. I kept hearing how great it was so I eventually grabbed up the Kindle book when it was on sale. So disappointed I didn't like it, no fault of anybody's, it was obviously well written, it's Garth Nix, so. It just shows how it goes sometimes I guess. Not every book always translate the same to everyone.

Book preview

Sabriel - Garth Nix

Prologue

It was little more than three miles from the Wall into the Old Kingdom, but that was enough. Noonday sunshine could be seen on the other side of the Wall in Ancelstierre, and not a cloud in sight. Here, there was a clouded sunset, and a steady rain had just begun to fall, coming faster than the tents could be raised.

The midwife shrugged her cloak higher up against her neck and bent over the woman again, raindrops spilling from her nose onto the upturned face below. The midwife’s breath blew out in a cloud of white, but there was no answering billow of air from her patient.

The midwife sighed and slowly straightened up, that single movement telling the watchers everything they needed to know. The woman who had staggered into their forest camp was dead, only holding on to life long enough to pass it on to the baby at her side. But even as the midwife picked up the pathetically small form beside the dead woman, it shuddered within its wrappings, and was still.

The child, too? asked one of the watchers, a man who wore the mark of the Charter fresh-drawn in wood ash upon his brow. Then there shall be no need for baptism.

His hand went up to brush the mark from his forehead, then suddenly stopped, as a pale white hand gripped his and forced it down in a single, swift motion.

Peace! said a calm voice. I wish you no harm.

The white hand released its grip and the speaker stepped into the ring of firelight. The others watched him without welcome, and the hands that had half sketched Charter marks, or gone to bowstrings and hilts, did not relax.

The man strode towards the bodies and looked upon them. Then he turned to face the watchers, pushing his hood back to reveal the face of someone who had taken paths far from sunlight, for his skin was a deathly white.

I am called Abhorsen, he said, and his words sent ripples through the people about him, as if he had cast a large and weighty stone into a pool of stagnant water. And there will be a baptism tonight.

The Charter Mage looked down on the bundle in the midwife’s hands, and said: The child is dead, Abhorsen. We are travelers, our life lived under the sky, and it is often harsh. We know death, lord.

Not as I do, replied Abhorsen, smiling so his paper-white face crinkled at the corners and drew back from his equally white teeth. And I say the child is not yet dead.

The man tried to meet Abhorsen’s gaze, but faltered and looked away at his fellows. None moved, or made any sign, till a woman said, So. It is easily done. Sign the child, Arrenil. We will make a new camp at Leovi’s Ford. Join us when you are finished here.

The Charter Mage inclined his head in assent, and the others drifted away to pack up their half-made camp, slow with the reluctance of having to move, but filled with a greater reluctance to remain near Abhorsen, for his name was one of secrets, and unspoken fears.

When the midwife went to lay the child down and leave, Abhorsen spoke: Wait. You will be needed.

The midwife looked down on the baby, and saw that it was a girl child and, save for its stillness, could be merely sleeping. She had heard of Abhorsen, and if the girl could live . . . warily she picked up the child again and held her out to the Charter Mage.

If the Charter does not— began the man, but Abhorsen held up a pallid hand and interrupted.

Let us see what the Charter wills.

The man looked at the child again and sighed. Then he took a small bottle from his pouch and held it aloft, crying out a chant that was the beginning of a Charter; one that listed all things that lived or grew, or once lived, or would live again, and the bonds that held them all together. As he spoke, a light came to the bottle, pulsing with the rhythm of the chant. Then the chanter was silent. He touched the bottle to the earth, then to the sign of wood ash on his forehead, and then upended it over the child.

A great flash lit the surrounding woods as the glowing liquid splashed over the child’s head, and the priest cried: By the Charter that binds all things, we name thee—

Normally, the parents of the child would then speak the name. Here, only Abhorsen spoke, and he said:

Sabriel.

As he uttered the word, the wood ash disappeared from the priest’s forehead, and slowly formed on the child’s. The Charter had accepted the baptism.

But . . . but she is dead! exclaimed the Charter Mage, gingerly touching his forehead to make sure the ash was truly gone.

He got no answer, for the midwife was staring across the fire at Abhorsen, and Abhorsen was staring at—nothing. His eyes reflected the dancing flames, but did not see them.

Slowly, a chill mist began to rise from his body, spreading towards the man and midwife, who scuttled to the other side of the fire—wanting to get away, but now too afraid to run.

He could hear the child crying, which was good. If she had gone beyond the first gateway he could not bring her back without more stringent preparations, and a subsequent dilution of her spirit.

The current was strong, but he knew this branch of the river and waded past pools and eddies that hoped to drag him under. Already, he could feel the waters leaching his spirit, but his will was strong, so they took only the color, not the substance.

He paused to listen, and hearing the crying diminish, hastened forward. Perhaps she was already at the gateway, and about to pass.

The First Gate was a veil of mist, with a single dark opening, where the river poured into the silence beyond. Abhorsen hurried towards it, and then stopped. The baby had not yet passed through, but only because something had caught her and picked her up. Standing there, looming up out of the black waters, was a shadow darker than the gate.

It was several feet higher than Abhorsen, and there were pale marsh-lights burning where you would expect to see eyes, and the fetid stench of carrion rolled off it—a warm stench that relieved the chill of the river.

Abhorsen advanced on the thing slowly, watching the child it held loosely in the crook of a shadowed arm. The baby was asleep, but restless, and it squirmed towards the creature, seeking a mother’s breast, but it only held her away from itself, as if the child were hot, or caustic.

Slowly, Abhorsen drew a small, silver handbell from the bandolier of bells across his chest, and cocked his wrist to ring it. But the shadow-thing held the baby up and spoke in a dry, slithery voice, like a snake on gravel.

Spirit of your spirit, Abhorsen. You can’t spell me while I hold her. And perhaps I shall take her beyond the gate, as her mother has already gone.

Abhorsen frowned, in recognition, and replaced the bell. You have a new shape, Kerrigor. And you are now this side of the First Gate. Who was foolish enough to assist you so far?

Kerrigor smiled widely, and Abhorsen caught a glimpse of fires burning deep inside his mouth.

One of the usual calling, he croaked. But unskilled. He didn’t realize it would be in the nature of an exchange. Alas, his life was not sufficient for me to pass the last portal. But now, you have come to help me.

I, who chained you beyond the Seventh Gate?

Yes, whispered Kerrigor. The irony does not, I think, escape you. But if you want the child . . .

He made as if to throw the baby into the stream and, with that jerk, woke her. Immediately, she began to cry and her little fists reached out to gather up the shadow-stuff of Kerrigor like the folds of a robe. He cried out, tried to detach her, but the tiny hands held tightly and he was forced to overuse his strength, and threw her from him. She landed, squalling, and was instantly caught up in the flow of the river, but Abhorsen lunged forward, snatching her from both the river and Kerrigor’s grasping hands.

Stepping back, he drew the silver bell one-handed, and swung it so it sounded twice. The sound was curiously muffled, but true, and the clear chime hung in the air, fresh and cutting, alive. Kerrigor flinched at the sound, and fell backwards to the darkness that was the gate.

Some fool will soon bring me back, and then . . . he cried out, as the river took him under. The waters swirled and gurgled and then resumed their steady flow.

Abhorsen stared at the gate for a time, then sighed and, placing the bell back in his belt, looked at the baby held in his arm. She stared back at him, dark eyes matching his own. Already, the color had been drained from her skin. Nervously, Abhorsen laid a hand across the brand on her forehead and felt the glow of her spirit within. The Charter mark had kept her life contained when the river should have drained it. It was her life-spirit that had so burned Kerrigor.

She smiled up at him and gurgled a little, and Abhorsen felt a smile tilting the corner of his own mouth. Still smiling, he turned, and began the long wade back up the river, to the gate that would return them both to their living flesh.

The baby wailed a scant second before Abhorsen opened his eyes, so that the midwife was already halfway around the dying fire, ready to pick her up. Frost crackled on the ground and icicles hung from Abhorsen’s nose. He wiped them off with a sleeve and leaned over the child, much as any anxious father does after a birth.

How is the babe? he asked, and the midwife stared at him wonderingly, for the dead child was now loudly alive and as deathly white as he.

As you hear, lord, she answered. She is very well. It is perhaps a little cold for her—

He gestured at the fire and spoke a word, and it roared into life, the frost melting at once, the raindrops sizzling into steam.

That will do till morning, said Abhorsen. Then I shall take her to my house. I shall have need of a nurse. Will you come?

The midwife hesitated, and looked to the Charter Mage, who still lingered on the far side of the fire. He refused to meet her glance and she looked down once more at the little girl bawling in her arms.

You are . . . you are . . . whispered the midwife.

A necromancer? said Abhorsen. Only of a sort. I loved the woman who lies here. She would have lived if she had loved another, but she did not. Sabriel is our child. Can you not see the kinship?

The midwife looked at him as he leant forward and took Sabriel from her, rocking her on his chest. The baby quietened and, in a few seconds, was asleep.

Yes, said the midwife. I shall come with you, and look after Sabriel. But you must find a wet-nurse . . .

And I daresay much else besides, mused Abhorsen. But my house is not a place for—

The Charter Mage cleared his throat, and moved around the fire.

If you seek a man who knows a little of the Charter, he said hesitantly, I should wish to serve, for I have seen its work in you, lord, though I am loath to leave my fellow wanderers.

Perhaps you will not have to, replied Abhorsen, smiling at a sudden thought. I wonder if your leader will object to two new members joining her band. For my work means I must travel, and there is no part of the Kingdom that has not felt the imprint of my feet.

Your work? asked the man, shivering a little, though it was no longer cold.

Yes, said Abhorsen. I am a necromancer, but not of the common kind. Where others of the art raise the dead, I lay them back to rest. And those that will not rest, I bind—or try to. I am Abhorsen . . .

He looked at the baby again, and added, almost with a note of surprise, Father of Sabriel.

Chapter One

THE RABBIT HAD been run over minutes before. Its pink eyes were glazed and blood stained its clean white fur. Unnaturally clean fur, for it had just escaped from a bath. It still smelt faintly of lavender water.

A tall, curiously pale young woman stood over the rabbit. Her night-black hair, fashionably bobbed, was hanging slightly over her face. She wore no makeup or jewelry, save for an enamelled school badge pinned to her regulation navy blazer. That, coupled with her long skirt, stockings and sensible shoes, identified her as a schoolgirl. A nameplate under the badge read Sabriel and the Roman VI and gilt crown proclaimed her to be both a member of the Sixth Form and a prefect.

The rabbit was, unquestionably, dead. Sabriel looked up from it and back along the bricked drive that left the road and curved up to an imposing pair of wrought-iron gates. A sign above the gate, in gilt letters of mock Gothic, announced that they were the gates to Wyverley College. Smaller letters added that the school was Established in 1652 for Young Ladies of Quality.

A small figure was busy climbing over the gate, nimbly avoiding the spikes that were supposed to stop such activities. She dropped the last few feet and started running, her pigtails flying, shoes clacking on the bricks. Her head was down to gain momentum, but as cruising speed was established, she looked up, saw Sabriel and the dead rabbit, and screamed.

Bunny!

Sabriel flinched as the girl screamed, hesitated for a moment, then bent down by the rabbit’s side and reached out with one pale hand to touch it between its long ears. Her eyes closed and her face set as if she had suddenly turned to stone. A faint whistling sound came from her slightly parted lips, like the wind heard from far away. Frost formed on her fingertips and rimed the asphalt beneath her feet and knees.

The other girl, running, saw her suddenly tip forward over the rabbit, and topple towards the road, but at the last minute her hand came out and she caught herself. A second later, she had regained her balance and was using both hands to restrain the rabbit—a rabbit now inexplicably lively again, its eyes bright and shiny, as eager to be off as when it escaped from its bath.

Bunny! shrieked the younger girl again, as Sabriel stood up, holding the rabbit by the scruff of its neck. Oh, thank you, Sabriel! When I heard the car skidding I thought . . .

She faltered as Sabriel handed the rabbit over and blood stained her expectant hands.

He’ll be fine, Jacinth, Sabriel replied wearily. A scratch. It’s already closed up.

Jacinth examined Bunny carefully, then looked up at Sabriel, the beginnings of a wriggling fear showing at the back of her eyes.

There isn’t anything under the blood, stammered Jacinth. What did you . . .

I didn’t, snapped Sabriel. But perhaps you can tell me what you are doing out of bounds?

Chasing Bunny, replied Jacinth, her eyes clearing as life reverted to a more normal situation. You see . . .

No excuses, recited Sabriel. Remember what Mrs. Umbrade said at Assembly on Monday.

It’s not an excuse, insisted Jacinth. It’s a reason.

You can explain it to Mrs. Umbrade then.

Oh, Sabriel! You wouldn’t! You know I was only chasing Bunny. I’d never have come out—

Sabriel held up her hands in mock defeat, and gestured back to the gates.

If you’re back inside within three minutes, I won’t have seen you. And open the gate this time. They won’t be locked till I go back inside.

Jacinth smiled, her whole face beaming, whirled around and sped back up the drive, Bunny clutched against her neck. Sabriel watched till she had gone through the gate, then let the tremors take her till she was bent over, shaking with cold. A moment of weakness and she had broken the promise she had made both to herself and her father. It was only a rabbit and Jacinth did love it so much—but what would that lead to? It was no great step from bringing back a rabbit to bringing back a person.

Worse, it had been so easy. She had caught the spirit right at the wellspring of the river, and had returned it with barely a gesture of power, patching the body with simple Charter symbols as they stepped from death to life. She hadn’t even needed bells, or the other apparatus of a necromancer. Only a whistle and her will.

Death and what came after death was no great mystery to Sabriel. She just wished it was.

It was Sabriel’s last term at Wyverley—the last three weeks, in fact. She had graduated already, coming first in English, equal first in Music, third in Mathematics, seventh in Science, second in Fighting Arts and fourth in Etiquette. She had also been a runaway first in Magic, but that wasn’t printed on the certificate. Magic only worked in those regions of Ancelstierre close to the Wall which marked the border with the Old Kingdom. Farther away, it was considered to be quite beyond the pale, if it existed at all, and persons of repute did not mention it. Wyverley College was only forty miles from the Wall, had a good all-round reputation, and taught Magic to those students who could obtain special permission from their parents.

Sabriel’s father had chosen it for that reason when he had emerged from the Old Kingdom with a five-year-old girl in tow to seek a boarding school. He had paid in advance for that first year, in Old Kingdom silver deniers that stood up to surreptitious touches with cold iron. Thereafter, he had come to visit his daughter twice a year, at Midsummer and Midwinter, staying for several days on each occasion and always bringing more silver.

Understandably, the Headmistress was very fond of Sabriel. Particularly since she never seemed troubled by her father’s rare visitations, as most other girls would be. Once Mrs. Umbrade had asked Sabriel if she minded, and had been troubled by the answer that Sabriel saw her father far more often than when he was actually there. Mrs. Umbrade didn’t teach Magic, and didn’t want to know any more about it other than the pleasant fact that some parents would pay considerable sums to have their daughters schooled in the basics of sorcery and enchantment.

Mrs. Umbrade certainly didn’t want to know how Sabriel saw her father. Sabriel, on the other hand, always looked forward to his unofficial visits and watched the moon, tracing its movements from the leather-bound almanac which listed the phases of the moon in both Kingdoms and gave valuable insights into the seasons, tides and other ephemerae that were never the same at any one time on both sides of the Wall. Abhorsen’s sending of himself always appeared at the dark of the moon.

On these nights, Sabriel would lock herself into her study (a privilege of the Sixth Form—previously she’d had to sneak into the library), put the kettle on the fire, drink tea and read a book until the characteristic wind rose up, extinguished the fire, put out the electric light and rattled the shutters—all necessary preparations, it seemed, for her father’s phosphorescent sending to appear in the spare armchair.

Sabriel was particularly looking forward to her father’s visit that November. It would be his last, because college was about to end and she wanted to discuss her future. Mrs. Umbrade wanted her to go to university, but that meant moving farther away from the Old Kingdom. Her magic would wane and parental visitations would be limited to actual physical appearances, and those might well become even less frequent. On the other hand, going to university would mean staying with some of the friends she’d had virtually all her life, girls she’d started school with at the age of five. There would also be a much greater world of social interaction, particularly with young men, of which commodity there was a distinct shortage around Wyverley College.

And the disadvantage of losing her magic could possibly be offset by a lessening of her affinity for death and the dead . . .

Sabriel was thinking of this as she waited, book in hand, half-drunk cup of tea balanced precariously on the arm of her chair. It was almost midnight and Abhorsen hadn’t appeared. Sabriel had checked the almanac twice and had even opened the shutters to peer out through the glass at the sky. It was definitely the dark of the moon, but there was no sign of him. It was the first time in her life that he hadn’t appeared and she felt suddenly uneasy.

Sabriel rarely thought about what life was really like in the Old Kingdom, but now old stories came to mind and dim memories of when she’d lived there with the Travelers. Abhorsen was a powerful sorcerer, but even then . . .

Sabriel! Sabriel!

A high-pitched voice interrupted her thought, quickly followed by a hasty knock and a rattle of the doorknob. Sabriel sighed, pushed herself out of her chair, caught the teacup and unlocked the door.

A young girl stood on the other side, twisting her nightcap from side to side in trembling hands, her face white with fear.

Olwyn! exclaimed Sabriel. What is it? Is Sussen sick again?

No, sobbed the girl. I heard noises behind the tower door, and I thought it was Rebece and Ila having a midnight feast without me, so I looked . . .

What! exclaimed Sabriel, alarmed. No one opened outside doors in the middle of the night, not this close to the Old Kingdom.

I’m sorry, cried Olwyn. I didn’t mean to. I don’t know why I did. It wasn’t Rebece and Ila—it was a black shape and it tried to get in. I slammed the door . . .

Sabriel threw the teacup aside and pushed past Olwyn. She was already halfway down the corridor before she heard the porcelain smash behind her, and Olwyn’s horrified gasp at such cavalier treatment of good china. She ignored it and broke into a run, slapping on the light switches as she ran towards the open door of the west dormitory. As she reached it, screams broke out inside, rapidly crescendoing to an hysterical chorus. There were forty girls in the dormitory—most of the First Form, all under the age of eleven. Sabriel took a deep breath, and stepped into the doorway, fingers crooked in a spell-casting stance. Even before she looked, she felt the presence of death.

The dormitory was very long, and narrow, with a low roof and small windows. Beds and dressers lined each side. At the far end, a door led to the West Tower steps. It was supposed to be locked inside and out, but locks rarely prevailed against the powers of the Old Kingdom.

The door was open. An intensely dark shape stood there, as if someone had cut a man-shaped figure out of the night, carefully choosing a piece devoid of stars. It had no features at all, but the head quested from side to side, as if whatever senses it did possess worked in a narrow range. Curiously, it carried an absolutely mundane sack in one four-fingered hand, the rough-woven cloth in stark contrast to its own surreal flesh.

Sabriel’s hands moved in a complicated gesture, drawing the symbols of the Charter that intimated sleep, quiet and rest. With a flourish, she indicated both sides of the dormitory and drew one of the master symbols, drawing all together. Instantly, every girl in the room stopped screaming and slowly subsided back onto her bed.

The creature’s head stopped moving and Sabriel knew its attention was now centered on her. Slowly it moved, lifting one clumsy leg and swinging it forward, resting for a moment, then swinging the other a little past the first. A lumbering, rolling motion, that made an eerie, shuffling noise on the thin carpet. As it passed each bed, the electric lights above them flared once and went out.

Sabriel let her hands fall to her side and focused her eyes on the center of the creature’s torso, feeling the stuff of which it was made. She had come without any of her instruments or tools, but that led to only a moment’s hesitation before she let herself slip over the border into Death, her eyes still on the intruder.

The river flowed around her legs, cold as always. The light, grey and without warmth, still stretched to an entirely flat horizon. In the distance, she could hear the roar of the First Gate. She could see the creature’s true shape clearly now, not wrapped in the aura of death which it carried to the living world. It was an Old Kingdom denizen, vaguely humanoid, but more like an ape than a man and obviously only semi-intelligent. But there was more to it than that, and Sabriel felt the clutch of fear as she saw the black thread that came from the creature’s back and ran into the river. Somewhere, beyond the First Gate, or even farther, that umbilical rested in the hands of an Adept. As long as the thread existed the creature would be totally under the control of its master, who could use its senses and spirit as it saw fit.

Something tugged at Sabriel’s physical body, and she reluctantly twitched her senses back to the living world, a slight feeling of nausea rising in her as a wave of warmth rushed over her death-chilled body.

What is it? said a calm voice, close to Sabriel’s ear. An old voice, tinged with the power of Charter Magic—Miss Greenwood, the Magistrix of the school.

It’s a Dead servant—a spirit form, replied Sabriel, her attention back on the creature. It was halfway down the dorm, still single-mindedly rolling one leg after the other. Without free will. Something sent it back to the living world. It’s controlled from beyond the First Gate.

Why is it here? asked the Magistrix. Her voice sounded calm, but Sabriel felt the Charter symbols gathering in her voice, forming on her tongue—symbols that would unleash lightning and flame, the destructive powers of the earth.

It’s not obviously malign, nor has it attempted any actual harm . . . replied Sabriel slowly, her mind working over the possibilities. She was used to explaining purely necromantic aspects of magic to Miss Greenwood. The Magistrix had taught her Charter Magic, but necromancy was definitely not on the syllabus. Sabriel had learned more than she wanted to know about necromancy from her father . . . and the Dead themselves. Don’t do anything for a moment. I will attempt to speak with it.

The cold washed over her again, biting into her, as the river gushed around her legs, eager to pull her over and carry her away. Sabriel exerted her will, and the cold became simply a sensation, without danger, the current merely a pleasing vibration about the feet.

The creature was close now, as it was in the living world. Sabriel held out both her hands, and clapped, the sharp sound echoing for longer than it would anywhere else. Before the echo died, Sabriel whistled several notes, and they echoed too, sweet sounds within the harshness of the handclap.

The thing flinched at the sound and stepped back, putting both hands to its ears. As it did so, it dropped the sack. Sabriel started in surprise. She hadn’t noticed the sack before, possibly because she hadn’t expected it to be there. Very few inanimate things existed in both realms, the living and the dead.

She was even more surprised as the creature suddenly bent forward and plunged into the water, hands searching for the sack. It found it almost at once, but not without losing its footing. As the sack surfaced, the current forced the creature under. Sabriel breathed a sigh of relief as she saw it slide away, then gasped as its head broke the surface and it cried out: Sabriel! My messenger! Take the sack! The voice was Abhorsen’s.

Sabriel ran forward and an arm pushed out towards her, the neck of the sack clutched in its fingers. She reached out, missed, then tried again. The sack was secure in her grasp, as the current took the creature completely under. Sabriel looked after it, hearing the roar of the First Gate suddenly increase as it always did when someone passed its falls. She turned and started to slog back against the current to a point where she could easily return to life. The sack in her hand was heavy and there was a leaden feeling in her stomach. If the messenger was truly Abhorsen’s, then he himself was unable to return to the realm of the living.

And that meant he was either dead, or trapped by something that should have passed beyond the final gate.

Once again, a wave of nausea overcame her and Sabriel fell to her knees, shaking. She could feel the Magistrix’s hand on her shoulder, but her attention was fastened on the sack she held in her hand. She didn’t need to look to know that the creature was gone. Its manifestation into the living world had ceased as its spirit had gone past the First Gate. Only a pile of grave mold would remain, to be swept aside in the morning.

What did you do? asked the Magistrix, as Sabriel brushed her hands through her hair, ice crystals falling from her hands onto the sack that lay in front of her knees.

It had a message for me, replied Sabriel. So I took it.

She opened the sack, and reached inside. A sword hilt met her grasp, so she drew it out, still scabbarded, and put it to one side. She didn’t need to draw it to see the Charter symbols etched along its blade—the dull emerald in the pommel and the worn bronze-plated cross-guard were as familiar to her as the school’s uninspired cutlery. It was Abhorsen’s sword.

The leather bandolier she drew out next was an old brown belt, a hand’s-breadth wide, which always smelled faintly of beeswax. Seven tubular leather pouches hung from it, starting with one the size of a small pill bottle; growing larger, till the seventh was almost the size of a jar. The bandolier was designed to be worn across the chest, with the pouches hanging down. Sabriel opened the smallest and pulled out a tiny silver bell, with a dark, deeply polished mahogany handle. She held it gently, but the clapper still swung slightly, and the bell made a high, sweet note that somehow lingered in the mind, even after the sound was gone.

Father’s instruments, whispered Sabriel. The tools of a necromancer.

But there are Charter marks engraved on the bell . . . and the handle! interjected the Magistrix, who was looking down with fascination. Necromancy is Free Magic, not governed by the Charter . . .

Father’s was different, replied Sabriel distantly, still staring at the bell she held in her hand, thinking of her father’s brown, lined hands holding the bells. Binding, not raising. He was a faithful servant of the Charter.

You’re going to be leaving us, aren’t you? the Magistrix said suddenly, as Sabriel replaced the bell and stood up, sword in one hand, bandolier in the other. I just saw it, in the reflection of the bell. You were crossing the Wall . . .

Yes. Into the Old Kingdom, said Sabriel, with sudden realization. "Something has happened to Father . . . but I’ll find him . . . so I swear by the Charter I

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