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How to Watch a Bird
How to Watch a Bird
How to Watch a Bird
Ebook127 pages2 hours

How to Watch a Bird

Rating: 4 out of 5 stars

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About this ebook

Part geographical wandering, part New Zealand history, and part cultural study, this narrative recounts one man's personal journey into the world of birds and birdwatching. Written by an award-winning journalist and with black and white photographs taken by Major Geoffrey Buddle, it traces the fascinating history of people ensnared, captivated, and entranced by birds.
LanguageEnglish
PublisherAwa Press
Release dateSep 1, 2008
ISBN9781877551697
How to Watch a Bird
Author

Steve Braunias

Steve Braunias is the author of 13 books, including Civilisation (winner of the 2013 NZ Post award for best book of non-fiction) and Missing Persons, which won the non-fiction prize at the 2023 Ngaio Marsh crime-writing awards. He is a staff writer at The New Zealand Herald, and serves as the literary editor at Newsroom.

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  • Rating: 5 out of 5 stars
    5/5
    Captures the draw of birdwatching to an outsider, who immerses himself in the world for a year. Great interview with Turbott and cameos by Major Wilson of Bulls and Buller.
  • Rating: 4 out of 5 stars
    4/5
    This little book was knocked off in an hour and a half. Its really like reading an extended article, or newspaper column. Funny that, as the author is actually a columnist for our national Sunday paper. It was a treat to be reading the bird and place names that are so familiar to me.Less bird encyclopedia, and more an exploration of the authors new interest in birds, this book is quietly delightful. We hear snippets about the authors personal life, about life in New Zealand in general, and about that breed of bird aficionados: Birders. But what fascinated me was the subset of that group of Birders, the Twitchers.These folk "collect" sightings of bird species and compete against each other. In a Twitcher's quest to be the person with the highest number of sightings, they will travel long distances at short notice, have their sighting verified, then vamoose again sometimes showing little or no interest in the other birds that are about. It all seems very odd to me. But then again, my interest in birds is limited to simply loving the sound of the NZ native bush birds.Braunias gives us a slice of the lives of others, and confesses to being a bird addict himself now too. But I cant help but feel like a publisher called him up and said: "we need a book about birds, can you five us 30,000 words by the end of next month?".
  • Rating: 4 out of 5 stars
    4/5
    This little book was knocked off in an hour and a half. Its really like reading an extended article, or newspaper column. Funny that, as the author is actually a columnist for our national Sunday paper. It was a treat to be reading the bird and place names that are so familiar to me.Less bird encyclopedia, and more an exploration of the authors new interest in birds, this book is quietly delightful. We hear snippets about the authors personal life, about life in New Zealand in general, and about that breed of bird aficionados: Birders. But what fascinated me was the subset of that group of Birders, the Twitchers.These folk "collect" sightings of bird species and compete against each other. In a Twitcher's quest to be the person with the highest number of sightings, they will travel long distances at short notice, have their sighting verified, then vamoose again sometimes showing little or no interest in the other birds that are about. It all seems very odd to me. But then again, my interest in birds is limited to simply loving the sound of the NZ native bush birds.Braunias gives us a slice of the lives of others, and confesses to being a bird addict himself now too. But I cant help but feel like a publisher called him up and said: "we need a book about birds, can you five us 30,000 words by the end of next month?".

Book preview

How to Watch a Bird - Steve Braunias

Minka

Summer

IT WAS OUR first summer together. We had gone on a road trip up north over Christmas – five motels in seven nights, wet towels drying on the back seat. It was barbecue weather, New Zealand with sand in its hair, barefoot on hot pavements, undressed and dazed and unshaved, on vacation, gone fishing, fed and watered, half asleep, on good terms with itself, happy, setting off fireworks to see in the New Year.

There was an afternoon watching something spectacular – on the beach at Ruakaka, where a flock of gannets smashed into the water and came back up with fish. That was such a dazzling sight, but every day was dazzling. When I think about that week, I remember the sun high in the sky, the car strolling along on dusty roads between quiet fields of yellow short-haired grass. In the towns, fat kids stuffed themselves with ice-blocks and fizz outside dairies, and light breezes whisked dust down the middle of the street. The towns gave way to lines of gum trees peeling in the sun. You could go hours without hearing a sound in our lazy sensual isles at the end of the world.

I was in love with New Zealand and in love with Emily. Summer with Emily – that’s mainly what I remember. Emily swimming, Emily sleeping, Emily driving her passenger.

We went back to work. I don’t remember much about that. Life was with Emily at my rented apartment near a bay, with Emily at her rented apartment in the city. Late one night, I stepped out on to her balcony for a cigarette. It was towards the end of January. A summer’s evening, long past dark, the air finally cooling and only as warm as toast after the fructifying heat of daylight hours. I stood and smoked, and then a bird flew past right in front of my snoot. You could say it was any old bird – it was that common, unloved scavenger, a black-backed gull, a big quiet thing, in no apparent hurry, slowly flying past, then slowly circling back again, and its silent, sudden appearance in darkness was stranger than anything happening down below among the traffic and the street lights.

It felt like a jolt. The gull had come by so close; in the darkness its white body had glowed like a lamp swinging on a porch. No doubt it had good reason to be going about its business on an obscure hour in the middle of downtown Auckland. What business? Back then, I would have thought that God only knew, and it turned out that I was right – God had known, in an earlier summer, 1968–69 to be precise, when the roof-nesting habits of black-backed gulls in downtown Auckland were studied by Graham Turbott, a lovely man who at 92 is the godfather of New Zealand ornithology.

Turbott’s report on the gulls, published in a 1969 issue of Notornis, referred to the observation of four pairs of birds at breeding sites around the city. Two chicks were hatched from a bulky nest of grass and paper on the roof of the Old Oxford Theatre on Queen Street; one chick hatched but died on the roof of a hot-water tank on top of the Chief Post Office. Chicks were seen to depart the nest in mid January from the roof of the Magistrate’s Court in Kitchener Street. At 24 Cook Street, according to a Miss J. Walker who ‘kept a constant watch’ on the gulls’ nest in the gutter at the edge of the roof, a young bird, fully fledged at six weeks, left with both its parents on February 7; it had hatched from its manger in the gutter on Christmas Day.

The bird I saw was an adult, and probably still feeding its chick. Black-backed gulls – Larus dominicianus – nest in large colonies of up to several thousand pairs in the greater outdoors of the coast, but form solitary two-parent families in the city. They can swallow a cutlet of mutton whole. Offal is also acceptable.

The oldest recorded New Zealand black-back was a been-there, ate-that 28 years old. In its adult prime, the bird isn’t a bad looker; it has yellow eyes and a bright red smear on its bill. But it takes two moults and nearly three years before juveniles assume the smooth whiteness that glows like a lamp. Young black-backs are among the most unpleasant things on wings. A lot of people mistake these large mottled brutes for some other kind of bird, and refuse to throw them scraps, out of distaste for their appearance. No one should be in the least surprised that these plug-ugly thugs don’t get any sex until they are at least four years old.

I didn’t know any of these things when I saw the black-back brush past my nose that summer’s evening. I didn’t know nothing about any birds. But when I caught sight of that one bird, felt the jolt it gave, that white flash in the black night, I was bowled over with happiness, and I thought: birds, everywhere. Summer in New Zealand fills with so much light that we become the land of the long white page. Every corner, every margin is filled with birds.

As a weekly magazine columnist since 1999, a lot of my writing has imagined different kinds of maps of New Zealand – of the things and pleasures that are right in front of us, that tell almost a secret history of the place, that maybe even reveal an emotional truth about the place. And so I’ve written a series of columns about hot springs. About steak. About mangroves. About tearooms. About things and pleasures you can find all across the country, from one town or shore to the next, forming a grid. I now wanted very much to write about birds.

Birds of the city and town, on lawn and roof. Birds of the bush and the shore and the wide open sea. Paddock, lakeside, riverbank, wharf, telephone wire, bridge, swamp, alp: everywhere, birds. Migrants, most dramatically the bar-tailed godwit, flying for seven, eight days from Alaska without rest, until landfall in New Zealand. Common or garden varieties, like the blackbird and the house sparrow, brought to New Zealand by England’s homesick colonists. Native endemics, some still around – the tui, the takahe – and some wiped out, extinct, ghosts of another time – the huia, the moa. Birds that have come and gone and may come again, such as the rednecked avocet, quite possibly the most amazing bird to ever grace these shores, but seldom straying here from its breeding grounds across the ditch in Brisbane. Birds nesting under bridges; birds nesting in sand. Big fat birds, birds as small as full stops, as a row of dots …

Could you be a bit more specific? Yes, in time. 2006 became my year of birds. I took down names. I saw birds I never knew existed. I became fascinated with birds that no longer existed, and with the literature of birds, with the social history of watching birds in New Zealand. I learned things. I shared pleasures. I saw another New Zealand, a particular geography where its borders and centres were defined by birds – a feathered New Zealand. And I saw another kind of New Zealander, their lives transformed, consumed, by birds.

I loved seeing what they had seen, that year, and years before. I loved discovering a simple truth: to watch a bird is to see the world in a completely different way.

I watched the birds – ‘Beside us,’ as poet Matthew Arnold wrote, ‘but alone’ – and I watched the watchers. I watched the world of New Zealand with refreshed eyes. It was a great privilege. I felt alert, awed, alive. And it was strange timing the way that marvellous year coincided with something else in my life, something amazing, that happened along the way.

Gannet on the nest, Waiheke, 2.10.46

An early bird

BIRDS ARE SO obvious, and so apart. They have their own New Zealand. We all know about the famous roosts – the gannet colonies at Muriwai and Cape Kidnappers, the albatrosses and penguins in Dunedin, the muttonbirds in Foveaux Strait. We care about the continued presence of our emblematic birds such as the kiwi and the kakapo lurking in the bush. It’s a very good thing to go to sleep in our houses with the familiar sound of the morepork hooting through the night. For years, my favourite bird-watching spot in the whole country was where I could see the 40 or so pairs of little shags that nested in a stand of trees above a pond by the kiosk in Christchurch’s Hagley Park from June through to January.

Lovely. But this is the notion of birds fitting in with the rest of us – birds lucky enough to be left to their own devices, survivors of modern, peopled life. Most of us think of birds as something in the background. They flit and they pace, they nest and they sing,

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