Literary Fiction Audiobooks

NATIONAL BESTSELLER * Named a Best Book of the Year by the New Yorker, NPR, Vogue, the Washington Post, Electric Lit, and more! A “dryly witty” (The New Yorker) and “fabulously revealing” (The New York Times Book Review) debut that follows two sisters-turned-roommates navigating an absurd world on the verge of calamity—a Seinfeldian novel for readers of Ottessa Moshfegh and Sally Rooney. It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely. Poppy, a year and a half out from a suicide attempt only Jules knows about, searches for work and meaning in Brooklyn while Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen. Then the hives that’ve plagued Poppy since childhood flare up. Jules’s uterus turns against her. Poppy brings home a maladjusted rescue dog named Amy Klobuchar. The girls’ mother, a newly devout Messianic Jew, starts falling for the same deep-state conspiracy theories as Jules’s online mommies. Jules, halfheartedly struggling to scrape her way to the source of her ennui, slowly and cruelly comes to blame Poppy for her own insufficiencies as a friend, a writer, and a sister. And Amy Klobuchar might have rabies. As the year shambles on and a new decade looms near, a disastrous trip home to Florida forces Jules and Poppy—comrades, competitors, constant fixtures in each other’s lives—to ask themselves what they want their futures to look like, and whether they’ll spend them together or apart. “A tragicomic portrait of urban millennial life” (Shelf Awareness), Worry is a “riotously funny and wryly existential” (Harper’s Bazaar) novel of sisterhood from a nervy new voice in contemporary fiction.

A prolific and celebrated poet, critic, editor, and teacher, John Freeman is one of the most recognized and versatile forces behind today’s literary scene. His Everand Original, Hit and Run, represents a departure for him as a writer. A work of autobiographical fiction, it inhabits that space between lived experience and the imagination’s riff on that experience. It begins when the narrator — a newly married young man named John — witnesses an accident at the ragged end of a night out with friends. A hit-and-run in downtown Sacramento, California: “Bang! A body pinwheeling in the air,” Freeman writes. “Then something which felt like silence but surely wasn’t. Not at three a.m. at that intersection. When the reality reel rethreaded into the projector there was a man splayed out on the center median, a crowd of revelers laughing and teetering….” The victim does not survive, and that fact — as surreal as it is undeniably real, as horrifying as it is commonplace in its testament to human fragility — becomes a destabilizing crack in John’s world. His sense of safety, home, and his own assumptions about himself are shaken, setting off a series of shock waves in his life that test his marriage, sanity, and what sort of justice is possible for the dead man or for any of us. As the police try to find the driver responsible and enlist John’s help in the investigation, Hit and Run becomes a page-turning whodunit while taking on age-old and acutely topical human mysteries: how we make sense of the unimaginable and brutally unexpected, and how we manage to heal and find connection even as we’re hunted and haunted by loss and chaos. Perhaps the most personal and revealing work Freeman has ever written, it is also a story of romantic love lost and then — against all odds — found. Above all, it’s an urgent and audacious consideration of what it means to bear witness. Freeman does not shy from that responsibility, whatever the costs and frights, and word by word moves from the self-estrangement common in those made to cope with traumatic events to a kind of homecoming, with all the stakes and intimacy of personal essay and the poetics and possibility of the best literary fiction.

NATIONAL BESTSELLER The USA TODAY bestselling inaugural winner of Simon & Schuster’s Books Like Us contest, Elba Iris Pérez’s lyrical and “wonderfully compelling” (Judith Simon Prager, author of What the Dolphin Said) cross-cultural coming-of-age debut novel explores a young girl’s childhood between 1950s Puerto Rico and a small Massachusetts factory town. Andrea Rodríguez is nine years old when her mother whisks her and her brother, Pablo, away from Woronoco, the tiny Massachusetts factory town that is the only home they’ve known. With no plan and no money, she leaves them with family in the mountainside villages of Puerto Rico and promises to return. Months later, when Andrea and Pablo are brought back to Massachusetts, they find their hometown significantly changed. As they navigate the rifts between their family’s values and all-American culture and face the harsh realities of growing up, they must embrace both the triumphs and heartache that mark the journey to adulthood. A heartfelt, evocative portrait that “breathes with narrative magic” (Harry Youtt, poet and author of I’m Never Not Thinking of You), The Things We Didn’t Know establishes Elba Iris Pérez as a sensational new literary voice.

A READ WITH JENNA TODAY SHOW BOOK CLUB PICK | A National Bestseller | Longlisted for the Center for Fiction First Novel Prize | One of The Washington Post's Best Books of 2024 | An NPR Best Book of 2024 | An Elle Best Book of 2024 | A Boston Globe Best Book of 2024 | An NAACP Image Award Nominee “A book we all need to revive our souls” (Nicole Dennis-Benn): A “powerful novel…[that] broke my heart, and then offered me hope” (Ann Napolitano, New York Times bestselling author of Hello Beautiful) about a complicated bond between mothers and daughters, the disappearance of a father, and the long-hidden history of a declining New England mill town. It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so they can collect his life insurance money, get their house back from the bank, and finally move on. But when Diamond receives a letter from a relative she’s never met, key elements of Pop’s life are uncovered, and she is introduced to two generations of African American Newberry women, whose lives span the 20th century and reveal a much larger picture of prejudice and abandonment, of love and devotion. As pieces of their shared past become clearer, Diamond gains a sense of her place in the world and in her family. But how will what she’s learned of the past change her future? A “sparkling” (The Washington Post), “poetic, and propulsive” (NPR) debut of first friendships, family secrets, and finding the courage to let go, Swift River heralds the arrival of a major new literary talent.

Named a Best Book of the Year by Scientific American, Harper's Bazaar and NPR. Named a Best Science Fiction and Fantasy Book of the Year by the Washington Post and Elle. Nominated for a Goodreads Choice Award in Science Fiction. ""Provocative...a Frankenstein for the digital age...a rich text about power, autonomy, and what happens when our creations outgrow us."" — Esquire ""Unexpected and subtle...delicious and thought-provoking."" — New Scientist For fans of Never Let Me Go and My Dark Vanessa, a powerful, provocative novel about the relationship between a female robot and her human owner, exploring questions of intimacy, power, autonomy, and control. Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard. She’s learning, too. Doug says he loves that Annie’s AI makes her seem more like a real woman, so Annie explores human traits such as curiosity, secrecy, and longing. But becoming more human also means becoming less perfect, and as Annie’s relationship with Doug grows more intricate and difficult, she starts to wonder: Does Doug really desire what he says he wants? And in such an impossible paradox, what does Annie owe herself? ""Annie Bot is a book to hold close to your heart when the walls start closing in."" — Washington Post

NATIONAL BESTSELLER * A GOOD MORNING AMERICA BOOK CLUB PICK * LONGLISTED FOR THE CENTER FOR FICTION 2024 FIRST NOVEL PRIZE In this “espionage-laden family epic” (Vanity Fair), an ordinary housewife becomes an unlikely spy—and her dark secrets will test even the most unbreakable ties. Malaya, 1945. Cecily Alcantara’s family is in terrible danger: her fifteen-year-old son, Abel, has disappeared, and her youngest daughter, Jasmin, is confined in a basement to prevent being pressed into service at the comfort stations. Her eldest daughter Jujube, who works at a tea house frequented by drunk Japanese soldiers, becomes angrier by the day. Cecily knows two things: that this is all her fault; and that her family must never learn the truth. A decade prior, Cecily had been desperate to be more than a housewife to a low-level bureaucrat in British-colonized Malaya. A chance meeting with the charismatic General Fujiwara lured her into a life of espionage, pursuing dreams of an “Asia for Asians.” Ten years later as the war reaches its apex, her actions have caught up with her. Now her family is on the brink of destruction—and she will do anything to save them. Told from the perspectives of four unforgettable characters, The Storm We Made spans years of pain, triumph, and perseverance. “The tenderness in its details, the ordinary ways that these characters love and laugh in the face of the extraordinary…Chan shows us, with clarity and care, how the truest mirror comes from the intimacy of human connection” (The New York Times Book Review).

Named a Best Book of the Year by Oprah Daily * “Mesmerizing.” —Town & Country * “Twisty and unsettling.” —People * “Ancient Greece meets Succession by way of Emma Cline…deliciously dark.” —Ruth Gilligan * A “superb…refreshing” (The New York Times Book Review) reimagining of the myth of Persephone and Demeter set on a lush private island, exploring themes of addiction and sex, family, independence, and who holds the power in a modern underworld. Camp counselor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother’s disappointment, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a pharmaceutical company, Rolo Picazo is wealthy, divorced, and magnetic. He is also intoxicated by Cory. When Rolo offers her a job, Cory quiets an internal warning and allows herself to be ferried to his private island. Plied with luxury and the opiates manufactured by his company, she tells herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. With her daughter seemingly vanished, Emer crosses land and sea to heed a cry for help that only she can hear. Alternating between the two women’s perspectives, Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America’s late-capitalist mythos. Lyon’s reinvention of Persephone and Demeter’s story makes for a haunting, electric novel that readers will not soon forget.

A TIME MUST-READ BOOK OF THE YEAR • A NEW YORK TIMES EDITORS’ CHOICE • AN NPR BEST BOOK OF THE YEAR • A KIRKUS REVIEWS BEST FICTION BOOK OF THE YEAR “A heartfelt portrait of a complex family.” —People • “Laugh-out-loud-funny.” —Harper’s Bazaar • “Quintessential rom-com meets the delicious family sprawl of a Russian classic.” —Vanity Fair The “brilliant” (Daily Mail, London) bestseller that follows a brother and sister as they navigate queerness, multiracial identity, and family drama, all while flailing their way to love—for fans of Schitt’s Creek and Sally Rooney’s Normal People. It’s been a year since his ex-boyfriend dumped him and moved from Auckland to Buenos Aires, and Valdin is doing fine. He has a good flat with his sister Greta, a good career where his colleagues only occasionally remind him that he is the sole Maaori person in the office, and a good friend who he only sleeps with when he’s sad. But when work sends him to Argentina and he’s thrown back in his former lover’s orbit, Valdin is forced to confront the feelings he’s been trying to ignore—and the future he wants. Greta is not letting her painfully unrequited crush (or her possibly pointless master’s thesis, or her pathetic academic salary...) get her down. She would love to focus on the charming fellow grad student she meets at a party and her friendships with a circle of similarly floundering twenty-somethings, but her chaotic family life won’t stop intruding: her mother is keeping secrets, her nephew is having a gay crisis, and her brother has suddenly flown to South America without a word. Filled with “kernels of humor and truth” (Elle) and with an undeniable emotional momentum that builds to an exuberant conclusion, Greta & Valdin careens us through the siblings’ misadventures and the messy dramas of their sprawling, eccentric Maaori-Russian-Catalonian family. An acclaimed bestseller in New Zealand, Greta & Valdin is fresh, joyful, and alive with the possibility of love in its many mystifying forms.

Audiobook Narrated by Elle Fanning! “The warmth of Thorpe’s tone, together with the thoroughness of her imagination and the artfulness of her pacing, means that skepticism is kept at bay. She sells us on both the characters and the plot . . . [in] this enormously entertaining and lovable book.” —Nick Hornby, New York Times Book Review  A bold, laugh-out-loud funny, and heartwarming story about one young woman’s attempt to navigate adulthood, new motherhood, and her meager bank account in our increasingly online world—from the PEN/Faulkner finalist and critically acclaimed author of The Knockout Queen. As the child of a Hooters waitress and an ex-pro wrestler, Margo Millet's always known she’d have to make it on her own. So she enrolls at her local junior college, even though she can’t imagine how she’ll ever make a living. She’s still figuring things out and never planned to have an affair with her English professor—and while the affair is brief, it isn’t brief enough to keep her from getting pregnant. Despite everyone’s advice, she decides to keep the baby, mostly out of naiveté and a yearning for something bigger. Now, at twenty, Margo is alone with an infant, unemployed, and on the verge of eviction. She needs a cash infusion—fast. When her estranged father, Jinx, shows up on her doorstep and asks to move in with her, she agrees in exchange for help with childcare. Then Margo begins to form a plan: she’ll start an OnlyFans as an experiment, and soon finds herself adapting some of Jinx’s advice from the world of wrestling. Like how to craft a compelling character and make your audience fall in love with you. Before she knows it, she’s turned it into a runaway success. Could this be the answer to all of Margo’s problems, or does internet fame come with too high a price? Blisteringly funny and filled with sharp insight, Margo’s Got Money Troubles is a tender tale starring an endearing young heroine who’s struggling to wrest money and power from a world that has little interest in giving it to her. It’s a playful and honest examination of the art of storytelling and controlling your own narrative, and an empowering portrait of coming into your own, both online and off.    ?“A wholly original novel. . . . Thorpe is both poetic and profound in the way she brings her remarkable story to an end.” —The Associated Press 

The cult Japanese bestseller about a female gourmet cook and serial killer, and the journalist intent on cracking her case, inspired by a true story There are two things that I simply cannot tolerate: feminists and margarine. Gourmet cook Manako Kajii sits in the Tokyo Detention House convicted of the serial murders of lonely businessmen, whom she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination, but Kajii refuses to speak with the press, entertaining no visitors. That is until journalist Rika Machida writes a letter asking for her recipe for beef stew, and Kajii can’t resist writing back. Rika, the only woman in her news office, works late each night, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a master class in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii, but it seems that Rika might be the one changing. With each meal she eats, something is awakening in her body. Do she and Kajii have more in common than she once thought? Inspired by the real case of a convicted con woman and serial killer—the “Konkatsu Killer”—Asako Yuzuki’s Butter is a vivid, unsettling exploration of misogyny, obsession, romance, and the transgressive pleasures of food in Japan.

A BEST BOOK OF THE YEAR: NPR, Telegraph, Washington Post, The New Yorker. LONGLISTED FOR THE BOOKER PRIZE. “Like A.S. Byatt’s Possession, Enlightenment is a baroque, genre-bending novel of ideas, ghosts and hidden histories. A richly layered epic....a heartfelt paean to the consolations of the sublime, where religion and science meet."" -- Telegraph ""Read it, then read it again. This is a book full of unexpected wonders."" -- Literary Review From the author of The Essex Serpent, a dazzling novel of love and astronomy told over the course of twenty years through the lives of two improbable best friends. Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits—torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London. Over the course of twenty years, by coincidence and design, Thomas and Grace will find their lives brought back into orbit as the mystery of the vanished astronomer unfolds into a devastating tale of love and scientific pursuit. Thomas and Grace will ask themselves what it means to love and be loved, what is fixed and what is mutable, how much of our fate is predestined and written in the stars, and whether they can find their way back to each other. A thrillingly ambitious novel of friendship, faith, and unrequited love, rich in symmetry and symbolism, Enlightenment is a shimmering wonder of a book and Sarah Perry’s finest work to date. 

Literary icon Julia Alvarez, the international bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents, returns with a luminescent novel about storytelling that reads like an instant classic. Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So, when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and the characters whose lives she tried and failed to bring to life and who still haunt her. Alma wants her characters to rest in peace. But they have other ideas and soon begin to defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener to the secret tales unspooled by Alma’s characters. Among them, Bienvenida, dictator Rafael Trujillo’s abandoned wife who was erased from the official history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States. The Cemetery of Untold Stories asks: Whose stories get to be told, and who's buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories. Julia Alvarez reminds us that the narratives of ourlives are never truly finished, even at the end. “Thought-provoking and powerful, The Cemetery of Untold Stories is a balancing act of the everyday and the magical, a blend of history and cuento. Through imperfect characters longing for love and fighting against el olvido, we are reminded that stories have the power to bring us together.”—Jaquira Díaz, author of Ordinary Girl

Belletrist Book Club Pick From Philip K. Dick Award finalist Elwin Cotman, an irresistibly unnerving collection of stories that explore the anxieties of living while Black—a high-wire act of literary-fantastical hybrid fiction. A rural town finds itself under the authoritarian sway of a tree that punishes children. A pair of old friends navigate their fraught history as strange happenings escalate in a Mexican restaurant. A pair of narcissistic friends wreak havoc on an activist community. An aloof young man finds himself living through his lover’s memories. And a day of LARPing takes a cosmic turn. In each of the seven stories in this collection, characters pursue their obsessions on paths to glory and destruction while around them their worlds twist and warp, oscillating between reality and impossibility. On display throughout is Cotman’s ability to reveal truths about the human experience—about friendship, love, betrayal, bitterness—through whimsy, horror, and fantasy. Elegiac in tone, imaginative and humorous in their execution, the character-driven stories in Weird Black Girls challenge, incite, and entertain.

2024 AUDIOFILE MAGAZINE EARPHONES AWARD WINNER! *SHORTLISTED FOR THE 2024 BOOKER PRIZE* *LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD* *AN INSTANT NEW YORK TIMES BESTSELLER* *NAMED A BEST BOOK OF 2024 BY THE NEW YORK TIMES, THE ATLANTIC, VULTURE, VOGUE, THE WASHINGTON POST, KIRKUS REVIEWS, NPR, THE ECONOMIST, THE CHICAGO PUBLIC LIBRARY, VOX, and more* From Rachel Kushner, two-time finalist for both the Booker Prize and National Book Award, a “vital” (The Washington Post) and “wickedly entertaining” (The Guardian) novel about a seductive and cunning American woman who infiltrates an anarchist collective in France—a propulsive page-turner filled with dark humor. Creation Lake is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics and clean beauty who is sent to do dirty work in France. “Sadie Smith” is how the narrator introduces herself to the rural commune of French subversives on whom she is keeping tabs, and to her lover, Lucien, a young and well-born Parisian she has met by “cold bump”—making him believe the encounter was accidental. Like everyone she targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct. First, these contacts want her to incite provocation. Then they want more. In this region of old farms and prehistoric caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who believes that the path to emancipation is not revolt but a return to the ancient past. Just as Sadie is certain she’s the seductress and puppet master of those she surveils, Bruno is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Written in short, vaulting sections, Rachel Kushner’s rendition of “noir” is taut and dazzling. Creation Lake is Kushner’s finest achievement yet—a work of high art, high comedy, and unforgettable pleasure.

Dua Lipa's September Book Club Pick! Included in The Guardian's Best Translated Fiction of 2024 ""[Bad Habit] shows us that a 'trans novel' can actually be anything it wants to be."" –New York Times ""A novel that could very well serve as a surrogate mother for future children who grow up lonely and trans."" –Washington Post Combining the raw realism and vulnerability of Shuggie Bain and Detransition, Baby with the poignant sensibility of Pedro Almodóvar, a staggering coming-of-age novel deeply rooted in the struggles of a trans woman growing up in Madrid. Anchored by the voice of its sweet and defiant narrator, Bad Habit casts a trans woman’s trying youth as a heartfelt odyssey. Raised in an animated yet impoverished blue-collar neighborhood, Alana S. Portero’s protagonist struggles to find her place. As the city around her changes–the heroin epidemic that ravages Madrid through the '80s and '90s, rallying calls of worker solidarity and the pulsing beat of the city's night scene– she becomes increasingly detached from the world and, most crucially, herself. Yet through her eyes, the streets and people of Madrid are illuminated by a poetry absent from everyday life. And by this guiding light she begins to plot her own course, from Margarita, the local trans woman whose unspoken kinship both captivates and frightens her, to Jay, her first love and source of an inevitable heartbreak, to the irrepressible diva Caramel. As she forges ahead, she sets her compass to a personal north star: endeavoring to find herself. But with each step forward, she is confronted by a violence she doesn’t yet know how to counter; in this exciting, often terrifying, world each choice is truly a matter of life and death.    With her first novel, Alana S. Portero strikingly underscores the ties between gender and class, the search for identity, and the power of sisterhood and community. Gentle but blistering, Bad Habit is a mesmerizing story of self-realization that speaks to the outsider in all of us.   Translated from the Spanish by Mara Faye Lethem

“Perceptive and witty—like a Sally Rooney novel set in Southern California.” —Star Tribune (Minneapolis) “It’s this author’s best work yet. A Sapphic roller-coaster ride.” —Kirkus Reviews (starred review) A controversial LA author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student researching 1950s lesbian pulp who smells like metallic orchids, or her new neighbor, Penelope, who smells like patchouli. Penelope, a painter living off Urban Outfitters settlement money, immediately ingratiates herself in Astrid’s life, bonding with her best friends and family, just as Astrid and Ivy begin to date in person. Astrid feels judged and threatened by Penelope, a responsible older vegan, but also finds her irresistibly sexy. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid’s worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes—and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet and celebrity-obsessed world. With notes of Southern California citrus and sultry smokiness, Perfume and Pain is a satirical romp through Hollywood and lesbian melodrama.

Finalist for the Kirkus Prize Scarface meets Moby Dick in Say Hello to My Little Friend—“a masterclass in pace and precision…brilliant” (Nana Kwame Adjei-Brenyah, National Book Award Finalist of Chain Gang All Stars) about a young man’s attempt to capitalize on his mother’s murky legacy—a story steeped in Miami’s marvelous and sinister magic. Failed Pitbull impersonator Ismael Reyes—you can call him Izzy—might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull’s legal team and living in his aunt’s garage, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana. When Izzy’s efforts lead him to the tank that houses Lolita, a captive orca at the Miami Seaquarium, she proves just how powerful she and the water surrounding her really are—permeating everything from Miami’s sinking streets to Izzy’s memories to the very heart of the novel itself. What begins as Izzy’s story turns into a super-saturated fever dream as sprawling and surreal as the Magic City, one as sharp as an iguana’s claws, and as menacing as a killer whale’s teeth. As the truth surrounding Izzy’s boyhood escape from Cuba surfaces, the novel reckons with the forces of nature, with the limits and absence of love, and with the dangers of pursuing a tragic inheritance. “Blistering, hilarious, [and] tragic” (The Miami Herald), Say Hello to My Little Friend is Jennine Capó Crucet’s most daring, heartbreaking, and fearless book yet.

A New Yorker Best Book of the Year “This is a tender, deeply perceptive tale of what kin owes kin, and how we might work to mend old wounds together.”—Elle In this stunning debut novel, four generations of complex Black women contend with motherhood and daughterhood, generational trauma and the deeply ingrained tensions and wounds that divide them as they redefine happiness and healing for themselves. Erudite Evelyn, her cynical daughter Charlotte, and Charlotte’s optimistic daughter Corinna see the world very differently. Though they love each other deeply, it’s no wonder that their personalities often clash. But their conflicts go deeper than run-of-the-mill disagreements. Here, there is deep, dark resentment for past and present hurt.   When Corinna gives birth to her own daughter, Camille, the beautiful, intelligent little girl offers this trio of mothers something they all need: hope, joy, and an opportunity to reconcile. They decide to work together to raise their collective daughter with the tenderness and empathy they missed in their own relationships. Yet despite their best intentions, they cannot agree on what that means. After Camille eventually leaves her mother and grandmother in rural Tennessee for a more cosmopolitan life in Washington, DC with her great-grandmother, it’s unclear whether this complex and self-contained girl will thrive or be overwhelmed by the fears and dreams of three generations she carries. As she grows into a gutsy young woman, Camille must decide for herself what happiness will look like.  In masterful, elegant prose, debut novelist Sarai Johnson has created a rich and moving portrait of Black women’s lives today.

An exciting and “inventive” (HuffPost) debut novel about a top-rated man on the Rental Stranger app—a place where users can hire a pretend fiancé, a wingman, or companion of any kind—who finds out who he is by being anyone but himself. Would you hire someone to be the best man at your wedding? Your stand-in brother? The father to your child? In an age where online ratings are all-powerful, Five-Star Stranger follows the adventures of a top-rated man on the Rental Stranger app as he navigates New York City under the guise of characters he plays, always maintaining a professional distance from his clients. But, when an eccentric patron threatens to upend his long-term role as father to a young girl, Stranger begins to reckon with his attachment to his pretend daughter, her mother, and his own fraught past. Now, he must confront the boundaries he has drawn and explore the legacy of abandonment that shaped his life. “A sharp page-turner about our culture’s commodification of everything” (Debutiful), Five-Star Stranger is a strikingly vivid novel about isolation in a hyperconnected world, and “what it means to love and be loved” (Rachel Khong, author of Real Americans).

A young professional pursues an emotionally intense relationship with a married lesbian couple in this immersive listen that's perfect for fans of Melissa Broder.

A young widow grapples with the arrival of a once-in-a-lifetime comet and its tumultuous consequences, in a debut novel that blends mystery, astronomy, and romance, perfect for fans of Emma Cline’s The Girls and Ottessa Moshfegh’s Death in Her Hands. Sylvia Knight is losing hope that the person who killed her husband will ever face justice. Since the night of the hit-and-run, her world has been shrouded in hazy darkness—until she meets Theo St. John, the discoverer of a rare comet soon to be visible to the naked eye. As the comet begins to brighten, Sylvia wonders what the apparition might signify. She is soon drawn into the orbit of local mystic Joseph Evans, who believes the comet’s arrival is nothing short of a divine message. Finding herself caught between two conflicting perspectives of this celestial phenomenon, she struggles to define for herself where the reality lies. As the comet grows in the sky, her town slowly descends further and further into a fervor over its impending apex, and Sylvia’s quest to uncover her husband’s killer will push her and those around her to the furthest reaches of their very lives. A novel about the search for meaning in a bewildering world, the loyalty of love, and the dangerous lengths people go to in pursuit of obsession, Bright Objects is a luminous, masterfully crafted literary thriller.

“Fire Exit, Morgan Talty’s debut novel, is utterly consuming. The novel absolutely smolders. ”Tommy Orange Does she remember this day? Does she remember it at all? Does she know this history this story her body holds secret from her? From the porch of his home, Charles Lamosway has watched the life he might have had unfold across the river on Maine’s Penobscot Reservation. On the far bank, he caught brief moments of Roger and Mary raising their only child, Elizabeth from the day she came home from the hospital to her early twenties. But there’s always been something deeper and more dangerous than the river that divides him from this family and the rest of the tribal community. It’s the secret that Elizabeth is his daughter, a secret Charles is no longer willing to keep. Now it’s been weeks since he’s seen Elizabeth and Charles is worried. As he attempts to hold on and care for what he can: his home and property, his alcoholic, quick-tempered and big-hearted friend Bobby, and his mother, Louise, who is slipping ever-deeper into dementia he becomes increasingly haunted by his past. Forced to confront a lost childhood on the reservation, a love affair cut short, and the death of his beloved stepfather, Fredrick, in a hunting accident death that he and Louise cannot agree where to lay the blame Charles contends with questions he’s long been afraid to ask. Is it his secret to share? And would his daughter want to know the truth? From award-winning author of Night of the Living Rez, Morgan Talty’s debut novel, Fire Exit, is a masterful and unforgettable story of family, legacy, bloodlines, culture and inheritance, and what, if anything, we owe one another.

From Betsy Lerner, celebrated author of The Bridge Ladies, comes a wry and riveting debut novel about family, mental illness, and a hard-won path between two sisters. It is said that when one person in a family is unstable, the whole family is destabilized. Meet the Shreds. Olivia is the sister in the spotlight until her stunning confidence becomes erratic and unpredictable, a hurricane leaving people wrecked in her wake. Younger sister Amy, cautious and studious to the core, believes in facts, proof, and the empirical world. None of that explains what’s happening to Ollie, whose physical beauty and charisma mask the mental illness that will shatter Amy’s carefully constructed life. As Amy comes of age and seeks to find her place—first in academics, then New York publishing, and through a series of troubled relationships—every step brings collisions with Ollie, who slips in and out of the Shred family without warning. Yet for all that threatens their sibling bond, Amy and Ollie cannot escape or deny the inextricable sister knot that binds them. Spanning two decades, Shred Sisters is an intimate and bittersweet story exploring the fierce complexities of sisterhood, mental health, loss, and love. If anything is true it’s what Amy learns on her to self-acceptance: No one will love you more or hurt you more than a sister.

A “masterful…mesmerizing and unflinching” (Patricia Engel, New York Times bestselling author) story about a family of luchadores contending with forbidden love and secrets in Mexico City, Los Angeles, and beyond. Ernesto Vega has lived many lives, from pig farmer to construction worker to famed luchador El Rey Coyote, yet he has always worn a mask. He was discovered by a local lucha libre trainer at a time when luchadores—Mexican wrestlers donning flamboyant masks and capes—were treated as daredevils or rock stars. Ernesto found fame, rapidly gaining name recognition across Mexico, but at great expense, nearly costing him his marriage to his wife Elena. Years later, in East Los Angeles, his son, Freddy Vega, is struggling to save his father’s gym while Freddy’s own son, Julian, is searching for professional and romantic fulfillment as a Mexican American gay man refusing to be defined by stereotypes. With alternating perspectives, Ernesto and Elena take us from the ranches of Michoacán to the makeshift colonias of Mexico City. Freddy describes his life in the suburban streets of 1980s Los Angeles and the community their family built, as Julian descends deep into our present-day culture of hook-up apps, lucha burlesque shows, and the dark underbelly of West Hollywood. The Sons of El Rey is an “epic and transporting novel” (Alejandro Varela, National Book Award finalist and author of The Town of Babylon) of a family wading against time and legacy, yet always choosing the fight.

Reminiscent of Sally Rooney, this novel captures the formative moments of a young woman’s life, from the slow burn of a new crush to the swish of a skunk’s tail.

LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD IN FICTION • A NEW YORK TIMES BEST BOOK OF THE YEAR ""A master comedian with a virtuoso prose style has produced an audacious, original and highly disturbing book . . . an incandescent satire."" —Giles Harvey, The New York Times Magazine  From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself. ""Rejection is unrelentingly brutal and gut-bustingly funny and spares no one—not you, not me. Tulathimutte is a pervert and a madman and a stone-cold genius."" —Carmen Maria Machado, author of Her Body and Other Parties “One of the foremost fiction writers exploring the subject of his own generation.” —Jia Tolentino, The New Yorker

Longlisted for the 2024 NATIONAL BOOK AWARD for Translated Literature • “Evocative, dreamlike, and immersive…The disconcerting familiarity of this strange, windswept world will haunt you.” —Esquire A harrowing, intimate novel about a woman and the people who depend on her as the world around them teeters on the edge—marking an award-winning Latin American author’s US debut. In a city ravaged by a mysterious plague, a woman tries to understand why her world is falling apart. An algae bloom has poisoned the previously pristine air that blows in from the sea. Inland, a secretive corporation churns out the only food anyone can afford—a revolting pink paste, made of an unknown substance. In the short, desperate breaks between deadly windstorms, our narrator stubbornly tends to her few remaining relationships: with her difficult but vulnerable mother; with the ex-husband for whom she still harbors feelings; with the boy she nannies, whose parents sent him away even as terrible threats loomed. Yet as conditions outside deteriorate further, her commitment to remaining in place only grows—even if staying means being left behind. An evocative elegy for a safe, clean world, Pink Slime is buoyed by humor and its narrator’s resiliency. This vivid and unforgettable novel explores the place where love, responsibility, and self-preservation converge.

"Hinds’ depiction of Piglet’s frantic appetite is piercing, capturing her insatiable need for the lushly described food. This is a listen like slightly burnt caramel—sharp and dark, yet still luscious."—AudioFile (Earphones Award Winner) An elegant, razor-sharp debut about women's ambitions and appetites—and the truth about having it all Outside of a childhood nickname she can’t shake, Piglet’s rather pleased with how her life’s turned out. An up-and-coming cookbook editor at a London publishing house, she’s got lovely, loyal friends and a handsome fiancé, Kit, whose rarefied family she actually, most of the time, likes, despite their upper-class eccentricities. One of the many, many things Kit loves about Piglet is the delicious, unfathomably elaborate meals she’s always cooking. But when Kit confesses a horrible betrayal two weeks before they’re set to be married, Piglet finds herself suddenly…hungry. The couple decides to move forward with the wedding as planned, but as it nears and Piglet balances family expectations, pressure at work, and her quest to make the perfect cake, she finds herself increasingly unsettled, behaving in ways even she can’t explain. Torn between a life she’s always wanted and the ravenousness that comes with not getting what she knows she deserves, Piglet is, by the day of her wedding, undone, but also ready to look beyond the lies we sometimes tell ourselves to get by. A stylish, uncommonly clever novel about the things we want and the things we think we want, Piglet is both an examination of women’s often complicated relationship with food and a celebration of the messes life sometimes makes for us. A Macmillan Audio production from Henry Holt & Company.

A New York Times Book Review and Washington Post ""Top-10 Thriller of the Year"" A New Yorker, Vogue, Esquire, Elle, and Bookshop.org ""Best Book of the Year' Conor O’Toole has never been anywhere like Cutters Neck, a gated community near Cape Cod. It’s a sweet deal for the summer: in exchange for tennis lessons, he receives free lodging in a luxurious guest cottage, far from the cramped Yonkers apartment he shares with his diabetic mother. In this oceanfront paradise, however, new clients prove hard to come by, and Conor has bills to pay. When Catherine, a sharp-tongued divorcée, offers double his usual rate, he soon realizes she is expecting additional, off the court services for her money, and Conor tumbles into a secret erotic affair unlike anything he’s experienced before. Despite his steamy flings with a woman twice his age, he simultaneously finds himself falling for an artsy, outspoken girl he meets on the beach. With cautious, strategic planning, Conor somehow manages this tangled web—until he makes one final, irreversible mistake. A dark, explosive literary thriller that brilliantly skewers the elite, Whiting Award winner Teddy Wayne’s unputdownable novel is cinematic, shocking, and a psychological masterpiece.

New Orleans, 1853. A young exile named Benito Juárez disembarks at a fetid port city at the edge of a swamp. Years later, he will become the first indigenous head of state in the postcolonial Americas, but now he is as anonymous and invisible as any other migrant to the roiling and alluring city of New Orleans. Accompanied by a small group of fellow exiles who plot their return and hoped-for victory over the Mexican dictatorship, Juárez immerses himself in the city, which absorbs him like a sponge. He and his compatriots work odd jobs, suffer through the heat of a southern summer, fall victim to the cons and confusions of a strange young nation, succumb to the hallucinations of yellow fever, and fall in love with the music and food all around them. But unavoidable, too, is the grotesque traffic in human beings they witness as they try to shape their future. In Season of the Swamp Yuri Herrera brilliantly reimagines how the eighteen pivotal months in New Orleans prepared Juárez for the revolutions to come. With the extraordinary linguistic play and love of popular forms that have characterized all of Herrera’s fiction, it is a magnificent work of speculative history and a love letter to the city that holds up an unexpected mirror to the of world we still live in. “The always thrilling and always remarkable Yuri Herrera has outdone himself here: reading Season of the Swamp is like being thrown into deep water only to open your eyes and find a haunting and haunted world, one full of magic and beauty, exiles and outsiders, longing and song. I didn’t want to surface—here I am still, in its great, brilliant light.”—Paul Yoon, author of The Hive and the Honey