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    Voices of Poetry, Volume 2
    Voices of Poetry, Volume 2
    Voices of Poetry, Volume 2
    Audiobook18 minutes

    Voices of Poetry, Volume 2

    Written by Edna St. Vincent Millay, Ezra Pound, Marianne Moore and

    Narrated by Edna St. Vincent Millay, Ezra Pound, Marianne Moore and

    5/5

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    About this audiobook

    Hear rare recordings from some of the world's most-respected poets reading their own works: Ezra Pound, Old Men With Beautiful Manners; William Butler Yeats, The Lake Isle Of Innisfree; Robert Graves, A Last Poem; Edna St. Vincent Millay, The Harp-Weaver; Richard Eberhart, The Groundhog; Philip Levine, Blasting from Heaven; Marianne Moore, The Mind is an Enchanting Thing; Stephen Spender, What I Expected; Vachel Lindsay, An Interpolation by Mr. Lindsay.

    Recording obtained and published by Rick Sheridan.

    ©2009 Rick Sheridan (P)2009 Rick Sheridan

    LanguageEnglish
    PublisherListen & Live Audio
    Release dateNov 17, 2023
    ISBN9781593165192
    Voices of Poetry, Volume 2
    Author

    Edna St. Vincent Millay

    Edna St. Vincent Millay was born in 1892 in Rockland, Maine, the eldest of three daughters, and was encouraged by her mother to develop her talents for music and poetry. Her long poem "Renascence" won critical attention in an anthology contest in 1912 and secured for her a patron who enabled her to go to Vassar College. After graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a "foreign correspondent" for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems [1917]) are without exception more seriously passionate or reflective. In 1923 she married Eugene Boissevain and -- after further travel -- embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor. She died in 1950.

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