MICHAEL WOOD ON...

“The case is unique: the sculptures are bound up with Greek identity”

ust before the first lockdown, I went to see the Elgin Marbles in the British Museum with a Greek friend. Though I had never been happy about them being in London, it was a visceral shock to see them through Greek eyes. The Parthenon Sculptures (let’s call them as they should be named) seemed diminished in the austere Duveen Gallery on a cold