THE DOORS THE SOFT PARADE

The Doors were never a longterm bet. From the day the LA band came together in 1965, frontman Jim Morrison was the archetypal doomed rock star. Frazzled by LSD, dogged by obscenity charges and fast ballooning from the dashing young libertine of a thousand student posters to a bearded, bloated alcoholic, it was a shame – but not a surprise – to hear of his 1971 death from heart failure, aged 27, in a Paris bathtub.

But in the fleeting six years that Morrison, guitarist Robby Krieger, keys man Ray Manzarek and drummer John Densmore were together, they made magic. From drop-tuned Oedipal raga-rock like The End, through the flamenco ripple of Spanish Caravan, to the jazzy shuffle of Riders On The Storm, the band’s fearless musicality was at odds with their commercial clout. Few bands ventured further or sold more.

Even among the eclectic treasures of The Doors’ six-album catalogue during Morrison’s tenure, 1969’s was the odd man out. With its strings, brass and commercial pop hooks on classics like , this fourth album split fans, critics and even the band’s own members upon its release. Yet over the past half-century it has steadily grown to stone-cold classic status, and when we meet Krieger to hear his recollections, the guitarist is readying a new 50th anniversary Deluxe Edition featuring new ‘stripped-down’ versions of the songs.