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During my 38 years as a professional artist, I have become well known for painting animals – more by accident than design; in particular horses, cattle and dogs.
Strangely enough, one of my best known works is the bronze sculpture of Matthew Flinders’ cat ‘Trim’, who resides on the window ledge of the New South Wales State Library in Macquarie Street, Sydney.
When I was a student at the National Art School, a very enlightened teacher was sufficiently interested in my efforts to point out the similarities in the anatomy of very many animals – which all evolved from basically the same structure.
Every such animal has a head, a neck, rib cage, shoulder blades, forearm, elbow, lower arm and a great variety of forms of structure representing the human wrist and hands. Strangely enough, a lot (even with hooves) still have a
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