Mon or Møn may refer to:မန်
The mon (文) was a currency of Japan from the Muromachi period in 1336, until 1870. The Chinese character for mon is 文 and the character for currency was widely used in the Chinese-character cultural sphere, e.g. Chinese wen and Korean mun. Coins denominated in mon were cast in copper or iron and circulated alongside silver and gold ingots denominated in shu, bu and ryō, with 4000 mon = 16 shu = 4 bu = 1 ryo. The yen replaced these denominations in 1870. However, its usage continued at least into 1871, as the first Japanese stamps, issued in that year, were denominated in mon.
Mon coins were holed, allowing them to be strung together on a piece of string.
Through Japanese history, there were many different styles of currency of many shapes, styles, designs, sizes and materials, including gold, silver, bronze, etc.
Møn is an island in south-eastern Denmark. Until 1 January 2007, it was a municipality in its own right but it is now part of the municipality of Vordingborg, after merging with the former municipalities of Langebæk, Præstø, and Vordingborg. This has created a municipality with an area of 615 km2 (237 sq mi) and a total population of 46,307 (2005). It belongs to the Region Sjælland ("Zealand Region"). Møn is one of Denmark's most popular destinations for tourists with its white chalk cliffs, countryside, sandy beaches and the market town of Stege.
Møn is located just off the south-eastern tip of Zealand from which it is separated by the waters of the Hølen strait between Kalvehave and the island of Nyord, at the northern end of Møn. Further south is Stege Bugt. At the narrowest point between the two islands, the waters are referred to as Wolf Strait (Ulvsund), which is the primary strait separating Møn from Zealand.
To the southwest is Stubbekøbing on the island of Falster, which is separated from Møn by the Grønsund (Green Strait).
The Mon (Mon: မောန် or မည်; Burmese: မွန်လူမျိုး, pronounced: [mʊ̀ɴ lù mjó]; Khmer: មន, Thai: มอญ, pronounced [mɔ̄ːn]) are an ethnic group from Burma (Myanmar) living mostly in Mon State, Bago Region, the Irrawaddy Delta and along the southern border of Thailand and Burma. One of the earliest peoples to reside in Southeast Asia, the Mon were responsible for the spread of Theravada Buddhism in Indochina. The Mon were a major source of influence on the culture of Burma. They speak the Mon language, an Austroasiatic language, and share a common origin with the Nyah Kur people of Thailand from the Mon mandala (polity) of Dvaravati.
The eastern Mon assimilated to Thai culture long ago. The western Mon of Burma were largely absorbed by Bamar society but continue fighting to preserve their language and culture and to regain a greater degree of political autonomy. The Mon of Burma are divided into three sub-groups based on their ancestral region in Lower Burma: the Man Nya (မန်ည) from Pathein (the Irrawaddy Delta) in the west, the Man Duin (မန်ဒိုၚ်) in Bago in the central region, and the Man Da (မန်ဒ) at Mottama in the southeast.
Mon is a former municipality in the district of Albula in the canton of Graubünden in Switzerland. On 1 January 2015 the former municipalities of Alvaschein, Mon, Stierva, Tiefencastel, Alvaneu, Brienz/Brinzauls and Surava merged to form the new municipality of Albula/Alvra.
Mon is first mentioned around 1001-1200 as de Maune. In 1281 it was mentioned as Mans. Until 1943 Mon was known as Mons.
Before the merger, Mon had a total area of 8.5 km2 (3.3 sq mi). Of this area, 36.7% is used for agricultural purposes, while 58.8% is forested. Of the rest of the land, 1.9% is settled (buildings or roads) and the remainder (2.7%) is non-productive (rivers, glaciers or mountains).
The municipality is located in the Alvaschein sub-district of the Albula district. It is southwest of Tiefencastel on the left hand slope of the Oberhalbstein Range.
Mon had a population (as of 2013) of 90.As of 2008, 5.6% of the population was made up of foreign nationals. Over the last 10 years the population has grown at a rate of 7.1%. Most of the population (as of 2000) speaks Rhaeto-Romance (52.3%), with German being second most common (45.3%) and Italian being third ( 1.2%).
ASCII art is a graphic design technique that uses computers for presentation and consists of pictures pieced together from the 95 printable (from a total of 128) characters defined by the ASCII Standard from 1963 and ASCII compliant character sets with proprietary extended characters (beyond the 128 characters of standard 7-bit ASCII). The term is also loosely used to refer to text based visual art in general. ASCII art can be created with any text editor, and is often used with free-form languages. Most examples of ASCII art require a fixed-width font (non-proportional fonts, as on a traditional typewriter) such as Courier for presentation.
Among the oldest known examples of ASCII art are the creations by computer-art pioneer Kenneth Knowlton from around 1966, who was working for Bell Labs at the time. "Studies in Perception I" by Ken Knowlton and Leon Harmon from 1966 shows some examples of their early ASCII art.
One of the main reasons ASCII art was born was because early printers often lacked graphics ability and thus characters were used in place of graphic marks. Also, to mark divisions between different print jobs from different users, bulk printers often used ASCII art to print large banners, making the division easier to spot so that the results could be more easily separated by a computer operator or clerk. ASCII art was also used in early e-mail when images could not be embedded. ASCII art can also be used for typesetting initials.
Cuenta el abuelo que
De niño el jugó
Entre árboles y risas
Y alcatraces de color
Recuerda un rÃo
Transparente si olores
Donde abundaban peces
No sufrÃan ni un dolor
Cuenta mà abuelo
De un cielo muy azul
En donde voló papalotes
Ue él Mismo construyó
El tiempo pasó y
Nuestro viejo ya murió
Y hoy me pregunté
Después de tanta destrucción
¿Dónde diablos jugarán los pobres niños?
¡Ay ay ay!
¿En dónde jugarán?
Se esta quemando el mundo