Welcome to the Pleasuredome | ||||
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File:WTTP origLP.jpg | ||||
Studio album by Frankie Goes to Hollywood | ||||
Released | 29 October 1984 | |||
Recorded | July 1983-1984 at Manor Studios, Oxford and Sarm Studios, London | |||
Genre | Pop, rock | |||
Length | 64:04 | |||
Label | Island Records (US) ZTT Records (UK) |
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Producer | Trevor Horn | |||
Professional reviews | ||||
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Frankie Goes to Hollywood chronology | ||||
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Alternative Cover | ||||
The original CD cover, which was taken from one of the vinyl's dust jackets.
The original CD cover, which was taken from one of the vinyl's dust jackets.
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Welcome to the Pleasuredome was the debut album by Frankie Goes to Hollywood, first released in the UK in October 1984 by ZTT/Island Records. Originally issued as a vinyl double album, it was assured of a UK chart entry at number one due to reported advance sales of over one million. The album was also a top ten seller internationally in countries such as Switzerland, Sweden, and New Zealand.
Whilst commercially successful, the album also drew criticism for containing new versions of the group's (already much-remixed) hit singles from the same year ("Relax" and "Two Tribes", plus B-side "War"), as well as a surfeit of cover versions in lieu of much new original material.
However, the album's evergreen ballad "The Power of Love" would subsequently provide the group with their third consecutive UK number one single.
Contents |
All songs written by Peter Gill/Holly Johnson/Brian Nash/Mark O'Toole, unless otherwise noted.
The original CD version had the following altered tracklist. Subsequent CD reissues reverted to the vinyl LP's track listing and cover art.
In 2010, a Deluxe Edition of Welcome to the Pleasuredome was released, featuring a second disc containing rare and previously unreleased material. The first CD contains the LP version of the original album. The contents of the second CD are as follows:[2]
Chart (1984) | Peak position |
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Austrian Albums Chart[3] | 3 |
Canadian Albums Chart[4] | 9 |
French Albums Chart[5] | 7 |
German Albums Chart[6] | 4 |
New Zealand Albums Chart[7] | 1 |
Norwegian Albums Chart[8] | 8 |
Swedish Albums Chart[9] | 7 |
Swiss Albums Chart[10] | 5 |
UK Albums Chart[11] | 1 |
U.S. Billboard 200[12] | 33 |
Preceded by Give My Regards to Broad Street by Paul McCartney |
UK number one album 10 November 1984 – 16 November 1984 |
Succeeded by Make It Big by Wham! |
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In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."
For example:
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Tag (リアル鬼ごっこ Riaru Onigokko) is a 2015 Japanese suspense action horror film directed by Sion Sono and inspired by title of the novel Riaru Onigokko by Yusuke Yamada. It was released in Japan on July 11, 2015.
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Tag (also known as it, tip you're it or tig [in regions of Britain], and many other names) is a playground game that involves one or more players chasing other players in an attempt to "tag" or touch them, usually with their hands. There are many variations; most forms have no teams, scores, or equipment. Usually when a person is tagged, the tagger says, "Tag, you're it".
A group of players (two or more) decide who is going to be "it", often using a counting-out game such as eeny, meeny, miny, moe. The player selected to be "it" then chases the others, attempting to get close enough to "tag" one of them (touching them with a hand) while the others try to escape. A tag makes the tagged player "it" - in some variations, the previous "it" is no longer "it" and the game can continue indefinitely while in others, both players remain "it" and the game ends when all players have become "it".
There are many variants which modify the rules for team play, or place restrictions on tagged players' behavior. A simple variation makes tag an elimination game, so those tagged drop out of play. Some variants have a rule preventing a player from tagging the person who has just tagged them (known as "no tags-back", "no returns", or "can't tag your master").