Waltz

The waltz (from German: "Walzer") is a smooth, progressive ballroom and folk dance, normally in  triple  time, performed primarily in closed position.

Introduction and acceptance

There are several references to a sliding or gliding dance—a waltz—from the 16th century, including the representations of the printer H.S. Beheim. The French philosopher Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless Weller or Spinner." "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, utilizes his surplus energy to press all his strength into the proper beat of the measure, thus intensifying his personal enjoyment in dancing".

The peasants of Bavaria, Tyrol, and Styria began dancing a dance called Walzer, a dance for couples, around 1750. The Ländler, also known as the Schleifer, a country dance in 3
4
time, was popular in Bohemia, Austria, and Bavaria, and spread from the countryside to the suburbs of the city. While the eighteenth century upper classes continued to dance the minuet, bored noblemen slipped away to the balls of their servants.

Waltz (disambiguation)

The waltz is a ballroom and folk dance of Austrian origin.

Waltz may also refer to:

Music

  • Waltz (music), the kind of music to which one dances a waltz
  • Waltz (EP), released in 1999 by the Australian indie rock band Augie March
  • "Waltz" (Apple), song by Fiona Apple from her album Extraordinary Machine
  • "Waltz" (song), two songs by Elliott Smith from his album XO
  • "Waltz" (Hale), Hale's first single from their second album, Twilight
  • "Waltz", a song by Japanese recording artist Suneohair
  • Other uses

  • Waltz (surname), a list of people
  • Waltz Township, Wabash County, Indiana, United States
  • Waltz, Kentucky, United States, an unincorporated community
  • Waltz (International Standard), one of the five dances of the "Standard" category of the International Style ballroom dances
  • "Waltz" (DS9 episode), an episode of the television series Star Trek: Deep Space Nine
  • See also

  • The Last Waltz (disambiguation)
  • All pages beginning with "Waltz"
  • All pages with titles containing Waltz
  • Waltz (EP)

    Waltz is an EP released by the Australian indie rock band Augie March. It was first released in 1999. It includes the first appearance of the band's early hit "Asleep in Perfection". A music video was also issued for the closing track, "The Moth Ball".

    Track listing

  • Asleep in Perfection (4:05)
  • None Shall Pass (5:26)
  • Rich Girl (4:57)
  • Departure (4:47)
  • The Moth Ball (5:46)

  • XO (Elliott Smith album)

    XO is the fourth studio album by American singer-songwriter Elliott Smith. It was recorded from 1997 to 1998 and released on August 25, 1998 by record label DreamWorks; Smith's first solo album on a major record label. Two singles, "Waltz #2 (XO)" and "Baby Britain", were released.

    Content

    An early working title for the album was Grand Mal.

    The title of the first track, "Sweet Adeline", was inspired by Smith’s recollections of his grandmother singing in her glee club, Sweet Adelines International. "Amity" is believed to be named after a friend who can be seen in photographs from Smith's 1997 tour.

    Release

    XO was released by DreamWorks Records on August 25, 1998. It was Smith's first solo record on a major record label, though he had previously released music on a major label with his band Heatmiser final album, Mic City Sons (1996).

    Singles released from the album were "Waltz #2 (XO)" in the same year and "Baby Britain" the following year.

    Reception

    XO was well received by critics upon its release. Pitchfork wrote, "Smith's songwriting continues to improve, as each of [the album's] fourteen tracks displays his inarguable mastery of the pop song structure more clearly than ever." The album placed at number 5 on the 1998 end-of-year Pazz & Jop poll.

    Waltz (music)

    A waltz (German: Walzer; French: Valse, Italian: Valzer, Spanish: Vals, Polish: Walc), probably deriving from German Ländler, is dance music in triple meter, often written in time signature 3/4. A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the second and third beats.

    History

    The name "waltz" comes from the German verb walzen, in turn taken from the Latin verb volvere, which describes the turning or rotating movement characteristic of the dance. Although French writers have attempted to connect the waltz to the 16th century volta, firm evidence connecting this Italian form to the earliest occurrence in the mid‑18th century of walzen to describe dancing is lacking (Lamb 2001).

    Classical composers traditionally supplied music for dancing when required, and Franz Schubert's waltzes (including the Valses Sentimentales and Valses Nobles) were written for household dancing, without any pretense at being art music. However, Frédéric Chopin's surviving 18 waltzes (five he wrote as a child), along with his mazurkas and polonaises, were clearly not intended for dance. They marked the adoption of the waltz and other dance forms as serious composition genres. Other notable contributions to the waltz genre in classical music include 16 by Johannes Brahms (originally for piano duet), and Maurice Ravel's Valses nobles et sentimentales for piano and La valse for orchestra (Lamb 2001).

    Extraordinary Machine

    Extraordinary Machine is the third album by American singer-songwriter Fiona Apple, released by Epic Records in the United States on October 4, 2005. Produced by Jon Brion, it was expected to be released in 2003 but was delayed several times by the record label without explanation, leading to speculation that a dispute had arisen over its commercial appeal. The controversy surrounding the album and leaked recordings of the Jon Brion sessions were the subject of substantial press attention, as well as a highly publicized fan-led campaign to see the album officially released. In collaboration with producers Mike Elizondo and Brian Kehew, Apple re-recorded the album over 2004 and 2005, and it was eventually released more than three years after the original recording sessions began. In 2009, Extraordinary Machine was named the 49th best album of the 2000s by Rolling Stone magazine. The album was nominated 2006 Grammy Awards for Best Pop Vocal Album.

    Background and production

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