Wild honey is honey produced by wild bees.
Wild Honey or Wildhoney may also refer to:
Wild Honey is a 1922 American silent romantic adventure film produced and distributed by the Universal Film Manufacturing Company and directed by Wesley Ruggles. Based on a book of the same title by Cynthia Stockley and starring Priscilla Dean, the film also features Noah Beery, Sr. and Wallace Beery in supporting roles. It is notable for the first use of a traveling matte special effect.
Its survival status is classified as unknown, suggesting that it is a lost film.
Despite her father's debt to him, Lady Vivienne (Priscilla Dean) refuses to marry the wealthy but villainous Henry Porthen (Noah Beery). Porthen devises a plot to lure Vivienne to his country home using her weak-willed friend, Freddy (Lloyd Whitlock). In the course of events, Vivienne faints, Porthen is killed by his secretary Joan (Helen Raymond), and Freddy runs away for fear that he will be blamed.
Three years later, Vivienne travels to Transvaal to investigate some problem property she owns. She is rescued from bandits by homesteader Kerry Burgess (Robert Ellis) and the two fall in love. More intrigue brought about by Vivienne's rejection of another suitor, Wolf Montague (Landers Stevens), leads to the sabotage of a dam and a destructive flood. Vivienne tries to warn the settlers in the flood's path and is herself swept up in it. Burgess rescues her again and they are united.
Wild Honey is the 13th studio album by American rock band the Beach Boys, released on December 18, 1967. The album contrasts with many Beach Boys LPs that came before it with its R&B and soul music aesthetic. Its name is a double entendre suggesting both edible honey and "honey" as a term of endearment; also the namesake of the album's lead single and opening track. The single became a minor hit with only a short chart stay. Its follow-up "Darlin'" reached the US Top 20. The album itself reached number 24 in the US and number seven in the UK.
The album's sessions begun immediately after the abandonment of Lei'd in Hawaii, a failed live album; and the release of Smiley Smile, their previous studio album. Self-produced by the band, Wild Honey was the second Beach Boys album since Surfin' U.S.A. (1963) not to give sole production credit to Brian Wilson, who had gradually abdicated the band's musical leadership following the difficult sessions for the aborted Smile LP. The track "Here Comes the Night" was later redone by the group as a disco single in the late 1970s and was a minor hit.
"Wild Honey" is a song by the rock band U2. It is the seventh track on their 2000 album All That You Can't Leave Behind. The song was played eleven times during the Elevation Tour.
"Wild Honey" runs for 3:47 and is played in common time at a tempo of 125 beats per minute
According to guitarist The Edge, "Wild Honey" broke up the album before the next track "Peace On Earth", and its placement in the running order was a misjudgement. The guitarist compared the song with The Beatles' "Ob-La-Di, Ob-La-Da". There was a lot of debate about whether or not "Wild Honey" should be included on All That You Can't Leave Behind, because the fun and the frivolity of the song was not something U2 are noted for. But producer Brian Eno loved it and thought it was like a Van Morrison song, and lead singer Bono wanted it on the album, saying, "it was playful and broke the mood. Call it a sorbet between courses." Brian Hiatt of MTV considered Bono's vocals on this track to be "hoarse, gritty and soulful"
Wild Honey is a 1918 silent film western directed by Francis J. Grandon and starring Doris Kenyon.
This picture is preserved in the archives of the Museum of Modern Art.
"Wild Honey" is a song written by Brian Wilson and Mike Love for the American rock band The Beach Boys. It was released on their 1967 album Wild Honey. It was also released as a single, with the B-side of the single being "Wind Chimes". The single peaked at #31 in the U.S. and #29 in the U.K.
In a 1992 issue of Goldmine, Mike Love explained the idea for the lyrics of the song:
Recording for the song began on September 26, 1967 at Brian Wilson's home studio in Bel Air, California with Jim Lockert engineering the session. The song would be almost completely recorded in one day. The band would initially record organ and electric bass guitar courtesy of Bruce Johnston, percussion, tambourine and piano and following that Carl Wilson's lead vocal was overdubbed onto the basic track. The band then recorded instrumental inserts including bongos, percussion and drums, in which Dennis Wilson's bass drum was purportedly recorded in a hallway. The session then concluded with the band doing further vocal overdubs and Bruce Johnston performing the organ solo.