Coil (band)

Coil was an English cross-genre, experimental music group formed in 1982 by John Balance—later credited as "Jhonn Balance"—and his life partner and collaborator Peter Christopherson, aka "Sleazy". The duo worked together on a series of releases before Balance chose the name Coil, which he claimed to be inspired by the omnipresence of the coil's shape in nature. Today, Coil remains one of the most influential and best-known industrial music groups.

The group's first official release as Coil was a 1984 12" album titled How to Destroy Angels released on the Belgian Les Disques du Crépuscule's sublabel LAYLAH Antirecords. Following the 12"s success, Some Bizarre Records produced two albums, Scatology, Horse Rotorvator and Coil departed SomeBizzare Label and Produced Love's Secret Domain, which met with little commercial success, but were praised as innovative due to their blend of industrial music and acid house.

In 1985, the group began working on a series of soundtracks, amongst them music for the first Hellraiser movie based on the novel The Hellbound Heart by their acquaintance at that time, Clive Barker. The group's first live performance in 16 years occurred in 1999, and began a series of mini-tours that would last until 2004. Following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website Threshold House that Coil as an entity had ceased to exist.

List of Pokémon (52–101)

The Pokémon (ポケモン, Pokemon) franchise has 721 (as of the release of Pokémon Omega Ruby and Alpha Sapphire) distinctive fictional species classified as the titular Pokémon. This is a selected listing of 50 of the Pokémon species, originally found in the Red and Green versions, arranged as they are in the main game series' National Pokédex.

Meowth

Meowth (ニャース, Nyāsu, Nyarth), known as the Scratch Cat Pokémon, has a distinctly feline appearance, resembling a small housecat. It has cream-colored fur, which turns brown at its paws and tail tip. Its oval-shaped head features prominent whiskers, black-and-brown ears, and a koban, a gold oval coin (also known as "charm") embedded in its forehead. Meowth are valued for their ability to collect coins using their signature move, "Pay Day", as it is the only Pokémon that learns it. Meowth's coloration, its love of coins, and its charm indicate that Meowth is based on the Japanese Maneki Neko, a cat-shaped figurine that is said to bring good luck and money to its owner. Aspects of Meowth were drawn from a Japanese myth dealing with the true value of money, in which a cat has money on its head but does not realize it.

Venus (Frankie Avalon song)

"Venus" is a song written by Ed Marshall and Peter DeAngelis. The most successful and best-known recording of the track was done by Frankie Avalon and released in 1959 (see 1959 in music).

Background

Venus became Avalon's first number-one hit on the Billboard Hot 100 chart, where it spent five weeks atop the survey. The song also reached number ten on the R&B chart. The song's lyrics detail a man's plea to Venus, the Roman goddess of love and beauty, to send him a girl to love and one who will love him as well. Billboard ranked it as the No. 4 song for 1959.

The song was covered in the United Kingdom by Dickie Valentine who spent a week at number 20 in the Singles Chart in May 1959, the week before Frankie Avalon reached the Top 20 with his original version.

In 1976, Avalon released a new disco version of "Venus". This helped revive the singer's career, as his success had been waning prior to its release and was Avalon's last Billboard Hot 100 hit. The re-recording of "Venus" peaking at number forty-six and at number one on the Easy Listening chart. Avalon was quoted describing the remake: "It was all right, but I still prefer the original."

Venus (Sirius XM)

Venus is a Sirius XM Radio station playing rhythmic pop from the 2000s through today similar to Pop2K,

Details

Venus is a Rhythmic Top 40 station with an emphasis on current-based Rhythmic Pop/Dance hits from the 2000s and today with recurrents from the 2000s, all commercial-free. The channel replaces Top 20 on 20, which officially signed off on July 16, 2014 at 12:04 AM after 14 years. The first song to be played on Venus was "My Humps" by The Black Eyed Peas. With the launch of Venus, the move will also give Sirius XM two channels with a Rhythmic-focused format, joining The Heat, whose direction favors current-based R&B/Hip-Hop hits.

With the addition of Pitbull's Globalization Radio, which was launched in 2015, Venus has shifted to Rhythmic Pop, allowing Globalization Radio to take on the current Rhythmic/Dance fare, Venus was dropped from the satellites, allowing users can still hear Venus online.

References

External Links

Tannhäuser (opera)

Tannhäuser (full title Tannhäuser und der Sängerkrieg auf Wartburg / Tannhäuser and the Singers' Contest at Wartburg Castle) is an 1845 opera in three acts, music and text by Richard Wagner, based on two German legends; Tannhäuser, the legendary medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centers on the struggle between sacred and profane love, and redemption through love, a theme running through much of Wagner's mature work.

Composition history

Sources

Wagner wove a variety of sources into the opera narrative. According to his autobiography, he was inspired by finding the story in "a Volksbuch (popular book) about the Venusberg", which he claimed "fell into his hands", although he admits knowing of the story from the Phantasus of Ludwig Tieck and E. T. A. Hoffmann's story, Der Kampf der Sänger (The Singer's Contest). Tieck's tale, which names the hero "Tannenhäuser", tells of the minstrel-knight's amorous adventures in the Venusberg, his travels to Rome as a Pilgrim, and his repudiation by the pope. To this Wagner added material from Hoffmann's story, from Serapions-Brüder (1819), describing a song contest at the Wartburg castle, a castle which featured prominently in Thuringian history. Heinrich Heine had provided Wagner with the inspiration for Der fliegende Holländer and Wagner again drew on Heine for Tannhäuser. In Heine's sardonic essay Elementargeister (Elemental spirits), there appears a poem about Tannhäuser and the lure of the grotto of Venus, published in 1837 in the third volume of Der Salon. Other possible sources include Friedrich de la Motte Fouqué's play Der Sängerkrieg auf der Wartburg and Eichendorff's Das Marmorbild (The Marble Statue, 1819).