Scape

Scape may refer to:

Biology

Cooking

Gaming

Publications

Television

See also

Scape (botany)

In botany, a scape is a long internode forming the basal part or the whole of a peduncle. Typically it takes the form of a long, leafless flowering stem rising directly from a bulb, rhizome, or similar subterranean or underwater structure.

The scapes of garlic are used as a vegetable.

Etymology and usages

The word scape (Latin scapus, from Greek σκᾶπος), as used in botany, is fairly vague and arbitrary; various sources provide divergent definitions. Some older usages simply amount to a stem or stalk in general, but modern formal usage tends to favour the likes of "A long flower stalk rising directly from the root or rhizome", or "a long, naked, or nearly naked, peduncle, rising direct from the base of a plant, whether 1- or many-fid." Other authorities refer to the scape rising directly from the ground, without morphological analysis. For example: "A leafless floral axis or peduncle arising from the ground, as in Cyclamen.

Practical definition

The modern trend is towards usefully distinguishing the definition of "scape" from those of related, but more general, terms such as peduncle and inflorescence. It now is rarely used for such objects as stems or inflorescences in general. However, it is not easy to find coherent and fully general definitions. Typical examples from authoritative online sources include the following: "a peduncle arising at or beneath the surface of the ground in an acaulescent plant... broadly: a flower stalk...", "a leafless stalk in plants that arises from a rosette of leaves and bears one or more flowers..." and several more very similar.

Pole (musician)

Pole is the artistic name of Stefan Betke (born 18 February 1967), a German electronic music artist commonly associated with the glitch genre as well as dubtronica.

History

Born in Düsseldorf, Pole took his name from a Waldorf 4-Pole filter, which he accidentally dropped and broke in 1996. Though the filter was perhaps no longer appropriate for DJ work in its damaged state, Betke found the strange hissing and popping noises the filter now made interesting sounds. He then began using the broken filter to create music, launching his musical career.

Betke's first four albums, titled 1, 2, 3, and R (an intentional trilogy of albums, followed by a collection of remixes of Pole's 1998 debut EP Raum), were all based around this filter, with songs usually taking the form of dub basslines and rhythms with percussion provided by the eponymous filter. In 2003 Betke departed from this style for the album Pole (a combination of tracks from two EPs, "45/45" and "90/90"), which utilized more traditionally electronic but still eclectic production.