In linguistics, a numeral is a member of a word class (or sometimes even a part of speech) designating numbers, such as the English word 'two' and the compound 'seventy-seven'.
Numerals may be attributive, as in two dogs, or pronominal, as in I saw two (of them).
Many words of different parts of speech indicate number or quantity. Quantifiers do not enumerate, or designate a specific number, but give another, often less specific, indication of amount. Examples are words such as every, most, least, some, etc. There are also number words which enumerate but are not a distinct part of speech, such as 'dozen', which is a noun, 'first', which is an adjective, or 'twice', which is an adverb. Numerals enumerate, but in addition have distinct grammatical behavior: when a numeral modifies a noun, it may replace the article: the/some dogs played in the park → twelve dogs played in the park. (Note that *dozen dogs played in the park is not grammatical, so 'dozen' is not a numeral.)
Zero or Zéro is surname, given name or pseudonym of the following people:
Zero is name of the following notable fictional characters:
"Zero" is a song by American indie rock band Yeah Yeah Yeahs, released as the lead single from their third studio album, It's Blitz! (2009). The song received critical acclaim from music critics for its production, and was named the best track of 2009 by both NME and Spin magazines.
The single had minor commercial success, peaking at numbers four and eighteen on the Billboard Alternative Songs and Hot Dance Singles Sales charts, as well as number forty-nine on the UK Singles Chart. A music video for the single, which shows lead singer Karen O walking the streets of San Francisco at night, was released in March 2009.
"Zero" received acclaim from music critics. Paula Carino of AllMusic described the song as "an exhilarating and wide-open expanse of pure electro-pop". Mary Bellamy of Drowned in Sound viewed the track as "the call to arms of a band who desperately want to teleport the refugees of fashion-fizzled pop, the hippest of hipsters and the weirdest outsiders to the dancefloor of their sweaty spaceship", stating it is "perhaps one of the band's finest moments ever committed to tape."
Wired: The Short Life and Fast Times of John Belushi, is a 1984 non-fiction book by American journalist Bob Woodward about the American actor and comedian John Belushi. The hardcover edition includes sixteen pages of black-and-white photos, front and back.
Many friends and relatives of Belushi, including his widow Judith Belushi Pisano, Dan Aykroyd and James Belushi, agreed to be interviewed at length for the book, but later felt the final product was exploitative and not representative of the John Belushi they knew. Pisano wrote her own book, Samurai Widow (1990) to counter the image of Belushi portrayed in Wired. In 2013 Tanner Colby, who had co-authored the 2005 book Belushi: A Biography with Pisano, wrote about how Wired exposes Woodward's strengths and weaknesses as a journalist. While in the process of researching the anecdotes related in the book, he found that while many of them were true, Woodward missed, or didn't seek out, their meaning or context.
For example, in Woodward's telling, a "lazy and undisciplined" Belushi is guided through the scene on the cafeteria line in Animal House by director John Landis, yet other actors present for that scene recall how much of it was improvised by the actor in one single take. Blair Brown told Colby she was still angry about how Woodward "tricked" her in describing her and Belushi preparing for a love scene in Continental Divide. Colby notes that Woodward devotes a single paragraph to Belushi's grandmother's funeral, where he hit a low point and resolved to get clean for that film, while diligently documenting every instance of drug abuse he turned up. "It's like someone wrote a biography of Michael Jordan in which all the stats and scores are correct, but you come away with the impression that Michael Jordan wasn't very good at playing basketball," he concluded.
The Wired website, formerly known as Wired News or HotWired, is an online technology news website launched in 1992 that split off from Wired magazine when the magazine was purchased by Condé Nast Publishing in the 1990s. Wired News was owned by Lycos not long after the split, until Condé Nast purchased Wired News on July 11, 2006. Competition from sites like the Drudge Report and The Political Simpleton slightly decreased after the 2006 purchase, due to the increase in advertising revenue.
Wired.com hosts several technology blogs on topics in transportation, security, business, new products, video games, the "GeekDad" blog on toys, creating websites, cameras, culture and science.
It also publishes the Vaporware Awards.
Wired was a Belgian annual demoparty which ran from 1994 to 1998. Typical competitions included PC and Amiga demos and intros, handmade and ray traced graphics, music and surprise competitions (where theme and rules are announced around two hours prior the deadline).
The first edition took place at the Université de Mons-Hainaut in Mons from 29 to 31 October 1994. It was organized by Antares and Babylon 5. Ten demos entered the PC competition but only two Amiga productions were presented. Necronomicon by Imagine won the PC competition. Unusually for a demoparty, a Doom tournament was held at Wired '94.
One year later, Wired '95 was held from 3–5 November 1995 at the same place and organized by Antares, Imphobia and TFL-TDV. This time, no more Amiga competitions were held, Wired became a PC only party, but additional categories were introduced: 4k intro (which previously occurred as a surprise competition only) and ANSI. The PC demo section saw 17 entries and the victory of Valhalla with Soltice. Another remarkable production was the 64k intro winner: Magic Carpet by Keen Like Frogs. This group managed to code an engine similar to the one used Magic Carpet in 64 kilobytes only, complete with textures and music. A French TV channel also chose this event to record a report on demoscene.
J'écris sur ce que j'endure
Les petites morts, sur les blessure
J'écris ma peur
Mon manque d'amour
J'écris du coeur
Mais c'est toujours
Sur ce que je n'ai pas pu dire
Pas pu vivre, pas su retenir
J'écris en vers
Et contre tous
C'est toujours l'enfer
Qui me pousse
A jeter l'encre sur le papier
La faute sur ceux qui m'ont laissée
Ecrire, c'est toujours reculer
L'instant où tout s'est écroulé
On n'écrit pas
Sur ce qu'on aime
Sur ce qui ne pose pas
Problème
Voilà pourquoi
Je n'écris pas
Sur toi
Rassure-toi
J'écris sur ce qui me blesse
La liste des forces qu'il me reste
Mes kilomètres de vis manquée
De mal en prose, de vers brisés
J'écris comme on miaule sous la lune
Dans la nuit, je trempe ma plume
J'écris l'abcès
J'écris l'absent
J'écris la pluie
Pas le beau temps
J'écris ce qui ne se dit pas
Sur les murs, j'écris sur les toits
Ecrire, c'est toujours revenir
A ceux qui nous ont fait partir
On n'écrit pas qu'on manque de rien
Qu'on est heureux, que tout va bien
Voilà pourquoi
Je n'écris pas
Sur toi
Rassure-toi
J'écris quand j'ai mal aux autres
Quand ma peine ressemble à la votre
Quand le monde me fait le gros dos
Je lui fais porter le chapeau
J'écris le blues indélébile
Ça me paraît moins difficile
De dire à tous plutôt qu'à un
Et d'avoir le mot de la fin
Il faut qu'elle soit partie déjà
Pour écrire " ne me quitte pas "
Qu'ils ne vivent plus sous le même toit
Pour qu'il vienne lui dire qu'il s'en va
On n'écrit pas la chance qu'on a
Pas de chanson d'amour quand on en a
Voilà pourquoi, mon amour
Je n'écris rien
Sur toi
Rassure-toi