Numeral (linguistics)

In linguistics, a numeral is a member of a word class (or sometimes even a part of speech) designating numbers, such as the English word 'two' and the compound 'seventy-seven'.

Identifying numerals

Numerals may be attributive, as in two dogs, or pronominal, as in I saw two (of them).

Many words of different parts of speech indicate number or quantity. Quantifiers do not enumerate, or designate a specific number, but give another, often less specific, indication of amount. Examples are words such as every, most, least, some, etc. There are also number words which enumerate but are not a distinct part of speech, such as 'dozen', which is a noun, 'first', which is an adjective, or 'twice', which is an adverb. Numerals enumerate, but in addition have distinct grammatical behavior: when a numeral modifies a noun, it may replace the article: the/some dogs played in the park → twelve dogs played in the park. (Note that *dozen dogs played in the park is not grammatical, so 'dozen' is not a numeral.)

Zero (name)

Zero or Zéro is surname, given name or pseudonym of the following people:

Zero is name of the following notable fictional characters:

Zero (Yeah Yeah Yeahs song)

"Zero" is a song by American indie rock band Yeah Yeah Yeahs, released as the lead single from their third studio album, It's Blitz! (2009). The song received critical acclaim from music critics for its production, and was named the best track of 2009 by both NME and Spin magazines.

The single had minor commercial success, peaking at numbers four and eighteen on the Billboard Alternative Songs and Hot Dance Singles Sales charts, as well as number forty-nine on the UK Singles Chart. A music video for the single, which shows lead singer Karen O walking the streets of San Francisco at night, was released in March 2009.

Critical reception

"Zero" received acclaim from music critics. Paula Carino of AllMusic described the song as "an exhilarating and wide-open expanse of pure electro-pop". Mary Bellamy of Drowned in Sound viewed the track as "the call to arms of a band who desperately want to teleport the refugees of fashion-fizzled pop, the hippest of hipsters and the weirdest outsiders to the dancefloor of their sweaty spaceship", stating it is "perhaps one of the band's finest moments ever committed to tape."

Shrink

Shrink may refer to:

See also

Michael Slade

Michael Slade (born 1947, Lethbridge, Alberta) is the pen name of Canadian novelist Jay Clarke, a lawyer who has participated in more than 100 criminal cases and who specializes in criminal insanity. Before Clarke entered law school, his undergraduate studies focused on history. Clarke’s writing stems from his experience as a practicing lawyer and historian, as well as his extensive world travel. He works closely with police officers to ensure that his novels incorporate state-of-the-art police techniques. Writing as a team with a handful of other authors, Clarke has published a series of police procedurals about the fictional Special External Section (Special X) of the Royal Canadian Mounted Police. His novels describe Special X protagonists as they track down fugitives, typically deranged murderers. Four other authors have contributed under the name Michael Slade: John Banks, Lee Clarke, Rebecca Clarke, and Richard Covell. Despite the collaborative nature of the books, Jay Clarke is the predominant voice in their writing. Currently, Jay and his daughter Rebecca write under the Slade name.

Shrink (film)

Shrink is a 2009 American independent comedy-drama film about a psychologist who treats members of the entertainment industry in Los Angeles, California. It was directed by Jonas Pate, written by Thomas Moffett, and stars Kevin Spacey and along with an ensemble cast. The film premiered at the 2009 Sundance Film Festival and includes music by Jackson Browne.

Plot summary

In Hollywood, Dr. Henry Carter (Kevin Spacey) had most of Carter's patients who are luminaries in the film industry, each undergoing their own life crisis. Carter lives in a large, luxurious house overlooking the Hollywood Hills and has published a hugely successful self-help book. However, he is disheveled and lives alone in his large house. He smokes marijuana at home, in his car and behind his office, when not seeing patients. Carter routinely drinks himself to sleep around his house, waking up in his clothes and never enters his bedroom. Despite his own problems, Carter continues psychotherapy with his patients, maintaining his incisiveness, compassion and strong doctor-patient relationships.