The Garden may refer to:
The Garden is Michael Nesmith's 11th full studio album and was released in 1994. The Garden is a companion release to Nesmith's 1974 album/book, The Prison. Both The Garden and The Prison are written to have the music complement a novel included in the release (also written by Nesmith). The Prison and The Garden were re-released together on CD in 2004 by Video Ranch.
The idea is for listeners to read the novel while simultaneously listening to the recording. Even though The Garden was released on Nesmith's record company, Rio Records, the novella/album concept was the driving force behind Nesmith's multimedia company Pacific Arts.
In the liner notes, Nesmith states The Garden is not a sequel in the strictest sense of the term — meaning that there isn't a true continuation of the narrative which began in The Prison. Instead, they are correlated thematically and stylistically as both are presented in a linear and consecutive approach. Each of The Garden's seven chapters are also visually enhanced, if not somewhat inspired by a series of Claude Monet paintings. There is a much more subtle connection between the prose and these unqualified masterworks, yet he is able to relate them in a contextual sense.
The Garden (Slovak: Záhrada) is a 1995 Slovak feature film in cooperation with French Artcam International directed by Martin Šulík. The film is a poetic tale of Jakub, a man in his early 30s. It reflects the relationships and desires of Jakub in the idyllic surroundings of his grandfather's garden. The film was selected as the Slovak entry for the Best Foreign Language Film at the 68th Academy Awards, but was not accepted as a nominee.
Jakub is a daydreamer in his early 30s and is still living with his father. The father is tired of Jakub's idleness and throws him out of the flat. He tells Jakub to sell the old garden of his grandfather and to buy his own flat. Jakub retires into the neglected garden and retreats into the worn garden house from the world and from his problems. The garden turns out to be a magical place full of surprises and mysteries. Jakub stumbles across his grandfather’s journal which is written in reverse script. He finds a map leading him to an old bottle of slivovice hidden years ago. Now curious Jakub must solve the mysteries of his grandfather’s garden. He meets Helena, a young girl Jakub’s grandfather taught to also write backwards. Strange things happen in the garden, and some of them do indeed seem like miracles. Amid the eccentric events, young Helena teaches Jakub to appreciate the delicate mysteries of life. In the end Jakub loses all his possessions but finds his peace.
Zero 7 are a British musical duo consisting of Henry Binns and Sam Hardaker. They began as studio engineers and in 1997 formed the group Zero 7. Their debut album, Simple Things, was released in 2001. Subsequent albums include When It Falls, The Garden and Yeah Ghost.
After studying sound engineering, Binns and Hardaker began their careers in the music industry in the 1990s at Mickie Most's RAK recording studio in London, engineering music for British groups like the Pet Shop Boys, Young Disciples and Robert Plant. In 1997 they created a remix of the song "Climbing Up the Walls" by Radiohead (which was also the first time the name 'Zero 7' was used) and Binns received a credit for additional sampling on Kid A. The pair also remixed Terry Callier's "Love Theme From Spartacus" and songs by Lenny Kravitz, Sneaker Pimps and Lambchop.
The name Zero 7 was chosen after Binns and Hardaker travelled through Mexico and ended up in Honduras where they spent time on an island called Utila on which was a bar called 'Cero Siete'. When back in the UK they were asked by Radiohead to remix "Climbing Up the Walls" and they called the mix "the Zero 7 Mix" which stuck.
Made a note of it
Did you write it on your hand
Put a name on it
To help you understand
Well do you see
The futures holidays are for me
Just let me know
Where we go after the fall
Like the sound of it
Gonna hang it on your wall
Turn and run with it
For the sake of one and all
Where you go, nobody knows
Well do you see
The futures holidays are for me
Just let me know
Where to go
Where you go after the fall