Zebra (disambiguation)

Zebra is one of several species of the horse genus Equus whose members have distinctive stripes.

Zebra may also refer to:

Music

Computers

Zebra (Yello album)

Zebra is the eighth studio album by the electronica Swiss band Yello. The record was released on 17 October 1994 through 4th & B'way and Mercury labels.

Track listing - CD edition

All songs by Blank/Meier.

Track listing - Vinyl edition

All songs by Blank/Meier.

Side 1

Side 2

Personnel

Charts

Singles – Billboard (North America)

Zebra (Zebra album)

Zebra is the debut album by American hard rock band Zebra, released in 1983, eight years after they were founded. The album features all original material, with the exception of "Slow Down" (a Larry Williams tune best remembered for a 1964 cover version by The Beatles) injected at mid-song with much of the second stanza of Carl Perkins' "Blue Suede Shoes", altered at its end:

The album also features two hits which received national airplay: "Who's Behind The Door?" and "Tell Me What You Want". On the strength of both singles the album became one of Atlantic's fastest-selling debut albums ever and peaked at #29, attaining a level of commercial success the band was unable to repeat on subsequent releases.

"Take Your Fingers From My Hair" was covered by Dream Theater for the special edition of their 10th studio album, Black Clouds & Silver Linings.

This album, along with the follow-up No Tellin' Lies, was remastered and reissued by UK-based company Rock Candy Records in 2013.

Bond girl

A Bond girl is a character (or the actress portraying a character) who is a love interest and/or female sidekick of James Bond in a novel, film, or video game. Bond girls occasionally have names that are double entendres or puns, such as Pussy Galore, Plenty O'Toole, Xenia Onatopp, or Holly Goodhead, and are considered "ubiquitous symbol[s] of glamour and sophistication."

There is no set rule on what kind of person a Bond girl will be or what role she will play. She may be an ally or an enemy of Bond, pivotal to the mission or simply eye candy. There are female characters such as Judi Dench's M and Camille Montes, who are not romantic interests of Bond, and hence not strictly Bond girls. However, it has been argued that M's pivotal role in the plot of Skyfall qualifies her as a Bond girl or Bond woman.

In novels

Nearly all of Ian Fleming's Bond novels and short stories include one or more female characters who can be said to qualify as Bond girls, most of whom have been adapted for the screen. While Fleming's Bond girls have some individual traits (at least in their literary forms), they also have a great many characteristics in common. One of these is age: The typical Bond girl is in her early to mid-twenties, roughly ten years younger than Bond, who seems to be perennially in his mid-thirties. Examples include Solitaire (25),Tatiana Romanova (24),Vivienne "Viv" Michel (23), and Kissy Suzuki (23). The youngest Bond girl (though she and Bond do not sleep together) may be Gala Brand; she is named for the cruiser in which her father is serving at the time of her birth. Bond's youngest sexual partner in the books is Mariko Ichiban, an 18-year-old masseuse in You Only Live Twice. The eldest Bond girls are Pussy Galore, whom Bond speculates is in her early 30s, and 29-year-old Domino Vitali.

Solitaire (musician)

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Solitaire from Baltimore, Maryland was a one-man project with pioneering live-electronics created by James L. Callahan; who performed, wrote and recorded solo synth-pop music between 1983 and 1986. James Callahan (aka Solitaire) was the first “truly computerized” artist in the Baltimore area. As Solitaire, Callahan played keyboards and electronic drum machines as a one-man show.

Live Electronics Overview

Solitaire's performance system was manufactured by Sequential Circuits (SCI). It consisted of the Sequential Circuits Six-Trak a 6-voice, polyphonic, analogue synthesizer that was among the first MIDI instruments designed to be used with a computer. The computer and software allowed Solitaire to program the Six-Trak sequencer and SCI's Drumtraks to form one of the earliest known MIDI-based [live] performance systems. In 1984 the system used by Solitaire was said to "create instruments that have never been heard before," at that time "musicians [were] just beginning to tap its potential". However, by modern computer standards the electronic rhythm section used by Solitaire was crude and had several limitations. For example, the SCI Model 64 Sequencer was limited to six voice sequencing. To playback more songs, required sequences be saved to disk (loading of disk sequences had to be done live, on stage, during the performance).

Solitaire (Andy Williams album)

Solitaire is an album by American pop singer Andy Williams that was released in the fall of 1973 by Columbia Records.

The album made its first appearance on the Billboard 200 chart in the issue dated November 17, 1973, and remained on the album chart for 6 weeks, peaking at number 185. It entered the UK album chart the following month, on December 22, and stayed there for 26 weeks, during which time it made it all the way to number three. On January 1, 1974, the newly formed British Phonographic Industry awarded the album with Silver certification for sales of 60,000 units in the UK, and Gold certification from the BPI, for sales of 100,000 units, followed on January 1, 1975.

The first single from the album was the title track, which entered Billboard magazine's list of the 40 most popular Easy Listening songs of the week in the U.S. in the issue dated October 6, 1973, and stayed on the chart for nine weeks, peaking at number 23. Although the song did not make the magazine's Hot 100, it did make the top five in the UK, where it entered the singles chart two months later, on December 8, and reached number four during an 18-week stay. Williams's rerecording of another song from the album, "Remember", as a duet with his daughter Noelle resulted in another Easy Listening chart entry as of the January 5, 1974, issue that made it to number 30 over the course of seven weeks. A third song, "Getting over You", entered the UK singles chart four months later, on May 18, and lasted there five weeks, eventually getting to number 35.