Zarkana | |
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240 | |
Company | Cirque du Soleil |
Genre | Contemporary circus |
Date of premiere | June 29, 2011 |
Location | Touring Aria Resort & Casino, Las Vegas, Nevada (residential starting October 25, 2012) |
Creative team | |
Writer and director | François Girard |
Creation director | Line Tremblay |
Set and props designer | Stéphane Roy |
Costume designer | Alan Hranitelj |
Composer and musical director | Nick Littlemore |
Choreographers | Debra Brown, Elena Kolyadenko |
Lighting designer | Alain Lortie |
Image content designer | Raymond St-Jean |
Sound designer | Steven Dubuc |
Acrobatic performance designer | Florence Pot |
Rigging and acrobatic equipment designer | Danny Zen |
Makeup designer | Eleni Uranis |
Guest Creator and dramatist | Serge Lamothe |
Other information | |
Music guide | Elton John |
Preceded by | Totem (2010) |
Succeeded by | Iris (2011) |
Official website |
Zarkana is a touring arena show produced by Cirque du Soleil which played in Radio City Music Hall in New York City, the State Kremlin Palace in Moscow, as well as the Madrid Arena in Madrid.[1][2][3] The show began previews on June 9, 2011, at Radio City Music Hall and premiered on June 29, 2011.[4][5] The show will be a reinvention of the variety show, with a story about a magician in an abandoned theatre who has lost his love and with her, his magic has disappeared. As he cries and begs the Gods for her return he is plunged into a world inhabited by surreal creatures.
Zarkana is a fusion of the words "bizarre" and "arcana". The name refers to the strange aura and atmosphere of this place and its inhabitants.[4]
Following the success of Zarkana playing in Moscow, it was announced that the show would start residency at the Aria Resort & Casino located in Las Vegas. The show will replace the current Cirque du Soleil resident production, Viva Elvis, which is currently slated to end in August, 2012.[6]
Contents |
To fully rehearse for Zarkana, Cirque du Soleil needed to find a facility large enough to accommodate a space similar in size to that of Radio City Music Hall. Unfortunately not having enough space at the Montréal headquarters, Cirque looked around North America until they found a suitable place. The final decision was the Amway Arena, located in Orlando, Florida. The crew moved into the facility on February 28, 2010, and plans on staying for a couple of months. Due to Cirque's presence and usage of the building, Orlando saw a "great economic boost" according to the Orlando venues executive. Such income is seen in Cirque paying US$2,500 ($2,583 in 2012) a day to rent the arena (plus expenses), around 200 Cirque employees are eating in Orlando and staying in hotels, and around 100 Floridians have worked on the project part-time.[7]
The set consists of three, hand-sculpted arches which represent three of the four mutant characters. The first arch, which is also the largest, represents Kundalini- a snake woman whose world is populated by dozens of slithering snakes. It is decorated with more than 150 feet (46 m) of hand-painted resin “snakes” which started out as styrofoam sculptures that were used to create molds for the liquid resin. The second arch, representing Mandragora- a plant creature whose vines that have overtaken the abandoned theater- is utilized as a video screen. It also has plant-like "arms" which extend to nearly 100 feet (30 m) in length. The third and final arch- decorated with technological gears and pulleys- represents both the Pickled Lady and the Mad Scientist whose experiments unwittingly created her.[8]
Stéphane Roy drew inspiration from the Art Nouveau movement, Antoni Gaudí, Gustav Klimt, and René Lalique. Lalique's inspiration can be closely seen at the extremities of the acrobatic equipment. "Keen observers will also note that the shape of the hole through which Zark makes his first entrance reproduces the outline of Manhattan, while the moon above the stage marks the exact position of Radio City Music Hall."[8]
The LEDs on the light wall, which measures 90 by 40 feet (27 × 12 m) contains more than three million pixels. The second arch contains an LED screen comprising 118 separate panels. The stage itself consists of a sliding platform which allows for fast equipment and prop changes.[8]
Worth noting, Radio City Music Hall is a national landmark, and therefore cannot be altered in any way. Therefore the set and props all had to be created in such a way that no anchors are used for any of the equipment. Everything brought in must be self-supporting since nothing could be bolted in. This in and of itself made it more difficult for the safety and security designs of the acrobatic equipment.[8]
Below are a few additional highlights from the set design.[8]
The cast of Zarkana includes many artists, singers, and acrobats from around the world.[9][10]
A talented group of artists and acrobats perform the acts which comprise Zarkana.[9]
Croatian designer, Alan Hranitelj, created the costumes for "Zarkana".In addition to working closely with the artists to better understand their personalities and design costumes that would work well for them, he found it to be somewhat of a paradox to use so much white in the color palette taking into consideration the darkness of the show.[12] In order to incorporate the white color of the white clowns with the rest of the show's color spectrum, the team incorporate hints of color in the clown's costumes which are distinctly related to one of the acts. The acts of the show, in fact, have each been assigned their own specific color helping solidify the look throughout the show.[13]
Hranitelj took inspiration from the 1920s, 1930s, and Art Deco movement to create the 250 costumes in Zarkana. Floral motifs (especially roses, which can be seen on Zark's top hat and cape) are utilized throughout the show to reflect the love and passion of the show's principal characters. The rose is utilized for Lia and Zark and therefore red and pink are heavily used in their costumes. As red is a symbol of Lia and Zark's love, red was also utilized in the costumes for the Banquine act, as this act finally unifies the two lovers. The fabrics chosen for the show included polyester and neoprene. Sublimation was used on the fabrics to create the colors and prints designed for the show.[13]
Some of the highlights of the costume collection include these below.
Zarkana is a seasonal touring show playing at Radio City Music Hall in New York and the Kremlin Palace in Moscow.[2] The show began previews on June 9, 2011, at Radio City Music Hall and premiered on June 29, 2011.[4][11]
The following colorboxes indicate the region of each performance:
EU Europe NA North America
Arena tour [link]2011 schedule [link] NA Preview: New York City, NY - From 9 Jun 2011 to 26 Jun 2011 2012 schedule [link] EU Moscow, RU - From 4 Feb 2012 to 8 Apr 2012 |
Residency [link]2012 schedule [link] NA Preview: Aria Resort & Casino, Las Vegas - From Oct 25, 2012 |
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The end of the line where zero's the sign
A hole in the mind, deaf, dumb and blind
Nothing to cry not even an eye
Zero again the end of no end
A vacant space lacks a familiar face
An unknown face finds a vacant space
The memory killed by a hole soon filled
Zero again there remain no remains