Zappa is a 1983 Danish drama film directed by Bille August. It was screened in the Un Certain Regard section at the 1983 Cannes Film Festival and was entered into the 13th Moscow International Film Festival. The film was also selected as the Danish entry for the Best Foreign Language Film at the 56th Academy Awards, but was not accepted as a nominee.
Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, songwriter, composer, record producer, actor and filmmaker. In a career spanning more than 30 years, Zappa composed rock n' roll, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the more than sixty albums he released with his band the Mothers of Invention and as a solo artist. He also directed feature-length films and music videos, and designed album covers.
Zappa was a self-taught composer and performer, and his diverse musical influences led him to create music that was often difficult to categorize. While in his teens, he acquired a taste for 20th-century classical composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern, along with 1950s rhythm and blues music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands; later switching to electric guitar. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach, irrespective of whether the fundamental format was rock, jazz or classical.
This is an index of characters from the Guilty Gear fighting game series.
Daisuke Ishiwatari has cited Kazushi Hagiwara's manga Bastard‼, and the fighting game Street Fighter II as influence to the Guilty Gear series. However, he noted that the majority of other fighting games were just recycling the character's same skins or style, and so he wanted every character "to be unique in their own way."Kazuhiko Shimamoto's characters was also noted as an inspiration for the men characters, with Ishiwatari saying they needed to be "chivalrous person-like characters", and citing Anji Mito "the most closest to this type". The female ones, on the other hand, have not followed a standard, with he only saying that they needed look like real women.
There are many musical references in the Guilty Gear series, including various characters' names and moves, which were inspired by rock and heavy metal bands like Queen, Guns N' Roses, and Metallica. For instance, the main character, Sol Badguy, was named after Queen's lead vocalist, Freddie Mercury. Both his real name, Frederick, and his last name were influenced by the singer, whose nickname was "Mr. Badguy".
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.