Ywain the Bastard, also called Ywain the Adventurous, is a son of King Urien of Gore and is a Knight of the Round Table in later Arthurian legend. He is often confused with his half-brother Sir Ywain, after whom he was named. While the older Ywain is the child of Urien and his wife Morgan le Fay, King Urien sired Ywain the Bastard on the wife of his seneschal. He is encountered frequently in Arthurian romance as a hearty and sensible warrior. His death comes at the hands of his cousin Gawain, ironically during the Quest for the Holy Grail. The two meet, disguised by their armor, and decide to joust. Ywain is mortally wounded, and it is not until Gawain takes him to a hermitage for his last rites that he realizes he has killed his own cousin.
The Bastard may refer to:
The Bastard (悪太郎, Akutarō, aka The Young Rebel, The Incorrigible One and Bad Boy) is a 1963 Japanese youth film directed by Seijun Suzuki for the Nikkatsu Corporation. It is based on the loosely autobiographical novel of the same name by Toko Kon. Ken Yamanouchi stars as Togo Konno, the titular bastard. The film marked Suzuki's first collaboration with production designer Takeo Kimura.
The Bastard is a historical novel written by John Jakes and originally published in 1974. It is book one in a series known as The Kent Family Chronicles or the American Bicentennial Series. The novel mixes fictional characters with historical events or people, to tell the story of the United States of America in the time period leading up to the American Revolution. The novel was adapted into a four-hour television film in 1978, The Bastard.
The story begins in November 1770 in Auvergne, France, near Chavaniac. Philippe Charboneau, a seventeen-year-old boy, is living with his mother, Marie, in an inn inherited from her deceased father. The young Philippe never knew his father. Having kept it a secret from him for years, she finally told him his father was James Amberly, the 6th Duke of Kent. The Duke began a love affair with Marie when she was performing on stage in Paris, but he never married her, making Philippe illegitimate. Their affair was brief and when he returned to England, Amberly married and had a legitimate son, Roger; however, he continued to support Marie and intended for Philippe to inherit half of his fortune. When Philippe and Marie received word that the Duke had taken ill they immediately made plans to travel to Kent, England and stake their claim to his inheritance. Once at Kent, the Duke’s wife, Lady Jane Amberly, and Roger, her son, refused to recognize Philippe as the son of the Duke. Marie insisted otherwise and was determined not to leave Kent until her son inherited what she felt was rightly his, half of the Amberlys' wealth.
If you ask me how I knew, I saw you.
I had a bird's-eye view of a bird's-eye
view when I saw you.
I saw you not as you think,
simply just as you. I saw you
And all of this augers well
even though it's presaging pell-mell.
All of it augers well.
the bastard of it being, having to choose
Then you turned all Billy Sunday, shoutin'
"Philadelphia for Christ and Christ for
Philadelphia,"
as the sun groomed the plane with crepuscular rays. When I saw you
And all of this augers well.
Even so, it's presaging pell-mell.
And all of it augers well.
the bastard being, having to choose
between a flickering fuse and power
beyond what you use
Never mind us purple italians,
never mind that pool in the mountains
Victory came and went
on winged elephants. I saw you.
And all of this augers well
even though, even so it's
presaging pell-mell.
All of it augers well
this is the bastard
the bastard of it being: having to choose